Youtube daily report Aug 24 2017

- If you could run as fast as the Flash,

in my estimation, you'd be the most powerful superhero.

You could think at light speed, you could time travel,

and you could make your punches infinitely more massive.

But would you be fast enough

to take a truly hands-free selfie?

Important questions.

(upbeat music)

Now I don't mean a hands-free photo with a selfie stick

or remote, no, I mean is the Flash fast enough

to hold up a camera, press the button,

and then before the shutter closes,

run to get himself in front of the camera

such that his picture will be taken?

This has already been established in the CW's version

of the Flash so let's put it to the test.

First we have to select a camera shutter speed,

I'm going to choose 1/8000 of a second,

or 125 microseconds because this is what your iPhone

or handheld device usually defaults to

and we wanna minimize blur, so can the Flash,

in this amount of time, run, stop, and provide enough time

afterwards for any photons that hit his body

to impact and then impact the camera sensor?

For that, we need to know the distance traveled.

From how far away is the typical selfie, no filters,

there's actually a lot of filters in this,

well a rough estimate would be that from the tip

of your finger to the center of your chest

is around half your height, so I will say just in general,

one meter, and we don't have to worry about the camera

falling in the travel time either because

in just 125 microseconds, the camera would experience

less free fall than the diameter of a small molecule.

Using one of the equations of motion,

we know that the Flash has to achieve a final speed

such that he can cross one meter of distance

in less than 125 microseconds of time,

we can say 124 because it only takes light 3.3 nanoseconds

to cross this distance, since it's kinda negligible

so it's the same thing, let's try it.

Three, two, one.

To take a truly hands-free selfie,

the Flash would have to be able to achieve a speed

of 16 kilometers per second.

That's a crazy fast speed but canonically,

I think the Flash could do it.

See? Possible.

Sure, the Flash would have to pull 13 million Gs

to pull this off, but that's what the speed force is for.

What if we chose a faster camera?

Using lasers, mirrors, and computer algorithms,

researchers at MIT were able to create a camera

with an effective shutter speed of one trillionth

of a second.

At this frame right, you can see light move.

This camera would make the Flash look slow.

(garbled speaking)

Let's try a selfie with this camera.

Three, two, one.

At this exposure time, light only moves

less than a millimeter so unless the Flash can run

many thousands of times the speed of light,

which we've always used as a limit on this show,

there would be no photo.

In fact, no matter how fast the Flash is,

at one meter away, any photos bouncing off of the Flash

that need to make it back to the camera would not have

enough time to do so before the shutter closes.

The only way that MIT video is possible

is because they are sampling many different exposures,

giving photons time to travel to the camera.

That doesn't really work

but we can calculate something else.

Using a normal camera, what is the maximum distance

the Flash could take a selfie at?

Alright, back to our original situation.

Assume that we have a camera with a megazoom lens on it

with an exposure time of 125 microseconds.

In this amount of time, light can travel over 37 kilometers.

Light is fast.

Okay, I know you're gonna disagree with me here

but I'm also gonna limit the Flash's speed to light speed.

We do this even though the comics say otherwise

because beyond light speed is an unknown quantity

and we wouldn't have anything to work with.

So if we limit him to light speed,

he has to run at light speed, but then leave enough time

for any photons bouncing off of his body

to make it back to the camera, and if you do that,

that limits how far he can go to exactly

half of this distance, 18.6 kilometers.

So if the flash had a mega zooming camera,

he could hold it up, hit the button, run off,

stop about 18 kilometers away, pause for a photo, nice,

and then travel with any photons that hit his body

all the way back to the camera and grab the camera

before it hits the ground.

It should have his photo on it.

It would be the most epic selfie ever.

Ew I don't look good, delete it.

So could the Flash take a truly hands-free photo of himself?

Yes, he's faster than most decent cameras' shutter speeds,

making super selfies possible and he's so fast

that he can take the extreme distance selfie to a max,

taking photos of himself from many many kilometers away.

If you're the Flash,

selfie sticks are even more pointless-er.

Because science.

(upbeat music)

Thank you so much for watching, Kristen.

Not you, the other Kristen.

If you want more weird science stuff,

you can check out the S.P.A.A.C.E. Program

on ProjectAlpha.com where I travel to distant worlds

and try to explain them, and if you want even more

silliness, check out my show with my colleague Dan Casey

called Muskwatch, where we get very silly

about a very serious man.

Thanks.

I thought I had something else, but I don't.

Bye.

I'm gonna take a selfie right now

and I'm gonna post it to my Gram-Gram.

And you will know that I did it for you

if you're still watching, oh that's not good,

gonna delete it.

Ooh.

Ooh.

Okay, we can't keep, oh.

Stop rolling.

Gotta take a good one now.

Oh god, I hate it, stop rolling!

It makes me feel bad.

I'm gonna get out of frame, how bout that?

Ha-ha.

No, don't change the frame!

Go away.

Okay bye, I'm done.

For more infomation >> Can the Flash Take a Hands-Free Selfie? (Because Science w/ Kyle Hill) - Duration: 7:23.

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5 Characteristics of a Bad Boy - Duration: 3:10.

For more infomation >> 5 Characteristics of a Bad Boy - Duration: 3:10.

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Here Comes My Arrow - Guardians of the Galaxy Vol. 2 PARODY - Duration: 3:11.

In a Super Cafe

Just the other side of the galaxy

He was just sittin' there a grinnin'

With red fin that made him look sinisterly

This man had just been betrayed

The crew had all turned away

So this man that was blue's whistle blew

And I heard him say...

Watch out here comes my arrow!

It flies super fast and kills everyone!

Watch out here comes my arrow!

Legolas sucks

And Yondu is the ONE

So the ravagers ran

But the arrow was way too fast...

...for them

They couldn't escape

The arrow quickly did chase...

...and it killed them

Then I heard a ravager say

"Down there!" giving his spot away

Then it flew, yes it flew

Straight right through

Blowing them all away, yeah

Watch out here comes my arrow!

It flies super fast! And kills everyone!

Watch out here comes my arrow!

Legolas Sucks

And Yondu is the ONE!

And the arrow stopped

Now the ship was practically empty

Then I heard Taserface scream in rage

Out to the gold lady

So Kraglin flipped the switch with his hands

Their ship broke apart and they ran

And as they flew away

I could hear Yondu taunt Taserface

Watch out here come my arrow!

It flies super fast! And kills everyone!

Watch out here comes my arrow!

Legolas sucks

And Yondu is the One!

Watch out here comes my arrow!

It flies super fast and kills everyone!

Watch out here comes my arrow

Legolas sucks

And Yondu is the ONE!

Hey thanks so much for watching!

We made this video because we saw a ton of requests in our

How Guardians of the Galaxy Vol 2 Should Have Ended.

So we hope you guys enjoyed it!

If you'd like to buy a copy and help support our channel

this track is also available on iTunes as well.

So click this button or check the description for the proper links!

That's all for now, thank you guys again, and we hope to see you next time!

Bye!!!

For more infomation >> Here Comes My Arrow - Guardians of the Galaxy Vol. 2 PARODY - Duration: 3:11.

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6 Types of women that men should avoid - Duration: 2:50.

For more infomation >> 6 Types of women that men should avoid - Duration: 2:50.

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Peugeot 3008 1.6 GT (150pk!) Navi/ Clima/ Cruise/ Panorama-dak/ Bluetooth/ PDC V+A/ 17'' LMV/ Armste - Duration: 0:59.

For more infomation >> Peugeot 3008 1.6 GT (150pk!) Navi/ Clima/ Cruise/ Panorama-dak/ Bluetooth/ PDC V+A/ 17'' LMV/ Armste - Duration: 0:59.

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Audi A5 Sportback 2.0 TFSI AUT6 S-LINE ABT! SPORTLEDER NAVI B&O XENON+LED 19"LMV PDC V+A - Duration: 0:57.

For more infomation >> Audi A5 Sportback 2.0 TFSI AUT6 S-LINE ABT! SPORTLEDER NAVI B&O XENON+LED 19"LMV PDC V+A - Duration: 0:57.

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Le magnésium : votre allié minceur - Duration: 3:52.

For more infomation >> Le magnésium : votre allié minceur - Duration: 3:52.

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(Lamaze-P - Hatsune Miku) Saisho no ippo kara (Sub español) - Duration: 4:49.

For more infomation >> (Lamaze-P - Hatsune Miku) Saisho no ippo kara (Sub español) - Duration: 4:49.

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Turn 14 Warehouse Tour - Duration: 4:03.

hi my name is Paul Telesca and I'm the senior marketing program coordinator

here at turn 14 distribution and welcome to our new 234 thousand square-foot

ultra-modern warehouse located in hatfield PA. Turn14 distribution is the

2016 SEMA wholesale distributor of the year so let's go inside and check out

some of the latest technology that we're utilizing to provide our customers with

the service that we do.

the latest material handling and logistics

technology combined with our proprietary software allows us to have the capacity

for 28,000 packages a day at a 99% accuracy rating so this is the inbound

area of the warehouse anything that we're receiving comes through this

section of the warehouse any product that enters the building light its own

individual LPN number which allows us to track that products in the moment that

it enters the building for the moment that it exists the building and ships

out to a customer so large product comes of the conveyor belt systems automatic

machines up there apply an LPN code to meats large product the product goes to

the scanners the scanners recognize the manufacturer barcode and they recognize

the LPN code it matches that LPN code to that manufacturer product code and it

puts two together into the system and then it kicks it down away to be put

away on one of the shelves with the little product though obviously they

have to be unboxed so the little products get put into these tote each

has its own number on it so that we can see what is in each tote so what the

system does then it will recognize that there are so many bully dog tuners in

this tow it'll automatically recognize that though it has the incorrect weight

and kick it back into what we call exceptions that container has to be

rechecked to make sure that there's no extra product that's not supposed to be

there or product that is supposed to be there it's not missing from so

we have a lot of these screens too in order to monitor our progress throughout

the day that's what's been LP ended which is so important the kids with the

ability to actually track the product as they comes in and out of the building

I really just provide our customers with the most accurate shipping quotes that

we can in order to make their business and their processes easier on their end

as well so once the product is decided Pannell PMS and it goes through the

scanner with no issue it gets kicked down in between are racking where we'll

be put away their scanners all along a conveyor belt system to recognize the

barcode and OPN number as well as you can see they're getting product ready to

be put away in the shelf they come over with a scanner they'll scan that area

and put it onto the cart that they're using wherever there is space they'll

scan the shelf and that will assign it to that shelving unit on the other side

of things stuff also gets picked out to be shipped from this area of the

warehouse as well what they do is come back over here

you know it'll say items could be picked they'll go they'll scan the item put it

onto the cart then they'll come over here place the toe or the large box

whichever it is and it'll be sent up the center here and we'll go up into the

packing area they'll check the weight that will check the dims to make sure

everything is correct and again it's just to increase the efficiency in order

to make sure that we're 99% accurate every time we ship something out the

door that you're going to get the right part so once items are picked to be

shipped out on an order depending on the size of those small items so come down

the sorters here when they come to the packing stations based on the exact

dimensions that were able to capture from the five sided scanners

the system is then able to tell us exactly what product can go in each box you

never have boxes that are too heavy or things that shouldn't be boxed together

once the box is all packed up an LPN is assigned to that box and the automatic

label machine applies the label to that box as well they then are kicked around

through the conveyor belt system scanners on the conveyer system

recognize the LPN number that's assigned to that product and it'll shoot it down

the correct sorter directly into the trailer we'd like to thank all of our

customers vendors and industry partners for their continued support and helping

us to become the number one performance wholesale distributor for more

information on term for turn14 distribution you can visit us online at

www.turn14.com or check us out on Facebook and Instagram

For more infomation >> Turn 14 Warehouse Tour - Duration: 4:03.

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Ingo Appelt, Comedian - Duration: 0:18.

For more infomation >> Ingo Appelt, Comedian - Duration: 0:18.

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The ETF P/E Magic Trick | Steven Bregman Interview - Duration: 2:18.

But the final bit here is how you change a PE.

When is a PE not a PE?

So they tell you, the PE's 22 times trailing.

They do something else then.

After they've dropped out the losers in terms of negative PE, and after they've dropped

out the ones above 100, then they give you what they call harmonic PE.

Harmonic-- a weighted harmonic average.

Now, if you see a tear sheet, the information sheet for these, it'll give a little asterisk

there.

And you can follow the asterisk down to the bottom where they talk about it.

And here's what they do.

I'm going to say something and that'll explain it.

When you create a weighted harmonic mean, what you do is-- it's also referred to as

a subcontrary mean-- it uses the reciprocal of the arithmetic mean of the reciprocals

of the set of weighted PE multiples.

So let me give you-- walk you through an example.

Even though I'm speaking numbers, I think it will be easy enough to follow.

If I just make up four stocks-- one has a PE of 50, one 10, one 20, and one 30.

So I take step 1, I turn the PE into its receptacle, meaning 1/50.

So that is 0.02, or 2%.

And the one that has a PE of 10, the reciprocal of that, 1/10, is 0.1.

And I do that, and I add them up.

And I average it.

So the PE of equally weighted of 50 and 10 and 20 and 30 is an average PE, the way people

think of it, is 27 and 1/2.

And when we went through the exercise and turned them each into their reciprocal or

percentage, and you average those, it's 0.05.

0.0508, meaning 5%.

And then you take the reciprocal of that.

You turn it upside down.

You turn it upside down again.

And all of a sudden, the PE is 19.7.

For more infomation >> The ETF P/E Magic Trick | Steven Bregman Interview - Duration: 2:18.

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Ocean Medallion Moments by Princess Cruises: Superpowers (0:15) - Duration: 0:16.

(sounds of seagulls and waves)

(Phone beeps)

Girl: Superhero Abbey... order milkshake!

(sounds of waves)

Girl: Open Sesame!

(sound of door unlocking)

NARRATOR: The power is yours

with Ocean Medallion.

Only on Princess Cruises.

For more infomation >> Ocean Medallion Moments by Princess Cruises: Superpowers (0:15) - Duration: 0:16.

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ELFYS : AVALON WARS trailer (2017) - Duration: 3:42.

There was a time when we were free.

Athanor stole our freedom.

If we weren't all bending like slaves,

Athanor wouldn't be still sitting on the throne.

I won't disappoint you, father.

What happened to me?

I only remember my name...

Alvann...

I found you unconscious,

barely alive and badly injured.

We live in dark times...

Morgoth. He was brought back to Elfys.

We will call the last living person who's ever faced Morgoth.

There's only one way to eradicate him from the surface of Elfys.

The Heart of Avalon.

It's a stone with divine powers.

It can only be used beyond the Gates of Avalon.

The Kingdom of Avalon is highly guarded.

All those who dared to cross the Kingdom of the Dead,

never came back.

I raised you to be strong.

It's the only way to survive in this kingdom.

You only see vengeance in me...

I am more your tool than your son!

It's a thin line between legend and memory.

You merely need a whisper to end all the songs.

Find him.

Eliminate him.

All I want is our kingdom to be free again.

His power is now unlimited.

You don't stand a chance.

I've been waiting for thousands of years.

Arwann will die.

This won't be an easy victory...

Let me help you.

Have you ever wondered...

if everything could have gone otherwise?

If history could have been different if we had done something?

You are our last hope

to save the kingdom from destruction.

This dark age is coming to an end.

I promise you.

You cannot stop what I've started.

We are at war.

This kind of sacrifice is part of it.

Now!

Charge!

All the elves' lives are at stake!

For more infomation >> ELFYS : AVALON WARS trailer (2017) - Duration: 3:42.

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FATHER's DAY Chin Christian Church 2017 - Duration: 6:35.

For more infomation >> FATHER's DAY Chin Christian Church 2017 - Duration: 6:35.

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#Barcelona turn their attentions to Willian as they struggle to secure deals for top targets - Duration: 2:55.

Barcelona turn their attentions to Willian as they struggle to secure deals for top targets

WILLIAN is the shock new name on the list of Barcelona targets to replace Neymar, according to reports in France. The Catalans are enduring a torrid summer on the transfer front — struggling to secure deals for Philippe Coutinho and Ousmane Dembele.

Barcelona highlight Willian as potential replacement for Neymar in attack.

Barcelona are struggling to secure a deal to sign Philippe Coutinho from Liverpool. And France Football report they have made the Chelsea ace their reserve choice, should they fail to land their top two targets.

Willian, 29, was linked with a move to Manchester United earlier in the summer — and admitted he was close to a reunion with his former boss Jose Mourinho.

He said: I worked with [Jose] Mourinho and I became his friend as well. There were a few conversations with my agent.

Manchester United came to me, they talked with my agent, but nothing happened, because Chelsea would not negotiate me in any way and I'm very happy at Chelsea.

The Brazilian has enjoyed an impressive four years at Stamford Bridge, winning two league titles and being the stand-out performer in the dismal 2015-16 campaign.

Willian in action for Chelsea during Premier League clash with Tottenham. Barcelona are desperate for a third top level forward to line up alongside Lionel Messi and Luis Suarez.

They have turned their attentions to Angel Di Maria, but Willian is now another option.

Barcelona are looking for third top level striker to play with Lionel Messi and Luis Suarez.

Barcelona are closing in on a deal to sign Angel Di Maria from Paris Saint-Germain.

For more infomation >> #Barcelona turn their attentions to Willian as they struggle to secure deals for top targets - Duration: 2:55.

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The Double Life Of Gordon Ramsay - Duration: 4:28.

The Double Life of Gordon Ramsay

Celebrity chefs are a dime a dozen on TV these days, but there's one explosive Scot who stands

out in the congested culinary crowd ...

"I'm done standing here with a bunch of idiots.

F--- you all.

Good luck, superstars!"

Gordon Ramsay is known for his relentlessness, his demands for perfection, and for, at times,

unleashing a vicious temper.

He shouts, he swears, and he's definitely not afraid to tell people what he really thinks

of them.

But the Gordon who's terrified chefs and restaurant owners around the world for decades isn't

the Gordon who goes home to his wife and family.

There's more to this hotheaded chef than meets the eye.

Gordon the Charitable

For years, Ramsay and his family have supported various charities, including Women's Aid,

an organization that provides support to women and children who have been the victims of

domestic abuse.

It's a subject close to his heart: Ramsay has spoken openly in interviews about the

times his alcoholic father hit his mother — once so hard she needed 57 stitches.

Gordon and his wife, Tana, also have their own charitable organization, The Gordon & Tana

Ramsay Foundation, helping children with medical conditions that require prolonged hospital

stays.

There's also The Gordon Ramsay Appeal, his fundraising effort to benefit the Scottish

Spina Bifida Association.

Gordon and Tana are also regular contenders in triathlons and marathons, raising money

for a variety of charities.

Gordon the Unflinching

The F-Word is a cooking show/talk show hybrid that Ramsay has hosted both in the UK and

in the States.

On the British version in 2006, his family hand-raised two pigs in their backyard throughout

the season.

Ramsay also learned about illegal pig castration in Europe and even went into the abattoir

as the pigs were slaughtered, and the process left him sickened.

"It's enough to make anyone turn f---ing vegetarian, for God's sake."

It was the chef's first trip behind-the-scenes at a slaughterhouse, and organizations such

as PETA lauded his decision to show the footage uncensored.

In the end, he fed the pigs to his children, giving them a true "farm-to-table" experience.

"Jack, did you enjoy the pigs?"

"Megan, did you enjoy looking after the pigs?"

"Yeah."

"Yes?

Do they taste better because you reared them and grew them?"

"Honey, she's still eating!"

Ramsay aired similar uncensored footage of his family's turkeys and lambs being slaughtered,

which also earned him praise from animal rights activists.

Gordon the Investigator

In 2010, Ramsay presented a documentary called Shark Bait, in which he took at look at the

damage being done to the world's shark population because of the popularity of shark fin soup.

In Costa Rica, Ramsay and his crew tracked some of the biggest harvesters of fins.

They discovered thousands of shark fins drying on a roof, but were chased away and threatened

when they went to get a closer look.

Ramsay and his crew were threatened multiple times during their investigation, which uncovered

evidence of a gruesome, wasteful practice known as "finning," which is when a shark's

fin is cut off to be sold but its body is thrown back into the ocean to die.

"It's without doubt the worst act of animal cruelty I've ever seen."

Gordon at Rest

When your work days are 16 hours long and most of that work is done in a different country,

quality time to rest is next to impossible.

Ramsay says staying involved in several ongoing projects helps him keep the momentum going,

and while he's working he can expect to get about three hours of sleep a night.

How does he do it?

He takes weekends off — one of the guiding factors of his business plan since the beginning.

His flagship restaurant has never been open on the weekends, a decision he made from the

start for himself, his family, and his employees.

Ramsay says weekends are when he simply "power[s] down for 48 hours."

Gordon the Family Man

Between TV, traveling, fundraising, and his many restaurants, Ramsay also finds time to

be the father he never had.

He's taught his four children how to cook, and helped produce his youngest daughter Tilly's

own BBC cooking show, Tillywood.

He says teaching his kids how to cook for themselves is as important as teaching them

"geography, history, and French," and it's an opportunity he didn't have at their age.

It's easy to imagine Ramsay is the same, obscenity-shouting chef at home as he is on TV, but in interview

in Men's Journal, he insists he's "never cursed in front of [his] children.

Never, ever."

When Ramsay appeared on Jimmy Kimmel Live!, he talked about a few words he taught his

kids to use instead of cursing ...

"Rather than saying the word 's---,' which, y'know, is not nice: 'Shiitake!'"

"I see.

Like the mushroom."

"Like a mushroom."

Thanks for watching!

Click the Nicki Swift icon to subscribe to our YouTube channel.

Plus check out all this cool stuff we know you'll love, too!

For more infomation >> The Double Life Of Gordon Ramsay - Duration: 4:28.

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Chevrolet Aveo 1.2 16V LS B-CLEVER airco! dealer onderhouden! mooi exemplaar! - Duration: 0:57.

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Mercedes-Benz B-Klasse 160/Bl.EFFCY BNCL/AIRCO/AUDIO/LM/TEL/AFNBTRH/INR&GAR.MOG. - Duration: 0:54.

For more infomation >> Mercedes-Benz B-Klasse 160/Bl.EFFCY BNCL/AIRCO/AUDIO/LM/TEL/AFNBTRH/INR&GAR.MOG. - Duration: 0:54.

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💤☔Suono Della Pioggia Rilassante Che Cade Sul Tetto Per Dormire🌨💤 - Duration: 1:08:20.

For more infomation >> 💤☔Suono Della Pioggia Rilassante Che Cade Sul Tetto Per Dormire🌨💤 - Duration: 1:08:20.

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Road to the German Championship | PART 2 powered by Unikrn - Duration: 7:59.

99damage: There´s the music and we are going live in the first map of the final,

BIG vs aTTaX, with BIG starting on the ct side!

gob b: down below.

LEGIJA: 10 seconds. gob b: not save.

LEGIJA: flashing base once. keev: Lower. Out lower.

gob b: Don´t kill him, 7 seconds!

keev: Don´t kill him, just run! Screw it!

gob b: It´s okay.

tabseN: Sick round Joe(nex) and Niko(LEGIJA). Nice first frags Niko(LEGIJA)

keev: Nice.

nex: Could go out yellow. tabseN: I am coming a with you.

LEGIJA : He is forklift!

gob b: Nice boys! LEGIJA: Well done Joe(nex)

nex: nice, good job coming with me there Jarozs(tabseN)

tabseN: Of course men!

LEGIJA: Can I have a drop please?

tabseN: I am always there for you!

gob b: I didn´t get the last part, what did you say?

kakafu: When they play a B explode,

gob b: Speak up a bit please.

kakafu: If they push Niko(LEGIJA) back.

gob b: Yeah.

kakafu: he is just going to molly vents

or fall back or he just stays if he has good information

but they mustn´t just take B effortlessly, they did that last time!

If they do that it is insanely hard for us to counter them. If Kevin(keev) keeps playing awp from vents we should rape them every time, normally. In my opinion.

gob b: Okay let´s do that then. But we gotta eco first, right?

tabseN: Play Z, if they smoke boost me please.

gob b: I´ll do that. I am low on money, I only got 1.4k.

kakafu: Don´t balance it out on the other sites tho! They know that.

nex: I will buy a p250.

tabseN: I can drop a p250 aswell!

kakafu: Besides that just keep your cool! Our t-half is extremly strong!

We just need 2 or 3 ct rounds and it´s going to be ezpz.

keev: Let´s go boys!

kakafu: Did we take the timeout?

tabseN & keev: Yes

tabseN: We did.

tabseN: Come on guys, we are going to take this round!

kakafu: Full focus now!

gob b: Full focus boys!

keev: Should be able to come A.

LEGIJA: One A spot. tabseN: One out A.

keev: One ct middle.

tabseN: Ahh, whatever. We got some good rounds in the end.

gob b: let's get 8 rounds in a row! keev: Come on t-side, let´s go.

gob b: Don´t forget about our pistol strat, okay? kakafu: We adapted well guys, seriously!

kakafu: It was all good! Good calls Johannes(tabseN), very important!

tabseN: AWP upper!

gob b: Above and in front of B, I think.

tabseN: Fuck men.

gob b: Let´s wait for the smoke, that would have been sick.

tabseN: I just had a really strong lurk position. keev: Quiet please.

gob b: Let´s do what I call tho, please!

My call is to pressure mid to b, my idea is that he plays there with an awp and that we are able to go out middle!

keev: But if we play mid to be pressure I am always booster, right?

gob b: No, you never are boost! You are always B, we are doing cross smokes.

tabseN: In front of doors, in front of doors.

gob b: Yes, a timeout. Of course...

tabseN: Why are you on tilt Fatih (gob b)

gob b: Becaue we are dying!

tabseN: But what are we supposed to do? Pleas don´t be tilt Fatih (gob b)

gob b: I am not tilted. I am not tilted okay?

tabseN: Thank you.

gob b: I am smoking you off Joe(nex)

LEGIJA: Highway, care!

nex: Probably Highway

tabseN: Yeah highway, you saw him Fatih(gob b)

gobb: I am hiding

tabseN: He is up!!! Fight him! NICE Joe(nex)!!!

gobb: What a perfect call guys!

keev: Probably awping middle!

LEGIJA: One main! tabseN: MAIN!

keev: awp ct ramp!

LEGIJA: He´s Olof (spot)!

keev: Ct can´t come, Fatih(gob b) has got it!

keev: I think he is playing contact on you Fatih(gobb)

tabseN: Short can´t come either

gob b: I am hiding. LEGIJA: A main down

nex: I am counter pushing van.

tabseN: Z, z!

LEGIJA: I am in the ptr (ex-teammate) position!

tabseN: Truck.

Nice

99damage: ...and nex finishes him!

keev is getting his head fondled...

...after stepping up towards the end,

although he lost some duels against syrsoN in the beginning!

And there are the first happy faces! BIG decided map number one for themselves in a long and exciting final!

Knochen: After the timout, I said that you should play like that and you did exactly as I said.

gob b: Yeah because it was the best call!

Knochen: I am just learning from the best. keev: What did you say?

tabseN: Let´s talk about the upcoming game tho!

gob b: Yeah let´s think about that.

What is our pistol strat?

I am going to tell you what I´ll buy! I am going to buy utility...

nevermind, you are going to buy utility but you need to go with him,

I´ll do the smoke and flash over middle once

LEGIJA: I am going to open up b?

gob b: No, I am going to open up b. You are going with them and you are either going to remolly or resmoke middle.

kakafu: Remollying is really strong. Very very strong!

gob b: Because the molly is useless in the afterplant, but if they are close and there is a molotov, they are going to hide inside the smoke and then it´s gg!

And let me call before you do something!

And let me call something first, because I awlays have a plan!

I knew they were going to stand split up, with the awp playing defensively in middle we would have raped them!

keev: I didn't say anything

nex: He knew he was there tho.

kakafu: He knew he was there.

gob b: He saw him and then solo peeked him.

nex: Why don´t we flash him then.

gob b: You said you´d fuck him. keev: I do, normally.

LEGIJA: It is okay then, forgivable.

gob b: I´ll call with my gut. Just trust me on this one. I´ll call the optic smokes, everything we´ve got is strong anyways!

tabseN: We have the mid explode and so on. gob b: We got a lot of things.

gobb: Just keep our cool, win the map, grab something to eat and the we won.

gob b: Not kidding, gob is getting weak again.

gob b: I just got pissed, because I hate it if the enemy plays like I think they are and we make the wrong play anyways!

kakafu: We get that!

99damage: Welcome back ladys and gentlemen to the grand final of the ESL Frühlingsmeisterschaft 2017

BIG vs aTTaX, the score is 1:0 for BIG

and we are waiting to go live into the second map.

gobb: One dinked. tabseN: One dinked, 10 hp!

keev: Your round Niko(LEGIJA).

gob b: The one on the right is low, the one not on 3 is not low.

nex: Up! tabseN: That one is low Niko(LEGIJA).

NICE! AWESOME! WOOOOO!

keev: Do you want to fall back? gob b: No.

LEGIJA: One 3

keev: Behind 3

tabseN: Kevin(keev) has got your left.

nex: Another one 1hp!

all: Nice try Fatih(gob b)

gobb: Why don´t you position yourself so you can´t be seen?

keev: I thought you were holding my right!

gob b: I was but the angle is self explanatory!

LEGIJA: He was, all good!

nex: He could come t-mid, you need to constantly checking it! LEGIJA: Okay, will do.

keev: Awp 6

keev: Still awping 6

LEGIJA: He is behind 6 tabseN: There are two left!

One behind spot! LEGIJA: And t-mid!

Last is 6.

tabseN: Nice boys, nice round!

Fatih(gobb) you are playing very well right now!

gobb: Come on guys, keep going! Don´t relent now!

tabseN: I need a drop, please!

LEGIJA: Did i kill one? gob b: no. nex: Another one out Z, 2 out Z!

tabseN: One ivy, one hp!

gob b: Nice try. Come on now! This has got to be a good ct half now, nothing worked as t!

Not a problem tho, we can still easily do this.

For more infomation >> Road to the German Championship | PART 2 powered by Unikrn - Duration: 7:59.

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Yoga In The Sun

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N*E*R*D, Gucci Mane, and Young Thug Headline ComplexCon 2017 - Duration: 1:41.

Hey everyone, for Complex News, I'm Justin Block.

ComplexCon 2017 isn't going down until November 4th and 5th in Long Beach, California, but

it's fast approaching.

Not only will the best in art, design, clothing, tech, and sports culture be displayed and

discussed, but the festival's got a stacked music lineup as well.

Pharrell, who's also part of the 2017 ComplexCon host committee, shut down ComplexCon 2016

along with Kid Cudi and Travis Scott.

This year, he's returning to the festival stage to lead N*E*R*D's exciting set for

Saturday night's live music.

On Sunday night, we've got performances lined up from Gucci Mane, M.I.A., and Young

Thug, who're all guaranteed to light up the festival stage after the day's exhibitions

wind down.

The free-flowing music doesn't stop with the headlining acts though.

A-Trak and Friends' famous Fool's Gold Day Off is planting its flag at ComplexCon

2017 as its official Southern California performance stop.

With that, a slew of acclaimed artists, along with up-and-coming acts, will hit the mic.

DJ Khaled, D.R.A.M., ASAP Ferg, Virgil Abloh, and Jaden Smith are all performing, but they

won't overshadow this list of talented artists who'll play as well: We've got SuperDuperKyle,

No Name, Ski Mask the Slump God, WIFISFUNERAL, Dreezy, Chloe and Halle, Injury Reserve, and

Ronny J.

With a diverse lineup of this caliber, ComplexCon 2017 will be one of the live music destinations

of the year.

Tickets go on sale August 18 at ComplexCon dot com.

For Complex News, I'm Justin Block.

For more infomation >> N*E*R*D, Gucci Mane, and Young Thug Headline ComplexCon 2017 - Duration: 1:41.

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For more infomation >> N*E*R*D, Gucci Mane, and Young Thug Headline ComplexCon 2017 - Duration: 1:41.

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Power of the Pen Poetry Plays Week 6 Part III Kevin Coval - Duration: 15:11.

- [Narrator] During our class videos you may hear

our poets and playwrights use terms that are new to you.

We've created a list of key terms and definitions

that you can refer to at any point

during our video lectures.

This list is available on the videos and readings class page

where you can read it or download it as a PDF.

If you would like to find and review these terms

while you watch each class video,

you can stop this video, go back to the videos

and readings class page, and download the PDF.

There you can play this video

and each of the following class videos.

If you have any questions about these terms,

we encourage you to ask your teaching team

in the weekly class discussions.

Kevin Coval is the editor of the Break Beat Poets

New American Poetry in the Age of Hip Hop

and is the author of Schtick, L-vis Lives,

Race Music Poems, Everyday People,

Slingshots A Hip-hop Poetica,

and the play This is Modern Art

co-written with Idris Goodwin.

He is a four X HBO Def poet and has written

for a wide variety of publications including CNN.com,

Huffington Post, and Fake Shore Drive.

This Modern Art is forthcoming.

He's the founder of Louder Than a Bomb,

the Chicago Youth Poetry Festival,

and the artistic director of Young Chicago Authors.

He teaches hip-hop aesthetics

at the University of Illinois Chicago.

- Hey what's up y'all?

I'm Kevin Coval, poet and educator

and one of the founders of Louder Than a Bomb

the Chicago Youth Poetry Festival.

I've been writing for a long time,

teaching creative writing for a long time.

Not because I wanted to but because I was asked

into a classroom in '96 by my buddy Eboo Patel.

I myself was not a very good student

and didn't think I was going to be a good educator,

but I realized I have a love of the story

and a love for this work,

so my hope is that I'm going to share with you

some tips that you might find useful.

Forgive my face, by the way.

I would never say that because I feel like I'm generally

a fairly handsome individual

but I recently got some dental surgery

so I look more like a chipmunk than the suave gentleman

that I normally am.

So this is what I want to say,

you know I come in a tradition of Chicago letter makers,

Chicago poets particularly

and one of my mentors mentors was Gwendolyn Brooks,

so my mentor, one of my mentors is Hakim Adabudi

and one of his mentors was Gwendolyn Brooks

and one of the things that Gwendolyn Brooks

would tell young writers all the time

and I had the opportunity to see her tell this to me

and you know hundreds of other young writers

is that our responsibility as young writers

is to tell the story that's in front of our nose.

And I think that's important right?

That poetry and writing in general.

Our lives are sites and sources of art

and we should make art.

We can make art about what's around us,

and you know Gwendolyn Brooks of course is a master at this.

She would take what was in her front yard

and her back alley, she would write about

her beloved neighborhood of Bronzeville,

the city of Chicago, people she saw there you know every day

and she would record and report the lives

and the dreams and the horrors of a community, of a people

and I think we should do the same.

I think that poetry shouldn't necessarily have to be

something that is far reaching

or that is grandiose in its idea.

I think poetry can be something that is more everyday.

Poems should be composed about what we know intimately,

so you know how you sound is how a poem should sound.

How the people around you sound is how a poem should sound.

If you can incorporate slang and local tradition

and narrative into the poem.

I believe in the use of the particular pronoun a lot,

so if you are talking very specifically about Wells Park,

then say Wells Park.

If you're talking about 63rd and Kedzie,

or Lawrence and Ashland or whatever spot in your life

you're writing about, then name

those things very specifically.

I think that the world around us is rich.

I think that if we don't do the work

of telling our stories, of recording, representing

our history then inevitably somebody else will do it

and we know how history gets written.

It gets written by the victors

and as we've seen those who have access to capital

and you know Eurocentric white supremacist views of history

are those histories that are reported, that are recorded

and so I think the poem and the narratives

that exist in our own lives are really important sites

and sources to do this work.

Some of my favorite rappers Mos Def and Talib Kweli

talk about their work and their practice

as being real life documentarians.

And so this idea that the worlds that we inhabit around us

can be sites for this work I think is essential.

All right so Gwendolyn Brooks,

tell the stories in front of your nose.

Frank O'Hara is a dead white dude who I mess with.

I normally do not mess with a lot of dead white dudes

in part because when I was

being taught poetry in high school

I was under the impression given the teachers that I had

that poetry was only something done by dead white dudes

who got lost in the forest.

Now I didn't know any dead white dudes,

even though I am white.

And I did not live near a forest,

and so the notion that poetry could be about

you know the world, I was not put on in high school

and you know it was rappers specifically

that broke down that idea because they were recording

and reporting about the worlds around them.

You know when Grandmaster Flash's The Message

in 1982 dropped and you know Melle Mel talked about

the south Bronx and the deindustrializing neighborhood.

Don't push me 'cause I'm close to the edge.

I'm trying not to lose my head huh huh

which is a haiku by the way.

That I was like yo, that's fascinating.

That's very interesting.

It's not only the emotion of what is occurring

in such a place but it's a thick description

about what's happening in that place.

So hip-hop of course broke for me that notion

that poetry was only done by dead white dudes

that got lost in the forest.

Frank O'Hara is a dead white dude.

I don't think he got lost in too many forests.

He did write really beautiful poems about his life.

Very I would say

you know beautiful, personal love letters

to each day or all these people,

all of his lovers and all of the things that he liked,

he had these beautiful poems about

and he wrote an essay that I go back to a lot

and I teach from all the time called Personism

and it's an essay that came out in Donald Allen's

New American Poetry in the fifties.

It was some of the first places

that the beat poets were published.

It was some of the first places that at the time

LeRoi Jones, later Amiri Baraka, was published.

Allen Ginsberg was in there.

Frank has this beautiful essay

at the back of the book called Personism.

In it he talks about the idea of a poem can be...

The idea of a poem can exist between two pages

as opposed to between two people.

That he could have picked up the telephone,

but instead he wrote the poem.

And so for me what I garner from this

is that you know a poem could be

something that's very intimate.

That how we talk to one another

can also populate the language of a poem.

Sometimes I think we get lost in metaphor.

That we want to be very clever 'cause we're very smart

and we want to you know we want to do these

extended metaphors that are like metaphors

on top of metaphors and it gets

very confusing and convoluted

as opposed to just saying what we really mean.

And I think sometimes like the simplicity of language,

the actual person we're talking to,

the various feelings that we're trying to convey,

the thing that we really had for dinner,

you know what corner we're going to,

what flower we're seeing,

what movie we're going to see later,

what actor we're excited about,

what painting we've been you know

that we've been turned on by at a museum.

All of these things, the particular things,

should populate the poem.

I often say a lot that it's through the particular

that we articulate the universal

and what I mean by that is if you tell me that you're happy

or that you've had a good day,

I don't know what you mean right?

That's very broad, it's abstract.

But if you tell me for you you know happiness

is you know going with your best friend to get a tattoo

that's very different than a happiness that is a

you know a Sunday at church with your grandma.

And it's not necessarily different but it's just particular

and so it's through the particular

that we get at the universal,

so all of these fine things in our lives,

all of these fine details in our experience

should populate our poems.

You know there's no one way a poem should be

and there's no one way a poem should sound.

I love poems that are just stories

that are very narrative and I like poems that rhyme

and I like poems that don't rhyme.

I do think language is also a musical instrument,

and so as much as I'm concerned with how the words

are aligning on the page and I love

playing with enjambment and where the line breaks

and how to get multiple means out of a line break

or spacing and having sometimes increasingly

playing with how a poem might look on the page,

I'm also equally concerned with how the poem sounds.

Poetry is you know one of the most ancient of arts

and it has historically been an oral art.

It's you know it's one of,

it's one of a way for a community to keep history

by singing the songs of its tribe

and so the way that the poem sounds

and the way language works is to also delight

in its assonance and its consonance

to be concerned perhaps with anaphora and the repetition

of words that might clue the listener in

to what's in between.

Similar to how a chorus might work on a pop song,

a poem can work in similar ways.

And so I think to be at once concerned

and maybe foremost concerned with the meaning

but then as you are composing as well

in your revisions, also think about

how the poem is sounding in your ear,

sounding in your mouth.

You know poems should be read and they should be heard

and I think great poems do the work of being read well

and understood on the page as well as

also delighting the ear and I think

that they're equally important.

Yeah so just a note I guess about rhythm

in the poem and really kind of sometimes

the choice you might make as a performer,

to read a poem differently.

Now I'll say this, I mean I think that

I am trying to do the work as a writer

of having any reader be able to pick up my book

and read it as I might recite it,

but that being said and us living in 2015 I mean

you also have you know you have

access to audio recordings and so part of what

I try to do as a reader of my own work

and as a performer of my own work

is to make choices that I think will

inform the meaning of a poem.

And so there's a little example from a poem I wrote

that I want to share and just

talk through the choice that I made.

So there's a poem I have called

How to Teach Poetry in Chicago Public Schools

and in it, I have this bit that on paper

you know it'll read one way but how I perform it

is there's a difference in the performance

and so in the poem I say start with a rhyme.

Something quick, a half note behind west side double time.

Their ears picked able to roll with all those syllables.

That's how it reads on the page.

Now in performance, I might say something like

start with a rhyme something quick

a half note behind west side double time

their ears picked able to roll all those syllables

now read a poem something slow, familiar familiar.

And I do that quickness in order to also

you know enliven the rhythm of the poem,

but also to emphasize the style of rhyming in Chicago

that we are accustomed to hearing.

So you know the innovation of Twista and Do or Die

and Psychodrama and Crucial Conflicts

double time that was also popularized

by the crew from Cleveland, Bone Thugs-N-Harmony

like that idea of rhyming very quickly

is something that is also indigenous to Chicago

and so in my poem I wanted to get at that.

Now double time on the page is interesting

in terms of a transliteration

and so I might on the page try to put that language

closer together, or maybe even like have it represented

in some other way textually

but as a recitation I'm also trying to

you know pay attention to the musicality of it.

And those are choices you make as a performer.

You know I think that you get more and more comfortable

every time you recite a poem and for me

I have that poem memorized

just because I've done it so much

that it's become, it's become part of my practice

and every time I say it I hope I'm saying it

better and better in part because that is also the practice.

And I've learned sometimes I'll edit through a recitation

where there's something that doesn't sound right in a poem

and so it allows me to take something out,

cut out a word, cut out a line,

an idea that just is falling flat in recitation

even if it's just in my room to myself or to an audience

it's also a site to edit.

For me I think the poem has to work on the page

and it has to work in the ear,

and if it isn't working in both places

then there's some editing that needs to occur.

For more infomation >> Power of the Pen Poetry Plays Week 6 Part III Kevin Coval - Duration: 15:11.

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For more infomation >> Power of the Pen Poetry Plays Week 6 Part III Kevin Coval - Duration: 15:11.

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What To Do If She Says She Has A Boyfriend - Duration: 4:31.

*enter HARDCORE BUBBLY MODE* Hey Guys!

I'm Kate Spring, your virtual dating and relationship tutor.

Have you ever fallen for someone who is already in a relationship?

If you have, don't worry, you're not alone.

I personally have, and I know many people who have as well.

This is a super tricky position to find yourself in.

It's like a more complicated version of the friend zone, but with a third party participant.

Anyways, I'm here to help you with what to do if she says she has a boyfriend.

Just before we get started, if you have any questions at all, please leave them in the

comments below and I'll be sure to get back to you, personally, as soon as I can!

Alright, I'm sure you already feel how uncomfortable this situation is.

And there are really two camps here: one is that you've just met her, and, two, she

is already your friend who has a boyfriend.

For the latter, I would say that it is best to move on.

But, now you're thinking, what if you have a friendship with her?

That is a different story, and one I can help you with.

If you are just friends with a girl that you like, I want to say try and then move on,

keeping her as a friend.

However, if your feelings are strong enough, you want to be proactive about it and not

have any regrets.

I understand the need to at least try to let her know you have feelings for her before

you can fathom moving on.

Chances are, if you're friends with her and you like her, you will try to be the person

that she can call on whenever she needs someone.

If this is you, you're her security blanket.

This allows her to date other men but still keep you there for all of the good advice,

and positive male attention.

This is, essentially, the friend zone, which is not a terrible place to be in.

This just means that you are valuable to her, but she doesn't see herself dating you,

yet.

Being in the friendzone doesn't completely suck, I mean it sucks, but thankfully you

can try and do something about it.

Being in the friend zone means that she trusts you and probably doesn't want to complicate

or lose you as a friend by dating you.

No matter how strong your feelings are, you aren't going to change her mind over night.

Regardless, if you like her current boyfriend or not, it's not your job to tell her why

she shouldn't date him.

The key here is patience.

Watch and be there for her.

Love takes on many forms, and one of the most valuable is friendship.

So don't get discouraged just yet.

Do not, whatever you do, or however drunk you get, talk poorly about her current boyfriend.

When girls hear this, it makes them not want to confide in you anymore and you will put

her in protection mode and make her defend her boyfriend to you.

Ultimately, girls need to make their own decisions in relationships they don't want to be told

who is good enough for them.

They need to learn it themselves.

No matter how loud you yell it, she may never hear it, or she only will when she is finally

ready to hear it and move on.

If you want to learn more about how to attract women, head over to katespring.com/free and

pick up a copy of my attraction building handbook where you'll learn how to win women over

through text messaging and body language.

That's katespring.com/free.

And to make your life easier, I'll post the link in the description below.

Ok, there are, however, some ways that you could change her mind or help her along the

decision-making process.

That is, if you are always available to her, you need to stop.

At this point, she sees you as a friend, not someone who is boyfriend material.

If you want to subtly let her know that you're not her surrogate boyfriend, you need to create

some distance from her.

You're the boyfriend without the benefits; you basically pick up the pieces that her

boyfriend fails to.

But this is a good position to be in because it means a couple things: one, it means that

she values you and your opinion, but, at the same time, you are not the person she is attracted

to if you are so available to her.

If you start to live your life without her, not always being there to comfort her when

she's sad, to hang out whenever she wants, or to immediately answer her phone calls,

she will probably start to realize that she needs to make a decision.

And if you start dating other women, this will ultimately frustrate her in that another

woman has essentially "stolen" her friend.

Once you start to live your life without her, maybe she will have to reconsider who she

could live without, either you or her boyfriend.

Another bonus of this is if your emotions happen to be lust, the chances are, in the

right environment, they can be pretty fleeting.

Taking yourself out from under her wing and living for yourself might actually allow you

to go out and meet someone else.

You don't want to be the security blanket.

If these feelings are inevitable, and some time has passed, and you just cannot quit

her, then you have to tell her.

But please, please, don't do it wasted on a night out and get all weepy.

This won't work to your benefit.

And don't tell her with the expectation that she will leave her boyfriend for you.

You don't want to be the guy that snakes another guy's girl.

I feel like you "guys" have unspoken rules about this type of thing.

Your reason for telling her should be for closure.

Alright, that's all for today, before you go, don't forget to subscribe to my channel

and stay up to date with my latest videos!

Anyways, thanks for watching, and I will see you next time!

For more infomation >> What To Do If She Says She Has A Boyfriend - Duration: 4:31.

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Fifth Harmony - Angel (Lyrics / Lyric Video) - Duration: 3:27.

Hey :P

For more infomation >> Fifth Harmony - Angel (Lyrics / Lyric Video) - Duration: 3:27.

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Why the Law of Attraction is NOT Working: Missing Keys That Change EVERYTHING - Duration: 7:01.

Welcome back to another video. My name is Aaron, and I hope people

Expand their consciousness

Now with this video what I'm gonna do is share with you?

Why the law of attraction might not be working for you and at the same time?

explain some of the missing keys or the missing steps that you might be not paying attention to that are creating the

experience of

The law of attraction not working now the first thing that I want to say about this is that when it comes to the law

of attraction

Realize that even deeper than the law of attraction is that our beliefs are creating our reality?

Now what this means is that if we believe that the law of attraction doesn't work?

It doesn't necessarily mean that it's not working, but we might create with our own belief system

We might create the experience that there is no

Continuity and the thoughts that we're thinking - what we're experiencing in our life now the idea behind this is that us

thinking the law of attraction

Isn't real and actually thinking about that consciously is bringing more

Experiences to us that are reflecting that to us and is creating that for ourselves, so in a way. It's becoming a self-fulfilling prophecy

Which of course on a different level is showing us that it does work because the law of attraction is bringing through

The evidence that the law of attraction isn't working now just to kind of clear up the law of attraction because the law of attraction

To some people has a very strong positive

connotation but to other

People because of the movie the secret which I think got the message out to a lot of people at the same time

Certain points were under emphasized and some people have a negative connotation with it for the people that have the negative

Connotation what I want to say is that the law of attraction?

A way you can think about it that might be more relatable

Is that our ras the reticular activating system in our brain this selective focus we have?

Will always look for patterns and whatever we focus on will grow so as tony robbins doesn't as a lot of his

Conferences or a lot of his seminars you look around right now, and I'll ask you to look for everything

That's brown you'll look for brown look around look around look for brown

And then if you close your eyes, and I ask you to tell me what you saw that was read

You wouldn't be able to think of as much because your ras wasn't looking for it now in the same way

That's a very similar idea to the law of attraction

Whatever. We focus on groves if we're focused on a certain car that we bought we might see it everywhere because our

memory and our mind has simply decided that that thing has

significance now that it's a part of us

Or it's a part of something that we have now the idea behind this is to realize that the first thing

We must do is become aware of our definitions. What do we believe to be true?

Do we believe that the universe is working for us?

Do we believe that it will mirror back to us what we want now the other part to this of why the law of attraction?

That might not be working is because we are focused on the mirror to change rather than us changing ourselves

Now what this means is that we're asking for proof before we actually believe it and remember our beliefs are what creates our?

Experiences, and if we were to stare at a mirror and say, I'm not going to change until you change

We're gonna be sitting there forever

But if we learn that we must first buy into ourselves we must first tailor our own focus

That's where we start to gain our power back, and that's where we can consciously decide and say hey

Where do I want to put my own energy where do I want to focus and as we put our focus on what we want?

We'll find more and more of it now the other thing

I want to talk about with the law of attraction is the whole process and what is important because some people under emphasize certain

points and

Overemphasize others now as I always say it on my channel

It's not just about the thinking it's not just about the emotions

It is also about the action so sometimes we might be sitting around or we might be doing things and thinking to ourselves

I want to attract this I want to attract this but if you even take the words

Attraction the word action is inside of it. I don't think it's just a play on words

I think there's significance to that there is action that is necessary in order for us to create

Opportunities in our life to perceive of what is ready for us to seve of what we are getting mirrored back to us

so the idea is to align how we think how we feel and how we act in

Coordination and in the same direction of what we want to experience, and that when we do that

we are creating for ourselves a

Powerful Momentum now as I say we don't necessarily need to be focused on what we want

But it's more about who we become

Because who we become is the important part of what we have to keep because even if we lose the material thing that we got?

We can still create more of it and at a certain level that's where the growth really begins

so the beam part is the

action is the

Feeling and is the thinking now the best part is when we do some of these for everything say it's about money

You can start to take more action towards your passion towards action towards

monetizing your passions or towards providing value for people you can then start to focus on the

emotions as you're taking the action because they link into one another and guess what if you read a lot of books on that if

You read and study other people who have done the same thing that you want to do and you model their behavior

You're combining all of these you're linking your thoughts

You're linking your emotions

and you're linking your action and you're

embodying

Who you are meant to be in order to get the experience that you want so realize that if our beliefs are holding us back

We are thinking that the law of attraction isn't working when in fact it is reflecting back to us exactly

that is of reflecting back to us that it is working is just we're not seeing it because our

Selective focus and because our beliefs are creating

discontinuity in the experience

We're creating and were not seen that all these synchronicity exists together were only seeing that which we are tuned to

So remember you can take your power back by doing every step of the process by getting to the core of your definitions by

Realizing that as you change so does the reflection and then that's when the true progress

really begins so with that being said

I hope you guys enjoyed this video feel free to like this video if you

liked it subscribe if you haven't already and

Feel free to push the notifications because some people tell me that even though I post daily videos

They're not getting the notifications, or they're not seeing a pop up so hit that

Notification bar if you want to see those daily vids and as always I will see you guys on the next vid

Please much love and as namaste

For more infomation >> Why the Law of Attraction is NOT Working: Missing Keys That Change EVERYTHING - Duration: 7:01.

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MDC in Focus Alum - Quincy O'Bryan (Production Skills) - Duration: 0:31.

I'm Quincy O'Bryan. I'm the "go-to-girl" at the M Network.

I produce, I edit, I shoot video.

Has helped shape the arts in Miami...

Because of MDC in Focus

I've been able to apply those skills into everything I do every single day.

The program is fantastic, it really prepares you to transition seamlessly

into the production industry.

For more infomation >> MDC in Focus Alum - Quincy O'Bryan (Production Skills) - Duration: 0:31.

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VLOG 19 // AKIHABARA - Duration: 12:00.

I start the vlog a little late

cause we got lost again

we are at akihabara again

not again. I mean its just the second time

and lisa wants to go to a gatcha mashine

cause she collects this buttons

and she just have 2832 stücker

stücker. buttons. i meant buttons

and here you can see a little bit of akihabara

a really litte bit of it cause you can just see 5 buildings

and now we cross the street

and the we will spend more money here

those sayings

*throw more money out of the window*

typical saying

my favourite saying : throw money out of the window

ding. stückers

ok. anata

atana. tz anata

whats that

could be a name. atana

sounds like a Hunnic King

Dog King ?

Hunnic King

ATANA THE Hunnic king

not atila. atana. it was me

here you can see the street

i wonder if my vlogs are intresting cause

most of the time i just walk through streets

or take a train

i bet i think when i cut those videos: what the fuck did you just filmed

but im ok with that

and cameras are mostly forbidden in the stores

cause you can copy the things at home *joke*

figures and stuff. obviously

but you can see the surroundings

here are many european faces as well

sometimes even germans

vending machines. VENDING MACHINES !

Oh i dont know that

i dont have anything to drink

i thought i get

a small change

small cash

ohhh drunki drunki

just for the real flavours

I didnt saw that coming

tastes like

fanta

where was it ?

there. somewhere ... it is

it is in a arcade store

did we walked for far ?

here it is

lets see if the odds are in your favours

I dont have enough money

we can show the changing machine

you can put everything in there that you have

lisa takes 10

then you can choose

and then she takes her money

and wastes it

lisa would like to have the eyebrow

if she gets her you

will see soon

you can sell it in germany

maybe you can see whos next ?

can we ?

na im not sure

they have a new asuna figure as well

which can transform

that shes black

i really need to watch the movie to understand it

but its nearly impossible to get something out

i got it once and never again

yes sure. he explodes

and he still lives

so where was mine ?

it was in a side road

sure ?

oh. nice timing traffic light

i hope i have

500yen

i just have

money for 1

no. yes

doesnt it change ?

i just have 50

wont it take it ? or it takes it and destroys it

no it wont take it. nice.

na i change all .. or

not all

i need to focus

just like me who has just has doubles

yeaaah another one

no idea which one

i guess this one cause it got a brown ass

just open it

noooo

thats really difficult

so i spend 30€ for gacha. what do we do now ?

thats an eagle or something . so cute

why does it look so cute agressive ?

lets check out what else they got

before we spend money

if he will make it ?

they said we shouldnt film in there

no in this store but in the other store

i thought so. you arent allowed to film anywhere

just in the minute you enter a store or something

i can understand that

cause of the privacy

but its lala for vlogs

oh its sold out ?

I wanna know what it is

ah those are buttons

those are button too. but whats that ?

thats button too

and that too ?

which animes do they have

oh lol how long is this

here is a live bus

you sit in the back part of the bus and in the front part there is a band

while you drive

and sing a song while they drive

we beamed us to shibuya

where we were every weekend

and search for tokyu hands

walk through the

most beautiful side roads

i mean they are beautiful but creepy

omg here is daiso

lets go in

oh and its not crowded

what can we buy

i take a basket

you stand in my way

For more infomation >> VLOG 19 // AKIHABARA - Duration: 12:00.

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El magnífico templo budista de Wat Phra Dhammakaya | Tailandia - Duration: 2:20.

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Get More Hope, Less Despair, and Move Toward Action with Mindfulness and Focus | Andrew Chignell - Duration: 6:03.

When you start talking about hope some people think it's immediately a kind of Pollyanna-ish

thing.

Like: "Oh, I should be hopeful," or it's kind of a greeting card sentiment.

You go kind of doe-eyed and start thinking soft thoughts about how we should all be hopeful

in one another.

And, of course, there are some important things to be said in favor of those kinds of things,

but we think of hope as also an extremely difficult and important and foundational sort

of state that can be discussed in ways that aren't so saccharine.

One of the interesting things that philosophers talk about with respect to hope is, of course,

its rationality.

So there's a sense in which you can't hope for everything.

You can wish for lots of things for which you can't hope.

I can wish that the Bears won the Super Bowl last year, but I can't hope that they won

the Super Bowl last year because we know that they didn't.

And so it seems almost like you're misusing the word to say, "I hope that they won last

year."

Or, "I hope that the weather was different yesterday than it was."

So there's a kind of semantic content that suggests that there are rationality constraints

on hope which philosophers try to look at and analyze.

There's a kind of orthodox account—people call it the orthodox account because most

people share it—that says that hope involves at least desiring something and believing

that it's possible.

So in this case you wouldn't believe that the weather yesterday could be different than

it was and so you wouldn't believe that's possible, and so you can't really hope for

it.

So that's that condition that's constraining the rationality of hope.

And then there's this kind of debate about what further conditions might be required.

One thought experiment that people have discussed frequently is that of 'The Shawshank Redemption'.

So this is a Stephen King short story that was turned into a film.

You have two characters, Andy and Red.

Both of them really desire something: to get out of prison.

Both of them regard it as possible, it's explicit in the story and in the film, but

somehow one character, Andy, is hopeful and says he's hopeful and that he's acting

in such a way as to make it come about even if he thinks it's extremely unlikely.

And the other character, Red, says he can't allow himself to hope.

The fear of disappointment is too great and will crush him.

So they both meet those conditions.

It's something they really desire and it's something they believe to be possible, and

yet one hopes and the other despairs.

So cases like this make people think we need some other kind of condition to really explain

the difference between hope and despair.

And that's where some of the debate is at the moment, trying to find this elusive third

condition.

And different people have different things they want to add to the orthodox conception.

My own favored approach, which I'm in the middle of writing up, is what I call the focus

or attention account of hope.

So it basically says something like the difference between hope and despair is the extent to

which you're focusing on the very slim odds of the thing coming about or whether you're

focusing on the fact that it's possible—or that you take it to be possible.

So if you're focused on the thing as a possibility, under the aspect of its possibility, if you

want, then you're hoping for it.

If you're focusing on the fact that it's incredibly unlikely and the odds are such

long-shot odds then you're despairing of it.

So you can desire it in the same way.

You can believe that it's possible in the same way.

And it's this focus that really makes the difference between hope and despair.

It might even be a kind of spectrum thing where you can move back and forth.

The focus might be under your control sometimes, other times given the circumstances or the

strength and the desire it might not always be under your control.

So I also kind of talk a little bit about the way a certain kind of mindfulness training

could lead us to be more hopeful people, cultivating the virtue of hope by learning how to focus

on something under the aspect of its possibility rather than allowing our focus or attention

to always drift towards the fact that it's so unlikely.

You can even hear this in the way that someone might say something about what they hope for

or despair of.

So in the Andy and Red case, Andy might say, "I know that it's really unlikely but

at least it's possible," and sort of focus on the possibility.

That's the hopeful sort of approach.

And Red might say, "I know that it's possible, but it's really unlikely."

Same desire, same estimation of the probabilities but you can even hear in the way it's stated

a kind of difference in attitude that I take to be the essential difference between hope

and despair.

So one more locus of discussion is the relationship between hope, optimism, and action.

I think a lot of people regard hope in a way as unserious because it gets detached from

action in a certain way.

So hope is something that you do when you can't do anything else.

It's the kind of curse that is left in Pandora's box, because you still have it even though

there's nothing else you can do with respect to achieving the goal in question.

"I'm just hoping for it.

It seems possible but there's not much I can do.

I'm just sort of passively hoping."

That obviously seems like a bit of a character of the way in which hope might actually work.

And so we're curious, and people in both psychology and sociology, other social sciences

as well as philosophers and religious studies people, in our project, think about the way

in which hope underwrites action, hope manifests itself in action, hope is the result of action.

So agency and hope is a really interesting set of issues that we think is underdeveloped.