- If you could run as fast as the Flash,
in my estimation, you'd be the most powerful superhero.
You could think at light speed, you could time travel,
and you could make your punches infinitely more massive.
But would you be fast enough
to take a truly hands-free selfie?
Important questions.
(upbeat music)
Now I don't mean a hands-free photo with a selfie stick
or remote, no, I mean is the Flash fast enough
to hold up a camera, press the button,
and then before the shutter closes,
run to get himself in front of the camera
such that his picture will be taken?
This has already been established in the CW's version
of the Flash so let's put it to the test.
First we have to select a camera shutter speed,
I'm going to choose 1/8000 of a second,
or 125 microseconds because this is what your iPhone
or handheld device usually defaults to
and we wanna minimize blur, so can the Flash,
in this amount of time, run, stop, and provide enough time
afterwards for any photons that hit his body
to impact and then impact the camera sensor?
For that, we need to know the distance traveled.
From how far away is the typical selfie, no filters,
there's actually a lot of filters in this,
well a rough estimate would be that from the tip
of your finger to the center of your chest
is around half your height, so I will say just in general,
one meter, and we don't have to worry about the camera
falling in the travel time either because
in just 125 microseconds, the camera would experience
less free fall than the diameter of a small molecule.
Using one of the equations of motion,
we know that the Flash has to achieve a final speed
such that he can cross one meter of distance
in less than 125 microseconds of time,
we can say 124 because it only takes light 3.3 nanoseconds
to cross this distance, since it's kinda negligible
so it's the same thing, let's try it.
Three, two, one.
To take a truly hands-free selfie,
the Flash would have to be able to achieve a speed
of 16 kilometers per second.
That's a crazy fast speed but canonically,
I think the Flash could do it.
See? Possible.
Sure, the Flash would have to pull 13 million Gs
to pull this off, but that's what the speed force is for.
What if we chose a faster camera?
Using lasers, mirrors, and computer algorithms,
researchers at MIT were able to create a camera
with an effective shutter speed of one trillionth
of a second.
At this frame right, you can see light move.
This camera would make the Flash look slow.
(garbled speaking)
Let's try a selfie with this camera.
Three, two, one.
At this exposure time, light only moves
less than a millimeter so unless the Flash can run
many thousands of times the speed of light,
which we've always used as a limit on this show,
there would be no photo.
In fact, no matter how fast the Flash is,
at one meter away, any photos bouncing off of the Flash
that need to make it back to the camera would not have
enough time to do so before the shutter closes.
The only way that MIT video is possible
is because they are sampling many different exposures,
giving photons time to travel to the camera.
That doesn't really work
but we can calculate something else.
Using a normal camera, what is the maximum distance
the Flash could take a selfie at?
Alright, back to our original situation.
Assume that we have a camera with a megazoom lens on it
with an exposure time of 125 microseconds.
In this amount of time, light can travel over 37 kilometers.
Light is fast.
Okay, I know you're gonna disagree with me here
but I'm also gonna limit the Flash's speed to light speed.
We do this even though the comics say otherwise
because beyond light speed is an unknown quantity
and we wouldn't have anything to work with.
So if we limit him to light speed,
he has to run at light speed, but then leave enough time
for any photons bouncing off of his body
to make it back to the camera, and if you do that,
that limits how far he can go to exactly
half of this distance, 18.6 kilometers.
So if the flash had a mega zooming camera,
he could hold it up, hit the button, run off,
stop about 18 kilometers away, pause for a photo, nice,
and then travel with any photons that hit his body
all the way back to the camera and grab the camera
before it hits the ground.
It should have his photo on it.
It would be the most epic selfie ever.
Ew I don't look good, delete it.
So could the Flash take a truly hands-free photo of himself?
Yes, he's faster than most decent cameras' shutter speeds,
making super selfies possible and he's so fast
that he can take the extreme distance selfie to a max,
taking photos of himself from many many kilometers away.
If you're the Flash,
selfie sticks are even more pointless-er.
Because science.
(upbeat music)
Thank you so much for watching, Kristen.
Not you, the other Kristen.
If you want more weird science stuff,
you can check out the S.P.A.A.C.E. Program
on ProjectAlpha.com where I travel to distant worlds
and try to explain them, and if you want even more
silliness, check out my show with my colleague Dan Casey
called Muskwatch, where we get very silly
about a very serious man.
Thanks.
I thought I had something else, but I don't.
Bye.
I'm gonna take a selfie right now
and I'm gonna post it to my Gram-Gram.
And you will know that I did it for you
if you're still watching, oh that's not good,
gonna delete it.
Ooh.
Ooh.
Okay, we can't keep, oh.
Stop rolling.
Gotta take a good one now.
Oh god, I hate it, stop rolling!
It makes me feel bad.
I'm gonna get out of frame, how bout that?
Ha-ha.
No, don't change the frame!
Go away.
Okay bye, I'm done.
For more infomation >> Can the Flash Take a Hands-Free Selfie? (Because Science w/ Kyle Hill) - Duration: 7:23.-------------------------------------------
5 Characteristics of a Bad Boy - Duration: 3:10.
For more infomation >> 5 Characteristics of a Bad Boy - Duration: 3:10. -------------------------------------------
Here Comes My Arrow - Guardians of the Galaxy Vol. 2 PARODY - Duration: 3:11.
In a Super Cafe
Just the other side of the galaxy
He was just sittin' there a grinnin'
With red fin that made him look sinisterly
This man had just been betrayed
The crew had all turned away
So this man that was blue's whistle blew
And I heard him say...
Watch out here comes my arrow!
It flies super fast and kills everyone!
Watch out here comes my arrow!
Legolas sucks
And Yondu is the ONE
So the ravagers ran
But the arrow was way too fast...
...for them
They couldn't escape
The arrow quickly did chase...
...and it killed them
Then I heard a ravager say
"Down there!" giving his spot away
Then it flew, yes it flew
Straight right through
Blowing them all away, yeah
Watch out here comes my arrow!
It flies super fast! And kills everyone!
Watch out here comes my arrow!
Legolas Sucks
And Yondu is the ONE!
And the arrow stopped
Now the ship was practically empty
Then I heard Taserface scream in rage
Out to the gold lady
So Kraglin flipped the switch with his hands
Their ship broke apart and they ran
And as they flew away
I could hear Yondu taunt Taserface
Watch out here come my arrow!
It flies super fast! And kills everyone!
Watch out here comes my arrow!
Legolas sucks
And Yondu is the One!
Watch out here comes my arrow!
It flies super fast and kills everyone!
Watch out here comes my arrow
Legolas sucks
And Yondu is the ONE!
Hey thanks so much for watching!
We made this video because we saw a ton of requests in our
How Guardians of the Galaxy Vol 2 Should Have Ended.
So we hope you guys enjoyed it!
If you'd like to buy a copy and help support our channel
this track is also available on iTunes as well.
So click this button or check the description for the proper links!
That's all for now, thank you guys again, and we hope to see you next time!
Bye!!!
-------------------------------------------
6 Types of women that men should avoid - Duration: 2:50.
For more infomation >> 6 Types of women that men should avoid - Duration: 2:50. -------------------------------------------
Peugeot 3008 1.6 GT (150pk!) Navi/ Clima/ Cruise/ Panorama-dak/ Bluetooth/ PDC V+A/ 17'' LMV/ Armste - Duration: 0:59.
For more infomation >> Peugeot 3008 1.6 GT (150pk!) Navi/ Clima/ Cruise/ Panorama-dak/ Bluetooth/ PDC V+A/ 17'' LMV/ Armste - Duration: 0:59. -------------------------------------------
Audi A5 Sportback 2.0 TFSI AUT6 S-LINE ABT! SPORTLEDER NAVI B&O XENON+LED 19"LMV PDC V+A - Duration: 0:57.
For more infomation >> Audi A5 Sportback 2.0 TFSI AUT6 S-LINE ABT! SPORTLEDER NAVI B&O XENON+LED 19"LMV PDC V+A - Duration: 0:57. -------------------------------------------
Le magnésium : votre allié minceur - Duration: 3:52.
For more infomation >> Le magnésium : votre allié minceur - Duration: 3:52. -------------------------------------------
(Lamaze-P - Hatsune Miku) Saisho no ippo kara (Sub español) - Duration: 4:49.
For more infomation >> (Lamaze-P - Hatsune Miku) Saisho no ippo kara (Sub español) - Duration: 4:49. -------------------------------------------
Turn 14 Warehouse Tour - Duration: 4:03.
hi my name is Paul Telesca and I'm the senior marketing program coordinator
here at turn 14 distribution and welcome to our new 234 thousand square-foot
ultra-modern warehouse located in hatfield PA. Turn14 distribution is the
2016 SEMA wholesale distributor of the year so let's go inside and check out
some of the latest technology that we're utilizing to provide our customers with
the service that we do.
the latest material handling and logistics
technology combined with our proprietary software allows us to have the capacity
for 28,000 packages a day at a 99% accuracy rating so this is the inbound
area of the warehouse anything that we're receiving comes through this
section of the warehouse any product that enters the building light its own
individual LPN number which allows us to track that products in the moment that
it enters the building for the moment that it exists the building and ships
out to a customer so large product comes of the conveyor belt systems automatic
machines up there apply an LPN code to meats large product the product goes to
the scanners the scanners recognize the manufacturer barcode and they recognize
the LPN code it matches that LPN code to that manufacturer product code and it
puts two together into the system and then it kicks it down away to be put
away on one of the shelves with the little product though obviously they
have to be unboxed so the little products get put into these tote each
has its own number on it so that we can see what is in each tote so what the
system does then it will recognize that there are so many bully dog tuners in
this tow it'll automatically recognize that though it has the incorrect weight
and kick it back into what we call exceptions that container has to be
rechecked to make sure that there's no extra product that's not supposed to be
there or product that is supposed to be there it's not missing from so
we have a lot of these screens too in order to monitor our progress throughout
the day that's what's been LP ended which is so important the kids with the
ability to actually track the product as they comes in and out of the building
I really just provide our customers with the most accurate shipping quotes that
we can in order to make their business and their processes easier on their end
as well so once the product is decided Pannell PMS and it goes through the
scanner with no issue it gets kicked down in between are racking where we'll
be put away their scanners all along a conveyor belt system to recognize the
barcode and OPN number as well as you can see they're getting product ready to
be put away in the shelf they come over with a scanner they'll scan that area
and put it onto the cart that they're using wherever there is space they'll
scan the shelf and that will assign it to that shelving unit on the other side
of things stuff also gets picked out to be shipped from this area of the
warehouse as well what they do is come back over here
you know it'll say items could be picked they'll go they'll scan the item put it
onto the cart then they'll come over here place the toe or the large box
whichever it is and it'll be sent up the center here and we'll go up into the
packing area they'll check the weight that will check the dims to make sure
everything is correct and again it's just to increase the efficiency in order
to make sure that we're 99% accurate every time we ship something out the
door that you're going to get the right part so once items are picked to be
shipped out on an order depending on the size of those small items so come down
the sorters here when they come to the packing stations based on the exact
dimensions that were able to capture from the five sided scanners
the system is then able to tell us exactly what product can go in each box you
never have boxes that are too heavy or things that shouldn't be boxed together
once the box is all packed up an LPN is assigned to that box and the automatic
label machine applies the label to that box as well they then are kicked around
through the conveyor belt system scanners on the conveyer system
recognize the LPN number that's assigned to that product and it'll shoot it down
the correct sorter directly into the trailer we'd like to thank all of our
customers vendors and industry partners for their continued support and helping
us to become the number one performance wholesale distributor for more
information on term for turn14 distribution you can visit us online at
www.turn14.com or check us out on Facebook and Instagram
-------------------------------------------
Ingo Appelt, Comedian - Duration: 0:18.
For more infomation >> Ingo Appelt, Comedian - Duration: 0:18. -------------------------------------------
The ETF P/E Magic Trick | Steven Bregman Interview - Duration: 2:18.
But the final bit here is how you change a PE.
When is a PE not a PE?
So they tell you, the PE's 22 times trailing.
They do something else then.
After they've dropped out the losers in terms of negative PE, and after they've dropped
out the ones above 100, then they give you what they call harmonic PE.
Harmonic-- a weighted harmonic average.
Now, if you see a tear sheet, the information sheet for these, it'll give a little asterisk
there.
And you can follow the asterisk down to the bottom where they talk about it.
And here's what they do.
I'm going to say something and that'll explain it.
When you create a weighted harmonic mean, what you do is-- it's also referred to as
a subcontrary mean-- it uses the reciprocal of the arithmetic mean of the reciprocals
of the set of weighted PE multiples.
So let me give you-- walk you through an example.
Even though I'm speaking numbers, I think it will be easy enough to follow.
If I just make up four stocks-- one has a PE of 50, one 10, one 20, and one 30.
So I take step 1, I turn the PE into its receptacle, meaning 1/50.
So that is 0.02, or 2%.
And the one that has a PE of 10, the reciprocal of that, 1/10, is 0.1.
And I do that, and I add them up.
And I average it.
So the PE of equally weighted of 50 and 10 and 20 and 30 is an average PE, the way people
think of it, is 27 and 1/2.
And when we went through the exercise and turned them each into their reciprocal or
percentage, and you average those, it's 0.05.
0.0508, meaning 5%.
And then you take the reciprocal of that.
You turn it upside down.
You turn it upside down again.
And all of a sudden, the PE is 19.7.
-------------------------------------------
Ocean Medallion Moments by Princess Cruises: Superpowers (0:15) - Duration: 0:16.
(sounds of seagulls and waves)
(Phone beeps)
Girl: Superhero Abbey... order milkshake!
(sounds of waves)
Girl: Open Sesame!
(sound of door unlocking)
NARRATOR: The power is yours
with Ocean Medallion.
Only on Princess Cruises.
-------------------------------------------
ELFYS : AVALON WARS trailer (2017) - Duration: 3:42.
There was a time when we were free.
Athanor stole our freedom.
If we weren't all bending like slaves,
Athanor wouldn't be still sitting on the throne.
I won't disappoint you, father.
What happened to me?
I only remember my name...
Alvann...
I found you unconscious,
barely alive and badly injured.
We live in dark times...
Morgoth. He was brought back to Elfys.
We will call the last living person who's ever faced Morgoth.
There's only one way to eradicate him from the surface of Elfys.
The Heart of Avalon.
It's a stone with divine powers.
It can only be used beyond the Gates of Avalon.
The Kingdom of Avalon is highly guarded.
All those who dared to cross the Kingdom of the Dead,
never came back.
I raised you to be strong.
It's the only way to survive in this kingdom.
You only see vengeance in me...
I am more your tool than your son!
It's a thin line between legend and memory.
You merely need a whisper to end all the songs.
Find him.
Eliminate him.
All I want is our kingdom to be free again.
His power is now unlimited.
You don't stand a chance.
I've been waiting for thousands of years.
Arwann will die.
This won't be an easy victory...
Let me help you.
Have you ever wondered...
if everything could have gone otherwise?
If history could have been different if we had done something?
You are our last hope
to save the kingdom from destruction.
This dark age is coming to an end.
I promise you.
You cannot stop what I've started.
We are at war.
This kind of sacrifice is part of it.
Now!
Charge!
All the elves' lives are at stake!
-------------------------------------------
FATHER's DAY Chin Christian Church 2017 - Duration: 6:35.
-------------------------------------------
#Barcelona turn their attentions to Willian as they struggle to secure deals for top targets - Duration: 2:55.
Barcelona turn their attentions to Willian as they struggle to secure deals for top targets
WILLIAN is the shock new name on the list of Barcelona targets to replace Neymar, according to reports in France. The Catalans are enduring a torrid summer on the transfer front — struggling to secure deals for Philippe Coutinho and Ousmane Dembele.
Barcelona highlight Willian as potential replacement for Neymar in attack.
Barcelona are struggling to secure a deal to sign Philippe Coutinho from Liverpool. And France Football report they have made the Chelsea ace their reserve choice, should they fail to land their top two targets.
Willian, 29, was linked with a move to Manchester United earlier in the summer — and admitted he was close to a reunion with his former boss Jose Mourinho.
He said: I worked with [Jose] Mourinho and I became his friend as well. There were a few conversations with my agent.
Manchester United came to me, they talked with my agent, but nothing happened, because Chelsea would not negotiate me in any way and I'm very happy at Chelsea.
The Brazilian has enjoyed an impressive four years at Stamford Bridge, winning two league titles and being the stand-out performer in the dismal 2015-16 campaign.
Willian in action for Chelsea during Premier League clash with Tottenham. Barcelona are desperate for a third top level forward to line up alongside Lionel Messi and Luis Suarez.
They have turned their attentions to Angel Di Maria, but Willian is now another option.
Barcelona are looking for third top level striker to play with Lionel Messi and Luis Suarez.
Barcelona are closing in on a deal to sign Angel Di Maria from Paris Saint-Germain.
-------------------------------------------
The Double Life Of Gordon Ramsay - Duration: 4:28.
The Double Life of Gordon Ramsay
Celebrity chefs are a dime a dozen on TV these days, but there's one explosive Scot who stands
out in the congested culinary crowd ...
"I'm done standing here with a bunch of idiots.
F--- you all.
Good luck, superstars!"
Gordon Ramsay is known for his relentlessness, his demands for perfection, and for, at times,
unleashing a vicious temper.
He shouts, he swears, and he's definitely not afraid to tell people what he really thinks
of them.
But the Gordon who's terrified chefs and restaurant owners around the world for decades isn't
the Gordon who goes home to his wife and family.
There's more to this hotheaded chef than meets the eye.
Gordon the Charitable
For years, Ramsay and his family have supported various charities, including Women's Aid,
an organization that provides support to women and children who have been the victims of
domestic abuse.
It's a subject close to his heart: Ramsay has spoken openly in interviews about the
times his alcoholic father hit his mother — once so hard she needed 57 stitches.
Gordon and his wife, Tana, also have their own charitable organization, The Gordon & Tana
Ramsay Foundation, helping children with medical conditions that require prolonged hospital
stays.
There's also The Gordon Ramsay Appeal, his fundraising effort to benefit the Scottish
Spina Bifida Association.
Gordon and Tana are also regular contenders in triathlons and marathons, raising money
for a variety of charities.
Gordon the Unflinching
The F-Word is a cooking show/talk show hybrid that Ramsay has hosted both in the UK and
in the States.
On the British version in 2006, his family hand-raised two pigs in their backyard throughout
the season.
Ramsay also learned about illegal pig castration in Europe and even went into the abattoir
as the pigs were slaughtered, and the process left him sickened.
"It's enough to make anyone turn f---ing vegetarian, for God's sake."
It was the chef's first trip behind-the-scenes at a slaughterhouse, and organizations such
as PETA lauded his decision to show the footage uncensored.
In the end, he fed the pigs to his children, giving them a true "farm-to-table" experience.
"Jack, did you enjoy the pigs?"
"Megan, did you enjoy looking after the pigs?"
"Yeah."
"Yes?
Do they taste better because you reared them and grew them?"
"Honey, she's still eating!"
Ramsay aired similar uncensored footage of his family's turkeys and lambs being slaughtered,
which also earned him praise from animal rights activists.
Gordon the Investigator
In 2010, Ramsay presented a documentary called Shark Bait, in which he took at look at the
damage being done to the world's shark population because of the popularity of shark fin soup.
In Costa Rica, Ramsay and his crew tracked some of the biggest harvesters of fins.
They discovered thousands of shark fins drying on a roof, but were chased away and threatened
when they went to get a closer look.
Ramsay and his crew were threatened multiple times during their investigation, which uncovered
evidence of a gruesome, wasteful practice known as "finning," which is when a shark's
fin is cut off to be sold but its body is thrown back into the ocean to die.
"It's without doubt the worst act of animal cruelty I've ever seen."
Gordon at Rest
When your work days are 16 hours long and most of that work is done in a different country,
quality time to rest is next to impossible.
Ramsay says staying involved in several ongoing projects helps him keep the momentum going,
and while he's working he can expect to get about three hours of sleep a night.
How does he do it?
He takes weekends off — one of the guiding factors of his business plan since the beginning.
His flagship restaurant has never been open on the weekends, a decision he made from the
start for himself, his family, and his employees.
Ramsay says weekends are when he simply "power[s] down for 48 hours."
Gordon the Family Man
Between TV, traveling, fundraising, and his many restaurants, Ramsay also finds time to
be the father he never had.
He's taught his four children how to cook, and helped produce his youngest daughter Tilly's
own BBC cooking show, Tillywood.
He says teaching his kids how to cook for themselves is as important as teaching them
"geography, history, and French," and it's an opportunity he didn't have at their age.
It's easy to imagine Ramsay is the same, obscenity-shouting chef at home as he is on TV, but in interview
in Men's Journal, he insists he's "never cursed in front of [his] children.
Never, ever."
When Ramsay appeared on Jimmy Kimmel Live!, he talked about a few words he taught his
kids to use instead of cursing ...
"Rather than saying the word 's---,' which, y'know, is not nice: 'Shiitake!'"
"I see.
Like the mushroom."
"Like a mushroom."
Thanks for watching!
Click the Nicki Swift icon to subscribe to our YouTube channel.
Plus check out all this cool stuff we know you'll love, too!
-------------------------------------------
Chevrolet Aveo 1.2 16V LS B-CLEVER airco! dealer onderhouden! mooi exemplaar! - Duration: 0:57.
For more infomation >> Chevrolet Aveo 1.2 16V LS B-CLEVER airco! dealer onderhouden! mooi exemplaar! - Duration: 0:57. -------------------------------------------
Mercedes-Benz B-Klasse 160/Bl.EFFCY BNCL/AIRCO/AUDIO/LM/TEL/AFNBTRH/INR&GAR.MOG. - Duration: 0:54.
For more infomation >> Mercedes-Benz B-Klasse 160/Bl.EFFCY BNCL/AIRCO/AUDIO/LM/TEL/AFNBTRH/INR&GAR.MOG. - Duration: 0:54. -------------------------------------------
💤☔Suono Della Pioggia Rilassante Che Cade Sul Tetto Per Dormire🌨💤 - Duration: 1:08:20.
For more infomation >> 💤☔Suono Della Pioggia Rilassante Che Cade Sul Tetto Per Dormire🌨💤 - Duration: 1:08:20. -------------------------------------------
Road to the German Championship | PART 2 powered by Unikrn - Duration: 7:59.
99damage: There´s the music and we are going live in the first map of the final,
BIG vs aTTaX, with BIG starting on the ct side!
gob b: down below.
LEGIJA: 10 seconds. gob b: not save.
LEGIJA: flashing base once. keev: Lower. Out lower.
gob b: Don´t kill him, 7 seconds!
keev: Don´t kill him, just run! Screw it!
gob b: It´s okay.
tabseN: Sick round Joe(nex) and Niko(LEGIJA). Nice first frags Niko(LEGIJA)
keev: Nice.
nex: Could go out yellow. tabseN: I am coming a with you.
LEGIJA : He is forklift!
gob b: Nice boys! LEGIJA: Well done Joe(nex)
nex: nice, good job coming with me there Jarozs(tabseN)
tabseN: Of course men!
LEGIJA: Can I have a drop please?
tabseN: I am always there for you!
gob b: I didn´t get the last part, what did you say?
kakafu: When they play a B explode,
gob b: Speak up a bit please.
kakafu: If they push Niko(LEGIJA) back.
gob b: Yeah.
kakafu: he is just going to molly vents
or fall back or he just stays if he has good information
but they mustn´t just take B effortlessly, they did that last time!
If they do that it is insanely hard for us to counter them. If Kevin(keev) keeps playing awp from vents we should rape them every time, normally. In my opinion.
gob b: Okay let´s do that then. But we gotta eco first, right?
tabseN: Play Z, if they smoke boost me please.
gob b: I´ll do that. I am low on money, I only got 1.4k.
kakafu: Don´t balance it out on the other sites tho! They know that.
nex: I will buy a p250.
tabseN: I can drop a p250 aswell!
kakafu: Besides that just keep your cool! Our t-half is extremly strong!
We just need 2 or 3 ct rounds and it´s going to be ezpz.
keev: Let´s go boys!
kakafu: Did we take the timeout?
tabseN & keev: Yes
tabseN: We did.
tabseN: Come on guys, we are going to take this round!
kakafu: Full focus now!
gob b: Full focus boys!
keev: Should be able to come A.
LEGIJA: One A spot. tabseN: One out A.
keev: One ct middle.
tabseN: Ahh, whatever. We got some good rounds in the end.
gob b: let's get 8 rounds in a row! keev: Come on t-side, let´s go.
gob b: Don´t forget about our pistol strat, okay? kakafu: We adapted well guys, seriously!
kakafu: It was all good! Good calls Johannes(tabseN), very important!
tabseN: AWP upper!
gob b: Above and in front of B, I think.
tabseN: Fuck men.
gob b: Let´s wait for the smoke, that would have been sick.
tabseN: I just had a really strong lurk position. keev: Quiet please.
gob b: Let´s do what I call tho, please!
My call is to pressure mid to b, my idea is that he plays there with an awp and that we are able to go out middle!
keev: But if we play mid to be pressure I am always booster, right?
gob b: No, you never are boost! You are always B, we are doing cross smokes.
tabseN: In front of doors, in front of doors.
gob b: Yes, a timeout. Of course...
tabseN: Why are you on tilt Fatih (gob b)
gob b: Becaue we are dying!
tabseN: But what are we supposed to do? Pleas don´t be tilt Fatih (gob b)
gob b: I am not tilted. I am not tilted okay?
tabseN: Thank you.
gob b: I am smoking you off Joe(nex)
LEGIJA: Highway, care!
nex: Probably Highway
tabseN: Yeah highway, you saw him Fatih(gob b)
gobb: I am hiding
tabseN: He is up!!! Fight him! NICE Joe(nex)!!!
gobb: What a perfect call guys!
keev: Probably awping middle!
LEGIJA: One main! tabseN: MAIN!
keev: awp ct ramp!
LEGIJA: He´s Olof (spot)!
keev: Ct can´t come, Fatih(gob b) has got it!
keev: I think he is playing contact on you Fatih(gobb)
tabseN: Short can´t come either
gob b: I am hiding. LEGIJA: A main down
nex: I am counter pushing van.
tabseN: Z, z!
LEGIJA: I am in the ptr (ex-teammate) position!
tabseN: Truck.
Nice
99damage: ...and nex finishes him!
keev is getting his head fondled...
...after stepping up towards the end,
although he lost some duels against syrsoN in the beginning!
And there are the first happy faces! BIG decided map number one for themselves in a long and exciting final!
Knochen: After the timout, I said that you should play like that and you did exactly as I said.
gob b: Yeah because it was the best call!
Knochen: I am just learning from the best. keev: What did you say?
tabseN: Let´s talk about the upcoming game tho!
gob b: Yeah let´s think about that.
What is our pistol strat?
I am going to tell you what I´ll buy! I am going to buy utility...
nevermind, you are going to buy utility but you need to go with him,
I´ll do the smoke and flash over middle once
LEGIJA: I am going to open up b?
gob b: No, I am going to open up b. You are going with them and you are either going to remolly or resmoke middle.
kakafu: Remollying is really strong. Very very strong!
gob b: Because the molly is useless in the afterplant, but if they are close and there is a molotov, they are going to hide inside the smoke and then it´s gg!
And let me call before you do something!
And let me call something first, because I awlays have a plan!
I knew they were going to stand split up, with the awp playing defensively in middle we would have raped them!
keev: I didn't say anything
nex: He knew he was there tho.
kakafu: He knew he was there.
gob b: He saw him and then solo peeked him.
nex: Why don´t we flash him then.
gob b: You said you´d fuck him. keev: I do, normally.
LEGIJA: It is okay then, forgivable.
gob b: I´ll call with my gut. Just trust me on this one. I´ll call the optic smokes, everything we´ve got is strong anyways!
tabseN: We have the mid explode and so on. gob b: We got a lot of things.
gobb: Just keep our cool, win the map, grab something to eat and the we won.
gob b: Not kidding, gob is getting weak again.
gob b: I just got pissed, because I hate it if the enemy plays like I think they are and we make the wrong play anyways!
kakafu: We get that!
99damage: Welcome back ladys and gentlemen to the grand final of the ESL Frühlingsmeisterschaft 2017
BIG vs aTTaX, the score is 1:0 for BIG
and we are waiting to go live into the second map.
gobb: One dinked. tabseN: One dinked, 10 hp!
keev: Your round Niko(LEGIJA).
gob b: The one on the right is low, the one not on 3 is not low.
nex: Up! tabseN: That one is low Niko(LEGIJA).
NICE! AWESOME! WOOOOO!
keev: Do you want to fall back? gob b: No.
LEGIJA: One 3
keev: Behind 3
tabseN: Kevin(keev) has got your left.
nex: Another one 1hp!
all: Nice try Fatih(gob b)
gobb: Why don´t you position yourself so you can´t be seen?
keev: I thought you were holding my right!
gob b: I was but the angle is self explanatory!
LEGIJA: He was, all good!
nex: He could come t-mid, you need to constantly checking it! LEGIJA: Okay, will do.
keev: Awp 6
keev: Still awping 6
LEGIJA: He is behind 6 tabseN: There are two left!
One behind spot! LEGIJA: And t-mid!
Last is 6.
tabseN: Nice boys, nice round!
Fatih(gobb) you are playing very well right now!
gobb: Come on guys, keep going! Don´t relent now!
tabseN: I need a drop, please!
LEGIJA: Did i kill one? gob b: no. nex: Another one out Z, 2 out Z!
tabseN: One ivy, one hp!
gob b: Nice try. Come on now! This has got to be a good ct half now, nothing worked as t!
Not a problem tho, we can still easily do this.
-------------------------------------------
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Yoga In The Sun
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N*E*R*D, Gucci Mane, and Young Thug Headline ComplexCon 2017 - Duration: 1:41.
Hey everyone, for Complex News, I'm Justin Block.
ComplexCon 2017 isn't going down until November 4th and 5th in Long Beach, California, but
it's fast approaching.
Not only will the best in art, design, clothing, tech, and sports culture be displayed and
discussed, but the festival's got a stacked music lineup as well.
Pharrell, who's also part of the 2017 ComplexCon host committee, shut down ComplexCon 2016
along with Kid Cudi and Travis Scott.
This year, he's returning to the festival stage to lead N*E*R*D's exciting set for
Saturday night's live music.
On Sunday night, we've got performances lined up from Gucci Mane, M.I.A., and Young
Thug, who're all guaranteed to light up the festival stage after the day's exhibitions
wind down.
The free-flowing music doesn't stop with the headlining acts though.
A-Trak and Friends' famous Fool's Gold Day Off is planting its flag at ComplexCon
2017 as its official Southern California performance stop.
With that, a slew of acclaimed artists, along with up-and-coming acts, will hit the mic.
DJ Khaled, D.R.A.M., ASAP Ferg, Virgil Abloh, and Jaden Smith are all performing, but they
won't overshadow this list of talented artists who'll play as well: We've got SuperDuperKyle,
No Name, Ski Mask the Slump God, WIFISFUNERAL, Dreezy, Chloe and Halle, Injury Reserve, and
Ronny J.
With a diverse lineup of this caliber, ComplexCon 2017 will be one of the live music destinations
of the year.
Tickets go on sale August 18 at ComplexCon dot com.
For Complex News, I'm Justin Block.
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Power of the Pen Poetry Plays Week 6 Part III Kevin Coval - Duration: 15:11.
- [Narrator] During our class videos you may hear
our poets and playwrights use terms that are new to you.
We've created a list of key terms and definitions
that you can refer to at any point
during our video lectures.
This list is available on the videos and readings class page
where you can read it or download it as a PDF.
If you would like to find and review these terms
while you watch each class video,
you can stop this video, go back to the videos
and readings class page, and download the PDF.
There you can play this video
and each of the following class videos.
If you have any questions about these terms,
we encourage you to ask your teaching team
in the weekly class discussions.
Kevin Coval is the editor of the Break Beat Poets
New American Poetry in the Age of Hip Hop
and is the author of Schtick, L-vis Lives,
Race Music Poems, Everyday People,
Slingshots A Hip-hop Poetica,
and the play This is Modern Art
co-written with Idris Goodwin.
He is a four X HBO Def poet and has written
for a wide variety of publications including CNN.com,
Huffington Post, and Fake Shore Drive.
This Modern Art is forthcoming.
He's the founder of Louder Than a Bomb,
the Chicago Youth Poetry Festival,
and the artistic director of Young Chicago Authors.
He teaches hip-hop aesthetics
at the University of Illinois Chicago.
- Hey what's up y'all?
I'm Kevin Coval, poet and educator
and one of the founders of Louder Than a Bomb
the Chicago Youth Poetry Festival.
I've been writing for a long time,
teaching creative writing for a long time.
Not because I wanted to but because I was asked
into a classroom in '96 by my buddy Eboo Patel.
I myself was not a very good student
and didn't think I was going to be a good educator,
but I realized I have a love of the story
and a love for this work,
so my hope is that I'm going to share with you
some tips that you might find useful.
Forgive my face, by the way.
I would never say that because I feel like I'm generally
a fairly handsome individual
but I recently got some dental surgery
so I look more like a chipmunk than the suave gentleman
that I normally am.
So this is what I want to say,
you know I come in a tradition of Chicago letter makers,
Chicago poets particularly
and one of my mentors mentors was Gwendolyn Brooks,
so my mentor, one of my mentors is Hakim Adabudi
and one of his mentors was Gwendolyn Brooks
and one of the things that Gwendolyn Brooks
would tell young writers all the time
and I had the opportunity to see her tell this to me
and you know hundreds of other young writers
is that our responsibility as young writers
is to tell the story that's in front of our nose.
And I think that's important right?
That poetry and writing in general.
Our lives are sites and sources of art
and we should make art.
We can make art about what's around us,
and you know Gwendolyn Brooks of course is a master at this.
She would take what was in her front yard
and her back alley, she would write about
her beloved neighborhood of Bronzeville,
the city of Chicago, people she saw there you know every day
and she would record and report the lives
and the dreams and the horrors of a community, of a people
and I think we should do the same.
I think that poetry shouldn't necessarily have to be
something that is far reaching
or that is grandiose in its idea.
I think poetry can be something that is more everyday.
Poems should be composed about what we know intimately,
so you know how you sound is how a poem should sound.
How the people around you sound is how a poem should sound.
If you can incorporate slang and local tradition
and narrative into the poem.
I believe in the use of the particular pronoun a lot,
so if you are talking very specifically about Wells Park,
then say Wells Park.
If you're talking about 63rd and Kedzie,
or Lawrence and Ashland or whatever spot in your life
you're writing about, then name
those things very specifically.
I think that the world around us is rich.
I think that if we don't do the work
of telling our stories, of recording, representing
our history then inevitably somebody else will do it
and we know how history gets written.
It gets written by the victors
and as we've seen those who have access to capital
and you know Eurocentric white supremacist views of history
are those histories that are reported, that are recorded
and so I think the poem and the narratives
that exist in our own lives are really important sites
and sources to do this work.
Some of my favorite rappers Mos Def and Talib Kweli
talk about their work and their practice
as being real life documentarians.
And so this idea that the worlds that we inhabit around us
can be sites for this work I think is essential.
All right so Gwendolyn Brooks,
tell the stories in front of your nose.
Frank O'Hara is a dead white dude who I mess with.
I normally do not mess with a lot of dead white dudes
in part because when I was
being taught poetry in high school
I was under the impression given the teachers that I had
that poetry was only something done by dead white dudes
who got lost in the forest.
Now I didn't know any dead white dudes,
even though I am white.
And I did not live near a forest,
and so the notion that poetry could be about
you know the world, I was not put on in high school
and you know it was rappers specifically
that broke down that idea because they were recording
and reporting about the worlds around them.
You know when Grandmaster Flash's The Message
in 1982 dropped and you know Melle Mel talked about
the south Bronx and the deindustrializing neighborhood.
Don't push me 'cause I'm close to the edge.
I'm trying not to lose my head huh huh
which is a haiku by the way.
That I was like yo, that's fascinating.
That's very interesting.
It's not only the emotion of what is occurring
in such a place but it's a thick description
about what's happening in that place.
So hip-hop of course broke for me that notion
that poetry was only done by dead white dudes
that got lost in the forest.
Frank O'Hara is a dead white dude.
I don't think he got lost in too many forests.
He did write really beautiful poems about his life.
Very I would say
you know beautiful, personal love letters
to each day or all these people,
all of his lovers and all of the things that he liked,
he had these beautiful poems about
and he wrote an essay that I go back to a lot
and I teach from all the time called Personism
and it's an essay that came out in Donald Allen's
New American Poetry in the fifties.
It was some of the first places
that the beat poets were published.
It was some of the first places that at the time
LeRoi Jones, later Amiri Baraka, was published.
Allen Ginsberg was in there.
Frank has this beautiful essay
at the back of the book called Personism.
In it he talks about the idea of a poem can be...
The idea of a poem can exist between two pages
as opposed to between two people.
That he could have picked up the telephone,
but instead he wrote the poem.
And so for me what I garner from this
is that you know a poem could be
something that's very intimate.
That how we talk to one another
can also populate the language of a poem.
Sometimes I think we get lost in metaphor.
That we want to be very clever 'cause we're very smart
and we want to you know we want to do these
extended metaphors that are like metaphors
on top of metaphors and it gets
very confusing and convoluted
as opposed to just saying what we really mean.
And I think sometimes like the simplicity of language,
the actual person we're talking to,
the various feelings that we're trying to convey,
the thing that we really had for dinner,
you know what corner we're going to,
what flower we're seeing,
what movie we're going to see later,
what actor we're excited about,
what painting we've been you know
that we've been turned on by at a museum.
All of these things, the particular things,
should populate the poem.
I often say a lot that it's through the particular
that we articulate the universal
and what I mean by that is if you tell me that you're happy
or that you've had a good day,
I don't know what you mean right?
That's very broad, it's abstract.
But if you tell me for you you know happiness
is you know going with your best friend to get a tattoo
that's very different than a happiness that is a
you know a Sunday at church with your grandma.
And it's not necessarily different but it's just particular
and so it's through the particular
that we get at the universal,
so all of these fine things in our lives,
all of these fine details in our experience
should populate our poems.
You know there's no one way a poem should be
and there's no one way a poem should sound.
I love poems that are just stories
that are very narrative and I like poems that rhyme
and I like poems that don't rhyme.
I do think language is also a musical instrument,
and so as much as I'm concerned with how the words
are aligning on the page and I love
playing with enjambment and where the line breaks
and how to get multiple means out of a line break
or spacing and having sometimes increasingly
playing with how a poem might look on the page,
I'm also equally concerned with how the poem sounds.
Poetry is you know one of the most ancient of arts
and it has historically been an oral art.
It's you know it's one of,
it's one of a way for a community to keep history
by singing the songs of its tribe
and so the way that the poem sounds
and the way language works is to also delight
in its assonance and its consonance
to be concerned perhaps with anaphora and the repetition
of words that might clue the listener in
to what's in between.
Similar to how a chorus might work on a pop song,
a poem can work in similar ways.
And so I think to be at once concerned
and maybe foremost concerned with the meaning
but then as you are composing as well
in your revisions, also think about
how the poem is sounding in your ear,
sounding in your mouth.
You know poems should be read and they should be heard
and I think great poems do the work of being read well
and understood on the page as well as
also delighting the ear and I think
that they're equally important.
Yeah so just a note I guess about rhythm
in the poem and really kind of sometimes
the choice you might make as a performer,
to read a poem differently.
Now I'll say this, I mean I think that
I am trying to do the work as a writer
of having any reader be able to pick up my book
and read it as I might recite it,
but that being said and us living in 2015 I mean
you also have you know you have
access to audio recordings and so part of what
I try to do as a reader of my own work
and as a performer of my own work
is to make choices that I think will
inform the meaning of a poem.
And so there's a little example from a poem I wrote
that I want to share and just
talk through the choice that I made.
So there's a poem I have called
How to Teach Poetry in Chicago Public Schools
and in it, I have this bit that on paper
you know it'll read one way but how I perform it
is there's a difference in the performance
and so in the poem I say start with a rhyme.
Something quick, a half note behind west side double time.
Their ears picked able to roll with all those syllables.
That's how it reads on the page.
Now in performance, I might say something like
start with a rhyme something quick
a half note behind west side double time
their ears picked able to roll all those syllables
now read a poem something slow, familiar familiar.
And I do that quickness in order to also
you know enliven the rhythm of the poem,
but also to emphasize the style of rhyming in Chicago
that we are accustomed to hearing.
So you know the innovation of Twista and Do or Die
and Psychodrama and Crucial Conflicts
double time that was also popularized
by the crew from Cleveland, Bone Thugs-N-Harmony
like that idea of rhyming very quickly
is something that is also indigenous to Chicago
and so in my poem I wanted to get at that.
Now double time on the page is interesting
in terms of a transliteration
and so I might on the page try to put that language
closer together, or maybe even like have it represented
in some other way textually
but as a recitation I'm also trying to
you know pay attention to the musicality of it.
And those are choices you make as a performer.
You know I think that you get more and more comfortable
every time you recite a poem and for me
I have that poem memorized
just because I've done it so much
that it's become, it's become part of my practice
and every time I say it I hope I'm saying it
better and better in part because that is also the practice.
And I've learned sometimes I'll edit through a recitation
where there's something that doesn't sound right in a poem
and so it allows me to take something out,
cut out a word, cut out a line,
an idea that just is falling flat in recitation
even if it's just in my room to myself or to an audience
it's also a site to edit.
For me I think the poem has to work on the page
and it has to work in the ear,
and if it isn't working in both places
then there's some editing that needs to occur.
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For more infomation >> Power of the Pen Poetry Plays Week 6 Part III Kevin Coval - Duration: 15:11.-------------------------------------------
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What To Do If She Says She Has A Boyfriend - Duration: 4:31.
*enter HARDCORE BUBBLY MODE* Hey Guys!
I'm Kate Spring, your virtual dating and relationship tutor.
Have you ever fallen for someone who is already in a relationship?
If you have, don't worry, you're not alone.
I personally have, and I know many people who have as well.
This is a super tricky position to find yourself in.
It's like a more complicated version of the friend zone, but with a third party participant.
Anyways, I'm here to help you with what to do if she says she has a boyfriend.
Just before we get started, if you have any questions at all, please leave them in the
comments below and I'll be sure to get back to you, personally, as soon as I can!
Alright, I'm sure you already feel how uncomfortable this situation is.
And there are really two camps here: one is that you've just met her, and, two, she
is already your friend who has a boyfriend.
For the latter, I would say that it is best to move on.
But, now you're thinking, what if you have a friendship with her?
That is a different story, and one I can help you with.
If you are just friends with a girl that you like, I want to say try and then move on,
keeping her as a friend.
However, if your feelings are strong enough, you want to be proactive about it and not
have any regrets.
I understand the need to at least try to let her know you have feelings for her before
you can fathom moving on.
Chances are, if you're friends with her and you like her, you will try to be the person
that she can call on whenever she needs someone.
If this is you, you're her security blanket.
This allows her to date other men but still keep you there for all of the good advice,
and positive male attention.
This is, essentially, the friend zone, which is not a terrible place to be in.
This just means that you are valuable to her, but she doesn't see herself dating you,
yet.
Being in the friendzone doesn't completely suck, I mean it sucks, but thankfully you
can try and do something about it.
Being in the friend zone means that she trusts you and probably doesn't want to complicate
or lose you as a friend by dating you.
No matter how strong your feelings are, you aren't going to change her mind over night.
Regardless, if you like her current boyfriend or not, it's not your job to tell her why
she shouldn't date him.
The key here is patience.
Watch and be there for her.
Love takes on many forms, and one of the most valuable is friendship.
So don't get discouraged just yet.
Do not, whatever you do, or however drunk you get, talk poorly about her current boyfriend.
When girls hear this, it makes them not want to confide in you anymore and you will put
her in protection mode and make her defend her boyfriend to you.
Ultimately, girls need to make their own decisions in relationships they don't want to be told
who is good enough for them.
They need to learn it themselves.
No matter how loud you yell it, she may never hear it, or she only will when she is finally
ready to hear it and move on.
If you want to learn more about how to attract women, head over to katespring.com/free and
pick up a copy of my attraction building handbook where you'll learn how to win women over
through text messaging and body language.
That's katespring.com/free.
And to make your life easier, I'll post the link in the description below.
Ok, there are, however, some ways that you could change her mind or help her along the
decision-making process.
That is, if you are always available to her, you need to stop.
At this point, she sees you as a friend, not someone who is boyfriend material.
If you want to subtly let her know that you're not her surrogate boyfriend, you need to create
some distance from her.
You're the boyfriend without the benefits; you basically pick up the pieces that her
boyfriend fails to.
But this is a good position to be in because it means a couple things: one, it means that
she values you and your opinion, but, at the same time, you are not the person she is attracted
to if you are so available to her.
If you start to live your life without her, not always being there to comfort her when
she's sad, to hang out whenever she wants, or to immediately answer her phone calls,
she will probably start to realize that she needs to make a decision.
And if you start dating other women, this will ultimately frustrate her in that another
woman has essentially "stolen" her friend.
Once you start to live your life without her, maybe she will have to reconsider who she
could live without, either you or her boyfriend.
Another bonus of this is if your emotions happen to be lust, the chances are, in the
right environment, they can be pretty fleeting.
Taking yourself out from under her wing and living for yourself might actually allow you
to go out and meet someone else.
You don't want to be the security blanket.
If these feelings are inevitable, and some time has passed, and you just cannot quit
her, then you have to tell her.
But please, please, don't do it wasted on a night out and get all weepy.
This won't work to your benefit.
And don't tell her with the expectation that she will leave her boyfriend for you.
You don't want to be the guy that snakes another guy's girl.
I feel like you "guys" have unspoken rules about this type of thing.
Your reason for telling her should be for closure.
Alright, that's all for today, before you go, don't forget to subscribe to my channel
and stay up to date with my latest videos!
Anyways, thanks for watching, and I will see you next time!
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Fifth Harmony - Angel (Lyrics / Lyric Video) - Duration: 3:27.
Hey :P
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Why the Law of Attraction is NOT Working: Missing Keys That Change EVERYTHING - Duration: 7:01.
Welcome back to another video. My name is Aaron, and I hope people
Expand their consciousness
Now with this video what I'm gonna do is share with you?
Why the law of attraction might not be working for you and at the same time?
explain some of the missing keys or the missing steps that you might be not paying attention to that are creating the
experience of
The law of attraction not working now the first thing that I want to say about this is that when it comes to the law
of attraction
Realize that even deeper than the law of attraction is that our beliefs are creating our reality?
Now what this means is that if we believe that the law of attraction doesn't work?
It doesn't necessarily mean that it's not working, but we might create with our own belief system
We might create the experience that there is no
Continuity and the thoughts that we're thinking - what we're experiencing in our life now the idea behind this is that us
thinking the law of attraction
Isn't real and actually thinking about that consciously is bringing more
Experiences to us that are reflecting that to us and is creating that for ourselves, so in a way. It's becoming a self-fulfilling prophecy
Which of course on a different level is showing us that it does work because the law of attraction is bringing through
The evidence that the law of attraction isn't working now just to kind of clear up the law of attraction because the law of attraction
To some people has a very strong positive
connotation but to other
People because of the movie the secret which I think got the message out to a lot of people at the same time
Certain points were under emphasized and some people have a negative connotation with it for the people that have the negative
Connotation what I want to say is that the law of attraction?
A way you can think about it that might be more relatable
Is that our ras the reticular activating system in our brain this selective focus we have?
Will always look for patterns and whatever we focus on will grow so as tony robbins doesn't as a lot of his
Conferences or a lot of his seminars you look around right now, and I'll ask you to look for everything
That's brown you'll look for brown look around look around look for brown
And then if you close your eyes, and I ask you to tell me what you saw that was read
You wouldn't be able to think of as much because your ras wasn't looking for it now in the same way
That's a very similar idea to the law of attraction
Whatever. We focus on groves if we're focused on a certain car that we bought we might see it everywhere because our
memory and our mind has simply decided that that thing has
significance now that it's a part of us
Or it's a part of something that we have now the idea behind this is to realize that the first thing
We must do is become aware of our definitions. What do we believe to be true?
Do we believe that the universe is working for us?
Do we believe that it will mirror back to us what we want now the other part to this of why the law of attraction?
That might not be working is because we are focused on the mirror to change rather than us changing ourselves
Now what this means is that we're asking for proof before we actually believe it and remember our beliefs are what creates our?
Experiences, and if we were to stare at a mirror and say, I'm not going to change until you change
We're gonna be sitting there forever
But if we learn that we must first buy into ourselves we must first tailor our own focus
That's where we start to gain our power back, and that's where we can consciously decide and say hey
Where do I want to put my own energy where do I want to focus and as we put our focus on what we want?
We'll find more and more of it now the other thing
I want to talk about with the law of attraction is the whole process and what is important because some people under emphasize certain
points and
Overemphasize others now as I always say it on my channel
It's not just about the thinking it's not just about the emotions
It is also about the action so sometimes we might be sitting around or we might be doing things and thinking to ourselves
I want to attract this I want to attract this but if you even take the words
Attraction the word action is inside of it. I don't think it's just a play on words
I think there's significance to that there is action that is necessary in order for us to create
Opportunities in our life to perceive of what is ready for us to seve of what we are getting mirrored back to us
so the idea is to align how we think how we feel and how we act in
Coordination and in the same direction of what we want to experience, and that when we do that
we are creating for ourselves a
Powerful Momentum now as I say we don't necessarily need to be focused on what we want
But it's more about who we become
Because who we become is the important part of what we have to keep because even if we lose the material thing that we got?
We can still create more of it and at a certain level that's where the growth really begins
so the beam part is the
action is the
Feeling and is the thinking now the best part is when we do some of these for everything say it's about money
You can start to take more action towards your passion towards action towards
monetizing your passions or towards providing value for people you can then start to focus on the
emotions as you're taking the action because they link into one another and guess what if you read a lot of books on that if
You read and study other people who have done the same thing that you want to do and you model their behavior
You're combining all of these you're linking your thoughts
You're linking your emotions
and you're linking your action and you're
embodying
Who you are meant to be in order to get the experience that you want so realize that if our beliefs are holding us back
We are thinking that the law of attraction isn't working when in fact it is reflecting back to us exactly
that is of reflecting back to us that it is working is just we're not seeing it because our
Selective focus and because our beliefs are creating
discontinuity in the experience
We're creating and were not seen that all these synchronicity exists together were only seeing that which we are tuned to
So remember you can take your power back by doing every step of the process by getting to the core of your definitions by
Realizing that as you change so does the reflection and then that's when the true progress
really begins so with that being said
I hope you guys enjoyed this video feel free to like this video if you
liked it subscribe if you haven't already and
Feel free to push the notifications because some people tell me that even though I post daily videos
They're not getting the notifications, or they're not seeing a pop up so hit that
Notification bar if you want to see those daily vids and as always I will see you guys on the next vid
Please much love and as namaste
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MDC in Focus Alum - Quincy O'Bryan (Production Skills) - Duration: 0:31.
I'm Quincy O'Bryan. I'm the "go-to-girl" at the M Network.
I produce, I edit, I shoot video.
Has helped shape the arts in Miami...
Because of MDC in Focus
I've been able to apply those skills into everything I do every single day.
The program is fantastic, it really prepares you to transition seamlessly
into the production industry.
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VLOG 19 // AKIHABARA - Duration: 12:00.
I start the vlog a little late
cause we got lost again
we are at akihabara again
not again. I mean its just the second time
and lisa wants to go to a gatcha mashine
cause she collects this buttons
and she just have 2832 stücker
stücker. buttons. i meant buttons
and here you can see a little bit of akihabara
a really litte bit of it cause you can just see 5 buildings
and now we cross the street
and the we will spend more money here
those sayings
*throw more money out of the window*
typical saying
my favourite saying : throw money out of the window
ding. stückers
ok. anata
atana. tz anata
whats that
could be a name. atana
sounds like a Hunnic King
Dog King ?
Hunnic King
ATANA THE Hunnic king
not atila. atana. it was me
here you can see the street
i wonder if my vlogs are intresting cause
most of the time i just walk through streets
or take a train
i bet i think when i cut those videos: what the fuck did you just filmed
but im ok with that
and cameras are mostly forbidden in the stores
cause you can copy the things at home *joke*
figures and stuff. obviously
but you can see the surroundings
here are many european faces as well
sometimes even germans
vending machines. VENDING MACHINES !
Oh i dont know that
i dont have anything to drink
i thought i get
a small change
small cash
ohhh drunki drunki
just for the real flavours
I didnt saw that coming
tastes like
fanta
where was it ?
there. somewhere ... it is
it is in a arcade store
did we walked for far ?
here it is
lets see if the odds are in your favours
I dont have enough money
we can show the changing machine
you can put everything in there that you have
lisa takes 10
then you can choose
and then she takes her money
and wastes it
lisa would like to have the eyebrow
if she gets her you
will see soon
you can sell it in germany
maybe you can see whos next ?
can we ?
na im not sure
they have a new asuna figure as well
which can transform
that shes black
i really need to watch the movie to understand it
but its nearly impossible to get something out
i got it once and never again
yes sure. he explodes
and he still lives
so where was mine ?
it was in a side road
sure ?
oh. nice timing traffic light
i hope i have
500yen
i just have
money for 1
no. yes
doesnt it change ?
i just have 50
wont it take it ? or it takes it and destroys it
no it wont take it. nice.
na i change all .. or
not all
i need to focus
just like me who has just has doubles
yeaaah another one
no idea which one
i guess this one cause it got a brown ass
just open it
noooo
thats really difficult
so i spend 30€ for gacha. what do we do now ?
thats an eagle or something . so cute
why does it look so cute agressive ?
lets check out what else they got
before we spend money
if he will make it ?
they said we shouldnt film in there
no in this store but in the other store
i thought so. you arent allowed to film anywhere
just in the minute you enter a store or something
i can understand that
cause of the privacy
but its lala for vlogs
oh its sold out ?
I wanna know what it is
ah those are buttons
those are button too. but whats that ?
thats button too
and that too ?
which animes do they have
oh lol how long is this
here is a live bus
you sit in the back part of the bus and in the front part there is a band
while you drive
and sing a song while they drive
we beamed us to shibuya
where we were every weekend
and search for tokyu hands
walk through the
most beautiful side roads
i mean they are beautiful but creepy
omg here is daiso
lets go in
oh and its not crowded
what can we buy
i take a basket
you stand in my way
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El magnífico templo budista de Wat Phra Dhammakaya | Tailandia - Duration: 2:20. For more infomation >> El magnífico templo budista de Wat Phra Dhammakaya | Tailandia - Duration: 2:20. -------------------------------------------
Get More Hope, Less Despair, and Move Toward Action with Mindfulness and Focus | Andrew Chignell - Duration: 6:03.
When you start talking about hope some people think it's immediately a kind of Pollyanna-ish
thing.
Like: "Oh, I should be hopeful," or it's kind of a greeting card sentiment.
You go kind of doe-eyed and start thinking soft thoughts about how we should all be hopeful
in one another.
And, of course, there are some important things to be said in favor of those kinds of things,
but we think of hope as also an extremely difficult and important and foundational sort
of state that can be discussed in ways that aren't so saccharine.
One of the interesting things that philosophers talk about with respect to hope is, of course,
its rationality.
So there's a sense in which you can't hope for everything.
You can wish for lots of things for which you can't hope.
I can wish that the Bears won the Super Bowl last year, but I can't hope that they won
the Super Bowl last year because we know that they didn't.
And so it seems almost like you're misusing the word to say, "I hope that they won last
year."
Or, "I hope that the weather was different yesterday than it was."
So there's a kind of semantic content that suggests that there are rationality constraints
on hope which philosophers try to look at and analyze.
There's a kind of orthodox account—people call it the orthodox account because most
people share it—that says that hope involves at least desiring something and believing
that it's possible.
So in this case you wouldn't believe that the weather yesterday could be different than
it was and so you wouldn't believe that's possible, and so you can't really hope for
it.
So that's that condition that's constraining the rationality of hope.
And then there's this kind of debate about what further conditions might be required.
One thought experiment that people have discussed frequently is that of 'The Shawshank Redemption'.
So this is a Stephen King short story that was turned into a film.
You have two characters, Andy and Red.
Both of them really desire something: to get out of prison.
Both of them regard it as possible, it's explicit in the story and in the film, but
somehow one character, Andy, is hopeful and says he's hopeful and that he's acting
in such a way as to make it come about even if he thinks it's extremely unlikely.
And the other character, Red, says he can't allow himself to hope.
The fear of disappointment is too great and will crush him.
So they both meet those conditions.
It's something they really desire and it's something they believe to be possible, and
yet one hopes and the other despairs.
So cases like this make people think we need some other kind of condition to really explain
the difference between hope and despair.
And that's where some of the debate is at the moment, trying to find this elusive third
condition.
And different people have different things they want to add to the orthodox conception.
My own favored approach, which I'm in the middle of writing up, is what I call the focus
or attention account of hope.
So it basically says something like the difference between hope and despair is the extent to
which you're focusing on the very slim odds of the thing coming about or whether you're
focusing on the fact that it's possible—or that you take it to be possible.
So if you're focused on the thing as a possibility, under the aspect of its possibility, if you
want, then you're hoping for it.
If you're focusing on the fact that it's incredibly unlikely and the odds are such
long-shot odds then you're despairing of it.
So you can desire it in the same way.
You can believe that it's possible in the same way.
And it's this focus that really makes the difference between hope and despair.
It might even be a kind of spectrum thing where you can move back and forth.
The focus might be under your control sometimes, other times given the circumstances or the
strength and the desire it might not always be under your control.
So I also kind of talk a little bit about the way a certain kind of mindfulness training
could lead us to be more hopeful people, cultivating the virtue of hope by learning how to focus
on something under the aspect of its possibility rather than allowing our focus or attention
to always drift towards the fact that it's so unlikely.
You can even hear this in the way that someone might say something about what they hope for
or despair of.
So in the Andy and Red case, Andy might say, "I know that it's really unlikely but
at least it's possible," and sort of focus on the possibility.
That's the hopeful sort of approach.
And Red might say, "I know that it's possible, but it's really unlikely."
Same desire, same estimation of the probabilities but you can even hear in the way it's stated
a kind of difference in attitude that I take to be the essential difference between hope
and despair.
So one more locus of discussion is the relationship between hope, optimism, and action.
I think a lot of people regard hope in a way as unserious because it gets detached from
action in a certain way.
So hope is something that you do when you can't do anything else.
It's the kind of curse that is left in Pandora's box, because you still have it even though
there's nothing else you can do with respect to achieving the goal in question.
"I'm just hoping for it.
It seems possible but there's not much I can do.
I'm just sort of passively hoping."
That obviously seems like a bit of a character of the way in which hope might actually work.
And so we're curious, and people in both psychology and sociology, other social sciences
as well as philosophers and religious studies people, in our project, think about the way
in which hope underwrites action, hope manifests itself in action, hope is the result of action.
So agency and hope is a really interesting set of issues that we think is underdeveloped.
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