Thứ Sáu, 24 tháng 11, 2017

Youtube daily report Nov 25 2017

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Pehli-pehli vaar mainu Deor lain aa gaya

Pehli-pehli vaar mainu Deor lain aa gaya

Deor de naal meri jandi ae balaa

Ghund chukya na jaye, muhon bolya na jaye

Kunda kholeya na jaye

Deor ve

Deor te dil da chor, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Duji-duji vaar mainu Jeth lain aa gaya

Duji-duji vaar mainu Jeth lain aa gaya

Jeth de naal meri jandi ae balaa

Ghund chukya na jaye, muhon bolya na jaye

Kunda kholeya na jaye

Jeth ve

Jeth da motta pet, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Tiji-tiji vaar mainu aap lain aa gaya

Tiji-tiji vaar mainu aap lain aa gaya

Mahiye de nal mainu jaya vi jaye

Ghund chukya vi jaye, muhon bolya vi jaaye

Kunda kholya vi jaaye

Ha mahiya ve

Mahiya dhol sipahiya, main ehde nal nai jana

Mahiya ve

Mahiya dhol sipahiya, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

For more infomation >> Nai Jaana | Punjabi Folk Song | Fauladi Indians | Live Performance | USP TV - Duration: 4:31.

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Peugeot 2008 1.2 Allure, 110 Pk Automaat EAT-6, Pano dak, Pdc V + A, Navi, Duurste uitvoering ! - Duration: 0:55.

For more infomation >> Peugeot 2008 1.2 Allure, 110 Pk Automaat EAT-6, Pano dak, Pdc V + A, Navi, Duurste uitvoering ! - Duration: 0:55.

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PBS NewsHour full episode November 24, 2017 - Duration: 53:56.

JUDY WOODRUFF: Good evening.

I'm Judy Woodruff.

On the "NewsHour" tonight: Hundreds are killed and more injured after militants attack a

mosque in Egypt, making it one of the country's deadliest attacks in modern history.

And it's Friday.

Mark Shields and David Brooks are here.

We talk former National Security Adviser Michael Flynn's apparent split from President Trump

amid the Russia investigation, and where the Republican tax bill stands.

Plus: Lin-Manuel Miranda sings out for Puerto Rico.

The "Hamilton" creator takes on a new role as political activist after Hurricane Maria.

LIN-MANUEL MIRANDA, Artist/Political Activist: Many of the needs of the 3.5 million American

citizens on the island are still not being met.

I'm here because we need to be here and we need to continue to amplify the needs of the

island.

JUDY WOODRUFF: All that and more on tonight's "PBS NewsHour."

(BREAK)

JUDY WOODRUFF: A mosque in Egypt's Sinai Peninsula was the scene of mayhem and carnage today.

At least 235 people were killed, and more than 100 injured, as militants attacked a

crowded house of worship during Friday prayers in the town of Bir al-Abd.

The attackers detonated explosives and shot worshipers as they tried to escape.

Egypt's government declared three days of mourning across the nation.

President Trump condemned the attack, and spoke this afternoon with Egypt's President

Abdel Fattah El-Sisi.

Earlier, Sisi declared that the attack will not go unpunished.

For more, I spoke a short time ago with New York Times Cairo bureau chief Declan Walsh.

Declan Walsh, thank you for joining us.

This seems to have been an unusually ruthless attack.

They kept on shooting as the ambulances arrived?

DECLAN WALSH, The New York Times: Absolutely.

That's right.

There were -- the team -- the gunmen arrived in several vehicles.

They split up into teams.

Some of the gunmen went inside the mosque.

They started shooting the worshipers immediately after a bomb had gone off.

Other gunmen waited outside and shot people as they tried to flee.

JUDY WOODRUFF: And it was unusual that, in the past, they have been going typically after

Christians.

This time, it was at a mosque.

DECLAN WALSH: That's right.

This is extremely unusual.

This attack is extremely unusual, both by the size of the attack, the number of people

who have been killed.

This is the largest attack in modern Egyptian history.

And it's also, as you say, by dint of the target.

Over the last year, Islamic State have carried out a number of attacks on Christian, Coptic

Christian churches here in Egypt, but they have never turned their guns on a Muslim mosque.

Now, we do not yet have a claim of responsibility for this attack, but it's important to note

that Islamic State, the local affiliate of Islamic State is the most significant, the

most powerful group that is operating in that area, and they had previously made threats

against Sufi Muslims.

So these are Muslims who belong -- who have a particular practice which extremists find

to be heretical.

And they have made threats against this group in Sinai in the past.

They have killed about a year ago a senior Sunni cleric.

They beheaded him, and they said that there would be more violence to come.

And now they appear to have made good on that threat.

JUDY WOODRUFF: Why isn't there more security in these places?

DECLAN WALSH: That's an excellent question.

The Egyptian state has been battling the Islamic State in Sinai now for the last three or four

years.

It has poured huge resources into the fight in that part of the country.

And we, as the foreign press and even most of the Egyptian press, have relatively little

visibility on what goes on over there because it's a closed area to foreigners and indeed

to many Egyptians.

But we do know that there are ambushes against the Egyptian military and that the Egyptian

military has responded with some force.

So, this again is going to raise questions, particularly for President Sisi, as to why

his military has been unable to push back the Islamic State, to stop them from carrying

out attacks like this with such impunity.

It's worth recalling that earlier on today, it seems that these groups, these gunmen who

possibly numbered in the dozens were able to carry out this attack with no hindrance.

They even waited at the site of the attack while the first-responders and the ambulances

turned up, and they opened fire on some of the ambulances.

JUDY WOODRUFF: And, as you point out, President El-Sisi said he's going to do something about

it.

He made a statement today, this will not go unpunished.

But, as you have point out, there have been these other attacks.

Do people believe that he will do something about this?

DECLAN WALSH: I think there's going to be a particular type of pressure on President

Sisi because a mosque has been attacked this time.

On the other hand, this is an attack that's taken place in Sinai.

And often, the rest of Egypt is referred to here as mainland Egypt.

That's the main cities like Cairo and Alexandria.

That's where the attacks against Christians took place last year.

And they certainly did ramp up the pressure on President Sisi, not just from the Christian

community, but I think from Egyptians across the board, who were worried at the sight of

these Islamic State attacks coming into their capital and into other major cities.

JUDY WOODRUFF: Declan Walsh with The New York Times joining us from Cairo, thank you.

DECLAN WALSH: Thank you.

JUDY WOODRUFF: In the day's other news: The government of Turkey says President Trump

has agreed to stop arming Kurdish fighters in Syria.

The foreign minister says Mr. Trump made the pledge in a phone call to President Recep

Tayyip Erdogan.

Later, the White House informed Erdogan of -- quote -- "pending adjustments" to support

for groups on the ground.

The Kurdish fighters have scored major victories against Islamic State, but Turkey considers

them terrorists.

In Zimbabwe, the new president, Emmerson Mnangagwa, was sworn in today.

Tens of thousands turned out to see the ceremony, but Robert Mugabe, who stepped down this week

under pressure, didn't join them.

John Ray of Independent Television News reports from the capital, Harare.

JOHN RAY: The trace of a smile on the crocodile, a nickname earned through fear, not affection,

today, acclaimed president of Zimbabwe, his own and his nation's reputation in need of

transformation.

A huge crowd danced and sang many of the same songs they sang once for Robert Mugabe, while

the military who removed him from power paraded for their new commander in chief.

This is the first time Zimbabwe has sworn in a new leader in almost 40 years.

He took the oath of office.

EMMERSON MNANGAGWA, President of Zimbabwe: So help me God.

(CHEERING AND APPLAUSE)

JOHN RAY: Assumed the mantle of head of state and promised his people a fresh start.

EMMERSON MNANGAGWA: I solemnly promise that I shall, to the best of my abilities, serve

everyone, everyone who calls and considers Zimbabwe their home.

JOHN RAY: More muted was the response to his tribute to Mugabe, the specter at the feast.

EMMERSON MNANGAGWA: To me personally, he remains a father, mentor, comrade-in-arms and my leader.

JOHN RAY: The Zimbabwe Mugabe left behind needs jobs and foreign investment.

Even Mnangagwa is still subject to U.S. sanctions.

This former spy chief accused in the past of helping rig elections now promises free

and fair elections next year.

So, after 10 days that have changed everything we knew about Zimbabwe, the country has a

new president.

But he's here as much because of a palace coup as a popular uprising, so how deep will

the change really be?

From Mnangagwa's hometown, we met one family who traveled 200 miles from 2:00 in the morning

to see history unfolding.

Expectations are high.

WOMAN: Our town, it has been forgotten, the town, which was just dying.

And now we are hoping that there is going to be -- there is going to be life.

JOHN RAY: The new president will need time to deliver his promises, but he has already

given his people hope.

JUDY WOODRUFF: That report from John Ray of Independent Television News.

Interpol has announced 40 arrests in a bid to break up a human trafficking ring in Africa.

The international police organization says the operation was carried out in Chad, Mali,

Mauritania, Niger, and Senegal earlier this month.

Nearly 500 people were rescued, including 236 children.

A top Pakistani militant wanted by the U.S. was freed today, on the orders of a Pakistani

court.

Hafiz Saeed allegedly founded an outlawed group that linked to a 2008 attack in Mumbai,

India.

The attack killed nearly 170 people.

This morning in Lahore, Saeed greeted supporters at Friday prayers.

His lawyer accused the U.S. and others of trying to block Saeed's release.

KAMRAN NASEER ABRASI, Attorney for Hafiz Saeed: The government officials produced many fake

and frivolous reports with regards to the Hafiz Saeed, but the honorable court disagreed,

and we have produced that he has no concern with any proscribed organization or activities.

JUDY WOODRUFF: The United States has offered a $10 million bounty for Saeed, but he's repeatedly

been detained and then released.

An appeals court in South Africa today more than doubled the prison sentence of Oscar

Pistorius, the first amputee to run in the Olympics.

The court ordered him to serve another 13 years and five months for the murder of his

girlfriend in 2013.

That is on top of more than a year-and-a-half that he has already served.

Prosecutors had appealed the initial six-year sentence.

Back in this country, Senator Al Franken has issued a new apology, after new allegations

of sexual harassment.

He said in a statement last night -- quote -- "I feel terribly that I have made some

women feel badly, and for that, I am so sorry."

Four women have now accused the Minnesota Democrat of groping them.

He faces a Senate Ethics Committee investigation.

Black Friday shoppers hit the stores with abandon today.

Macy's and other big retailers reported a healthy business boost.

Meanwhile, online giant Amazon said Thanksgiving Day orders on its mobile app jumped 50 percent

from a year ago.

And on Wall Street, stocks made a modest advance in a shortened trading day.

The Dow Jones industrial average gained 31 points to close at 23558.

The Nasdaq rose 21, and the S&P 500 added five.

Still to come on the "NewsHour": how a school in Rwanda is empowering women to become business

leaders; a look at the NFL's controversy-packed year; Mark Shields and David Brooks analyze

the week's news; and much more.

Now to Rwanda, where a college is trying to break a cycle of violence and discrimination

by empowering women through education.

Special correspondent Fred de Sam Lazaro reports.

It's part of his series, Agents for Change.

FRED DE SAM LAZARO: During the workweek, 30-year old Nadia Kubwimana is a catering manager

at the Marriott Hotel, one of the newer entries into a glitzy skyline of Rwanda's capital,

Kigali.

On weekends, she steps into a very different world, helping mentor 250 women in her hometown

just outside Kigali.

Together, they have started 42 different small businesses, ranging from vegetable markets,

to handmade baskets, to a cooperative that sells coal for cooking stoves.

These women meet in a tiny storage shed located in a less trafficked area on the outskirts

of the city.

NADIA KUBWIMANA, Business Mentor: They wish to grow their business.

The problem they have, as you see where we are, it's far from the road, the main road.

FRED DE SAM LAZARO: Kubwimana is a recent graduate of the Akilah Institute, a two-year

college which trains women to be leaders in the world of business.

NADIA KUBWIMANA: From Akilah, I learn about leadership.

I learn to be confident.

I learn how I can manage a small business.

FRED DE SAM LAZARO: The school is part of an effort by Rwanda to leave behind its image

of a violent country wracked by genocide.

Rwanda's president, Paul Kagame, has been criticized for human rights violations and

for stifling dissent.

He recently won reelection by a lopsided 99 percent after changing the constitution to

extend his reign.

Still, the country has made considerable strides in reducing poverty.

In the 23 years since the genocide, Rwanda has been a world leader in bringing down infant

mortality, maternal mortality.

Life expectancy has climbed from 48 to 58.

But the statistic that makes this country unique in the world reflects the role of women

in all of this.

Half of this country's Supreme Court justices are female, and so are two-thirds of its members

of parliament.

In spite of the impressive statistics, many women have not participated in those gains.

The Akilah Institute, the first all-women's college in the country, wants to change that.

It was founded seven years ago by Elizabeth Dearborn Hughes, a Vanderbilt University graduate

who had come to volunteer in Rwanda in 2008 and found that only 7 percent of women entered

college and nearly 85 percent of women made less than $2 a day, if they found work at

all.

At Akilah, the emphasis is on preparing women for well-paying jobs and financial independence.

Aline Kabanda is the school's director.

ALINE KABANDA, Director, Akilah Institute: The Akilah founders went to the private sector

and asked, where do you see the country's fastest growing sectors of the economy?

Where are the skills gaps?

What do you need?

And really make sure that, one, the choice of the programs, as well the curriculum itself

really mirrors the expectations of the private sector.

WOMAN: When you do something wrong to a customer, you're ruining the company's image.

FRED DE SAM LAZARO: The school focuses on three areas of study: entrepreneurship, the

hospitality industry and information technology.

It recruits half of its students from rural areas, the other half from Kigali, and offers

generous financial aid to attract and encourage students who otherwise would have no chance

of receiving a college education.

But before teaching any specific skills for a career path, the school works to develop

the women's self-confidence, says instructor Jackie Semakula.

JACKIE SEMAKULA, Akilah Institute: First, we build in them the spirit of believing in

themselves, taking them through a growth mind-set class, where their ability to excel and grow

is not fixed, so they start believing, oh, I can do this.

And if they try it again today, try it again tomorrow, you're building self-belief, and,

hence, no limit.

FRED DE SAM LAZARO: For many of the young students, Akilah is the first place they have

heard about gender equality.

Sandrine Sangwa now studies I.T., but back in high school, she says, girls were not encouraged

to develop computer skills.

SANDRINE SANGWA, Student: We were supposed to sit like three children on one computer,

and, at that time, they allowed a boy to stand in front of the keyboard, so like he can be

the one who is doing the keyboard.

They don't see the potential that we have as girls.

FRED DE SAM LAZARO: Allen Ingabire, who is studying hospitality management, realizes

that many young women don't see their potential either.

ALLEN INGABIRE, Student: Some girls will not come to Akilah.

They still feel they can't do that.

Here at Akilah, we have been given this opportunity to et exposed to leaders, to learn leadership.

So, it is our time to go out and tell our young sisters, tell our friends that, you

can do this, even though your friend is telling you that you can't.

ALINE KABANDA: We're looking at the next generation of female leaders, and then we're telling

them, you have a role to play as a leader of yourself, as a leader of your family, as

a leader of your community.

And that will trickle down to the whole country.

FRED DE SAM LAZARO: Jacky Mutama is a good example of the shift that is starting to taking

place in Rwanda.

In 2010, she was a 35-year-old housewife with two small children, but she was restless.

JACKY MUTAMA, Graduate: I wasn't interested to stay home as a housewife.

FRED DE SAM LAZARO: She became part of the first class of students at Akilah, graduating

in 2012, and then pursued a dream of owning a farm.

Mutama bought 17 acres of land outside Kigali and now manages four full-time and several

seasonal workers, growing nuts, bananas, sorghum and yucca.

And she's looking to expand her business.

She knows that her success will help provide jobs for others in her community.

And she's also become a role model for her two daughters, who say they dream of going

to Harvard and Oxford when they grow up.

Jacky Mutama gives much of the credit to Akilah.

JACKY MUTAMA: I think Akilah makes you a new creature.

FRED DE SAM LAZARO: Makes you into a new creature?

JACKY MUTAMA: Yes, how to manage things, how to become as a leader.

FRED DE SAM LAZARO: The Akilah Institute is also hoping to expand in the coming years,

building colleges in seven other African countries.

For the "PBS NewsHour," I'm Fred de Sam Lazaro in Kigali, Rwanda.

JUDY WOODRUFF: Fred's reporting is part of the Under-Told Stories Project at the University

of St. Thomas in Minnesota.

Now, for many Americans, the traditions of Thanksgiving week include food, family and

very often football.

But this year, the sport is, at least for the moment, struggling to find its footing.

Jeffrey Brown has the story.

JEFFREY BROWN: The national football league finds itself mired in a number of controversies

this season, most prominent, player protests over police mistreatment of African-Americans

and the reaction from President Trump and other critics about taking a knee.

There are also continuing concerns over player safety and the status of a concussion settlement

with retired players and, topping it off, a recent civil war of sorts between two of

the most powerful people in the league, commissioner Roger Goodell and Dallas Cowboys owner Jerry

Jones.

In the meantime, the games do go on, but ratings have fallen.

Seth Wickersham covers the NFL for ESPN and joins us now.

Thanks for joining us, Seth.

So, let's start with the player protests.

How are players and teams dealing with it now, and is it still boiling or do you see

things calming down at all?

SETH WICKERSHAM, ESPN: It's largely faded.

I think that the number of players that are kneeling as a protest are down to two now.

And, you know, I think that it's been an interesting moment to look at the NFL as this has happened,

because a lot of the owners of teams and a lot of league executives want a mandate that

would force the players to stand.

And Roger Goodell, who has been accused by the players of often serving as a puppet for

the billionaire ruthless owners, has backed them in their right to protest and has not

backed a mandate.

And so it's been a really interesting issue to watch unfold, especially going back to

a story that I wrote a month ago with Don Van Natta where we quoted Bob McNair, the

owner of the Houston Texans, in an owners meeting, saying -- quote -- "We can't have

the inmates running the prison."

JEFFREY BROWN: Right.

SETH WICKERSHAM: And that caused all kinds of trouble, caused a lot of stress between

players.

But I think that largely right now the anthem has faded as an issue.

And, fortunately, for people like me, there are plenty of other things to write about.

JEFFREY BROWN: Yes.

Well, one of them of course, is this question of the violence and the concussions.

So, it's interesting, because there's what happens on the field, where there seems to

be more attention to concussions.

There's that long-term settlement with former players.

And then there's this question of how much it's affecting fans, you know, how much people

are maybe turned off to the game because of it.

SETH WICKERSHAM: Where you're seeing the biggest effects from head injuries, more than concussions,

I think just generally, it's head injuries, is on the youth levels.

And that is a real problem.

I think, in the NFL, its ratings drop, I don't think, has a lot to do with the violence of

the game.

And I think that there is a war right now within the NFL that's kind of playing out

where there are owners who think that fans come to the NFL for violence, and they don't

actually want the game to get to much safer, because it would sort of end up in this weird

middle ground that would end up entertaining and pleasing nobody.

JEFFREY BROWN: Where are things with that settlement?

Because that's been that's been going on a few years now.

SETH WICKERSHAM: yes, it's going on a few years, and it is not going to end anytime

soon.

I think that, like, right now the settlement is mired in litigation, and even the players

who won settlements are being targeted by certain kinds of attorneys that, you know,

can promise more and aren't delivering.

This entire thing has been -- it's been a mess.

JEFFREY BROWN: You think about people wanting perhaps fans who want to come and see the

action, and including the violence.

But we also have seen a number of big stars injured, right?

I mean, this is a -- it always happens every year, but this year especially, Aaron Rodgers

and others.

And that really affects the quality of the games, I would think.

SETH WICKERSHAM: There is no question that, you know, so many of these big stars going

down has had a huge impact on the game.

And I think that, in a weird way, it's what's elevated this battle going on right now between

Jerry Jones and Roger Goodell and a few other owners over who is going to serve as commissioner

next, and whether that will be Roger Goodell, because the games themselves have been kind

of flat, and not as many people are watching them.

And yet this stuff that's going on in the executive suites is really fascinating.

JEFFREY BROWN: Explain that a little bit, especially for those who don't follow especially

the internal side of this, Jerry Jones, a very sort of familiar figure to football fans,

a very powerful owner, in a very unusually public spat with the commissioner.

SETH WICKERSHAM: Yes, Jerry Jones, during Roger Goodell's 11-year tenure, has been one

of his most ardent supporters.

I mean, he supported Roger Goodell as they have gone from crisis to crisis to crisis,

from head injuries, to the Ray Rice domestic violence dispute a couple of years ago, to

all of the gates, you know, Spygate, Bountygate, Deflategate.

And now we're seeing this huge public civil war breaking out, with Jerry Jones leading

the charge, with not many people behind him.

And what he wants out of this is unclear.

It's clear that he doesn't want Roger Goodell to continue being commissioner of the NFL

under the current terms, and he doesn't want him to get much more money to do it.

And that raises the question, does he want someone else to do it?

JEFFREY BROWN: So come back finally to this question of the impact on the game, and particularly

the ratings being down.

You said earlier you don't think it's because people are being turned off by the concussions

and the violence.

Does anyone know what is going on?

SETH WICKERSHAM: It's a problem.

And even people within the NFL aren't able to get clear answers on it.

Clearly, a lot of it has to do with viewer habits changing.

I think that a lot of it has to do with people being turned off by the NFL, maybe not totally

because of head injuries, but because of the way that they have handled things.

A small percentage of them may be these anthem protests.

But college football ratings are up.

So, America is not losing its appetite for football as much as people seem -- as people

seem to think.

But there is a problem with the NFL.

And it's a perception problem, and I think that that's what Jerry Jones, on top of everything

else, is worried about, is that there are these systemic forces that are coming at the

NFL right now.

And he's asking, has Roger Goodell shown the ability to navigate the league through these

things enough to the point that we trust him to navigate the league going forward and end

up in a stronger place?

JEFFREY BROWN: You know, it's still worth saying, though, that the NFL is still America's

biggest and most lucrative sport, right?

That hasn't changed.

SETH WICKERSHAM: It hasn't changed a bit.

You know, baseball sets their records in World Series ratings, and the NBA has said NBA finals

ratings lately, and, you know, look, the Super Bowl still draws well over 100 million people

a year.

That's multiple, multiple times the amount that those other sports draw at their peak.

JEFFREY BROWN: All right, Seth Wickersham of ESPN, thanks very much.

SETH WICKERSHAM: Thank you.

JUDY WOODRUFF: Stay with us.

Coming up on the "NewsHour": a guide to the best books of the year; and "Hamilton" creator

Lin-Manuel Miranda speaks out for Puerto Rico's recovery.

But first: Another week of sexual misconduct allegations plagued the political and media

worlds.

And with Congress returning next week, we look ahead to Republican efforts on taxes

and more.

And for all that, we turn to the analysis of Shields and Brooks.

That's syndicated columnist Mark Shields and New York Times columnist David Brooks.

Welcome, gentlemen.

So, let's start, Mark, with the sexual allegations cascading across new names this week.

It's crossing party lines, Al Franken among the Democrats.

Congressman Joe Barton, not sexual harassment, but a personal relationship, pictures have

emerged.

What are we -- we know that politicians and people in the media aren't perfect, never

have been, but what are we learning now from all this?

MARK SHIELDS: Well, I think we're learning, Judy, the dimensions of it.

I mean, this isn't the pass at the office Christmas party after two drinks, "Would you

like a ride home, Sally?"

I mean, this is abusive stuff, and it's male-directed, it's male-dominated, it's male power.

I'm embarrassed for my gender to read this stuff.

I'm appalled.

Quite frankly, I have not led a cloistered life, but men exposing themselves, just this

is a form of human depravity and abuse that is unrecorded and unreported.

And I think it's -- I think we're seeing a sea change in attitudes in this country.

The one encouraging aspect is, generationally, younger men find the harassment -- they agree

more with women about the prevalence of it and the unacceptability of it.

And for that, I'm cheered and encouraged.

But I have to say, it's not a party thing.

Obviously, it's not an ideological thing.

It's a power thing, and it's a male thing overwhelmingly.

JUDY WOODRUFF: David, do you think we may be seeing a turn, a change in people's willingness

to put up with this?

DAVID BROOKS: Yes, well, certainly the willingness of people to come out, the encouragement of

people to come out, the instinctive siding with the people who come out, which I think

is the right posture.

I think we are seeing a change.

And what interest me is, I was wondering, would we -- Harvey Weinstein, that probably

would have happened.

But if Donald Trump were not president, would it have had these massive ripple effects,

so it becomes a big national change?

And I think the reaction to Trump is part of the deal here.

And we have talked about Trump maybe polluting our national culture, but it could be the

reaction to Trump is also making us hypersensitive and making us want to correct the national

culture.

And so you could be a -- see a reaction to -- the Trump wave, I think, has lowered norms

and the standards, but a lot of people would say, no, we're not happy with this, we're

going to raise norms and standards.

And so I hope this is part of that larger reestablishment of what is decency.

JUDY WOODRUFF: Mark.

MARK SHIELDS: Judy, one point, just a minor point, but we find out this week that there

have been $17 million in settlement payments to members of the staffs on Capitol Hill who

have been sexually abused or harassed or mistreated.

JUDY WOODRUFF: Taxpayer money.

MARK SHIELDS: Taxpayer money, 256, I think, settlements.

And the idea that -- yes, you want to protect obviously the victim and the identity of the

victim and the pain of the victim, but the idea that this is private and not public,

I mean, this ought to be bipartisan.

It ought to be Nancy Pelosi and Paul Ryan walking into the House Administration Committee

or the House Clerk's Office and saying, all right, these records are going public, and

every member who was involved in a settlement has to be known and the amount paid and the

charges.

And, as I say, protect the innocent, but don't protect the guilty, especially when there

is taxpayer money involved.

JUDY WOODRUFF: And, David, that part about nondisclosure is just one part of this convoluted,

complicated process that people who have been victims in working in the Congress or working

for a member of Congress have had to go through in order to file even a complaint.

DAVID BROOKS: Yes.

No, and you think about it, so many -- every summer, hundreds, thousands of college students

are going into these offices as interns.

And you don't know where these kids are going.

You don't know who their boss is.

And there has been, on Capitol Hill, this back-channel gossip of who is a good boss,

who is a bad boss, who is abusive.

But the idea that taxpayer money is not -- is going to cover this stuff up is -- just whoever

set that up, it's just mind-boggling, frankly.

JUDY WOODRUFF: And I have to say, when it comes to the young people, whether they're

coming out of college or wherever, Mark, the people who have been accused in the news media,

whether it's Charlie Rose, Mark Halperin and others, so often, these are just interns or

young women who are just starting out in their careers, in their lives, and they become the

main victims.

MARK SHIELDS: They become the victims.

And the number of stories, Judy, of young women who had gone into journalism, and that

this experience, whether it was at NPR, or Charlie Rose, or Mark Halperin, and it soured

them on the career, it led to a career change, that, you know, it's a loss to the country.

It's a -- the pain, they carry it with them every day of their life.

DAVID BROOKS: And one of the things that's striking to me about it -- and this was true

of "The Charlie Rose Show," which I have been on many, many times -- is the narcissism of

it, that the people who are perpetrating it can't even see the human beings on the other

side of what's happening.

There is a saying that obscenity is covering up the soul of another human being.

And when -- it's -- they -- it's as if the other person is not just even another human

being, and they just dehumanize the person.

And, of course, that's how it feels.

JUDY WOODRUFF: Well, it's incredibly disturbing.

And I know I'm one of many who thinks we have to continue to report on this...

MARK SHIELDS: You're right.

JUDY WOODRUFF: ... to continue to talk about it as long as we know that it's going on.

Mark, so much else to talk about this week, but one is the Russia investigation.

It was reported in The New York Times yesterday that the lawyers representing Michael Flynn,

the president's former national security adviser, are no longer communicating with the president's

legal team, which could mean some kind of negotiation, cooperation is under way with

the special counsel.

We don't know that for sure.

MARK SHIELDS: Right.

JUDY WOODRUFF: But this could mean something is happening.

MARK SHIELDS: It -- whatever it means, Judy, in all likelihood, it means nothing good for

the White House.

It's always been a matter of fascination and curiosity, I think, to those of us who cover

politics and care about politics to watch Donald Trump, a man not known for self-sacrifice

or self-absorption -- self-concern with others, react to Michael Flynn.

Michael Flynn was the one person caught up, whoever worked for him, for whom he actually

went to James Comey, the FBI director, and said, can't you make this go away for Mike

Flynn?

He asked Dan Coats, the director of national intelligence, to intervene with James Comey

to see if they couldn't drop it on Michael Flynn.

The idea that Michael Flynn has some information -- and Michael Flynn is vulnerable, we know,

for a couple of reasons.

One, as a former Army general, he went to give the speech in Russia without the, apparently,

appropriate and legal clearance he needed, and the unreported half-a-million dollars

in earnings to represent interests identical to or very close to the Turkish government.

And so I think he's vulnerable.

He has a son who is an admitted zealot who was a conspiracy buff and all the rest of

it about Pizzagate, the satanic conspiracy of child molestation, totally fabricated,

totally bogus.

JUDY WOODRUFF: Right.

MARK SHIELDS: So, I think there's a lot of pressure points and vulnerabilities with Michael

Flynn.

JUDY WOODRUFF: And we know this is something the White House is really worried about, David.

DAVID BROOKS: Yes, and we don't know if he's cooperating.

It might be part of a negotiation to cooperate.

But if he does, it signals two things to me.

One is that they're going after somebody higher.

MARK SHIELDS: Yes.

DAVID BROOKS: That they wouldn't go after -- they wouldn't strike a deal with Flynn

or even attempt to if they didn't have their eyes on somebody else.

Doesn't mean it's Trump, but it could be somebody higher.

And the second thing is, Flynn, in the brief moments when all this was all going on during

the campaign, during the transition, very early in the administration, Flynn was right

in the center.

He was Grand Central Station for all the Russia contracts.

So, if they have some disparate things, Flynn would be the person who could fit it all together.

And what -- I have always been pooh-poohing the scandal, in part because I haven't seen

how Trump personally would be involved.

And we would need that for it to be really a major, major scandal.

It could be Flynn could be there to say Trump did offer to get rid of the sanctions if they

would help with the election.

And that would be the conversation that really would turn this into a major political story.

JUDY WOODRUFF: And then we think of the other players in the White House.

And we don't know their role, whether it was Jared Kushner, the president's son-in-law,

whether it was his son, Donald Trump Jr., and the efforts to reach the Russians, but

clearly something we're all keeping an eye on.

Just finally, quickly -- and, David, I'm going to start with you on this -- the Republican

tax plan, tax cuts, normally, this is a very popular idea.

But there's been, I think, a surprising amount of pushback from nonpartisan think tanks saying,

wait a minute, no, the middle class is not going to benefit necessarily very much, or

at all, from this, and the deficit is going to balloon.

DAVID BROOKS: Yes.

No, to me, the big story was the University of Chicago Business School came out with a

study of I think it was 48 economists.

And it's very bipartisan.

And tax reform, in principle, is super popular among economists.

But they have designed a bill so these economists do not think it would help growth, with one

exception, and they think it would explode the deficit.

So, you take a very popular concept and you write it, the bill, in such a way that it

becomes extremely unpopular among people who know most about it on both parties.

That's a trick.

That's hard to do, to be that incompetent.

And so I'm -- the Republicans feel huge pressure to pass this thing.

But I still have to feel there are least three, four, five, six senators who really do care

about the deficits, really do not want to destroy the federal budget, and that they

will somehow stand in the way.

It would take major courage to do so, but a lot them really, really do care about debt.

MARK SHIELDS: I want to believe what David wants to believe.

I mean, I really...

(LAUGHTER)

MARK SHIELDS: No, I think we found out that the Republican Party doesn't believe it about

deficits.

I can recall, seven years ago, when then the chairman of the Joint Chiefs of Staff, Admiral

Mike Mullen, made a very serious public statement that the national debt was the greatest threat

to national security, and Barack Obama was president, and the national debt doubling,

of course, in the interim.

But Republican after Republican said, this is absolutely right.

This is a matter of national security.

And so now we're really down to five, five Republicans, Bob Corker, Jeff Flake, Jim Lankford,

John McCain, and -- who am I missing?

DAVID BROOKS: Susan Collins maybe.

I don't know.

MARK SHIELDS: Well, Susan Collins -- I think Susan Collins is there on other philosophical

grounds, but certainly that.

But, today, to add to the problems of the economists, the Catholic bishops came out

and called it fundamentally flawed, this tax bill, and said that it will raise income taxes

on the working poor to give a tax cut to millionaires and billionaires.

Now, you know, that really has -- it does something in one day to pick up the group

at the University of Chicago crowd and the Catholic bishops.

You have united unlikely allies here.

JUDY WOODRUFF: But against that, as you said, David, there is huge pressure on the Republicans

and coming from the White House to get this tax bill done.

DAVID BROOKS: Yes.

A lot of donors say, if you don't pass something, just -- and they -- they're not even thinking

about what's in the bill, like, just pass it, and I'm never giving you another cent.

Republicans are hearing that a lot.

So, they do feel that pressure.

And so it's another vote they are going to have to hate.

JUDY WOODRUFF: A mark on the wall.

MARK SHIELDS: Yes.

All right, David Brooks, Mark Shields, happy Thanksgiving weekend to both of you.

MARK SHIELDS: Thank you very much, Judy.

JUDY WOODRUFF: Now a look at some of the best reads of 2017.

Jeffrey Brown is back.

He recently sat down with Ann Patchett, author of "Commonwealth" and co-owner of the Parnassus

bookstore in Nashville, and Daniel Pink, author of "When: The Scientific Secrets of Perfect

Timing," to be published in January.

They met up at the newest Politics and Prose Bookstore here in D.C.

JEFFREY BROWN: All right, so you want to start us off, Ann?

What do you want to start with?

ANN PATCHETT, Owner, Parnassus Books: OK, so, so many things.

I'm going to start off with David Sedaris' "Theft by Finding."

This book just broke my heart, smashed me open.

It's David Sedaris' very, very best book.

It's his diaries from 1977 to 2002.

His partner, Hugh, described it as David Copperfield Sedaris, and that's exactly what it's like.

JEFFREY BROWN: Sort of the making of David Sedaris.

ANN PATCHETT: It's so true.

And he had a really tough start.

He says in the introduction that this book should be dipped in and out of, and read over

a long period of time.

Absolutely not true.

I picked it up.

I could not stand up until I finished it.

It's riveting.

It makes you laugh.

It makes you cry.

It's everything you would want in a book.

JEFFREY BROWN: All right, and for David Sedaris' fans, you sort of see where he came from and

where the stories came from.

ANN PATCHETT: Yes, but also for people who have never read him before or who aren't David

Sedaris fans, this is just a fantastic piece of writing.

JEFFREY BROWN: OK.

Dan?

DANIEL PINK, Author, "When: The Scientific Secrets of Perfect Timing": So, this one will

make you laugh, will make you cry, though I think for different reasons.

(LAUGHTER)

DANIEL PINK: It's a book called "Everybody Lies" by Seth Stephens-Davidowitz.

He is a data scientist.

And the premise of the book is, indeed, that everybody lies, that when we talk to our friends

and when we talk on social media, we actually are not truthful about who we really are,

what our preferences are.

But there is one place where we are incredibly honest.

There is one place in our lives that operates as a confessional.

And that is the Google search box.

And if you look at aggregated Google searches, you find some incredible truths about who

human beings are, what their preferences are, and sometimes in disturbing ways.

Incredible amounts of racism.

So, searches for racial slurs and racist jokes surge on Martin Luther King Day, for instance,

surge after President Obama was elected.

They end up being predictive of which counties certain candidates are going to perform well

in.

And, also, as someone who's been married for 22 years, if you look at what wives say about

their husbands on social media, if you look at the actual words, they say, my husband

is the best, my husband is my best friend, my husband is cute.

JEFFREY BROWN: I think I know what is coming.

DANIEL PINK: But you look at their search data, their search data say, my husband is

annoying, my husband is gay, my husband is cheating on me.

JEFFREY BROWN: So does it offer any hope for the human condition, or at least understanding

the human condition?

DANIEL PINK: You know what I think it does?

I think what it offers is, is that we should trust our instincts less and trust the data

more, that there are some ways to reveal what people's preferences are, what people are

really thinking, and that a lot of times our intuitions about people are dead wrong.

JEFFREY BROWN: OK.

ANN PATCHETT: Wow.

JEFFREY BROWN: Ann, you're moving us to fiction.

ANN PATCHETT: "Lincoln in the Bardo," George Saunders.

JEFFREY BROWN: Yes.

Yes.

ANN PATCHETT: It came out February.

It's a big winner.

It just won the Man Booker Prize.

It's the story of the death of Willie Lincoln, who goes to the cemetery, and Lincoln comes

to visit his son in the cemetery, and all the different ghosts are there talking to

Willie Lincoln.

It's a little bit like "Spoon River Anthology."

JEFFREY BROWN: Multiple voices.

ANN PATCHETT: Multiple voices, and also a lot about Tibetan Buddhism, a lot about American

history.

It's really innovative.

It's smart.

And it's a book that pushes you.

It stretches you in a lot of different ways.

But, believe me, you're not ever going to read anything else like it.

JEFFREY BROWN: You know, I interviewed him, and I read the book.

And I told him, it's one where I started and wasn't quite sure what I was reading.

ANN PATCHETT: Right.

Exactly.

JEFFREY BROWN: I couldn't decide for a little bit.

And then, when I picked it up a second time, I just breezed through it, loving it.

ANN PATCHETT: Yes.

Yes.

It is a profound book, I would say the best book of the year, for my money.

DANIEL PINK: Wow.

JEFFREY BROWN: Aha.

ANN PATCHETT: This one.

JEFFREY BROWN: OK.

What do you got?

DANIEL PINK: Well, so, what I have got is a runner-up for the Man Booker Prize, which

is "Exit West" by Mohsin Hamid.

This is a really peculiar and intriguing book.

It's a love story at some level about these two characters named Saeed and Nadia.

It's also a political novel, because it's set in a place that's torn by civil war, and

these two characters end up becoming refugees.

But it also has this really interesting amount of magical realism, because the way that people

emigrate is, they go through these doors, Narnia-like, and they end up in Greece, they

end up in London.

The thing about this book, and the reason that I chose it, is that, for me, this book

was sort of like those moments when you sit around a campfire, OK, and then you put your

jacket back in the closet when you come home.

And then, a couple months later, you come back to the jacket, and you can -- oh, it

sort of smells like a fire.

And this book, for me, it just stays with me all the time.

I keep thinking about it.

And what I also love it, as a writer, is that this is not a long book.

And it is an incredibly efficient, well-constructed book.

And so it does all these things at once in a way that is really, for me, has lingered

with me months and months and months after reading it.

JEFFREY BROWN: It's very up to the moment in its concerns, right?

Refugees.

It's immigrants.

DANIEL PINK: Right.

It's about refugees, right.

JEFFREY BROWN: But in an extremely creative telling.

DANIEL PINK: Right.

JEFFREY BROWN: OK, Ann, what do you got?

ANN PATCHETT: "Less" by Andrew Sean Greer.

This has been a depressing year for a lot of people.

And I really want a book that was going to make me laugh.

And the number one thing that people come into my bookstore and ask for is a book that

is smart and funny and has an uplifting ending.

And those books are few and far between.

JEFFREY BROWN: Really?

They're coming to you asking you to be for uplift?

ANN PATCHETT: That is what people want.

And a really smart, funny book that pulls you up, instead of down, tough to find.

This is about a character whose last name is Less.

Arthur Less is just about to turn 50.

His longtime partner is about to marry another man.

And he is -- Less is embarrassed because he can't go to the wedding, but he can't just

sit around.

So, he decides to take a trip around the world and accept all the invitations he's been offered.

So, this is really just a story of a guy on the eve of his 50th birthday trying to make

peace with his life, his past, who he is.

And it's hysterical.

And the writing is fantastic.

And I think not enough people are reading this book, so read "Less."

JEFFREY BROWN: Oh, well, that's -- I mean, some of those others you have picked have

gotten more attention than that one.

ANN PATCHETT: Exactly.

Exactly.

JEFFREY BROWN: Yes.

OK.

DANIEL PINK: So, in that spirit, my next choice is a book called...

JEFFREY BROWN: In the unsung spirit?

DANIEL PINK: It's not this -- well, I have one that is really unsung.

JEFFREY BROWN: OK.

DANIEL PINK: This one is quietly sung.

JEFFREY BROWN: Yes.

DANIEL PINK: This is "The Best We Could Do," and it's a graphic novel.

And I happen to love graphic memoirs, books like "Persepolis," books like " Arab of the

Future," because they take you into this world that you might not see.

But, again, they do it in this brisk, powerful way.

And this is a story about a woman who was born in Vietnam, whose family fled Vietnam,

was -- were both people in Vietnam, and made their way into the United States.

And so what seems like a classic immigration story -- and this is -- what this writer does

is that, when she has her first kid, she starts wondering about her own parents.

And so she goes back and researches her own parents' lives.

And it turns out her parents, born in Vietnam -- well, one born in Cambodia, one born in

Vietnam, have lived these extraordinary lives as kids that she didn't realize.

So what seems to be superficially a novel about the immigration experience is really

a graphic memoir about parents and children.

What do parents understand about their kids?

What do kids understand about their parents?

So I found this.

It's a really beautiful and powerful memoir, and it gives you some great insight into the

history of Vietnam, without watching a 37-part PBS series.

JEFFREY BROWN: Ooh.

Ooh, rough.

(LAUGHTER)

DANIEL PINK: Yes.

JEFFREY BROWN: A great 37-part series.

DANIEL PINK: A great 37-part PBS series.

JEFFREY BROWN: Yes.

Yes.

DANIEL PINK: This could be a two-part PBS series.

JEFFREY BROWN: All right, we're going to continue this discussion online.

But, for now, Ann Patchett, Dan Pink, thank you both very much.

DANIEL PINK: Thank you.

ANN PATCHETT: Thank you.

JUDY WOODRUFF: And, on our Web site, you can find the titles of five additional books recommended

by Ann Patchett and Daniel Pink.

That's at PBS.org/NewsHour.

Next: One of the shining lights of Broadway brings his star power to Washington and the

cause of the people of hurricane-ravaged Puerto Rico.

John Yang has this report.

JOHN YANG: In Washington last weekend, Tony Award- and Pulitzer Prize-winning playwright,

composer and actor Lin-Manuel Miranda was on a different kind of stage, leading a march

calling on Congress to help Puerto Rico recover.

LIN-MANUEL MIRANDA, Artist/Political Activist: The compassion of the American people is real

and it is still here.

And if the government would meet us where we already are, that would be really an incredible

thing.

JOHN YANG: For the creator and star of "Hamilton" and "In the Heights," it's a new, emerging

role: political activist.

LIN-MANUEL MIRANDA: Oh, I'm so uncomfortable in the space.

You can't -- I can't tell you how much I would rather be writing a new musical right now.

But this is where we are.

And we're two months after Hurricane Maria.

Many of the needs of the 3.5 million American citizens on the island are still not being

met, basic needs like water and electricity.

I'm here because we need to be here, and we need to continue to amplify the needs of the

island.

JOHN YANG: Miranda's connection to Puerto Rico is strong.

His parents were born there, and, as a child, he spent a month every year there visiting

his grandparents.

When the hurricane hit, how did it affect you?

LIN-MANUEL MIRANDA: I will always remember the terrible silence that followed.

That's what Puerto Ricans who weren't in Puerto Rico experienced, was days and days of silence

from the island.

My social media feeds and my phone became this roll call of towns.

"Has anyone heard from Lares?"

"My grandmother lives in Vega Alta."

"My son works in Ponce."

JOHN YANG: That roll call inspired a song to raise money for hurricane relief.

Called "Almost Like Praying," its lyrics call out all 78 cities and towns on the island,

including Vega Alta, his grandparents' home.

LIN-MANUEL MIRANDA: I get a sense of pride when I hear those words in a song, and that's

what I was hoping I would do for all Puerto Ricans.

The notion that these are 21 artists of our brightest lights in the Latino community,

everyone from Marc Anthony, to Gloria Estefan, to Fat Joe, to Jennifer Lopez, and everyone

in between, and the notion that no town goes unsung, and the notion that, oh, my God, Luis

Fonsi sang my town's name, and the feeling of pride that comes with that.

JOHN YANG: The song was also inspired by "West Side Story"'s "Maria."

LIN-MANUEL MIRANDA: That's like my favorite song from "West Side Story."

I knew it would have a different connotation forever.

JOHN YANG: The idea that you're calling out Maria, in a way, and it was Maria that delivered

the final blow to Puerto Rico.

LIN-MANUEL MIRANDA: For Puerto Ricans now, there is the time before Hurricane Maria and

the time after.

It was a way of taking a couple of lines from that song and flipping it.

And I isolated the phrase "almost like praying" because that's what we always send in the

wake of a tragedy, right, thoughts and prayers, thoughts and prayers, thoughts and prayers.

But thoughts and prayers are really not enough to get the job done.

JOHN YANG: Miranda visited Puerto Rico earlier this month, helping distribute aid, meeting

the U.S. Coast Guard, which Alexander Hamilton created, and visiting what's left of his grandparents'

house.

What was it like to see the island after the storms hit, and what was it like to go back

to Vega Alta?

LIN-MANUEL MIRANDA: It's very surreal.

There's so many sections still without power.

The gas situation has eased, but the electricity situation is still touch and go, and we are

at the two-month anniversary of the hurricane right now, so that's maddening.

That's maddening.

JOHN YANG: Puerto Rico is very much on Miranda's mind these days, as last week, when he received

the Latin Grammy's President's Merit Award.

LIN-MANUEL MIRANDA: Puerto Rico!

Puerto Rico!

Puerto Rico!

Puerto Rico!

JOHN YANG: The son of a Democratic consultant, Miranda has largely avoided politics.

LIN-MANUEL MIRANDA: I grew up with my dad running political campaigns.

I know what goes into it.

I have seen how the sausage gets made.

That's not interesting to me.

JOHN YANG: But in the days after Hurricane Maria, he seemed to find his voice in a big

way.

When President Trump criticized the San Juan mayor, he fired back, "You're going straight

to hell."

LIN-MANUEL MIRANDA: I'm pretty good with words.

Those were the only ones I had left at my disposal.

I'm accustomed to presidents on either side of the political spectrum uniting us in the

face of natural disasters.

I have never seen a president say that the victims of a natural disaster weren't doing

enough for themselves, or attack an elected official on the front line of such a disaster.

JOHN YANG: Miranda will also try to help Puerto Rico in a more familiar way.

He's taking "Hamilton" to San Juan in early 2019, and returning to the role of Alexander

Hamilton for the first time since originating it on Broadway.

LIN-MANUEL MIRANDA: In the wake of the tragedy of Hurricane Maria and everything after, it

felt all the more important to say, listen, we have planted this flag in the sand.

It's a year and three months from now, but we have faith, and we have to work to make

sure Puerto Rico is ready.

JOHN YANG: And doing everything he can to make it happen.

For the "PBS NewsHour," I'm John Yang in Washington.

JUDY WOODRUFF: Later tonight, tune in for "Washington Week": how Donald Trump's presidency

has rocked American politics, and the impact his disrupter in chief role has had on the

Republican Party, on the White House and on popular culture.

On "PBS NewsHour Weekend" Saturday: one year since the death of Fidel Castro, a look at

a new film that chronicles the lives of three Cuban families over 45 years during Castro's

rule.

And that's the "NewsHour" for tonight.

I'm Judy Woodruff.

Have a great weekend.

Thank you, and good night.

For more infomation >> PBS NewsHour full episode November 24, 2017 - Duration: 53:56.

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LOOM KNITTING Headband Braided Ear warmer with Round Looms Easy Pattern Project | Loomahat - Duration: 17:17.

Hey guys it's Denise from Loomahat.com and in this video we're going to be

knitting a braided headband. I want to thank Promise Learning and Shanti

Styled Me for covering the cost of closed captioning.

Let's begin with the cast on. Secure the working yarn to your anchor peg. Any

simple knot will do. Then you're going to wrap five pegs so one, two, three,

four and five. Then you're going to knit flat so you're turning around and

you're going to knit these five pegs. We're not going to slip or skip the

first one. We're needing, sorry knitting all five pegs and we're using the U

wrap version of the knit stitch. So here's our third one that we're going to

knit off. Then you're going to half wrap and knit off. That is a U-wrap

knit stitch. Half wrap, knit off and you're done with your cast on and we're

ready for Row one. For Row one we're going to purl five stitches. Your yarn

is under your loop, you scoop up and create a new loop, take the old loop

off put the new loop on and pull. Let's try that again, scoop up your yarn, create

a new loop, old one off, new one on, pull and that was purl number two. Here is

your third purl and remember that this pattern calls for five.

So there's purl number four and then we're on to purl number five and you're

done with Row one. Row 2 then calls for knitting again

with the U-wrap the same five pegs. so we're going to knit flat, back and forth

a row of purls and a row of knit until we have at least 20 inches of fabric. You

can have up to 22. I did 170 rows and you're going to repeat again a row of

purl and a row of knit until you get between 20 or 22 inches, depending on

your preference, whether you like it nice and fitted or you want it a bit loose.

After you've done a few rows don't forget to remove the knot from the

anchor peg. Once you're done with that first round we're on to the second.

We're going to cut the working yarn so we can have it for the second one. We did

these five pegs and now we're going to move on to the next five pegs. We're

going to do the same thing. We're going to secure our yarn but this time we're

going to just use the peg that's next to it since the anchor peg is a bit far.

We're gonna go from there to the next five pegs and cast on the same way. This

one will come off after a few rolls just like we did with the one that was in the

anchor peg. Now we're going to cast on these five pegs. We're doing the e-Wrap

cast on so we wrapped the five and now we're going to do a U-wrap stitch in

order to complete the cast on. Remember that the cast-on does not count as a row.

So we're going to repeat rows one and two until we get our 20 to 22 inches and

remember that I did a hundred and seventy rows of the purl and knit and

knit stitch. You'll do as many as you're comfortable with once you see that your

strands are long enough. Remember that you're only knitting these five pegs.

After a few rows you're going to remove that knot from your

temporary anchor peg. Then we're ready to go to the third strand where

we're gonna do the same thing. We're gonna cut the yarn and secure it to the

peg next to the next five because of course the anchor peg is way way way too

far. We're gonna cast on the next five pegs, doing the same thing we did

two other times, we're using the e-Wrap version of the knits, I'm sorry

the U-warp version of the knit stitch and then we're going to repeat rows 1 &

2 until we have those 20-22 inches. Basically we're doing a garter stitch

with five pegs and we're doing three strands. So here were the first five,

right we finished right here, here is the second and then we're doing the third. So

it's three strands of the garter stitch. Alright when we're done then we're

going to decrease from 15 pegs to 9. So here are my three strands. You can

see that I finished there, there and there and you see the strings that I

left behind. This one is still on the working yarn. I did not cut this yarn, so

don't cut it. We're going to first decrease so move the loop from peg

one. You're gonna move it to peg two and then you're going to knit that peg so

knit off and then go over to peg five and you're going to move that one over

to peg four and you're going to knit off. So now you went from five pegs down to

three . We're going to the next one so you're gonna move peg six over to peg

seven and you're going to knit off. Now you're down to four pegs. So you're

gonna move peg ten over the peg nine and you're going to knit off. Now

you're down to three. You're going to take these loops off of these, off of

these pegs and you're basically going to move them down so that they're sitting

nice and snug with the other three loops. Those have been moved down so I'm

taking my stitch marker so I don't get confused because as you guys know I get

easily distracted. I don't want the stitch marker to be sitting there and

have me thinking I'm supposed to be doing something that I am not. Alright so

our two first strands are nice and snug. I pull out these strings because I am

gonna use them. I need those now there are three down and we're going to then

move the loop from a peg eleven this is our third strand and we're going to put

it on peg twelve and again I'm removing those stitch markers. I'm going to knit

off and then I'm going to take the peg off of fifteen and move it over to

fourteen. I'm sorry I'm moving loops not pegs and I'm going to knit off and

sometimes I don't do too well on mine it off no big deal. So here we go, we're

going to knit off and like before we're going to take those three loops and

we're going to move them over. We need them to be right next to the other

ones so we're going to go ahead and remount them two pegs, eight, nine and ten.

Now we are down to nine pegs. Alright, now we're ready for the next

part. So at this point we're going to knit the nine pegs and along the way

attach the two loose strings. We'll start by knitting the first two pegs and

then we're going to bring in that working yarn over by placing the yarn

right over the loop on the third peg and we're going to

knit off. Then we're going to take that loose string and the working yarn we now

have and we're going to make a knot to secure things. If you're like me and

you want to really make sure, you do a second one. Then you're going to knit

that same peg and you're going to then go on to peg number four and peg number

five. And really, we needed to do the same thing with this string here so we're

going to place it over that peg, knit off and then make a knot so now the two

strings are secure. We don't have to worry about them. I made a second knot

because that's just me it's not necessary. I'm gonna knit it off like I

did with the other one and then I'm gonna go ahead and knit the last three.

So here's peg number eight and then nine and now I'm going to turn directions and

I'm going to do a row of purl. In fact, from this point on we're only doing

rows of purls, so nine pegs for nine rows. Once you finish your nine rows of

purl we are ready to cast off. You're going to wrap peg two and knit off. There

we go. Then you're going to pull that loop from that second peg and move it

over to the first one and you're going to knit off. Then take that loop and

move it over to the second one. This is a basic bind off and it's worked

over two loops. So again you wrap the second loop, take that loop move it over

to the first one, tighten your working yarn, knit off and

then take the loop off of the first peg and put it on the second one.

Repeat the process until you have no more loops on the pegs. Sorry that I sort

of start going off-camera but stay with me it gets better.

There we go.

Alright you're down to the last loop. You're going to do another knit off on

that same loop. Get your scissors, cut the working yarn and then with your hook

pull that loop all the way until it's loose and off the loom. Now the row of

cast on that we did on the strand is gonna leave some loose loops. You can

leave them like that way it doesn't matter because we're going to sew them

on. But I did tighten mine up and I am not going to go through the whole

process with you here. I'm gonna show you more or less how to do it but I'm gonna

give you a link to a complete video that will show you how to tighten your loops

and so find the link in the description. Now I'm going to show you how to weave

in these loose strings. This is what was left over and I'm using them not just to

weave in the strings but to reinforce that knit line between us finishing up

these three strands and starting the row of purls. There's like a little gap and

so when you weave in the ends, if you can, it's a good idea to go ahead and just

reinforce that one row and that's what I'm using these strings for when I'm

weaving in. Then the one very tip that one I'm weaving it in through the

sides you can, you know, go through, feed it through as many loops as you want to

or as few as you want to, once you feel comfortable with how far you've taken

them in, go ahead and cut off the excess yarn.

I've got a little boo-boo on my yarn.

Now we're ready to go ahead and braid our three strands and so I take my

left strand and I put it under the middle strand. Now that is the new middle.

Take the right and putting it under the middle, now you have a new middle. Take

the left and put it under the middle strand and now it's the new middle.

Then go to the right and put it under the middle strand and now it's the

middle and you have a new one. Take a left one and put it under that

and it's the new middle. You're just going to continue to do this process all

the way to the bottom until you have no more strands to braid. As you do that,

you're going to stretch your stitches and shape your headband, Keep

knitting all the way to the bottom to the very tip of your strands until all

three of them are nicely lined up. Then you're going to fold the headband

and bring those three tips over to that flat part where you did the nine rows of

purls. Just bring them and line them up with your other ones and it should

fit perfectly. You can sew them really nice and low profile or if you'd

like you can add a really big button right there.

Whatever is going to work better for you but go ahead and get your yarn needle

and let's get ready to sew.

As you can see this will sew up really nice, you can't barely tell where the

line is. Don't forget to turn your project on the back and sew that flap. You

can use, you know, your leftover yarn and don't forget to cut off the excess yarn.

Alright guys your project is done. Enjoy your headband. Remember to come

back and for this project, like, comment and subscribe.

For more infomation >> LOOM KNITTING Headband Braided Ear warmer with Round Looms Easy Pattern Project | Loomahat - Duration: 17:17.

-------------------------------------------

How large are the Strangereal nations? - Episode #17 - Stuff About Ace Combat - Duration: 5:54.

Strangereal is the fascinating planet where the Ace Combat series takes place, it features

many nations similar to ours like Osea being the United States, Yuktobania being the Soviet Union,

Belka being Germany and so on.

But one thing that I have always wondered is: how do these nations compare to Earth's?

I mean, Strangereal features large nations like Osea and Yuktobania and small nations

like Leasath, but how large or how small are they in terms of actual area?

Fortunately I found a way to answer this question and in this video I will show you the approximate

area of the Strangereal nations, how they rank up and how the major Strangereal nations

compares to the ones in Earth.

But before I show you the results please allow me to explain my method of measuring the area

in Strangereal.

My first step was to get the official Strangereal map, which is originally 9,799 pixels by 5,654

pixels, on my Photoshop.

My second step was to crop out the these borders so only the map itself was in the picture.

As a result this new image is now 9,744 pixels by 5,601 pixels, so if you multiply these

numbers you'll see that there are a total of 54,576,144 pixels in the picture.

According to Nasa, Earth's surface area is of 510,064,472 square kilometers and so

if we use this proportion then 1 pixel in the image is the equivalent of 9.34 square

kilometers, and in order to measure the area of the Strangereal countries I used the measuring

tool in Photoshop to measure the area, in pixels, and then I multiplied the area times

our proportion of 9.34.

Before I show you the results of the final area that I obtained please let me clarify

the two assumptions I had to make for this method to work.

First, we have to assume Strangereal and Earth are planets of the same size because otherwise

the surface area would not be the same and the proportion I have would not work.

Second, I am also assuming that the official Strangereal map was made with the equal-area

type of projection in mind, like a Gall-Peters projection, otherwise the measuring would

not be accurate.

In real life though, the majority of the maps use the Mercator projection, which although

it looks nicer since is the one we are used to see in everyday life, greatly distorts

the areas close to the poles and as a result the Mercator map gives us the impressions

that countries like Canada and Russia are larger than what they actually are - so please

keep these assumptions in mind.

So to begin our measurements, I first measured how much of Strangereal's surface is water

and I got about 36 million pixels, multiplying by our proportion we get an area of about

337 million square kilometers.

Compared to Earth, Strangereal has much more land because it is said that 71% of Earth's

surface area is covered by water, and that is about 362 million square kilometers.

Using the difference we can then conclude that Strangereal's surface area is of 172,636,152.98

square kilometers.

After measuring the total surface covered by water and land I measured the major Strangereal

nations, and here's the ranking on how big they are, the percentage of the land area

they cover in Strangereal and how they compare to Earth's nations.

In first place is Osea (just before the Belkan War) with almost 24 million pixels, which

would give Osea a land area of 22.3 million square kilometers.

That is huge, that's like putting Russia, India and Mexico together into one country.

On the second place have the other Strangereal

superpower, Yuktobania, with 23 million pixels and that is about 21.5 million square kilometers.

Yuktobania is just as big as putting Russia, Indian and South Africa together.

In third place we have Emmeria which has almost the same size as Brazil,

in fourth we have Estovakia with about 3 million square kilometres which is followed by Aurelia,

Belka (measured before Belkan War), Erusea (whose map I got via some estimations using screenshots

from other games since its borders are not shown in the official map), Sapin, Leasath

and Ustio.

There are of course several other nations in Strangereal, or even the same nations that

I have mentioned before but that had their area changed at other periods like Osea and

Belka after the Belkan War, that I haven't measured.

This video of course was only to give you a very rough estimate on how big or small

the Strangereal nations are.

Like I've mentioned before, the fact that this is probably a map on the Mercator projection

greatly increases the areas of countries near the poles for countries like Estovakia, Emmeria

and Aurelia and also greatly decreases the actual size of countries by the equator like

Sapin and Erusea.

Anyways, this was the today's video.

Please do not use the previous measurements as a fact because there are some inaccuracies

caused by the map projection and at the end of the day we don't even know if Strangereal

has the same size as Earth.

If I manage to convert the Strangereal map projection or find a way to measure area in

a Mercator projection then I will make an updated version of this video that will go

more indepth and will include some more countries.

Anyways guys, I hope that now you an idea on how big or small some of the Strangereal

nations are.

If you are interested into this kind of videos about Ace Combat please check the Stuff About

Ace Combat series and if you want to learn more about the lore in the series check my

Ace Combat Lore playlist.

This was Ace Combat Fan, I hope you have enjoyed this episode

and stay tuned to the channel for more Ace Combat!

For more infomation >> How large are the Strangereal nations? - Episode #17 - Stuff About Ace Combat - Duration: 5:54.

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Keo Longdy - My success come from my pain | Success Reveal - Duration: 14:16.

Keo Longdy

My Success come from my pain by Success Reveal

For more infomation >> Keo Longdy - My success come from my pain | Success Reveal - Duration: 14:16.

-------------------------------------------

Homeless Man Rewarded After Returning Lost $10,000 Check | NBC Nightly News - Duration: 1:39.

For more infomation >> Homeless Man Rewarded After Returning Lost $10,000 Check | NBC Nightly News - Duration: 1:39.

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Hurricane Harvey Is Long Gone, But Texas Is Still Reeling | NBC Nightly News - Duration: 1:54.

For more infomation >> Hurricane Harvey Is Long Gone, But Texas Is Still Reeling | NBC Nightly News - Duration: 1:54.

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How Scammers Are Using Familiar Phone Numbers To Steal Information | NBC Nightly News - Duration: 2:29.

For more infomation >> How Scammers Are Using Familiar Phone Numbers To Steal Information | NBC Nightly News - Duration: 2:29.

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The Filmmaker's Secret To Finding Truth In A Documentary by Joe Berlinger - Duration: 4:16.

Film Courage: What's the secret to finding truth when making a documentary?

I mean…is there anything that you say or do that helps you find it?

Joe Berlinger: We could spend hours and hours and talk about truth in documentaries because

I…look…I'm a firm believer that all documentary filmmaking, all media is inherently

subjective.

You shoot hundreds of hours of footage.

Only a couple of hours end up in your final film.

There are days you are not there to cover a story.

You have to choose a camera angle.

Every camera angle communicates a different emotion potentially.

You make thousands of editorial decisions.

So what's guided me is that I'm not looking for the capital truth (capital "T" truth

in a situation) because I think the truth is very elusive and subjective depending on

from what point of view you are looking at.

What I look for in my films in as emotional truthfulness.

An emotional truthfulness about the human condition or the subject that you're looking

at.

You know, in PARADISE LOST it because clear that these guys were railroaded.

But a different filmmaker possibly would have made a different film.

So I think filmmakers who think they are presenting the absolute truth about a particular subject,

I have potentially…certain kinds of films, straightforward, history you know I think

the more you know hitting the truth whatever that means is possible.

But what I'm looking for is the emotional truthfulness of a situation.

The truth rises to the top if you allow both sides to have their say.

Treat the audience like a jury and not pound a specific message over people's heads.

It has always been the method that I've preferred.

Even in this film, even though it's a film about denial, there's a section of the film

in which those who don't believe that it took place, they've been given a chance

to air their views and we allow the audience to make up their own minds about it.

So to me that's what I mean about emotional truthfulness.

You air all sides of an issue.

Don't pound a message over the viewers head and you let the truth rise to the top.

In CRUDE, some people were surprised that I allowed the executives to be interviewed

and to present their point of view about the case.

But I think I trust the audience to come to the right conclusion about the emotional truthfulness

of the situation.

And sometimes the emotional truthfulness of a situation is not necessarily what you think

the film is about.

You know for example, in CRUDE the indigenous rainforest dwellers of Ecuador and their American

representatives were making a case and confronting this major gasoline corporation for creating

this cancer zone the size of Rhode Island through bad drilling practices.

This company was claiming that this was not the case and the pollution that is there is

the responsibility of the state oil company.

Some people may think that I was making a film about the absolute truth of that situation.

For me, the absolute truth of the situation (the emotional truth of the situation) that

I was trying to talk about is that we are destroying the rainforest, that the people

who most deserve to be treated well were being treated horribly.

And that there were a whole other set of reasons I was making that film, to bring justice to

these people.

So sometimes the subjective truth of a situation is not always what the filmmaker is necessarily

trying to present, at least that's how I look at it.

For more infomation >> The Filmmaker's Secret To Finding Truth In A Documentary by Joe Berlinger - Duration: 4:16.

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Michael Flynn's Legal Team Cuts Ties To President Donald Trump Lawyers | NBC Nightly News - Duration: 2:00.

For more infomation >> Michael Flynn's Legal Team Cuts Ties To President Donald Trump Lawyers | NBC Nightly News - Duration: 2:00.

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Proof How Important Professional Photography is for Your Airbnb Listing 😱 - Duration: 25:15.

Hello my YouTube friends its richard founder of short-term rentals

secrets.com and Airbnb super host and today we have the difficult task of

adding value to Mary Kay Mary Kay was kind enough to pay the $49 for her

listing to be reviewed and I've taken a quick peek at it and first off I just

have to commend you I mean you're doing so many things so incredibly well I

think we all have a lot to learn here and so I'm gonna try and add as much

value to you so that you get your money's worth and it's probably more in

the form of questions but for everyone else like this is an ideal listing she's

doing so many things so incredibly well so let's go through and review we're

gonna do it in six steps the first is where we're gonna look at the title then

we take a look at the photos and the order of those photos the third is the

thumbnail that she's selected the fourth is the description how she describes the

property then we'll take a look at the listing reviews the people that have

stayed what do they have to say about Mary Kay as a host in her place and then

finally we'll take a look at the pricing so let's get into the very first thing

which is the title and here Mary Kay you've selected something that I think

has a lot of meaning to you and it's actually descriptive but I don't think

it sells the dream and so I think that the best opportunity for you based on

all the photos and everything we'll talk about those is probably the headline the

title itself has room for improvement we will find out as we look through the

rest of the listing that there is a reason this is the alpaca cottage

gracious comfort I think is nice and something that we all appreciate an

eclectic charm that's a little bit off-putting and I don't find your place

eclectic at all I find it really really desirable I find it very luxurious I

find it very serene I find it very peaceful I find this working farm

component of it where you talk about the alpaca extremely interesting and so I

kind of wonder if the title is leading to the fact and we'll talk about a

little later that it looks like a lot of your calendars open it could be the

location it could be the pricing it could just be the title because everyone

who's staying at your place really seems to love it so

I would try and change the title and I would include things like a serene Oasis

slash organic working farm or you know that whole like farm-to-table movement

people are really into knowing where everything is coming from

you might even highlight that you have a working form you have the alpacas and

the Roosters and the hens and you've got the eggs and you've got all that other

amazing stuff but gracious comfort doesn't mention it cottage doesn't

include that an eclectic charm certainly doesn't include that so I think if we

can sell the dream of people coming to this serene working farm you might get

people to visit that aren't staying in Decatur or looking for Decatur or

attending you know Emory so I think this is maybe more of a vacation opportunity

or a retreat opportunity than it is a traditional college visiting opportunity

so I think that there's a little bit of work that can be done on the title if

you want to go ahead and post it when we give you this link feedback ideas I'll

be happy to you know go back and forth with you until we find a working title

and as often is the case I don't know that we're gonna nail it immediately you

might have to do a/b testing and have two or three different titles that you

test until we see which one's getting the most clicks and then we don't really

care about clicks as much as we care about conversions which title is getting

us most bookings so I think that's an opportunity for you

turning to the photos I mean they're spectacular honestly you know exactly

what it is that you're doing I don't think I've ever seen a night shot as a

title shot it looks like it's like low exposure slow the sky is lit up in blue

and the orange and pink in the sky and the night lights and the path lights I

mean it's just it's absolutely gorgeous and I think you've done a terrific job

with all your photos I'm not going to go ahead and comment on all of them because

they're a lot and they're beautiful but I am gonna go ahead and and scroll

through them so these viewers of this video get the benefit of your terrific

photography the other thing that I want to highlight is you've done a great job

of very lengthy to descriptions that are different for each

photo you're telling the story you're not just putting the photo up there

you're talking about warm welcoming and wonderful tucked in a grove of Georgia

Pines and surrounded by perennial vegetable and natural die gardens the

Decatur I'll pack a cottage offers gracious comfort with high-end amenities

okay so for that title this whole thing about tucked in a grove of Georgia Pines

and surrounded by perennial vegetable natural die gardens work towards that

that's what you're selling right the fact that it's called alpaca cottage not

so meaningful and you seem to like the gracious comfort I'm not opposed to it

but I think it's not the best place in the title so this is absolutely

beautiful I love the the tray with it looks like

some sort of little snacks and the windows are open and the light is great

and everything is just clean and perfect and that's a constant theme throughout I

love the drone shot I've encouraged them in the past but here you can see just

how well-kept pardon me just how well-kept and well-manicured the

landscaping is it's clear that you take great pride in this and that's important

again you use the exact same sort of wording here I would change it a little

bit talk about what we're looking at a quarter acre a half acre organic I don't

know compost whatever it is that you're using and doing talk about that you're

going to attract people that want to come to a working form that uses natural

compost biodegradable horse manure whatever it is that you do talk about

that not that it's nestled we already covered that here's a alpaca which is

great and playful this breakfast looks unbelievable I mean it's just great now

what I'm not clear about is do you offer that for a guest if if you don't it's a

little bit misleading if you do then you definitely want to highlight the fact

that like that's available at an additional cost or whatever I mean it's

just spectacularly decorated very well-appointed very clean

I love the barn door I love the paint over here you're attracting a certain

type of person they're going to appreciate it I love the throw I love

the way it's folded I like the way it's over the ottoman

you clearly have an eye for decoration and for the style and it's working

really well I love the fact that you've got the light plate painted in the light

itself I mean just all these little details that many people don't get

you're nailing and I just think it's great so I want to highlight that for

other people I love the fact that you've got five stars on everything and I don't

know if you did this before but we've been suggesting in our videos previously

to go ahead and you know boast a little bit talk about like what this is and and

show people what other people think the living room is amazing I love it

the one thing that I might add is something with a little bit of color

perhaps either on this end table here or on the center here it looks like you

have a fern down low and then some dried plants up here but maybe a you know if I

had to be super critical some greenery somewhere other than down low would be

helpful I love the fact that you talked about that you've got Roku and

flatscreen and it's an 1800s porch I mean you're telling a story it's really

compelling I absolutely love it heck I might even come down in Decatur just to

check out this place because it's really spectacular the kitchen is great it's

very well appointed I'm not exactly sure what's past here it looks like the the

door is frosted so you can't see through it it looks like maybe just a path but

you might want to just say like your own private path leading to whatever but

very nicely appointed this is a beautiful photo with the flowers I

assume these are local flowers from like your garden if if they are highlight

that the cheese course looks great the wine the decanter again you really

clearly know what it is that you're doing and this is fabulous I'm not sure

that the cork and the wine bottle really adds any value if I were gonna shoot it

again which I don't think you need to I would probably remove it more alpacas

and then there's you know more working farm you talk about the names of people

and it's evident that you really care and you're attracting the right people

right people that are going to be drawn to this are really going to like all

these photos and it's great sheering day before and after it's

interesting you might want to include when shearing happens if I was a parent

and I was traveling and I wanted to teach my children about it that might be

like a really interesting trip like we're gonna go to Decatur we're gonna go

to this working alpaca farm they do the sheering on whatever the third week in

January I'm just making this up probably not but whenever it is talk about it so

that people can say this is what I want to do and this is what's amazing here's

pretty much the exact same photo taken during the day and while it's an

absolutely lovely photo the magic really occurred at that like the right time

that you took that night shot with the garden lit up and everything and you can

just see it I mean it's a great photo I love this photo but the other one was

just special and spectacular dick jr. is a French black copper Moran one of the

more colorful chickens on the farm 'let he sure is or I guess it's he colorful

the one question that I have when I look at this and I looked in your description

so I'll just cover it here you know I live in New York City we don't really

have chickens and hens and roosters and stuff like that but when I've traveled

and I've traveled an awful lot they generally tend to make a lot of noise at

like 500 at Oh 500 right that's sort of like that whole rooster thing so are

these guys waking everybody up or if not if they're not roosters are they

whatever they're kept way off premises you might want to include that in the

description and maybe even here because as interesting as it is if I'm coming

out there for a retreat and relaxation I don't know that I want to even

contemplate being woken up at 5:00 in the morning by dick junior or pepper and

you know again I'm showing my ignorance maybe they're nothing but I think

highlighting it and assuming nothing making sure people feel comfortable

would be great this guy's super cool poofy peckerhead that's my guy that

Charlie chicks the eggs are amazing they're fresh eggs available for

purchase according to availability that's super cool I love that I love the

the sticker and the name and the different colors I mean you're really

really doing it this photo I think proved it's it's not in focus it's very

hard to read so just shoot another one here's a little eat-in kitchen you're

using Meyers clean stuff which we recommend and we highlight and we

recommend that so that's good everything looks really nice and clean here and I

don't have a lot to add a quiet writers retreat I would love to come down there

and write here it is at night I mean it's just absolutely beautiful here you

do talk about the sounds of the chickens going to roost again there's a fine line

between something being really like nice and lovely for a short period of time

and or it becoming annoying or disturbing and so you may be immune to

it what you find to be really soothing and them going to roost might be really

disturbing to somebody who's looking to write a book so you might need to

quantify that a little bit more or address the fact that they're not

roosters or I don't really know how you're gonna do it but again you're

trying to attract people and while I'm drawn to this working farm nature of it

it would be helpful for me to know that I could like sleep in this photo I think

is actually your weakest photo where the colors are a little muted and

overexposed but I get the point and it doesn't detract from it but if you ever

had butterflies again you could probably reshoot this one and it's just you know

the clematis and the Mexican petunia it's lovely it's absolutely gorgeous I

love this porch the screened-in porch you talk about morning coffee if you

were gonna shoot it again let's get some morning coffee out there let's get I

don't know a magazine or something a book a throw I don't know it's just but

it's gorgeous I mean I can totally see myself having a cup of coffee there and

this breakfast place is fantastic I love the wrought iron the door and the

chandelier just super cool and then you talk about the rocking chairs this is

new I love this this is a guess a greenhouse I don't know what you what

you have growing in there but you might want to talk about the greenhouse a

little bit and again if you were going to shoot this again I might set the

table a little bit or put wineglasses out or cheese course or

something just to show it like in in action a little bit and then this photo

I'm not sure it's clear that you know what you're doing you've got

unbelievable camera equipment and gear but showing the photo of the camera on

the tripods a little bit pod and you don't actually show the photo of the

table dressed so those two I think you could work a little bit and then here we

talked about the organic heritage vegetables and fruits and flowers and so

on it looks like it's sort of between seasons you might want to take this

again when it's in full bloom when there's all sorts of stuff and then talk

about what it is that you're looking at and you know somebody could taste one of

your Tomatoes or something you might want to highlight that again I really

love the the drone shots and I love the fact that you're leading and suggesting

that they could use it for an intimate wedding or an event or anything like

that if you do do those if we released a video recently that's said to charge

more for those it's perfectly fine people that are throwing a wedding are

going to be able to afford a significant bump up versus what you know two people

come in to stay at your place would afford and there's a lot more damage and

wear and tear and risk and liability so be sure that you're being smart and

profitable this photo is out of focus as well and you know I think it adds value

that it shows that you care and your host it's very difficult to read the

writing here as you can see like it's almost impossible so I don't know if you

have to crop the photo a little bit and that's it so in a nutshell the photos

are fantastic I absolutely love them I had to really struggle to find anything

to add value but we found a few things and you know given the quality of the

rating I'm impressed I was even able to help and I hope it is helpful so let's

turn to the thumbnail I love the thumbnail you nailed the thumbnail I

want to go stay there like literally I'm gonna pack my bag and I'm coming down

and I'm gonna check out your working farm and the alpaca and have a cup of

tea on that back porch and the thumbnail with the sky and the night lights and

everything else is perfect I wouldn't change a thing

great job turning to the description so the first thing I want to say is I

love the way that you highlight the proximity and it's just far enough away

it's sort of painting that picture convenient to Emory we talked about sort

of telling people like where you are and when they might use you I'm not sure

what CDC is or Mercer maybe they have meaning if I was staying in those

locations likely but don't assume anything right like just you might want

to spell it out or explain what it is you've talked about the luxuries and the

bedding and the fully stocked kitchen the charm and I think these are all

great I absolutely love the description you also talk about who it's good for

it's perfect for a couple and business travelers film and intimate events and

weddings it's friendly I think it's really really well-thought-out it's

evident you've put a lot of time and energy into it it's evident that you're

a skilled writer and you know what you're trying to paint so that's

fantastic you talk about new improvements I think that's really cool

but I might put this sort of specific stuff about your working farm higher up

right it's really important somebody who does not want to be near or around

alpacas or the different you know chickens and so on or doesn't care about

the vegetables or anything else may not be happy they're as comfortable as it is

it's pretty evident that that's you know all encompassing and you're you can't

really escape it so you don't want them there and the flipside is somebody like

me that finds that super interesting and intriguing I want more of that

information I want even more detail I want to know what kind of varieties how

many different types of tomatoes heirloom tomatoes we won the prize

here's a photo of the tomatoes like really play that up you do a great job

with the alpacas and the chickens and so on you don't do I don't think enough

with the farm-to-table aspect of it there's a huge movement so many people

are interested in like eating good food and not that they're gonna eat your food

but they're connecting with somebody who cares about that same sort of thing so

this sort of paragraph where you talk about the azalea's the hydrangeas the

various gardens let's expand on it and move

I think here we go working urban farm lit which is a small farm and once again

we talk much more about the the animals and we do anything else it's a very

thorough listing it's a very detailed listing it talks about the size of the

memory foam mattress cool aloe gel memory foam mattress that sounds quite

comfortable we talk about the vintage and it's just you know it's it's

thoughtful unfortunately I don't think people are gonna read this much but

between the photos that they do read in your descriptions underneath that and so

on I think they'll get the the gist of it and this is sort of my point like

this to me needs to be way higher up our hens lay daily for the majority of the

ear so we can usually accommodate guests request for fresh organic eggs a guest

said these eggs are so delicious you can taste the love that's about I don't know

three pages into the description that needs to be upfront who doesn't like

eggs and even if you don't eat eggs you want to know that there's like cool eggs

and other guests love them so anyway I think that this is fantastic I think

you've done really well I think you're smart to include all of your social

media stuff I haven't seen what you do there but I'm gonna check it out I think

if the if you keep interesting things socially there that's actually a really

great opportunity for you to grow your business and get repeat business

and I think it's super cool interaction with the guests I get other things to

note I'm again you just do a very very thoughtful time the cottage is very well

equipped for leisure business travel a recent guest commented any time we

thought of something we needed we realize you had already thought of it

you go on about all the different coffees I mean it's you take this really

seriously it's really impressive you are a super host I believe yep you're a

super host and you deserve it you're doing great work however I think there's

a little bit of room for improvement and I'm gonna get to that in a second here

when we take a look at your reviews five stars on everything I'm not surprised at

all I love the fact that you respond to every single one and with personality

and with specifics you mentioned by name and their long and detailed so

that's fantastic and everybody just loves everything so I'm not surprised by

it in the least you know exactly what it is that you're doing and it looks like

you're doing really well in September you had four people post reviews and in

October you've had a couple three already four already so I don't know

whether these are coming in you know a week or two delayed but it seems like

you've been really busy in the fall which is fantastic and then it looks

like the summer may have been slower and I just don't know if that's a seasonal

thing August was good I don't know if that's a seasonal thing or you guys took

it off or you were doing the construction but it seems to me like you

could be busier and that's where we're turning to now which is the pricing of a

hundred dollars per night when I take a look at your availability it looks like

October sold out and/or blocked November looks like you have a fair

amount of availability and you you're clearly using some sort of smart pricing

I don't know if it's beyond pricing or if it's Airbnb but you're clearly using

something and that I think is really intelligent and December is wide open

and January is partially blocked I don't know if you've started blocking because

then in February have no availability of March none and so on so it's possible

that you're only taking say 90 days of bookings which may suit you I'm not sure

that there's a real benefit to doing that but if that's the way you like to

do it that's fine but it strikes me as an opportunity to have more business I

mean excuse me in the months of November and December and what I can't tell is

whether it's your pricing is off like is this the slow season and you need to

reduce your pricing do people not come here during this period of time if you

are close to Emory and Mercer and CDC and whatever else and it's also a great

get away from those you know from the city life or whatever maybe you need to

shift your marketing so that in the slower periods of November and December

in January you're getting business you should at least be selling out on the

weekends and maybe you will but it seems to me like this is a fantastic place

you're not necessarily getting as much business as I think you

should and I'm not sure why I think you should really be doing a lot more a

couple of thoughts on the pricing also as I try and find it here is I'm not a

huge fan of flexible cancellations but if it works for you then that's fine

I've said this before I'm not a huge fan of weekly discounting at all and even

less of a fan of monthly discounting if you're in the short-term rental space

don't be looking to rent for a month you're just giving away money out of

your pocket that discount is your profit literally your cost of doing business

are the exact same if you give somebody a 33% discount you don't get a 33%

discount on your expenses your cost of goods sold is the exact same yet your

revenue is lower therefore your profits are lower somebody who wants to stay at

a working farm and write a book is likely able to afford the entire amount

or they'll be there for two weeks and somebody else will come in for two weeks

so since you're doing it for profit I don't recommend that I think your

cleaning fee is light I don't know how long it takes to clean this little

cottage but if you figure $20 an hour 15 $20 an hour's the working sort of wage

you're saying that this takes three to four hours and I'd be surprised if you

could clean that entire house and make the beds as impeccable as it is and as

clean as it shows in that amount of time so I think you have room for cleaning

fees I love the fact that you charge more twenty-five dollars per night after

two guests I think that's really smart and the security deposit seems a little

bit light to me but you know I'm not gonna get too hung up on that anyway

Mary Kay you know exactly what it is that you're doing you're killing it

you're doing a great job I'd like to see you get even more business I'd like to

see you get rid of your discount so you make more profit I'd like to see you

take if you had the interest and you seem to be like into real estate and

farms and decor and decorating and renovating and building new areas I'd

love to see you expand your business you have a real talent here and I think if

you were to take this one Airbnb and start to save the income from

it and put it towards a second Airbnb that would be a fantastic opportunity

for you and your family again it may not be something you're interested in but

clearly you have the skill set in the talent

and I would encourage you to pursue it so I hope you found this helpful this is

one of the most thorough and and really perfect listings I've seen thus far so

kudos to you Mary Kay and for the rest of us this is something that we can like

shoot for and if you want your listing reviewed go ahead and leave us a comment

below I hope you've enjoyed this I hope that

you will liked the video and most importantly if you haven't subscribed to

the video let's see I can and say it if you haven't subscribed to the YouTube

channel please do me a favor I'd really

appreciate that until then happy hosting

For more infomation >> Proof How Important Professional Photography is for Your Airbnb Listing 😱 - Duration: 25:15.

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How to Back Into a Slip with Twin Outboards | BoatUS - Duration: 2:10.

Most people back into their slip rather than drive in.

It just makes the boat more accessible, easier to get on and off of.

A few things to think about when you're getting ready to do that: Have your fenders all set,

have your lines tied to the cleats ready to go, make assignments to the passengers who

you want to help you tie your boat up, trim the engines out so most of the wash goes under

the bottom of the boat rather than up against the transom.

It makes it a lot easier to handle.

Also keep it simple.

Leave your rudder to midships once you make your final approach.

In other words, straight ahead.

Just use your engines to control the boat.

Now a few pointers about backing into a slip.

First of all, you don't need to back in.

It's almost always easier to drive in bow first.

You can always turn the boat around later when the wind dies down or the conditions

are more favorable.

Another one is, feel free to make another approach.

If it's not working out, drive out and do it over again.

Also, feel free to ask for help if there's anybody on the dock that can help you with

the lines, that will make life easier.

Finally, if it's just not working out, find another slip.

OK, we're starting our approach now to the dock.

So you can see we have a SeaRay boat that's really close here.

This is where I start twisting in.

I'm going to turn around.

I can see the SeaRay, I can also see my dock.

So I'm going to back in.

I want to keep the stern of the boat as close to the end of the dock as I can as I make

my approach.

The reason for that is I don't have a bow thruster available so I just have to keep

the stern in nice and tight and I'm basically going to leave my starboard engine backing

for the next little while and I'm going to use the port engine to actually control the

boat.

To control the heading of it.

All I'm doing is I'm going ahead a little bit on the port engine.

It pushes the stern out nicely.

I'm going to stop both engines and let it drift for a minute.

That way I don't get too much headway on.

There I am, right up against the dock ready to go.

So there it is.

Backing into a slip.

You'll have a lot of fun.

It's very rewarding when you get it right, so just practice, leave that rudder midships,

and have a blast.

For more infomation >> How to Back Into a Slip with Twin Outboards | BoatUS - Duration: 2:10.

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What is wrong? (10) (Grammar Practice) [ ForB English Lesson ] - Duration: 2:10.

Hello everyone and welcome back to ForB's English lesson video.

My name is Richard and today I'm going to say a sentence and I would like you to guess what is wrong.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch that?

Alright.

Let's try that again but this time a little bit slower.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch it?

Alright.

Let's try that again but this time I will show you the sentence.

And you try to see if you can find a mistake.

I noticed I left my luggages at the airport.

Could you find it?

Alright, the answer is luggages.

We should say luggage not luggages.

The reason is luggage is uncountable.

So should not have an "s".

Alright?

So let's practice the correct version of this sentence together.

Please repeat after me.

I noticed I left my luggage at the airport.

Great.

Let's do that again.

I noticed I left my luggage at the airport.

Great!

Now you know what to say if you forget your luggage and you notice you don't have it.

I noticed I left my luggage at the airport.

Alright.

Remember to please click like, share, and subscribe.

And I will catch you next time!

For more infomation >> What is wrong? (10) (Grammar Practice) [ ForB English Lesson ] - Duration: 2:10.

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For more infomation >> Over 200 Killed In Terror Attack On Egyptian Mosque | NBC Nightly News - Duration: 1:46.

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Breaking Misconceptions About Tantra – See Further Than Your Limited Horizons - Duration: 4:15.

Breaking Misconceptions About Tantra � See Further Than Your Limited Horizons

by Conscious Reminder

Here in the West we have limited the perception of what Tantra is.

We have reduced it just to slow love making on soft cushions.

But Tantra is much more than that.

Here is the most common question related to Tantra answered for you.

Hope it will help you broaden your horizons on the topic.

In the West here, Tantra is basically reduced to something having to do with sex.

But what is Tantra really?

How can it help me?

Tantra works by exposing and transmuting the hidden energies of pre-conditioned mind, body

and speech complexes.

It also recalibrates the instruments of these parts that have just been purified.

It allows us to by attuned vibrationally, as until we are vibrationally attuned as communicating

conveyances of divine disclosure, we might misjudge the alchemical by which we�ll be

graced.

It is as if you can conceptualize all the history, disparate the elements that take

you from point A to point B. It is as from unrealized-realized to realized-realized.

But you might be really challenged to even speak in ways with which you can transmit

the real experience.

To know how tantra can help anybody, you might have to understand the working of kundalini

awakening.

Tantra proposes the use of body anchored processes of extended mind mastery and introspect.

It forces you to look really deep inside any task.

It is like the working of a scientist who is looking on the wonders of the universe

and trying to solve the unimaginable mystery.

It is the true expression of a free will.

In its truest of forms, tantra is not for people who cannot accept the reality; who

are with a weak metabolism of lies that we all are told and forced to accept; who are

not able to remove the addiction from their lives.

Thus, Tantra can be seen as one man�s poison and another man�s elixir.

The people for whom it acts like an elixir, it must be assimilated in their lives.

If not circulated and assimilated, it will stagnate to create toxic wastes, greed, unstable

energy levels and enslavement to fear of the void.

Tantra can never be pointed out.

It won�t always be this or never that.

By its nature of Non-dual dualism, it functions together as contextual and technical backing

for the embodied realization of the life�s work of One in all and all in one.

The word Tantra is rooted in the pre-Hindu times of India.

It is a continuously practiced system of ritual technologies for purification, sensitization.

The whole system is nature based geared towards creating generative alignment to the cosmic

principles of vibration.

Tantra is a form of �weakly interacting� general formlessness.

The primordial genesis of the Tantra as a nameless way of existing complies with and

defies the apparent constraints of space-time.

Th e simultaneity of the whole existence of the being enables precipitation of an electromagnetic

field of access into the core of the apparent paradox, where interdimensional co-activity

as a human/creature/divine personal becomes more than possible.

I know that this whole explanation of Tantra is a little baffling, but the subject at hand

is so complex yet so simple, it is so vast yet so clear, it takes us to the divine yet

keeps us grounded.

This is Tantra.

What do you think about it?

Share your experiences and practices with us in the comments section below!

For more infomation >> Breaking Misconceptions About Tantra – See Further Than Your Limited Horizons - Duration: 4:15.

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Featuring Musician Megan Ni...

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鹿晗接受採訪,問什麼時候結婚,關曉彤的話直接讓記者懵逼了 - Duration: 3:11.

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RHUME DE CERVEAU : LE CITRON COMME REMÈDE NATUREL-remede naturel - Duration: 3:25.

For more infomation >> RHUME DE CERVEAU : LE CITRON COMME REMÈDE NATUREL-remede naturel - Duration: 3:25.

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For more infomation >> RHUME DE CERVEAU : LE CITRON COMME REMÈDE NATUREL-remede naturel - Duration: 3:25.

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CJay "Ball Out"

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BMW, 740d M패키지 국내 출시..가격은 1억4290만원【24/7 카】 - Duration: 6:39.

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BBC 6 Minute English - Business English: Punctuality - Duration: 6:03.

Hello I'm Feifei and welcome to another episode of 6 Minute English.

Hi, I'm Neil.

Oh, here you are Neil, I was just about to start without you.

No need, no need, I'm never late for anything, you know that!

Punctuality is my middle name.

Punctuality meaning: being on time for things.

Yes, punctuality means not being late.

It's very important in Western working culture.

Are you a punctual person Feifei?

I'm always punctual in my working life, but in my personal life…

OK, I don't want to know.

That's interesting Feifei because the psychiatrist Dr Keith Ablow, says the three most common

causes for lateness are: firstly, worrying about the appointment, secondly,

a need to show power or superiority, and the third reason for people

being late is that they have a need to know they are loved.

So Feifei, which one is you?

Sounds like you are a mixture of all of them…

No comment - let's move on.

Let's hear what some of our friends and colleagues have to say about

punctuality.

I think living in London, you find the most common reason for being late is transport

because it's not very reliable - whenever you are rushing somewhere, you think you are

OK with time, but suddenly your train is delayed: if you have to change to another train,

you might miss that train and it's going to make you be even later than you intended to

be.

Well that's very interesting.

Generally speaking, if you're going to be late

for something, it's polite to call and let people know.

It is.

And here's a clip of someone doing just that.

Joe Smith speaking.

Hi Joe, it's Sarah.

I'm on my way to the meeting but I'm afraid the traffic's

terrible.

I'm sorry but I think I'm going to be late.

OK, don't worry.

What time do you think you'll get there?

To be honest, it's hard to say.

I've been here for 30 minutes and the traffic is at a standstill.

I think I'll be about 15 minutes late.

OK, thanks for letting me know.

If you're going to be any later, call me again.

OK, will do.

Sorry again.

See you soon.

So, that was Sarah calling to say she's going to be late and if I'm not

mistaken - It's Business Betty!!

Hello!

I'm not late am I?

Not at all, and I wouldn't care if you were.

Thank you Neil.

You're just in time to tell us how to say you're going to be late for

something.

Oh that's good, I hate being late for things.

Right - so to business.

Now, in the English speaking world, if you are going

to be late for an appointment, you should let people know.

There are three things you need to do here.

First, apologise.

Second, explain why you're late.

And third, say when you think you'll arrive.

So, first: apologise.

Here's what Sarah said: I'm sorry but I think I'm going to be late.

"I'm sorry but I think I'm going to be late" - nice and simple.

She apologised again at the end of the conversation.

Sorry again.

Second, explain why you're late.

Sarah said: I'm on my way to the meeting but I'm afraid

the traffic's terrible.

I've been here for 30 minutes and the traffic is at

a standstill.

Let's hear that again.

I'm on my way to the meeting but I'm afraid the traffic's terrible.

I've been here for 30 minutes and the traffic is at

a standstill.

And third, say when you think you'll arrive.

I think I'll be about 15 minutes late.

And again: I think I'll be about 15 minutes late.

And then, stop worrying!

When you finally get to your meeting, don't go

rushing straight in.

Take a couple of minutes first, to calm down and

freshen up, so that you appear professional, not panicky.

A quick apology when you arrive – "Sorry I'm late everyone"

and then it's down to business.

So, I hope that's helpful…

Very very helpful!

Yes, thanks Betty!

Good, because I have to go now, I've got a meeting and I don't want to be

late.

Bye!

Bye She's very good…

Shall we listen to the clip again?

I think we should…

Joe Smith speaking.

Hi Joe, it's Sarah.

I'm on my way to the meeting but I'm afraid the traffic's

terrible.

I'm sorry but I think I'm going to be late.

OK, don't worry.

What time do you think you'll get there?

To be honest, it's hard to say.

I've been here for 30 minutes and the traffic is at a standstill.

I think I'll be about 15 minutes late.

OK, thanks for letting me know.

If you're going to be any later call me again.

OK, will do.

Sorry again.

See you soon.

So that's what to do if you're running late.

Yes, so next time Feifei, can you set off a bit earlier?

I don't want to hang around.

Yes set off earlier, you Neil.

Well, you don't want to talk about your personal life, do you?

So I won't mention that thing.

You were the one that was late for the programme.

Yes, but generally speaking, it's you, isn't it?

Anyway, make sure you join us for the next episode of 6 Minute English.

And DON'T be late!

Bye!

For more infomation >> BBC 6 Minute English - Business English: Punctuality - Duration: 6:03.

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Im Back - Duration: 2:13.

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What is wrong? (10) (Grammar Practice) [ ForB English Lesson ] - Duration: 2:10.

Hello everyone and welcome back to ForB's English lesson video.

My name is Richard and today I'm going to say a sentence and I would like you to guess what is wrong.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch that?

Alright.

Let's try that again but this time a little bit slower.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch it?

Alright.

Let's try that again but this time I will show you the sentence.

And you try to see if you can find a mistake.

I noticed I left my luggages at the airport.

Could you find it?

Alright, the answer is luggages.

We should say luggage not luggages.

The reason is luggage is uncountable.

So should not have an "s".

Alright?

So let's practice the correct version of this sentence together.

Please repeat after me.

I noticed I left my luggage at the airport.

Great.

Let's do that again.

I noticed I left my luggage at the airport.

Great!

Now you know what to say if you forget your luggage and you notice you don't have it.

I noticed I left my luggage at the airport.

Alright.

Remember to please click like, share, and subscribe.

And I will catch you next time!

For more infomation >> What is wrong? (10) (Grammar Practice) [ ForB English Lesson ] - Duration: 2:10.

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5-min MUG CAKES (no oven) - Duration: 4:43.

Hello, welcome back to my channel!

In today video, we are going to make mug cakes

For making this,

the ingredients are very simple

we don't have to use different baking tools

and especially no oven is needed

This cake takes only 5 minutes to make

So, let's do it together!

Firstly, we put milk and butter in a bowl

Then microwave it for 15 - 20 seconds

After that, whisk it well

When the butter is completely melted, we add yogurt

egg and vanilla into the bowl and mix it together

In another bowl,

we put flour, sugar, cinnamon, baking powder

with coconut flakes and mix it together

Pour the wet ingredients into this bowl

We fold it gently and do not overmix it

If we mix it too much, it will change the texture of our cake

Choose one of your favourite cup

and fill 2/3 of it with the batter

Then put it in microwave from 1min30s to 1min40s

I set my microwave at 800w

We repeat the same process with this cake

We microwave milk with butter first

then whisk it until the butter is melted completely

After that, we add egg, yogurt and oil into this bowl

And then vanilla

In a separate bowl, mix together flour,

cocoa powder (make sure it's sifted),

sugar and baking powder

Pour the wet ingredients into this bowl

We fold it gently and do not overmix it

Oreo, oreo, oreo

Based on your taste, you can add oreo as much as you want

I don't crumble it too much because I prefer to eat it this way

Then fold it gently for few times

Fill the cup with 2/3 of this batter

And microwave it from 1min40s to 2mins

or until when we touch the surface, it bounces back

This cake is so, so simple

You can make it for breakfast

Or whenever you want some sweet treats

but don't want to use the oven

If you make it, please send me yours!

If you want me to make any cake,

please let me know in the comment box down below

I hope you like this video

Thank you and see you next week

Bye Bye

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