Youtube daily report Nov 18 2017

Hey everybody and welcome to Leia's Lair.

In this episode I will be going over how exactly a lightsaber works in Legends.

If you are enjoying the videos, please give them a like and subscribe to the channel so

I can continue making them for you!

To begin, the hilt of a standard lightsaber was typically between 24 - 30 cm long, but

this could be changed depending on the stature and preference of the wielder.

All the mechanics of lightsaber were contained in the hilt.

At the bottom of the hilt, there was a pommel cap that could be used to house a backup power source.

Within the hilt, high levels of energy were generated by a Diatium power cell.

Diatium was used for a variety of reasons.

The first was because it was a fairly common mineral that was easy to mine.

On top of that, when used as a power cell, it was able to store huge amounts of energy.

After being generated by the Diatium power cell, the high levels of energy were converted

to plasma after moving through a group of focusing lenses and energizers.

When the blade was not in contact with another object, the plasma would be recycled per say

by an energy field back into the power cell.

This is why lightsabers rarely needed to be recharged.

If the wielder wanted to increase the power of the lightsaber, they could either modify

the diatium cell (which was extremely dangerous) or they could install a discharge energy cell

into the hilt of the saber.

Also positioned in the hilt, around the power cell, was a power insulator.

It was typically made out of nonconductive material, and protected the wielder from electrocution

that could be generated from the hilt.

After being converted, the plasma would move through the lightsaber crystals where it would

become focused.

The number of crystals used varied.

Only one was needed for the saber to work, however having three was the most ideal.

The crystals were responsible for the individual properties of the blade such as the color,

and allowed for an adjustment of its length, as well as its power output.

After being focused by the crystals, the plasma would move through the emitter matrix that

contained the beam through a magnetic grip.

An interesting fact about the emitter matrix is that if it were inverted, the ignition

of the saber would cause it explode.

But anyways, back to the mechanics.

Within this emitter matrix existed a group of field energizers and modulation circuitry

that focused the plasma further.

At this point the plasma would actually be a substantial blade that was emitted from

the blade emitter.

The blade typically reached about a meter in length and was activated by a button.

Certain lightsabers contained knobs that allowed for an adjustment of the blade length.

The length of the blade was restricted by the blade containment field back to a negatively

charged fissure ringing the emitter.

Here it was sent back to the power cell by a superconductor.

At this point, the circuit was complete.

Interesting to note is that this containment field is what is responsible for the awesome

lightsaber battles we see.

It allows the blades of lightsabers to come into contact with one another, instead of

just passing through.

And there you have it!

Thanks for watching everyone!

If you enjoyed the video or have any suggestions for future videos, let me know down below

in the comment section.

And remember to like and subscribe to the channel for more great videos to come.

I hope to see you all again in Leia's Lair.

For more infomation >> How Lightsabers Work (Legends) - Star Wars Explained - Duration: 3:35.

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Pokemon McDonald's Happy Meal Toys - I Choose You! 20th movie - Duration: 2:41.

Pokemon McDonald's Happy Meal Toys I Choose You! 20th movie

For more infomation >> Pokemon McDonald's Happy Meal Toys - I Choose You! 20th movie - Duration: 2:41.

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Bishop Briggs - Dream (Live From Jimmy Kimmel Live!) - Duration: 3:16.

For more infomation >> Bishop Briggs - Dream (Live From Jimmy Kimmel Live!) - Duration: 3:16.

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Wanjali Walledeya | Punjabi Folk Song | Seema Kak | USP TV - Duration: 3:34.

O wanjli waalareya

Ve tu taan moh laiyo mutiyar

Kadey nai jine si manni haar

Tainu kar baithi o pyaar wanjli waalareya

Ve ae gall bhulin na

O naina waalariye

Ni meri wanjli di tuhi o taan

Tuhi o mera deen imaan

Tetho vaar deyan jind jaan o naina waalariye

Ni ae gall bhulin na

Hashar deharey taaein shaala

Ruk jawan ae weley

Pyaar de jithey phul khirey ne

Sadaa o mehekan bailey

Ni tere dam de naal bahar

Tuhi o mera haar shingaar

Saada roz-e-azal da pyaar o naina waalariye

Ni ae gall bhulin na

Mere dil vich chaanan kitaa

Roop tere diyan lovaan

Raat diney main karaan duawaan

Tetho door na howaan

Ni kariye pakke qol qarar

Ho jag di lakh paiyan ve vaar

Asaan ne tor nibhana pyaar o naina waalariye

Ni ae gall bhulin na

O wanjli waalareya

Ve tu taan moh laiyo mutiyar

Kadey nai jine si manni haar

Tainu kar baithi o pyaar o naina waalariye

Ni ae gall bhulin na

Ni ae gall bhulin na

Ve ae gall bhulin na

For more infomation >> Wanjali Walledeya | Punjabi Folk Song | Seema Kak | USP TV - Duration: 3:34.

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Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora - Duration: 3:17.

Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora

lonely together remix

lonely together lyrics

lonely together alan walker

For more infomation >> Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora - Duration: 3:17.

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Mushroom Sticky Rice Burgers (+ Cooking Show Behind the Scenes) - Duration: 9:17.

For more infomation >> Mushroom Sticky Rice Burgers (+ Cooking Show Behind the Scenes) - Duration: 9:17.

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[한글자막] 얼음땡 버그! / Team fortress 2 - [Delfy] - Duration: 10:42.

For more infomation >> [한글자막] 얼음땡 버그! / Team fortress 2 - [Delfy] - Duration: 10:42.

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BombSquad The Movie [Part.1] - Duration: 4:30.

For more infomation >> BombSquad The Movie [Part.1] - Duration: 4:30.

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Getting A Movie Made - 3 Key Factors by Scott Kirkpatrick - Duration: 6:16.

Film Courage: You wrote a blog post (I think) a few years back maybe that mentioned Tim

Burton's 1994 biopic on Ed Wood…excellent film by the way.

Scott Kirkpatrick: One of my favorites.

Film Courage: Yeah…would you say this film is really important because it shows still

current examples of how films get made today.

Any thoughts…[films getting made] on a lower level?

Scott Kirkpatrick: You know, in truth those budgets back then were massive today, like

the kind of films that were getting made or the Roger Corman-era of making films.

One of the opening scenes of that movie (ED WOOD), The Christine Jorgensen Story (that's

what is was), it was basically an individual back in the 50's and some schlock producer

was making a film about it.

So Ed Wood sees the opportunity, walked into the door, set up a meeting with Mr. Weiss

and pitched himself as the guy who had to make the movie.

And because he was so enthusiastic because in truth he was a human being but was very

secretive about certain aspects of his life and he just understood the compelling elements

of the story that had to be created, blah, blah, blah, blah.

And then, the producer's response was more or less "I don't care.

I need a producer.

I need a guy who can make a film in three days and make me a profit.

That's all I care about."

And the reason was, he'd already pre-sold theaters and all of these states and needed

the movie to cater to that.

He needed a movie that was so many reels long (using old film terminology), that was a certain

budget level, that could be shot in a certain amount of time and didn't care about the

quality.

He just needed the product to fill-in the gaps of where it was pre-sold.

It still happens today.

It's no different.

It's the same concept in the indie space today of the movies that get kind of pre-sold,

pre-created, pre-developed and then they need writers, producers, very creative-minded people

to put that that together in a short period of time and make it happen.

That's the real job of a creator is creating, making things happen.

Getting from Point A to Point B quickly and effectively, that's why at the studio level,

major talents get tons of money and they receive ridiculous sums of money for screenplays at

the studio level because frankly it takes a lot of work and it's a very, very rare

talent to be able to produce on that level.

So that's kind of why it works that way.

But if you haven't seen it…for anyone in the audience who hasn't seen it [ED WOOD]

it's a great movie, very fun and in the whole process throughout you actually learn

a lot of great lessons about the filmmaking process.

And even though it's from the 90's and talking about an era in the 50's, the principles

are exactly the same.

It still works the same way and always will (I think).

Film Courage: What about the Bela Lugosi character?

Scott Kirkpatrick: Same concept.

It's an aging star, who frankly, was kind of washed up at the time.

But it's the same idea of…I think even in the opening scene that I'm talking about

that was one of the things that he later went back into the office to secure the job because

he'd written a script in two days and he had Bela Lugosi who was a star.

So he basically said "If you need a schmuck who can get you a movie in three days with

a star.

Make me anything…"

I forget how he described it…"Anything with a with a star, no matter if it's good!"

That's how he described it.

And that's basically Bela Lugosi was the star who was at least a decent enough name

that people recognized that elevated the product just enough so it became a Bela Lugosi movie

that was being distributed at that point.

Film Courage: And last but not least, his efforts to secure financing.

So meeting the right person and having to go to certain lengths to secure financing?

Scott Kirkpatrick: So I think there's a massive misconception.

When it comes to financing (as I kind of said) movies are incredibly expensive to produce

and people on the writing end, the directing and producing end who want to get their work

made seem to be very, very good at writing and keeping a budget in mind and they're

really good at creating budgets and all the great software that exists now but getting

to that point of how is it going to be funded, that's sort of the complicated thing.

In ED WOOD and I think the hopeful thing that a lot of younger filmmakers hope is that they

can go to a rich uncle or dentist and all of this other stuff and just pool money together.

Wherever money comes from and you can still get movies off of the ground using that approach,

at a higher level, if you're creating content that's going to work for platforms out there,

there are a lot of entities that will actually invest the money and get that, so it's kind

of…I don't know…I feel like I'm getting a little lost in it…it's not as cut and

dry.

It's always a mystery as to where and how funding comes together at the indie level

because there is no one way to do it.

But the truth is, if you are creating content that actually has placement, that actually

already has a spot to fill, it actually already has room on a shelf to be placed, there are

a lot of entities who are willing to invest the money into it.

I think the real answer is if you are going out there to produce something that you want

to produce because you're passionate about it and you've not done any real market research

or talked to companies about what the market wants, you're going to have a really tough

time getting financing.

If you take a step back you focus on what the market needs, what it's asking for,

what companies are searching for and then you cater to those needs, financing actually

gets a lot easier because all of the sudden there's a lot of companies with deep pockets

and they are looking to invest the money.

They are just looking to invest it with stuff that is going to help their goals.

For more infomation >> Getting A Movie Made - 3 Key Factors by Scott Kirkpatrick - Duration: 6:16.

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How Microsoft's CEO has 'hit refresh' in business and in life - Duration: 8:43.

HARI SREENIVASAN: Finally tonight, we hear from a leading CEO about changing the culture

of a successful company and how his own personal experiences helped inform his approach.

Judy recorded this conversation for the "NewsHour" Bookshelf.

JUDY WOODRUFF: Most CEOs who write memoirs and leadership books do so after they finish

their career, but the chief executive of Microsoft, Satya Nadella, is out with one now about his

ongoing efforts to reinvent Microsoft and make sure the tech giant stays relevant in

a fast-changing industry.

It's titled "Hit Refresh."

The company has had its share of critics over the years, and has sometimes adapted slowly,

but it has long been hugely profitable.

In the last quarter alone, it earned more than $24 billion, and its market value has

jumped by $250 billion since Nadella took over more than three years ago.

Among other things, Nadella is trying to make sure Microsoft is adapting to the era of cloud

computing.

The book is also a part memoir of his own experiences, including his early years in

India and coming to the United States.

Satya Nadella joins me now.

And welcome to the "NewsHour."

So, as we were just saying, most people don't write a book while they're still in the middle

of work.

But you did.

Why?

SATYA NADELLA, CEO, Microsoft: It's -- right.

I mean, most business books in some sense are either -- are mostly look-backs, either

at grand successes or grand failures.

And I mostly wanted to reflect on, as a sitting CEO, the hard questions and the answers to

that while you're going through the process of -- or the difficult process of transformation.

So, it is not -- it is not meant to be actually something that is a look-back after having

reached some destination or declared some victory.

JUDY WOODRUFF: You said at one point in the book that, originally, you conceived as a

collection of meditations from a CEO in the middle of transformation.

If it's not that, then what it is?

SATYA NADELLA: It is that.

It is that sitting CEO's...

JUDY WOODRUFF: Aha.

SATYA NADELLA: ... meditations of the transformation that we're going through then, vs. having

reached any destination.

The thing that I realized is, this process of change is not something that is a one-time

process.

It's this continuous journey of pushing yourself to renew, and the difficulties of doing it,

because the one thing with change is, it's easy to talk and hard to do.

And so that's the metaphor.

Even this "Hit Refresh," the trick is not to say, let's change everything, because the

browser, when it hits refresh, it knows what to change and what to keep.

And that's what successful companies have to learn to do continuously.

JUDY WOODRUFF: And you also write about your own personal story, about how you and your

wife, your first son was born with pretty serious cerebral palsy.

He's now 21 years old.

And you write about how that has changed you, what it -- how it took you longer than it

took your wife to sort of come to grips with that.

Talk about that.

SATYA NADELLA: Both my wife and I were the only children in our family, and we were very

excited.

The entire family was very excited.

I was 29 years old before Zain was born.

Even a few hours before, perhaps, if you had asked me, you know, what are the thoughts

that are going through my mind, they were mostly concerning things like, hey, will the

nursery be ready, will Anu, my wife, go back to work?

And, of course, everything changed that night.

There was in utero asphyxiation, as a result of which, Zain was born with some severe damage

to his brain.

And that resulted in cerebral palsy.

And maybe even for two years, maybe even longer, I went through this phase where I was mostly

reflecting on all the things that happened to me, which is, wow, all the plans we had

and I had are no longer valid.

Why did this happen to us?

Why did this happen to me?

And it was only by observing my wife and what came naturally to her -- in fact, I remember,

as she recovered from the C-section, she would, in fact, drive Zain from therapy to therapy,

trying to give him the best chance he could get.

And without schooling me directly, though, by me observing her, I realized that nothing

had happened to me.

Something really had happened to Zain, and it was time for me to get over ruing the fact

of what happened to me, and really start seeing the world through his eyes.

And that realization, which I used the word empathy for it, is not sort of an innate capability

I had.

It's life experiences like this one that helped shape that in me.

And that, of course, is something that goes -- carries forward in who I am at work.

JUDY WOODRUFF: You are candid, Satya Nadella, in talking about early mistakes you made.

I mean, one was the comment you made in 2014 about women shouldn't be pushy in thinking

about asking for a pay raise.

You learned from that.

You have talked about how it made you think differently about women in the work force.

How so?

SATYA NADELLA: Yes.

For example, at this Grace Hopper conference a couple of years ago, when I went there,

I went there to learn.

And I did learn for sure, because the question that was asked was around women and pay.

And I gave an answer which was sort of nonsense based on sort of my own personal experience.

And Maria Klawe, who was interviewing me on stage, was kind enough to correct me right

there.

But, even subsequently, when I went back even to Microsoft, met with some of the senior

women who work with me is when I really understood in a deep way all that is wrong with our system.

So, for me to go to a women's conference and say, trust the system, is to disjoint from

the realities.

That's when, again, very similar to sort of Zain's birth, it was a moment where I was

able to see it through their eyes, but, more importantly, understand my responsibility.

As a CEO, my job is to make sure that I'm pushing to create a system that not only has

representation, but, more importantly, it helps everyone have the opportunity to contribute

and get the reward for it.

JUDY WOODRUFF: There's a public policy issue you have also been outspoken about that I

want to ask you about, and that is immigration.

You have talked about the virtues of immigration.

You have been outspoken in advocating for those young people who came to the United

States without documentation, but with their parents, the so-called DACA program, the dreamers.

And you have expressed that you hope the Trump administration and the Congress sees fit to

do something about that.

Why is that a concern, a worry for you?

SATYA NADELLA: When I look back, I'm a product of two amazingly unique American things.

One is American technology reaching me where I was growing up, allowing me to dream, and

then American immigration policy letting me live that dream out.

And when I think about both of these, I think that that's where our competitive advantage

comes from.

So, I don't think immigration is something that we do that is somehow disjoint from the

broader advantage it brings to our society, to our economy.

And, quite frankly, it's not just about skilled immigration, because one of the other things

that gives us a tremendous amount of soft power in the world is, America is a beacon

of hope for everybody who needs it the most.

And that is an invaluable position to have in any global order.

So, I do hope that we see immigration, without, by the way, ignoring the fact that equitable

growth for people who are already here in the United States is a super important agenda.

But if you don't pit these two things against each other, but recognize America's own interest

in having an immigration policy and also tackling the equitable growth inside the country, I

think, are things that we should really step up, both in the legislative, as well as in

the private sector.

JUDY WOODRUFF: Satya Nadella, who came to the United States, what, at the age of 20?

SATYA NADELLA: At 21.

JUDY WOODRUFF: Twenty-one.

SATYA NADELLA: My 21st birthday.

JUDY WOODRUFF: Now CEO of Microsoft.

And the book is "Hit Refresh."

Thank you very much.

SATYA NADELLA: Thank you so much.

For more infomation >> How Microsoft's CEO has 'hit refresh' in business and in life - Duration: 8:43.

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We almost died in a bus?! | Storytime | BOSTON, NYC, SALEM VLOG - Duration: 6:08.

Hey guys! It's Debbie and welcome back to my channel!

When I last spoke to you guys

I was on a little bit of an "itty bitty" American roadtrip with my best friend and her husband.

We kind of explored the Dallas/Fort Worth Metropolitan area

It was really cool, it was really neat--and if you guys didn't see that vlog

I will link it somewhere at the end of this video

but after that we flew to the east coast

to continue our roadtrip

and I'm going to do this video in a little bit of a "storytime/vlogging" style

so it's going to be a little bit different

Right after we left Dallas, we flew to Boston.

and we have always wanted to go to Boston

just because my friend and I have always had this fascination with the "Salem Witchcraft trials"

and not that we like practice witchcraft or anything like that

but we were really interested in it just because it was around Halloween time

and it was going to be spooky, and we just really liked the historical aspect of it.

and so we flew to Boston

and I really...

...actually liked that city.

WE'RE IN BOSTON!

We're walking around Pearl Street in Boston, and Wendy's being "Snow White" over here

After having spent like two or three days in Boston

We decided to take a Greyhound bus *DOWN to New York

and I've taken a Greyhound bus before leaving Nebraska to Los Angeles

so this wasn't new to me or anything like that

but while we were taking this Boston Greyhound

The bus left at like 1am, and it was suppose to arrive to New York City at about 4:30-5am--someplace around there.

At about like 2 or 3am, I was like half asleep--trying to get some rest.

and all of the sudden the bus makes this sound, where it's just like "JUH, JUH, JUH, CHUH, CHUH"

It didn't cross my mind that it was anything serious

I was just there like "Ok, there must be something on the road"

but people in the back of the bus started screaming like:

"WAKE HIM UP! WAKE HIM UP!"

and I think they were talking about the driver

because I was still half asleep

and I like shot up, because I think my brain processed everything

I was like "The drivers falling asleep, Thedriversfallingasleep!"

yunno, I didn't know if that was for sure what was happening

but because people in the back were screaming it , I started screaming that too

because I didn't know what else to do

I'm just like "WAKE UP, WAKE UP!"

It's so crazy because then a guy from the back of the bus runs up to the front of the bus

tries to take the wheel from the driver

because we all thought that he was falling asleep

Turns out, he wasn't falling asleep at all.

He was still wide awake. He stopped the Greyhound at the side of the road.

and he stood up

he looked at all of us

and you can imagine like all us, just staring at this bus driver

we just all looked at him like--yunno, kind of freaked out still

and then somebody in the back--again--was like "We thought you were falling asleep..."

"yeah, we thought you were falling asleep."

and the bus driver--he just kind of looked at all of us

he found it like humorous, but also he was taken aback by everything

and he was like this cute African guy, so he had like this really cute accent

He was like "I just had to move out of the way."

"You scared me. I'm not going to fall asleep, you guys."

and then turned back as if nothing happened, sat back down and continued driving.

It was so scary, but so hilarious at the same time.

Half of my brain was like, "Ok, were' going to die. This is it."

but the other half of my brain was like, "This hasn't flipped over yet..."

"...why haven't we died yet? I feel that would have happened already?"

but the thing that impressed me was that in that moment, all I'm thinking that I could do is just scream "Wake up!"

but that guy in the back that ran up

and tried to grab the wheel and like, steer the bus back on the road

Like THAT, really impressed me

because your brain must be on like--I don't know--on like "SUPER POWER MODE" or something

for you to be like "You know what--This is happening. I need to run up there. I need to grab the wheel. I need to SAVE US."

That's such impressive, courageous thinking and QUICK action to do so

even though we were all safe the whole time

Yunno, finally we got to New York

and guys...

I fell in love with New York.

Duuude, we're in New York

We were only there to spend the day--but that whole day it rained up until like midnight.

I was still so enamored with that city.

Even though it was, like, raining

even though I was, like, pms-ing

Even though we didn't have a place to check our luggage in until like 3pm

It was amazing.

and I definitely want to go back to New York someday

because I didn't feel like I got to see as much as I wanted to

Although we saw a lot that day--there was so much more that I still want to see.

So many neighborhoods that I still want to explore

Yeah--then we came back to Boston

and then finally, on Halloween day we went to explore Salem.

and Salem had it's own personality of it's own.

It has it's background with the Salem witchcraft trials

and there was like museums

and dungeons

and really nice colonial houses that had been preserved for years

It was really interesting being there as well just because it was a little bit controversial

and Halloween is kind of a big day for like Wiccans

I'm sure other religions as well

I dont' know that much about it, but I know we went to a little museum tour and they did tell us

"You know, for us it's Halloween. But for the Wiccans, it's like New Years."

so they do some kind of ritual on Halloween

So we learned a lot while we were there--definitely very spooky, very interesting

um..we got to dance a lot, there was like people dancing and they played music *in the streets

and then from there we headed back to Boston, and then back to Texas

and then from Texas we drove back home to Nebraska

This roadtrip was really eye-opening

Especially for me, who's unemployed right now and trying to figure out what to do

It definitely provided a lot of inspiration

It made me think about what I want in a place if I ever move to someplace new

but anyways, if you enjoyed this video make sure to give it a LIKE

Dont' forget to SUBSCRIBE down below

and I will talk to you guys in the next video--Byeeee

For more infomation >> We almost died in a bus?! | Storytime | BOSTON, NYC, SALEM VLOG - Duration: 6:08.

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Energy Update – Clearing And Feeling Old Debris Of Our New Path - Duration: 6:20.

Energy Update � Clearing And Feeling Old Debris Of Our New Path

by Anastacia-Blue Beyond,

A total old loop HAS come UP, its so big!

I can�t explain what the last 18hrs were as this is new and there was not a lot of

�sense� as to what we were processing and experiencing.

It was so unusual and like nothing I have ever experienced with this and I know what

this is for myself and will do my best to share what this is personally

And Old loop of our TOTALITY and the energy with was highly buzzing until 3am AEST.

(That is why I �got the tap to go�).

This �story� below, is the best way I can explain what has just occurred:

Its like walking down a path and on this path are lots of debris

Now the path is leading or heading towards a goal or �something� we have been �working�

towards and sometimes this could be for years and years.

As in, feeling this so deeply as part of our Souls Purpose.

What this is for each person is personal.

WIth my path or road, it is one that I have already walked!

And in reaching a place of, turning around, and going back down or up that path � I

am needing to clear the debris of left over remnants, of larger boulders that I pushed

through on the first journey!

(More shared on this further on, just go with me here).

And so now walking back up that path, to finally, a newer destination of a beginning of something

I felt so deeply within I �needed� to do � there are left over small rocks or

debris of the original huge boulders that I broke through on my way � the 1st time.

Read that again �There are left over small rocks or debris, of the original huge boulders

that I broke through on my way -the 1st time.

So in �going back� yet forward to a new �destination�, I �want and need� to

make sure, that the debris is removed, one by one, to clear MY OWN PATH FOR MYSELF BACK,

MORE LIKE FORWARD to what resonated so deeply in my soul that I needed to �do� in someway

or manner with something in my life!

That is very huge for myself.

A huge area in my life that is linked to abundance.

This could be abundance of ANYTHING!

Or Everything as well ;-).

So you see, the last 18hrs specifically, this energetically came through, slowly building

up and building up, buzzing and churning up, the debris on our old path, which we are now

�clearing� for a New Path.

It is �like� we reached a �point� or crescendo � as in, our ascension and

pushing Beyond energetically in Spirit� and now, we finally have �made it� energetically

collectively, that we can NOW HEAL OUR PAST TOTALITY PATH OR LOOP.

So then we can now, heal and tend to clearing the debris off our path in what we have been

waiting for, for so long!!

And �due to this� what many are feeling is like to them, �unexplainable� feelings

and emotions and total overwhelm�of like energy actually �spilling over�, as this

has been THAT BIG.

As the/our energy needed to �spill over�, as we have been Beyond pushed to our �limits

of endurance�!

WE HAVE MADE IT!

I have been writing THIS IS SO WORTH IT, as I personally KNOW/FEEL and have experienced

this is!

We/you just need to realize this!

And with this and the story I shared above, is to realize the bigger bigger picture of

what we are re-feeling of the debris on our New Path.

As when we feel and accept this, then we can allow the �pressure� to be taken off within

in all else we are feeling and experiencing.

This then allows a shift of energy, even if just slightly, to allow the debris to start

to be cleared or shifted off the/our path.

No one else can clear this for us and we are unable to clear anyone else�s debris!

Yet to shift the debris off the path, one needs to realize, feel and SEE that there

is a New Path�that the debris on the path, of the old, from the old boulders that we

have ALREADY BROKEN AND PUSHED THROUGH.

That we are feeling each � ONE BY ONE or FACET by FACET, to be cleared as we walk the

new.

IN FAITH AND TRUST�.IN HANDING OVER AND LETTING GO!

Total True Surrender of taking a step over the ledge and knowing your wings will come

out and you will fly over!

As you lovingly support yourself, this allows the Divine to lovingly support you FURTHER

as well!

Yet, the Divine is not able to assist �further� � unless one takes that absolute leap of

faith and trust.

And lets go of the head and thinking and control and so on.

All which I too needed to do as I endured so much (like you) as well in life and control

was my way of coping that was survival in the past.

Add to then time served in the military as well, so this was then more regimented as

well.

�I of my own self can do nothing�, remember to let the DIVINE guide you.

Pray and ask and feel so deeply, �Help me to help myself� from within, from your heart

and soul.

As when one truly does this, and feels this, it shifts and �hands this over� and the

anxiety or stress, shifts and eases.

That is how we know we have truly surrendered.

This needs to come from within each soul.

That is unique for themselves and how they process and feel or think and an so on.

May this sharing of my story, allow you to find the seeds of the Divine within this,

for yourself.

As always I am right here with you.

As all I share and bring through is as a template for humanity in linking our Spirit to our

Soul through our emotions from personal experience.

Much Unconditional Love, Truth and Honesty

For more infomation >> Energy Update – Clearing And Feeling Old Debris Of Our New Path - Duration: 6:20.

-------------------------------------------

Hardball With Chris Matthews - Nov 17, 2017 | MSNBC | Kushner Failed To Disclose Outreach From Putin - Duration: 41:59.

For more infomation >> Hardball With Chris Matthews - Nov 17, 2017 | MSNBC | Kushner Failed To Disclose Outreach From Putin - Duration: 41:59.

-------------------------------------------

How to Pronounce JAGUAR in British and American English [ ForB English Lesson ] - Duration: 1:47.

Hi everyone!

Welcome back to ForB English.

I'm Gabriella and you're watching our pronunciation series.

In this lesson, you are going to practice the pronunciation of this word.

We are going to compare the British and American pronunciation.

Starting with the British pronunciation, we pronounce the word like this: Jaguar.

Jaguar.

So now let's compare this with the American pronunciation.

In American English, we usually say this word like this.

Jaguar.

Jaguar.

Let's compare the two.

Jaguar.

Jaguar.

Jaguar.

Jaguar.

Now let's practice the pronunciation.

Please repeat after us.

Jaguar.

Jaguar.

Jaguar.

Jaguar.

Well done everyone.

Good job.

I'm Gabriella and you're watching ForB English.

Please like, share and subscribe.

See you next time!

For more infomation >> How to Pronounce JAGUAR in British and American English [ ForB English Lesson ] - Duration: 1:47.

-------------------------------------------

Hot n New SCORPION WEEK: Scorpion SC25 20x10 / SEMA 2017 - Duration: 2:47.

Hi you guys, Shawn with Custom Offsets.

And we have the kickoff of Scorpion week,

this is gonna be SEMA edition.

So every single day we're gonna bring you

a new wheel that Scorpion is releasing this week.

Or a new size, they're pretty much all new wheels.

So you're gonna wanna tune in,

you wanna check it out.

If there's any of the shirts left,

you're gonna wanna get one of those.

'Cause remember we're giving away a set of wheels.

Peace.

(Mandy's theme song)

Hi you guys, Shawn with Custom Offsets

Custom Offsets TV on the YouTube.

Got a hot new for you, gonna be SEMA edition again.

Bringing you back another Scorpion wheel.

This is gonna be another brand new release: the SC25.

Now this one what you're gonna see is

it's got a directional spoke to it.

It's a one, two, three, four, five,

six, seven, eight spoke wheel again.

So it's gonna have a good symmetry to it.

What is unique about this one is it starts

a little narrow and more flares out on each of the spokes.

And it also brings the center out a bit.

So you'll see it comes out a little wider on the center.

Then as far the finish, they're going in

and milling a design on each one of these bump outs.

So there's a bump out here,

and then there's another bump out here

that they're milling in the center of that.

So it gives it kind of an etched

on the inside of each one of the spokes

giving it kind of a unique design.

And then you'll see it's got the rivets all the way around.

And this is gonna be a gloss black.

Now the sizes on this one are gonna be

pretty much your conventional,

the 20 by 9, the 20 by 10,

this here's the 20 by 10 negative 19 offset.

And then you'll have the 20 by 12

and then it'll go to the 22 by 14.

So they'll go all the way up to that size.

As far as bolt patterns, I don't bring that up a lot,

because almost all of these are made

in all of your popular bolt patterns.

So if you come out and check,

you should be able to find all

these Scorpion wheels in your bolt pattern.

With one exception and I'll show you that one as we go here.

But this one's gonna come in all those patterns.

You'll see its got a covered cap.

Now this one's got a really unique cap,

they went very aggressive on it.

So it almost has like a hex head cap on it.

And then it also comes out for each of the rivets.

So its got kind of a rough and tough look cap

that goes well with the blocky spokes that they put on it.

And like I said, this is semi-gloss

and then they'll also have this one in an all chrome version

so you can get all chrome in the SC25 as well.

And then price point, Scorpion's competitive

so you're gonna be able to put these up against

any of the name brand wheels and see

similar pricing, very competitive pricing.

So package it up, take it out.

Peace!

(hip hop music)

For more infomation >> Hot n New SCORPION WEEK: Scorpion SC25 20x10 / SEMA 2017 - Duration: 2:47.

-------------------------------------------

Silent Hill Requiem - Watch the First 13 Minutes- Full Film via Link at End or Below - Duration: 13:36.

For more infomation >> Silent Hill Requiem - Watch the First 13 Minutes- Full Film via Link at End or Below - Duration: 13:36.

-------------------------------------------

No Apology for Trump from Lavar Ball even though Trump saved his son LiAngelo from Chinese Prison - Duration: 6:22.

hey guys thanks for watching I'm B.W. Howe and there is so much to talk about this

weekend I'm gonna be putting out probably like three or four videos

between now and Sunday on everything that's going on you know it's fuckin Joe

Biden thing but what I want to talk about today was really really aggravated

me is this Lee Angelou ball Trump and Lavar ball thing okay now if you haven't

heard all right LiAngelo ball and two other UCLA basketball players ended up

getting arrested in China for shoplifting now LiAngelo ball is the

son of levar ball who is probably the biggest self promoter with his own big

baller brand he raised three basketball playing sons one who's in the NBA one

who plays for UCLA currently but is it going to be any more after this and a

son who was younger who was still being self schooled at home pretty much so

here's the thing when Trump lives over in China and he was talking to the

president he had brought up the fact that these kids do you know did some

stupid things now they're looking at they were looking at

three to ten years in a Chinese prison okay which I'm sure it's a lot shittier

than American jail okay now Trump went out of his way to talk to the president

and get them released which he did you know that's something Obama never could

have done or would it have done I don't think who knows but anyways regardless

so I'm gonna what I'm going to do is I'm going to show a clip of when levar

Arlene Angelou ball got back to the states this is what his press release

was I like to start off by saying sorry for stealing from the stores in China

I didn't exercise my best judgment I apologize to my family my coaches my

teammates and UCLA for letting so many people down I also apologized to the

people of China for causing them so much trouble the most respect for the Chinese

Police Department as well and I like to thank them for treating me so

respectfully even after I made a stupid decision I like to thank Chris Carlson

and Doug Erickson for staying with us and just helping us out while we're in

China I'd also like to thank in Trump in the United States government

for the help that they put okay no I mean I didn't play the whole thing but

you get the gist of it you know he goes on to think this guy that guy this

person that person and like oh and president Truong like Trump was an

afterthought if it wasn't for Trump your ass would be rotting in a Chinese

jail bro like you know he gave you your life back essentially and that's the

best that's the best apology you can mustard is like so you could muster some

pre-written bullshit oh oh and uh thank president Trump like doesn't have to

thought you know it's just it's unbelievable to me you know but some

kids make mistakes I know when I was a kid I made I made planning you know what

he did was stupid considering his family you know has millions of dollars with

this big baller brand you know they sell sneakers for like $500 a pop you know

what I mean his brothers in the NBA I mean they have money so to go

shoplifting I don't know if it was just some sort of like Wynonna Ryder you

know syndrome kind of thing whatever the case may be it was stupid

now do I think he deserved to spend three years in the Chinese jail for no

but the fact of the matter remains had Trump not intervened he fucking would

have you know his dad he might be famous and you know ESPN Sports Illustrated

circles but he ain't got that kind of clout

you know so Trump really did him a solid now what really really really

really pisses me the fuck off about this entire thing especially being a father

is his father Lavar when asked you know if you were

gonna you know um you know thank Trump personally or go to the White House this

is what he said neva welcome back mate right what a trip

hey that's how we do it that's crazy man hey you got any message to trump

president Trump big bottle brown we're gonna fit all right are you gonna eat

like thank him personally gonna go to the White House and New York or

something thank you we don't run into each other we'll be good

so your not going to say thanks? we'll be doing he said he was personally

responsible for saving your kid ten years in a Chinese Jail

will he play again this season do you want to play me one-on-one

get some zo2sy not a thank you not nothing oh

won't we'll cross paths and we'll be good that's it that's all you have to

say the guy who saved your middle son three to ten years in a Chinese prison

that's the best you can muster I'm a father myself okay if my son was looking

at hard time in a Chinese Jail and somebody went out of their way to fuckin

get him out I'd be sucking their fuckin figurative dick no I'm saying like I'd

be thanking them up and down like how how what kind of fucking asshole are you

that you can't even say thank you that's fuckin so crazy to me instead you

wanna talk about oh maybe you know I'll play you one-on-one shut the fuck up

what a fucking idiot okay I mean you know and Trump did tweet out after they

were released this tweet all right and you know I mean I would if I was trouble

I would have waited to see what what was said before I said that but regardless

he got a canned apology from the kid who was the one looking at the time and he

didn't get an apology from the dad fucking bananas this is the type of

world we live in today okay you know people go out of their way to save your

kid's life and that's the best you can come up with will be good what ain't

fuckin idiot anyway is this all I got for right now maybe dropping some more

videos later on this week on BW Howe if you have not hit the subscribe button

below with the bell for notifications so you get all the updates to my latest

videos and comment below I want to hear what you have to think via what you have

to say about this what are your thoughts all right hit me up on Facebook I'll see

you next time

you

For more infomation >> No Apology for Trump from Lavar Ball even though Trump saved his son LiAngelo from Chinese Prison - Duration: 6:22.

-------------------------------------------

UNM draws students near and far with new marketing push - Duration: 2:03.

For more infomation >> UNM draws students near and far with new marketing push - Duration: 2:03.

-------------------------------------------

Is India's Nirbh@y a match for Babur - Duration: 5:11.

For more infomation >> Is India's Nirbh@y a match for Babur - Duration: 5:11.

-------------------------------------------

It Ain't Over Until You Say It's Over! (I'm taking your phone calls all weekend long) - Duration: 1:01.

It ain't over until it's over!

I don't care if you're in a relationship with a person . . .

I don't care if your physique isn't happening . . .

business . . .

I don't care what is in the past.

I don't care what the initial . . . your initial success or failure rate.

It ain't over until you say it's over.

You can be imaginative.

You can be influential and persuasive.

It may take one conversation.

It may take ten.

It may take one minute.

It may take one month.

It may take one year.

It isn't over until you say it's over.

There's always a way if you're committed .

. . . if you're resourceful

. . . if you're gritty

. . . if you're determined .

. . if you're influential and persuasive.

Guess what?

If you've lived in the "black and white" thinking

. . . if you've lived in the "template mentality"

. . . if you have all these rules . . .

Guess what?

You have 25 years . . . 35 years . . . 40 years . . .

50 years of living inside a box of your rules.

You don't even have the skill or the imagination.

You're cutting off so many opportunities like that "black and white" thinking.

You've got to break your rules!

Are they necessarily true?

For more infomation >> It Ain't Over Until You Say It's Over! (I'm taking your phone calls all weekend long) - Duration: 1:01.

-------------------------------------------

Featuring Musician Megan Ni...

For more infomation >> Featuring Musician Megan Ni...

-------------------------------------------

For more infomation >> Featuring Musician Megan Ni...

-------------------------------------------

Hot n New SCORPION WEEK: Scorpion SC25 20x10 / SEMA 2017 - Duration: 2:47.

Hi you guys, Shawn with Custom Offsets.

And we have the kickoff of Scorpion week,

this is gonna be SEMA edition.

So every single day we're gonna bring you

a new wheel that Scorpion is releasing this week.

Or a new size, they're pretty much all new wheels.

So you're gonna wanna tune in,

you wanna check it out.

If there's any of the shirts left,

you're gonna wanna get one of those.

'Cause remember we're giving away a set of wheels.

Peace.

(Mandy's theme song)

Hi you guys, Shawn with Custom Offsets

Custom Offsets TV on the YouTube.

Got a hot new for you, gonna be SEMA edition again.

Bringing you back another Scorpion wheel.

This is gonna be another brand new release: the SC25.

Now this one what you're gonna see is

it's got a directional spoke to it.

It's a one, two, three, four, five,

six, seven, eight spoke wheel again.

So it's gonna have a good symmetry to it.

What is unique about this one is it starts

a little narrow and more flares out on each of the spokes.

And it also brings the center out a bit.

So you'll see it comes out a little wider on the center.

Then as far the finish, they're going in

and milling a design on each one of these bump outs.

So there's a bump out here,

and then there's another bump out here

that they're milling in the center of that.

So it gives it kind of an etched

on the inside of each one of the spokes

giving it kind of a unique design.

And then you'll see it's got the rivets all the way around.

And this is gonna be a gloss black.

Now the sizes on this one are gonna be

pretty much your conventional,

the 20 by 9, the 20 by 10,

this here's the 20 by 10 negative 19 offset.

And then you'll have the 20 by 12

and then it'll go to the 22 by 14.

So they'll go all the way up to that size.

As far as bolt patterns, I don't bring that up a lot,

because almost all of these are made

in all of your popular bolt patterns.

So if you come out and check,

you should be able to find all

these Scorpion wheels in your bolt pattern.

With one exception and I'll show you that one as we go here.

But this one's gonna come in all those patterns.

You'll see its got a covered cap.

Now this one's got a really unique cap,

they went very aggressive on it.

So it almost has like a hex head cap on it.

And then it also comes out for each of the rivets.

So its got kind of a rough and tough look cap

that goes well with the blocky spokes that they put on it.

And like I said, this is semi-gloss

and then they'll also have this one in an all chrome version

so you can get all chrome in the SC25 as well.

And then price point, Scorpion's competitive

so you're gonna be able to put these up against

any of the name brand wheels and see

similar pricing, very competitive pricing.

So package it up, take it out.

Peace!

(hip hop music)

For more infomation >> Hot n New SCORPION WEEK: Scorpion SC25 20x10 / SEMA 2017 - Duration: 2:47.

-------------------------------------------

For more infomation >> Hot n New SCORPION WEEK: Scorpion SC25 20x10 / SEMA 2017 - Duration: 2:47.

-------------------------------------------

Malgré les désillusions, Alexandra Lamy ne renonce pas à l'amour - Duration: 1:19.

For more infomation >> Malgré les désillusions, Alexandra Lamy ne renonce pas à l'amour - Duration: 1:19.

-------------------------------------------

For more infomation >> Malgré les désillusions, Alexandra Lamy ne renonce pas à l'amour - Duration: 1:19.

-------------------------------------------

KÉM DUYÊN 1HOUR - RUM X NIT X MASEW「Lyric Video」| bonn - Duration: 58:16.

For more infomation >> KÉM DUYÊN 1HOUR - RUM X NIT X MASEW「Lyric Video」| bonn - Duration: 58:16.

-------------------------------------------

For more infomation >> KÉM DUYÊN 1HOUR - RUM X NIT X MASEW「Lyric Video」| bonn - Duration: 58:16.

-------------------------------------------

Ableton Live 10: What's New

For more infomation >> Ableton Live 10: What's New

-------------------------------------------

It Ain't Over Until You Say It's Over! (I'm taking your phone calls all weekend long) - Duration: 1:01.

It ain't over until it's over!

I don't care if you're in a relationship with a person . . .

I don't care if your physique isn't happening . . .

business . . .

I don't care what is in the past.

I don't care what the initial . . . your initial success or failure rate.

It ain't over until you say it's over.

You can be imaginative.

You can be influential and persuasive.

It may take one conversation.

It may take ten.

It may take one minute.

It may take one month.

It may take one year.

It isn't over until you say it's over.

There's always a way if you're committed .

. . . if you're resourceful

. . . if you're gritty

. . . if you're determined .

. . if you're influential and persuasive.

Guess what?

If you've lived in the "black and white" thinking

. . . if you've lived in the "template mentality"

. . . if you have all these rules . . .

Guess what?

You have 25 years . . . 35 years . . . 40 years . . .

50 years of living inside a box of your rules.

You don't even have the skill or the imagination.

You're cutting off so many opportunities like that "black and white" thinking.

You've got to break your rules!

Are they necessarily true?

For more infomation >> It Ain't Over Until You Say It's Over! (I'm taking your phone calls all weekend long) - Duration: 1:01.

-------------------------------------------

Conor McGregor reflects on title stripping: I'm still the 145lbs champ - Duration: 4:15.

Conor McGregor reflects on title stripping: I'm still the 145lbs champ

McGregor, 29, claimed the 145lbs title in December 2015 with a devastating first-round KO victory over Jose Aldo at UFC 194.

However, he was stripped of the belt a few weeks after he claimed the lightweight crown at UFC 205, a card which saw him become the first fighter in the promotions history to hold two titles simultaneously.

The decision to strip McGregor of the belt was the direct result of Daniel Cormiers withdrawal from UFC 206.

To ensure a championship bout would headline the card, the UFC brass made the featherweight bout between Max Holloway and Anthony Pettis for the interim title, which was previously held by Aldo, who was handed the undisputed title.

McGregor is still somewhat incensed by the decision and by the introduction of an interim lightweight title so soon after his historic victory at Madison Square Garden.

Within f**fking minutes, he said at a Q&A in Glasgow when reflecting on the UFCs decision to bring an interim 155lbs belt into the mix.

Not only within minutes, but within four weeks of me winning the lightweight belt, there was an interim belt scheduled for the lightweight one.

"At the end of the day, Im the unified 145lbs champion and Im the unified 155lbs champion" Conor McGregor So they strip me of the featherweight and they put the interim one on a couple weeks after I won it.

McGregor then went on to reveal that he had a brief conversation with the UFC brass before they announced their decision to strip him of the title, which he failed to defend.

The Notorious doesnt disagree with the path the UFC decided to take and but still sees himself as the undisputed featherweight champion.

Not really, like vaguely, McGregor replied when asked if the UFC informed him of their decision to strip him of the featherweight title. And then it just happens and its like Ah.

But look, business is business. And Ill never not agree with the correct business decision, whatever that is.

At the end of the day, Im the unified 145lbs champion and Im the unified 155lbs champion. I beat both 145lbs contenders, (and) I beat the lightweight one..

McGregor, 21-3, hasnt set foot inside the Octagon since his historic victory at MSG, which was added to the arenas 366 Moments Exhibit earlier this month.

The Irishmans first outing back in the UFC is expected to be a lightweight title fight with interim 155lbs champion Tony Ferguson.

For more infomation >> Conor McGregor reflects on title stripping: I'm still the 145lbs champ - Duration: 4:15.

-------------------------------------------

Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora - Duration: 3:17.

Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora

lonely together remix

lonely together lyrics

lonely together alan walker

For more infomation >> Avicii ‒ Lonely Together (Lyrics / Alan Walker Remix) ft. Rita Ora - Duration: 3:17.

-------------------------------------------

How to Pronounce JAGUAR in British and American English [ ForB English Lesson ] - Duration: 1:47.

Hi everyone!

Welcome back to ForB English.

I'm Gabriella and you're watching our pronunciation series.

In this lesson, you are going to practice the pronunciation of this word.

We are going to compare the British and American pronunciation.

Starting with the British pronunciation, we pronounce the word like this: Jaguar.

Jaguar.

So now let's compare this with the American pronunciation.

In American English, we usually say this word like this.

Jaguar.

Jaguar.

Let's compare the two.

Jaguar.

Jaguar.

Jaguar.

Jaguar.

Now let's practice the pronunciation.

Please repeat after us.

Jaguar.

Jaguar.

Jaguar.

Jaguar.

Well done everyone.

Good job.

I'm Gabriella and you're watching ForB English.

Please like, share and subscribe.

See you next time!

For more infomation >> How to Pronounce JAGUAR in British and American English [ ForB English Lesson ] - Duration: 1:47.

-------------------------------------------

Cars & Toys Surprise M&M Chocolate candy food Finger Family Song Nursery Rhymes Song for Baby - Duration: 4:52.

For more infomation >> Cars & Toys Surprise M&M Chocolate candy food Finger Family Song Nursery Rhymes Song for Baby - Duration: 4:52.

-------------------------------------------

Mushroom Sticky Rice Burgers (+ Cooking Show Behind the Scenes) - Duration: 9:17.

For more infomation >> Mushroom Sticky Rice Burgers (+ Cooking Show Behind the Scenes) - Duration: 9:17.

-------------------------------------------

SHOOT FILM: Lomo LC-Wide - Duration: 19:05.

For more infomation >> SHOOT FILM: Lomo LC-Wide - Duration: 19:05.

-------------------------------------------

Volkswagen Polo 1.2 Tsi Edition+ Pdc - Duration: 0:54.

For more infomation >> Volkswagen Polo 1.2 Tsi Edition+ Pdc - Duration: 0:54.

-------------------------------------------

장고: 분노의 추적자 DJANGO UNCHAINED 1차 공식 예고편 (한국어 CC) - Duration: 2:36.

For more infomation >> 장고: 분노의 추적자 DJANGO UNCHAINED 1차 공식 예고편 (한국어 CC) - Duration: 2:36.

-------------------------------------------

장고: 분노의 추적자 DJANGO UNCHAINED 웹 예고편 (한국어 CC) - Duration: 1:25.

For more infomation >> 장고: 분노의 추적자 DJANGO UNCHAINED 웹 예고편 (한국어 CC) - Duration: 1:25.

-------------------------------------------

Coin Roll Hunting Nickels - Silver and Buffaloes! - Duration: 7:48.

okay guys I am back at it again this time I picked up a Wells Fargo

nickels box you'll recall I've posted four videos opening four separate nickle

boxes the first two were from Wells Fargo and I thought I did really well

so I tested my luck with Chase and though scored even better I'm gonna show

you I keep track of what I get in the boxes so the first two wells fargo boxes

I got no V Nichols I got a buffalo a silver and quite a bit from the 60s and

but the Chase Bank first two boxes I mean I got two buffaloes and a silver in

the first box and then four Silver's in the second box then a few other coins

and then quite a bit from the 60s as well so originally I thought the Wells

Fargo Bank was good the Chase has trumped it we're giving Wells Fargo a

third box here just to see I know you're gonna go through good and bad boxes so

far all mine have been pretty good I haven't got skunked on a nickel box yet

fingers crossed now that I said that but I haven't

so hopefully this streak of good nickel boxes continues maybe this Wells Fargo

one wool maybe beat one of these chase ones or at least chump its first two

anyway let's get to opening this box and see what we get

all right this one seems to be glued quite well so I don't know how they do

with one hand but we'll see that's you bad so far

kind worthy in her show and as always I always like to peek at the Ender's and

see if we see anything substantial it is circulated that's a good sign don't look

too bad don't see anything special we'll get into this box and all the loop you

back in if anything happens all right guys fifth roll in we finally

got our first decent coin it's a 1940's 1940s so you can see we've got a little

bit of 60s but that's our first coin below 1960 so not off to a great start

but only five rolls in with a few in the fifth row left I'll loop you back in if

you find some more fines all right guys 15 to roll in and I saw

this fell out we got a 1941 Denver so our second from 40s only three in the

50s kind of a slow box we do have a couple of 2009's as well and a little

bit of the 60s all of you back in if I find something or showing yeah all right

a few rolls later a 1947 Denver let's keep going just when I was getting

bugged out guys I'm the 18th roll in with a limited

number of coins below 1960 I get to this stack didn't even see it in the stack I

already saw that it was a Denver Mint I haven't flipped it over yet let's take a

look together maybe 1944 rough condition but my first

1944 or nickel at Denver Mint let's keep going and I'll zoom you back in if we

find

why guys 28 roll into the box and as I'm going through them we find ourselves

illegitimate looking Buffalo and it looks like the back is in really good

condition I'm hoping the front is ooh

Hudson pretty good condition - it's a 1937 but I'm seeing all the legs here

feeling mint no doubt around this one not the air but what a really nice 1937

let's keep looking I have some renewed ended energy after

having a 44 Denver silver and at 37 Philly Buffalo awesome 15 rows left into

the 35th roll picked ourselves another Buffalo yeah this one's really rough

looks like it could have a mint mark between the E and the C like a D maybe

but you can't tell yet and I yeah there's no chance at a date on this

one it's in really rough condition if I was gonna test Nick a date out I might

test it out on this one just to get a year but it's got all its legs so you

know that it's most likely not a 37 d or at least not the 37 d air to any extent

it's my second Buffalo in this box to go along with the silver nickel let's keep

going alright heating up a little bit 37

through Lynn just scored a 1959 d and I was putting it aside and I see the back

of this one I took a peek already just to confirm it it is a nice 1949 Denver

as well so another one from the 40s yeah three

rolls up to the box opening the fourth rule from the back and we scored a 1948

playing date Oh take it it's another one from the 40s we'll bring it back if we

find some more there's a roundup guys 72 coins from the 60s we got seven of

those 2009's they're all Denver we got a 52 53 a 53

of 54 58 58 and 350 9s so you know nine coins from the 50s on to the 40s we only

got six coins we got a 40 or 41 that 44 Denver silver

war nickels 47 48 and 49 then we've got a 37 Buffalo and an identifiable dated

Buffalo here I might try Nick a date on this one since if you can't get a date

off but it's pretty ugly anyway just to see if I can get a date the 37 is

probably the best coin other than the war nickel but in its condition I'd say

it's the best coin and it's not the D not Denver and it's not a three legged

air but still a nice coin hope you enjoyed this hunt with me I've enjoyed

it myself it's not my best box but anytime you get a couple of Buffalo's on

that silver nickel in a box to me that's pretty dang good so if you enjoyed the

video please give it a thumbs up if you know how to subscriber please subscribe

and as always thanks for watching

For more infomation >> Coin Roll Hunting Nickels - Silver and Buffaloes! - Duration: 7:48.

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장고: 분노의 추적자 DJANGO UNCHAINED 3차 공식 예고편 (한국어 CC) - Duration: 2:01.

For more infomation >> 장고: 분노의 추적자 DJANGO UNCHAINED 3차 공식 예고편 (한국어 CC) - Duration: 2:01.

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레 미제라블 LES MISÉRABLES 3차 공식 예고편 (한국어 CC) - Duration: 2:27.

One Ring 한국어 자막 선택 가능

One Ring 한국어 자막 선택 가능

♫ On my own ♫

♫ On my own ♫

♫ Pretending he's beside me ♫

♫ Pretending he's beside me ♫

♫ All alone ♫

♫ I walk with him till morning ♫

♫ I walk with him till morning ♫

♫ Without him ♫

♫ I feel his arms around me ♫

♫ I feel his arms around me ♫

♫ And when I lose my way I close my eyes ♫

♫ And when I lose my way I close my eyes ♫

♫ And when I lose my way I close my eyes ♫

♫ And he has found me ♫

♫ Without him ♫

♫ The world around me changes ♫

♫ The world around me changes ♫

♫ The trees are bare and everywhere ♫

♫ The streets are full of strangers ♫

♫ I love him ♫

♫ I love him ♫

♫ But every day I'm learning ♫

♫ But every day I'm learning ♫

♫ All my life ♫

♫ All my life ♫

♫ I've only been pretending ♫

♫ I've only been pretending ♫

♫ I've only been pretending ♫

♫ Without me ♫

♫ His world will go on turning ♫

♫ His world will go on turning ♫

♫ A world that's full of happiness ♫

♫ That I have never known ♫

♫ That I have never known ♫

♫ That I have never known ♫

♫ I love him ♫

♫ I love him ♫

♫ I love him ♫

♫ But only on my own ♫

♫ But only on my own ♫

♫ But only on my own ♫

♫ But only on my own ♫

For more infomation >> 레 미제라블 LES MISÉRABLES 3차 공식 예고편 (한국어 CC) - Duration: 2:27.

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How To Use Lightroom - Basic Editing in Lightroom CC with Barry Callister Photography - Duration: 15:30.

Hey are you looking for information on how to use the Lightroom? I'm about to

show you how to do a basic edit so don't go away

Hi there, Barry Callister for Barry Callister Photography, giving you hints,

tips and tricks for better nature photography. Welcome to my channel, I'm

glad you found me. This is the place where I do gear reviews, camera tutorials,

Lightroom and Photoshop tutorials, and so much more, so if you're new here - please

hit that subscribe button. Now, it's been a while since I did a Lightroom tutorial

so I thought I'd take you through just a basic edit that I will do on an image

I'm going to upload to Facebook or Instagram or something like that. So this

is the base...just a starting point that I'll use and I'll move on from there if

the image needs something more. So let's get right into it. Make sure you hang

around to the end of the video because I'm gonna give you three awesome

keyboard shortcuts that are going to make your workflow so much faster so

let's jump into this basic edit in Lightroom. Go!

Alright so we're starting here in the Library

module. I'm gonna edit this photo here of these rocks for

this tutorial. So we'll just click Develop to open that up in the Develop

Module. Now the first thing I will do is come over to the right-hand side here

and click on Lens Corrections and make sure that both of those are clicked.

I normally apply Lens Corrections on import but sometimes earlier on in

Lightroom I didn't do that so I always check that that is done. If you want to

know how to apply a preset on import in Lightroom I have a video about that I've

linked that up in the right-hand corner of the screen now, so go there if you

want to. We'll just have a look here, I'll show you where abouts you find that. So

you click on File...Import Photos and Video. If you go over here to Apply During

Import your Lens Corrections...that's how I've got it set up in there is for lens

corrections to be applied during import. So watch that video to learn how to do that!

The next thing I will do is come down to

Camera Calibration. It'll be Adobe Standard by default. So I click on that

generally and I will select camera standard, that looks good for this image.

If it doesn't look good, just choose another option. It's...this is all about

what looks good really for this. So I don't play with any of those other

sliders there because this is just a basic edit so we want to stick to the basics.

Then I'll go up to my Basic Panel and you want to watch your histogram here.

If you're not using your histogram in Lightroom or on your camera you really

should be. Your histogram gives you a true picture of the exposure of your

image. You can't trust your eyes because...or...your monitor and your LCD screen on

your camera will lie to you because different lighting conditions will make

images look brighter or darker than they actually are. The histogram gives you a

true representation of the exposure of your image. So if you use your mouse here

and you hover over the histogram, you can see on the right hand side is the

whites, then you've got your highlights in that section, the mid section is your

exposure or your mid-tones, shadows, and blacks over on the left hand side.

And you can see these two arrows here, this is your shadow clipping, and this is your

highlight clipping. If you've overexposed or underexposed any part of your

photograph - those will be lit up. So I'll just quickly...if I crank the highlights

up here, and just crank up the exposure, you'll see now there this is showing me

that I've clipped those areas, and those areas are now overexposed, and there's no

detail in there. So you want to watch that. Just...if you need more information

about how to use a histogram, there's loads of videos on YouTube, check

out those, or I'm going to do one soon - so watch out for that. So the next thing I

will do, because this image looks to be pretty well exposed, I will go down to my

white values. This is... this is to set the white point. If you

move your mouse over the numerical value there on the white slider, hold Alt and

click your mouse and drag to the right until you see some dots come in. Now you

want to make sure you back it off then until there are no overexposed or

clipped parts there, so that seems to be at about 59, so I'll leave that there.

Then you want to do the same with your black slider. Hold Alt, click the numbers

and then drag it down until you see some blacks come in, that's about there so

that's good. If you want to at any stage see the results of your edit you can

click your backslash key for the before view, and then after. So you can see, just

from doing that alone, this image is just popped now, there's a lot more

color in it, there's a lot more contrast, it's really quite good. Now this does

show that we're clipping the blacks here, and if I just tell Lightroom to show

that to me by clicking that arrow there, you can see that's in these dark

sections, these shadowy sections which I'm not really too concerned about

because we don't really need detail in there at all. So I'm not going to worry

about that. The next thing I will do is play around with my shadows and

highlights sliders. If I want to bring up the shadows a bit more, which I really

...I'm really not too concerned about with this image. I want it to have, I want it to be

a bit gritty and grainy, kind of have a very contrasty look, so I'm not gonna...

And the highlights, I'm probably going to leave alone there too.

The next thing that I will do is I will maybe play with the contrast slider and

see if it looks good with a bit more contrast or a bit less. Now a lot of the

time when you doing this you want to sort of take it to the point where it

looks overdone and then back it off, because you'll always overdo it,

pretty much. And seeing over-edited images on Facebook or Instagram is never

fun for me. So take it to where you think it looks great, and then back it off a

little bit. I'm gonna leave the contrast at about 26 there, I think that looks

good. And if you want to see the results of...before and after of the of the step

that you just did. Just go over here to your History panel and click back before

your contrast. So this is before my contrast, this is after. So that's added a

bit of pop there, I kind of like that. I'll then come down to the clarity

slider. Maybe add a bit of clarity. Now you can see there that is way too

much. If that was the look I was going for, awesome. But it's not, so I'm gonna

back that right off to about will say 17 looks good. Should check it

before that after so you see it's giving this rock here a lot more detail and

grittiness, I kind of like that. I rarely play with my vibrance or saturation

sliders unless I really, really want the image to pop a lot more, like...I don't..

See, you can see it just...I don't like what it does to the image, it makes it look

unnatural and not quite real. So I might up that about seven. Saturation again is

a slider you have to be really careful with. Don't over-do it...you know. I rarely

use a value above 7 with saturation. Just have a look what that looks before...after

That's giving it a nice bit of color there. Now on rare occasions, I will play

with the tone curve. I don't use it an awful lot...but let's have a look today

and we'll see what we can do. The highlights we can...might bring that up a

little bit just to...

give it a bit brightness there. The lights...play with a little bit there. You can do

this by clicking and dragging the graph here but I don't do that

I'm not going to do that today anyway. So the lights there...the darks...not really liking

what that's doing. Shadows...not liking what that's doing either. The darks, maybe

down a little bit there. You can always click this switch here on the

left hand side of the panel, that'll turn off that particular effect. You can see

the results of it there too so, that looks kind of good.

So...backslash key, see what it was like before and now - it's looking fairly good. I'm not

going to play with the HSL sliders at all - that's your color. I'm not going to

do split toning. But I will do detail. Now, if you want to...you normally want to set

this for a section of your image that's got...that is in focus, first of all and

has a bit of grain to it. So like, this rock up here perhaps might be a good

idea, so I'll hit this little crosshairs thing here and I'll...that one? We'll do that one or?...

No that's not really in focus, let's choose another bit here. Maybe this bit like here will be good

that's got a nice defined edge in that hole in the rock there that'll be good for

our sharpening stuff. So with sharpening, I'll generally set the radius

to 1.4. And then what you can do with the masking slider here is hold alt and

click the slider, drag it across and you'll see parts of it are turning black.

Anything that's white will...the sharpening will be applied to, anything

that's black will not be sharpened. So I don't really want to sharpen these areas

in here between the rocks, so we'll just keep that up to about there,

that's good. And then you can watch your little thumbnail here and crank up your

sharpening. It's always a good idea as well to have your image at 1:1 to

do this, and have it on the same area sort of as your thumbnail over here.

So you can see if you're starting to get artifacts or any...you know, amount of noise.

See, there I've over-done it, so you don't go there. I am guilty of over-sharpening my images a

lot. So I think about 30 on this is good, so I'll turn that off and see what it's

done. That's very subtle, I might bump it up about...more...45 there, that's good.

Now that has created also a lot of noise as well, so we'll grab the luminance

slider here in our noise reduction and pump that up there a little bit.

There's a bit of color noise I'm seeing in there too. Your color noise is very visible if

you go up to about 4:1 or 8:1, or anything higher than that. So you can

see if I grab my color noise slider here and I back it right off, you can see all

these blues, and purples, and stuff, and yellows, and greens coming in here. So you

just want to dial that up until...that all goes away. You can double click it to

reset it back to the default value there too. So that's kind of good. Just look at

it before and after again - that's looking pretty good

So....I think we're all good. Now that's pretty much all I'll do to an image

generally. Sometimes, occasionally I'll use the effects panel to apply a vignette,

just to the corners. But with this image, I don't really think we need it. So you

can see there, if you slide to the left you get black edges coming in on your

photo, you slide to the right, you'll get white edges, your white vignette. I always

like a black vinette, I'm not too fond of white ones. So that does look kind of

good. If I was trying to bring people's attention to these rocks here, to these

two big rocks...or these rocks in the center, this group of four here, I

would probably apply a vignette - but I'm not in this particular occasion so I

won't use a vignette. And that is pretty much it for what I do for a basic edit.

That is where I'll leave it. You can see the before and after here, like so.

It's really popping now there's..got a lot of color, it's got vibrance, it's got

contrast, it's much just a much better image and it's gonna look so much better

on a cushion! So now we come to the three keyboard shortcuts that I promised

you. The first one of which is to first of all bring your image in from the

library module. So let's say we're in the library module here and you wanted to

edit this image. You click D on your keyboard, that'll shoot you straight into

the develop module real fast and you can start editing your image. While you're in

the develop module, if you want to see your before and after, not just like we

were doing with the backslash key but side-by-side, hit the Y key. And you can

see there it'll give you a before and after, side-by-side view of what your

image is looking like. And if you hit Y again it takes you back to full view

there. And this last keyboard shortcut, super-exciting, this is really good.

A lot of the time you want to zoom in 1:1 to your image, to check focus, or

look for dust spots on your sensor, or things like that. Now what you can

do is click and hold the spacebar and you'll see your cursor changes into a

hand symbol, and you can then click and drag, and look around your image at

1:1. Now this'll, this is working at 1:1 here because I was...I had

1:1 selected last time. If I'd done 4:1, it would take me back

see, back to 4:1. So you want to choose 1:1 there and it...it's

excellent. Hitting the spacebar...and you can let go of the spacebar and just pan..

just move around there with your hand tool, and it's just fantastic. And you can

check the...your image out at 1:, and hit the spacebar again and you're back

to full view there.....Excellent.

There you have it! That is your basic edit in

Lightroom. If you have any questions for me about anything you saw me doing the

video today, please pop them in the comments below, I'd be glad to answer your

questions. Make sure, before you leave you hit that like button and smash that

subscribe button! I'm Barry Callister for Barry Callister

Photography. Get out there, take some wicked shots, and I will see you soon