Yt News today: Youtube daily report Feb 18 2018

Chủ Nhật, 18 tháng 2, 2018

Youtube daily report Feb 18 2018

Welcome back everyone - I hope youre not eating right now because were about to get real gory.

My name is Danny Burke and this is the Top 10 Scary Preserved Body Parts.

Why were they preserved?

Different reasons.

Should they have been preserved?

Ehhh, Ill let you guys decide.

Its gonna get really weird.

Starting off at number 10 we have Galileo's Finger.

Galileo is one of the most famous scientists of all time and a key figure in the scientific

revolution.

He died in 1642.

95 years later, someone removed his middle finger and put it in a jar - here it is.

How gruesome does that look.

This was seen as generally OK back then and even as a way of respecting Galileo, who was

quickly becoming an icon in the western world.

These days, tourists can find the finger in the Florence History of Science Museum.

Next up at number 9 we have Einsteins brain.

People often talk about how Einstein was one of the most intelligent people to ever live.

Within hours of him dying, his brain was removed so that scientists could study it and perhaps

discover insights in to what made him such a genius.

They were beginning to get somewhere - some differences had been noticed but then, it

went missing - presumed stolen.

It was rediscovered in 1978 and now is held by the National Museum of Health and Medicine

in Washington D.C.

Moving on to number 8 we have Buddhas Tooth.

The Buddha was probably one of the most famous people to ever live, his teachings and life

inspired the major world religion of Buddhism.

After he died in 483 BC, his body was cremated on a funeral pyre.

The fire consumed everything except for one of his canine teeth.

It became a cherished relic over the next few thousand years - there was even a war

fought over it at one point.

The preserved tooth now sits in the Temple of The Sacred Tooth Relic in Sri Lanka.

It was named that after they put the tooth there, not before, obviously.

At number 7 now we have the Pregnant Mother.

This isnt so much of a body part as it is two bodies but I thought Id put it on the

list.

Gunther von Hagens is the man responsible for developing a preservation technique known

as -plastination- whereby the skin is peeled off a dead body and everything underneath

is preserved by replacing bodily fluids with a special plastic material.

Thats what he did for one of his most controversial works on the remains of this pregnant mother

and her unborn fetus.

He said his exhibitions have helped the public to understand the human body on a deeper level

and to educate them to what goes on below the skin.

Others have said its sensationalist or even disrespectful.

What do you guys think?

Next up at number 6 we have Dan Sickles Leg.

Major General Dan Sickle was a commander in the Union army during the American civil war.

During the battle of Gettysburg, he took a cannonball to the leg which shattered the

bone in two.

He had his leg amputated later that afternoon.

He sent it to the Army Surgeon General for his display of body parts alongside the weapons

that caused them.

Major General Sickles shattered leg made a fine but gruesome edition to the collection

and is still on display to this day …

Next up at number 5 we have The Childs Arm.

This one comes from Frederik Ruysch - a Dutch artist in the 17th century who liked to display

human bodies in a way that crossed both science and art.

One of his most famous pieces included this - the preserved arm of a child connected with

the dura mater above it.

He mainly used alcohol to achieve preservation.

Much of his work can now be fund in a Russian collection to this day.

Coming in at number 4 we have the 9 ft Colon.

This one is not for the faint hearted.

Its a 9ft long colon - Im not kidding.

It belonged to a 29 year old man who died in 1982 from a condition known as Hirchsprungs

disease.

It made him very constipated - sometimes he would go weeks without any bowel movements.

He died on the toilet from extreme constipation and scientists preserved his colon which contained

more than 40 pounds of feces at the time of his death.

His colon was the filled with straw and put on display where it was measured to be over

9ft long.

Next up at number 3 we have Rasputins Penis.

Im not even sure if were allowed to show you this one - that will be up to the editor but

you may be now looking at the blurry image of Grigori Rasputins penis.

He was a famous Russian mystic and adviser to Tsar Nicholas II.

He was murdered in 1916 and supposedly castrated.

There were rumours of his penis being lost and found for a while - some have claimed

that this latest claim is a sea cucumber or a horse penis.

The Russian museum where it is housed keeps it behind a special red curtain and you have

to hit a little button to pull the curtains back.

Its all very strange.

Next up at number 2 we have Jeremy Benthams Head.

When this English philosopher died in 1832 - he left a request in his will - that his

body be preserved like this.

Well, not his whole body.

His skeleton is there underneath the clothes and is filled out with straw but his head

was mummified using an ancient technique from native New Zealanders.

The problem was, it didnt go so well.

His head looked terrifying and not very well preserved at all.

So, they replaced the head with a wax replica and kept the real one nearby.

For a while it was kept right in front on the ground like this.

Somehow this makes it at least twice as creepy.

And finally at number 1 we have the Murderers Head.

This is the preserved head of Diogo Alves - a Portugese serial killer and the last man

to be hanged in the country.

He was finally caught after he and his gang murdered over 70 poor people.

After the hanging, some local scientists asked for his head so that they could study it.

They believed that studying the shapes of people skulls could lead to you to understand

how their brain worked - and they wanted to understand this serial killer.

Modern science rejects this idea but still, Diogos head was handed down through the years

and is still perfectly preserved to this day.

Well guys, those were some creepy body parts that probably shouldnt be kicking around to

this day - what do you think?

Gross?

Interesting?

Both?

Let me know - Im Danny Burke, thanks as always for watching guys and Ill see you all in the

next video.

For more infomation >> Top 10 Scary Preserved Body Parts - Duration: 6:41.

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Chatty Sketchbook Tour · Learning To Love My 'Mistakes' - Duration: 13:04.

Hey guys welcome back to my channel! Today I wanted to share with you my

completed and Mossery sketchbook. According to my 'first impressions' video, I started

this sketchbook in June 2017, it was sent to me by Mossery

[Background Noises]

And it's not my favourite completed sketchbook so far in terms of what's in it but I like it for

what it was in terms of me figuring out along the way how I wanted to be using a

sketchbook and just trying different things out. So you'll see what I mean once I

get into it. And obviously the front is monogrammed with my name and I'll have a

link below to where you can buy these for yourselves. This sketchbook is a

little bit of everything I want a sketchbook to be for me. If you saw my

first impressions video, I was really excited about these pages right at the

beginning where they have space where you can write your goals and purposes

and just brainstorm ideas. I was really excited to use these and I didn't and I

wish I had but I think my expectations for this sketchbook turned out to be

quite different to what I ended up with. It ended up being a kind of hold-all for

things like the souvenirs, memories, rough sketches, ideas. So to start with it's

just these drawings of all the different things I packed when I went to a music

festival back in July of last year; the clothes I wore and just the things

that were in my rucksack I would carry around with me in the day. This is

from the same trip, this was our campsite. I actually have a vlog on this if you

are interested in watching that. Just a few patterns and things I saw. I did this

in gouache. And then just like different faces, still from the festival,

different performers. And this is where I just stuck in the little train

ticket from the miniature railway. This was my first time trying my more kind of

minimal painting style on faces and didn't turn out great but it was a good

start and you'll see pretty soon where I ended up with that. This was just the

festival wristband as well. This sketchbook doesn't have the flow that I'd normally

like for a sketchbook, I don't normally use a wire-bound sketchbook. Other than that

it worked out really well; the paper's great for everything that I used it for;

ink and gouache and watercolors and pencils but I don't know if I would go

back to using a wire-bound sketchbook. It just doesn't translate well with my art.

I like to have things flowing across the page and you'll see with this one, things

feel a lot more stiff and stunted in here. Here I was just looking at- I like

the really gormless faces in Renaissance paintings so I just wanted to draw a

couple of those and I might come back to this idea. This is what I was

talking about with that painting style. Now this one turned out pretty badly, I

think I picked the wrong colours for this but with this one, I overworked it a bit

so it doesn't look as good as it did when I first started with it but I got

more of a sense of just laying down paint in a few blocks at a time, looking

more abstractly at the plains of the face and the different colours that you

can find in there. So even though it's kind of muddy and a bit of a mess and

it's not finished, this was kind of a turning point for me from those last

ones. I've got to know that technique a little bit more and also in terms of

developing my art and like developing myself as an artist in this sketchbook, my

attitude and approach to this one that didn't turn out great was a lot

different because I was more just in this to enjoy the process of painting and it

was like I asked my sketchbook a question like 'if I put this colour and

this colour together in this way, what's going to happen ?' and this is the answer.

So I'm not I'm not mad at this. I don't hate it.

And I can look at that with an appreciation that I normally wouldn't

just in terms of what I learned through painting this. Also my sketchbooks aren't

in order so this is actually the last page that I did in

here. Then we're going back to July here . So

this was the Lambeth country show. You can see this in the same vlog that I

would have put in the cards earlier. Drew some sheep, I really like this one.

And for these I used coloured pencils and I think probably

watercolors over here and then my Zig clean color real brush pen over here.

Then over here I had just seen War for the Planet of the Apes so I decided to draw

that and then in this pocket- this page is like a collection of different times,

different memories- so I just made a pocket here for... train ticket to Ifield,

this was sent by one of you guys. This is Ozzy's graduation ticket and then also

the flyer for one of my sister's roller derby games that I went to. And just here

I wrote a quick summary of all those things and what they are and what they

mean. These are the houses that you've seen me draw when I was working on building

commissions and this was another more recent page, another shift in my approach

to sketchbooking, where I got an idea and I just went with it. I didn't look at

pictures, I didn't think about it too much, I just thought 'I want to draw some

eyeballs' and I did. And you can see from the start- so I started on this one and

kind of worked my way around- and I think by the end I had more of an idea of what

style I wanted. I used a gouache for these two as well watercolour for most of them

but along the way I realized the kind of style that I wanted it to be in and I

think you can see a real difference from this one to this one. But I really

enjoyed this and I kind of feel like these would make great stickers or

something. This is one of my journal pages in here. Again I have a

video on that so if you want to see it in more detail you can check that out.

Over here another random idea that I just decided to do while it was fresh in

my brain. These are some paint swatches. I've got

some different wall paint colors that I want to try out in my room and I thought

I would swatch them in here first just to see what they're looking like. I

thought they were went really nicely together. Okay so here we're going back

in time again, this was- I don't know why I did this but I wanted to test out the

like one stroke painting style of flowers that you see a lot in Asian art

so these were some peonies I did and just a few different trials... you know, how

wet it would be on the page and then I had a few random drawings and other

sketchbooks or like scrap pieces of paper of peonies that I'd drawn-

a tattoo design practice, so I stuck those in as well. And then as it goes

along you can see little pig faces creeping in because again it was just a

random idea and I thought 'what would it look like if there was a little pig face in

there' so I painted those. And I wanted to develop that into proper painting and I

was looking at how I could fit that in, different colour ideas, also tried

casein for the first time here. But then if you remember around that time I think

I might have it in a vlog as well, I kind of chickened out of the pig idea- I thought

it was a bit weird- and I just went with straight peonies which turned out to be

a really nice idea. I really like this and these are just a couple of miss-prints

from my shop that I stuck in to keep as a memory of that progression

from the idea to what it turned into.

This this is just a random page of sketches that ended up turning into a

painting. These I have a video on as well. My minimal landscapes. And this is more

of a journal page again where I went to see Lady Day at the theater and just

tried to capture some of the atmosphere from that night which was an amazing

amazing show. So here I'm going back to the Pig idea and I just really roughly

sketched out a few ideas for different poses for the pigs and this is where

you'll see how I ended up with my pomegranate pig. So it started out as a

little sketch over here that I turned into a more detailed sketch, then I

tested out colours for the painting, just a few

different combinations, taking notes here and there, just keeping a record

of how I was thinking at that time what I was feeling and what

decisions I was making. I tried drawing a few flowers and then, the real turning

point for me with that was painting this pomegranate. I loved how

this turned out, I loved the style of it so I thought I want to take that forward

into the finished painting. I wasn't sure if it was the colours that I liked so I

just kept a little record there of the different colors that I'd use and then I

tried painting flowers in that way. These are the flowers of the pomegranate plant.

They're gorgeous and I wanted to try different ways of getting just a pop of

color and vibrancy through them and still have my line work coming through.

So these were just a few different bits of trial and error with paint

consistency, pencil, I used pastel for some of them, and also different colours that I

might want to use and then I ended up on just some scrap paper again drawing out

all the line work together and the final colours I decided on. This was my test of

painting out the colours all together and from that I realised that I didn't want

to have the pig red, I wanted it to be pink just a little to stand out more

so this down here is just another little misprint that I stuck in to see how the

plans turned into the finished piece. And then on the next page is how it actually

turned out looking and just a few notes that I'd made along the way that I again

cut out of some scrap paper and stuck in. And then this- really random- is from when

I was doing my paint pouring; a couple of people were saying it was a waste to

have so much pouring into the bottom but the thing is that when you have it

pouring into plastic you can actually peel that off and use it for different

things. I've seen people make like jewellery out of it. I just thought it'd be

nice to cut it out and stick it into my sketchbook. And this is one of those

really rough pages. This was during inktober and I've just used this

sketchbook basically of scrap paper to map out different ideas. So this was the

lagoon creature page; I wanted to test some of the tonal values and see if I

could make it all fit together well without everything getting lost in there

and I just wanted to also see about mixing blue and black ink and how well

that would work. And then this was the dragon house and

it turned out a lot better on this texture paper than it did in my inktober

sketchbook. You can see a lot more of the scale texture of the dragon than I got

in the final piece. But this was just my first time trying this technique so I

wanted somewhere to quickly see how that would turn out. Over here, another rough

page. I just wanted to look at some figure studies. This was one of those

days where I really just needed to draw something and this was an easy thing to

go to. This day I was drawing chickens and that turned into this drawing which

turned into this painting. I made 18 prints of this for my patrons, I had 17

go out and then this one I kept for myself. And then this this was another

random idea; just a painting for the sake of doing something kind of thing. So I

just drew a little fireplace and then painted it all from imagination. I quite

like how that turned out so I might do more things like that. And then we're at

the end- which was actually the first page that I did in here- which is when I

was testing out a few different media to see how this sketchbook took to them and

I have a video of the process of this and how I found the paper held up which

I'll have linked somewhere on screen and down below. And then right at the back

it's actually where I keep all the letters that I get from you guys like

throughout the course of having a sketchbook because I love going back

through old sketchbooks and I also love getting letters from you guys and it's

nice to have it all in one place. Each sketchbook represents a

chapter of my life and it's nice to have a little record of all the things I get

from you guys in there.

And for some reason, I really like to keep the envelopes as well. And then this

one is actually from Autumn who made my next sketchbook so I'll have a link to

her below. You'll probably have seen that sketchbook by now, I should be using it

by now. And yeah that is it for this video, thank you so much for watching, I

hope you enjoyed it. I know it's been a quick one. As I said, it's not

my favorite sketchbook but a lot of ideas came from this and a lot of

development came from this and I'm looking forward to sharing my next one with

you because it's going so well so far. I feel like I am finally on track to

mastering the keeping of a sketchbook. So thank you for watching, I will see you

soon for the next video! bye!

For more infomation >> Chatty Sketchbook Tour · Learning To Love My 'Mistakes' - Duration: 13:04.

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The Black Eyed Prince! Episode 128 Animation Breakdown - Dragon Ball Super - Duration: 9:40.

Hoooooo boy, welcome back to another animation breakdown.

I don't even really know how to start a video like this – these are never fun to

do, so I guess I'll say that if you really enjoyed this episode and you don't want

to listen to someone who didn't like it, then here's your free warning.

If you're someone who loves to post "shut up and enjoy things" or "you're overreacting"

when you hear opinions that don't match your own… well maybe consider growing up,

but also, again, a warning to close the video now.

This was such a missed opportunity of an episode, and I wanna approach this video a little more

generally to really get my opinions across.

There wasn't much animation to cover anyway, so hopefully you'll forgive me this one

time.

I think this'll do a good job of explaining how the different components of an episode

come together and affect or don't affect one another, so it's still pretty much production

related.

Anyway, let's dive in: This episode was Vegeta's final stand, and

the script comes to us from Toshio Yoshitaka, who's one of Super's strongest writers,

and I think his script here definitely still reflects that.

We've got stamina consistency actually acknowledged for once, we've got a little more personality

coming out of Jiren, we've got the return of Ultra Instinct, and Vegeta feels much more

like his post-Boo arc self, which is something writers often fail to bring to light in Super.

The fact is, though, we've seen most of this stuff multiple times throughout this

tournament now.

Goku's transformed plenty since Ultra Instinct debuted, and Vegeta's had enough emotional

flashbacks and speeches to last a life time.

At least on paper, any of the cool stuff here is undermined by the fact that it's not

new, and its impact is diminished the more times you repeat this stuff.

When this type of thing happens, you have to fall back on other ways to make these scenes

have any sort of emotional weight, and that's where direction and storyboard factors in.

Both of these aspects done well can make a repeated moment feel special.

For example, the Future Trunks arc had the issue of repeating Future Trunks' rage transformation

multiple times.

In its debut in episode 61, it was really well directed by Takao Iwai, with interesting

framing from Ken Otsuka's board.

When it happened again in episode 65, the overall meaning in the greater context of

the story was lost, but with Ryota Nakamura's incredible board and direction, it was still

a cool moment and had emotional weight and impact.

I specifically point to these examples because it's proof enough that simply repeating

points isn't necessarily bad on its own, and I'd hate for you guys to think that's

what I'm saying here.

The direction and storyboarding in this episode is really, really bad, and it's the number

1 reason for this episode being as poor as it is as a complete product.

And I say compete product, because the artwork and animation is perfectly polished, and I'll

get to that later on, but everything needs to be of a certain level to have things outweigh

or make up for shortcomings of weaker aspects, and I don't think that really happens here.

The episode's directed by Masanori Sato who's not a great director.

His work on the series, with few exceptions, has been pretty weak, and this one unfortunately

follows in the same vein.

Every narrative beat rings totally hollow, there's no sense of atmosphere or struggle

despite the events on screen.

It feels like everything's going through the motions with no real attempt at creating

the drama the script requires.

It's pretty all over the place tonally, and I think Sato's choice of music plays

a big part of that – it swaps between all kinds of different pieces from Sumitomo's

back catalogue, and none of it really flows together properly.

The biggest example of that is probably the transition from the Chozetsu Dynamic piano

rendition into the Ultra Instinct track.

I can totally see the intent there, but the execution is incredibly awkward.

The biggest issue in this episode is its storyboard, though.

Tadayoshi Yamamuro returns once again after his work on the second half of 126.

I'm sure you'll remember that I really enjoyed his board there, and was saying that

it was such a step up from his terrible work on the Resurrection F movie.

It was actually filled with interesting angles and a great sense of scale, and I so wish

he could have continued that upwards trend, but unfortunately, we're all the way back

down to Resurrection 'F' tier here, with one of the flattest and most uninspired boards

of this arc.

It is filled to the brim with flat shot after flat shot after flat shot, all framed with

the same basic film-school rule of thirds composition that plagued Resurrection F. The

poses are super uninspired too, with characters standing with their fist up over and over

again, which is one of those generic poses Yamamuro's used time and time again for

home release covers.

All of the pans that have the potential to be great are just so bland too, and of course,

there's no sense of scale whatsoever – it's flat as a pancake.

The arena's no different to last week yet it feels a thousand times smaller.

It really is just Resurrection F all over again.

Yamamuro's great understanding of martial arts choreography is on full display here,

and much like with the movie, I really appreciate that, but it's wasted on yet more bland

compositions, and of course, the fact that it's exceptionally slow paced.

I just don't understand how he's managed to regress so much after such a strong showing

in the last episode – it's like he used up all of his creative ideas last episode,

and now we're left with the most stock-looking shots he could think of.

I'm seriously disappointed – I honestly thought he might be improving in this area.

The fact that it happened during such a climactic episode only makes it hurt so much more.

On a positive note, in spite of the bland composition, the actual animation quality

was very well polished, and I'm sure for many of you, that'll be more than enough.

This first half is supervised by Osamu Ishikawa, and I think this is probably his strongest

episode on Super to date.

Yukihiro Kitano was the top-credited key animator here, and yet you can barely see his poor

art here thanks to Ishikawa.

It's exceptionally well-drawn, and considering how Ishikawa typically struggles to draw Vegeta,

his output here is even more impressive.

Kitano's animation under those corrections was actually pretty decent too, displaying

some competent movement that conveyed Vegeta's struggle quite nicely.

In the second half, Yuji Hakamada takes over supervising, and although his work is once

again mostly corrected by Miyako Tsuji, we do actually get to see his style clearly in

a few shots, and it's actually not too far away from his output on GT.

The highlight of this half, and the highlight of the episode however, come from Tu Yong-ce,

who animates Goku vs Jiren's initial fight in this half.

Like we've come to expect from Tu, there's real finesse to the movement, and it's laden

with his great looking smoke and effects.

It's really nicely done, and I wish we could have seen more lengthy action from him in

this tournament.

But that's kind of it as far as animation goes.

You can see Hiroyuki Itai for a split second in one scene, and Yamamuro appears to have

corrected some scenes once again, but the rest of the episode kinda just peters out

with still after still.

This was definitely very action light on the whole.

So that's how this episode stands: a decent script, polished if mostly static animation,

and then an absolutely dreadful storyboard and seriously lacklustre direction.

The negatives seriously outweigh the positives for me, and that's such a damn shame.

Direction and storyboarding are so, so important, and middling animation can never make up for

shortcomings in that department.

They dictate the best the animation can ever be, so if they're lacking in the first place,

everything starts to fall apart, and that's exactly what's happened here.

I know a lot of people really enjoyed this episode, and I can totally understand why

given the content.

But I think it really is Resurrection 'F' 2.0 – it's something a lot of people are

going to be wowed by initially, but once that initial spectacle wears off, the lack of lasting

value is really going to show, and it is not going to age well.

Next week should hopefully be the total opposite.

It's being directed by Masato Mitsuka who's Super's best director, and I hope you guys

notice the inevitable difference in quality between his work and what's on display this

week.

It looks like Hirotaka Nii is indeed still taking cues from Takahashi after 122, with

some fantastic looking artwork on display in the NEP.

I can also see what looks to be Yuichi Karasawa doing some animation, along with some unknown

work filled with fun looking smears.

I'm all ready to put this latest episode behind me and enjoy next, so fingers crossed

they deliver in a big way.

Once again, if you enjoyed this episode, that's awesome, and I hope you can at least understand

where I'm coming from in this video.

But either way, do let me know down below how you felt about the episode, because I'd

love to hear some different perspectives, and maybe understand the appeal a little more.

Today's intro came from AaronWGamer, and I laughed so hard when he sent me it, so make

sure you tweet at him and let him know what you thought.

As always, be sure to thumbs up the video if thought my points were presented well,

subscribe if you're new, and I will see you next time.

For more infomation >> The Black Eyed Prince! Episode 128 Animation Breakdown - Dragon Ball Super - Duration: 9:40.

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The Myth Of The Absent Black Father - Duration: 9:23.

One of the most pervasive stereotypes about black Americans is that of the absent black father.

The absent black father myth is the idea

– the stereotypical and incorrect notion – that African-American fathers have

very little contact with their children, if any contact at all.

And in black America, the reality of being fatherless is perhaps most painful.

73% of all black babies are born out of wedlock.

Experts say there's a crisis when it comes to black fathers in this country.

The news media loves asking where all the black fathers are – and that whole idea has been linked to everything

from poverty and crime to even police violence against black communities.

Why are these police shootings occurring? Well, it's because there is an absent

black father, or it's because black families are on welfare.

But this idea that black fathers aren't present in their kids' lives is actually false.

To be a parent is to have children that you love and try and support, and black fathers

experience that the same way anyone else would. Why would you even think there was a difference?

Hey guys, I'm Sana, and this Sunday on AJ+

we're going to talk about the myth of the absent black father here in the United States,

where it comes from and how that stereotype tells a much bigger story

about the black family and black communities in this country.

Just because the trope of the absent black father is so pervasive, doesn't

doesn't mean it's true. Now, yes, according to a Centers for Disease Control report,

in 2013 72% of non-Hispanic black women who gave birth were unmarried.

But being an unmarried mother doesn't automatically mean that the father isn't involved.

And in fact, that's exactly what that CDC report found.

When compared to white or Hispanic fathers, black fathers were actually more likely to be involved

in their children's lives in almost every way. They were even more likely to

have bathed, diapered or dressed their kids, eaten a meal with them, played with them,

helped them with homework and taken them to and from activities. And a lot of that

held true even when black fathers didn't live with their children.

But if we go solely off of what we see in the news media…

Where's your dad?

Don't really know.

Tell me about that.

He's just not around.

… you wouldn't really see black fathers in that way.

Communications Professor Travis Dixon studies the prevalence of stereotypes in mass media

and the impact of these stereotypes on audiences. He wrote this report,

"A Dangerous Distortion of Our Families," and in it he found that almost all news and

opinion media implicitly or explicitly encourages pretty egregious assumptions about black fathers.

Black fathers were shown spending time with their kids only

half as often as white fathers – contrary to, well, the actual facts.

We found that black mothers, white mothers, white fathers interacted with their kids about

26% of the time in these videos and photos that occurred in the news media.

Half as often, we found that happening for black fathers. Only about 14% of the

time were black fathers actually interacting with their kids on camera in photos.

Dixon also found that news commentary singled out black fathers 60%

of the time, compared to white fathers only 20% of the time.

What has it been like since your dad's been in jail? Can a father's love break through prison walls?

That media distortion is substantial. We know for a fact that African-American

fathers are just as likely to participate in the lives of their children than fathers of other races.

And this isn't, by the way, a politically partisan issue.

Both conservative news outlets like Fox News and more centrist

ones like CNN were top distorters. Specifically Hannity, The Kelly File and CNN Tonight.

Did both of you have fathers present in your lives, growing up?

So where does this toxic idea about black fathers even come from?

Well, one theory takes it back to a 1965 report titled "The Negro Family: The Case for National Action."

The report became one of the most contentious political documents in 20th century America.

Democrat and Assistant Secretary of Labor Daniel Patrick Moynihan put the report together

to make the argument for how the Lyndon B. Johnson administration had to do more for racial equality

than simply pass the Voting Rights Act. Moynihan argued that to really fight

racial inequality, the government had to understand the state of black communities

and why they were the way they were. But Moynihan ended up focusing on one thing: the black family.

According to him, the fundamental reason for growing economic inequality between white and black

Americans was a "crumbling family structure" in black communities. And at the foundation of the

so-called "crumbling black family structure" was the absent black father.

Moynihan looked at nonmarital birth rates and rates of fathers living

separately from their children, and made a whole bunch of assumptions about

parents' relationship statuses and parental involvement. The report didn't

take into account factors like the legacy of slavery, generational wealth or even economic migration,

in which men left their homes so that they could provide for their families.

We spoke to Carvell Wallace, a writer and a podcaster,

about the way black families have been discussed in the mainstream.

Reading some of the literature of that time, I was like shocked at how overtly racist liberal literature was,

in terms of trying to diagnose the ills of the black community and trying to explain

why these uprisings were happening.

And everyone was blaming it on the fathers and drugs and families and welfare

and mothers and everything. It was a lot more convenient for the story

to be told that black people weren't holding up their end of the bargain,

rather than acknowledging that America wasn't holding up its end of the bargain.

The Moynihan report ultimately created three camps: the liberal camp, which saw

the report as a foundation for policy change; the conservative camp, which saw

the report as a justification for the argument that black communities were

responsible for their own issues; and then the left-wing camp that saw the

report as blaming the victim, ignoring structural racism and reinforcing racism.

So what happens when people are exposed to these stereotypes about black families?

Aside from the reinforcement of the idea that black communities have no one to blame but themselves,

there's the everyday, real-life impact these stereotypes have through policies

and support for those policies. First, there's an almost total, willful

ignorance about the impact of slavery and modern-day incarceration on black American families.

Foundationally, slavery ripped apart black families, and mass incarceration

has put 1 in 12 black men between the ages of 25 and 54 in prison

– versus 1 in 60 for non-black groups. Then there's how these

characterizations of black American families have an impact on policies that affect all Americans.

Take poverty for instance. During the Great Depression era,

the face of poverty was a white man who was down on his luck, or a white family

fallen victim to circumstances outside their control. And the country felt

a duty to end poverty, namely with President Franklin D. Roosevelt's New Deal.

Then, decades later, Dr. Martin Luther King Jr. began to shed light on the

reality of poor black American families living in cities, and the reporters who

followed him began to report on these issues.

We are tired of living in run-down, dilapidated, rat-infested shacks and slums.

And as a result of that, over time, all of the imagery began to focus on these

black families, and it began to actually have a pernicious impact. It began to

have us think of poverty and black families as tied to this issue of black

laziness. And that's where we largely find ourselves today.

According to Pew, more than half of Republicans believe that a lack of effort is to blame

for poverty, instead of circumstances beyond one's control. As the conversation on

poverty and race shifted, so did the support for welfare.

People began to think that we needed to curb welfare benefits, increase work requirements,

because the real problem is that black people are on welfare and they just want to be lazy.

When we think about policy, what's good for families,

we tend to think about them in these racialized terms, and when we do that, we tend to have a distorted view of what needs to happen.

we tend to have a distorted view of what needs to happen.

So what's the solution? Well, here's what Dixon and Wallace had to say.

The main way that the media perpetuates stereotypes and racist tropes is accidentally.

I think the people who are in the decision-making rooms and the content-making rooms are

carrying these biases with them, without knowing they're carrying these biases with them,

because there's no one around to challenge them.

So I think that, ultimately, greater diversity at all levels of decision-making in the media

and content-making process is probably our best chance at dealing with this.

As an African-American father myself, as a father of twin sons, I take pride in

that role and I know many many other black fathers who take pride in being

involved with their kids, regardless of the marital situation with the mother.

So I really would like the media to show some of those stories as well.

Ultimately, I'm raising my kids to be a part of the solution, rather than a part of the

problem. You know, that's really all I can do.

So we focused on the way the news

media talks about black families and black fathers, but there's no shortage of

the same representation in entertainment. Take, for example, one of our favorite

scenes of all time from the Fresh Prince of Bel-Air. You know exactly which one

I'm talking about. So let us know in the comments below what you guys think, where

else you've encountered this trope – and tune in next week when we come at you

with another great video.

For more infomation >> The Myth Of The Absent Black Father - Duration: 9:23.

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A DAY IN THE LIFE 2 - DENNIS WOLF: NUTRITION - Duration: 4:26.

For more infomation >> A DAY IN THE LIFE 2 - DENNIS WOLF: NUTRITION - Duration: 4:26.

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Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*Achteruitrijcam.*PDC v+a* - Duration: 0:54.

For more infomation >> Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*Achteruitrijcam.*PDC v+a* - Duration: 0:54.

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Surveillance video shows Florida gunman after shooting - Duration: 2:34.

For more infomation >> Surveillance video shows Florida gunman after shooting - Duration: 2:34.

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BREAKING: House Just Secretly Passed HUGE Bill Overnight After FL Shooting - Duration: 4:26.

BREAKING: House Just Secretly Passed HUGE Bill Overnight After FL Shooting.

Last week, tragedy struck our country again when a lone gunman opened fire on a South

Florida high school killing 17 and injuring 20 others.

These senseless deaths have stunned the nation as we all attempt to understand what could

have caused this horrendous act of violence, and if anything could have been done to prevent

it.

Of course, with those questions, the left has pounced on the opportunity to push for

more gun control looking for ways to infringe on our second amendment rights to protect

ourselves and loved ones from harm.

Well, one state in the country is not about to let that happen to its residents by passing

a bill that would empower them, and the left is already screaming foul.

After a string of gun violence in the last several months, the left has been doing all

that they can to further their gun control agenda.

Playing on emotions of weary Americans these gun-grabbing liberals are claiming that the

only way to protect the population is by further control, but not everyone is buying it.

In response to the tragic Texas church shooting last year, and one day after the Florida school

shooting, Alabama state representatives passed a bill to expand their "Stand Your Ground"

law.

According to lawmakers in this Republican state, the bill seeks to empower church-goers

to defend their lives in their particular place of worship, and in all honesty, it is

about time.

The revised bill is pretty straight-forward stating that a person is "presumed justified

in the use of force if they reasonably believe someone is about to seriously harm a church

member."

Meaning that this bill would specifically protect church members defending their religious

communities from those trying to do them harm.

And, after the recent shooting in Texas, it makes perfect sense for state lawmakers to

look for ways to better protect their citizens.

Here is more from Breitbart:

The Alabama House of Representatives voted 40, 16 to expand "Stand Your Ground" the

day after the Florida school shooting occurred.

The vote was to broaden the statute to allow the defense of life in churches.

It was presented as part of an overarching goal of removing weak spots in current law

so that citizens can defend themselves when an attacker strikes.

The Seattle Times quoted state Rep. Lynn Greer (R-Rogersville), saying, "You got nuts everywhere

just like you had in the high school in Florida yesterday.

Occasionally, they show up in a church."

Democrats opposed the vote to expand Stand Your Ground, with Rep. Chris England (D-Tuscaloosa)

describing the pro-self-defense push as "pandering."

He indicated that Alabama "already has a self-defense law" and said broadening it

"doesn't accomplish anything."

Rep. Laura Hall (D-Huntsville) said the expanded law would just encourage people to "shoot

first and ask questions later."

Nevertheless, Rep. Greer seized on small rural churches, pointing out that such congregations

are on their own should an attacker strike.

He explained that larger churches "can afford to hire professional security teams and off-duty

police officers," but smaller churches cannot.

The church that was attacked in Texas on November 5, 2017, was a rural church with no armed

security.

The attacker was able to kill 26 people before a neighbor of the church, Stephen Willeford,

ran barefoot to the scene and shot the attacker with an AR-15.

After the recent shooting in Florida, this is a BOLD move by the state of Alabama considering

how divided the country is at this time, but maybe that is precisely why it was done.

The lines in the sand have been drawn, and people are sick and tired of leftists attempting

to infringe on law-abiding gun citizens rights to protect themselves.

After years of calling conservatives and Christians every vile name in the book, they want to

take away our means to protect ourselves which gives the "bad guys" the upper hand.

See, as we all know a criminal will find a way to get their hands on a weapon no matter

how hard you ban them only making the rest of us vulnerable to harm.

Well, not anymore as these brave lawmakers stated in this revised bill and hopefully,

other states will follow suit.

It is a proven fact that the only way to stop a bad guy with a gun is a good guy with a

gun and it's time for lawmakers across the country to wise up that truth.

What do you think about this?

Please share this news and scroll down to Comment below and don't forget to subscribe

Top Stories Today.

For more infomation >> BREAKING: House Just Secretly Passed HUGE Bill Overnight After FL Shooting - Duration: 4:26.

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A Wagon-Wheel Coffee Table [SFM] - Duration: 0:41.

For more infomation >> A Wagon-Wheel Coffee Table [SFM] - Duration: 0:41.

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Stelter: Trump sounds unhinged in tweetstorm - Duration: 12:06.

For more infomation >> Stelter: Trump sounds unhinged in tweetstorm - Duration: 12:06.

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Black Panther Box Office Opening Weekend - Duration: 13:49.

Hello and welcome to this week's Movie Math

where it seems that Storm

isn't the only one

who can make it rain!

For more infomation >> Black Panther Box Office Opening Weekend - Duration: 13:49.

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SHROUD CS:GO CHEATER! (Funny Moments) - Duration: 10:08.

But she'd still work, they still work to hug they still work

Raw dogness yes right now

It's crazy how good counter-strike feels after see if these are you alright?

What if we're not on the same team are you gonna freak out?

Thank God he's on our team

Did you hear or were you not hearing what are you saying? I heard? He's just trying to chill

What are you doing what's wrong with people to counter-strike?

Let's see what you got shroud suits you rocking nowadays

Damn, we're gonna drive and no norm what nothing just a cold

dry turkey right now double turkey of dragon cold

Counter-strike feels weird haven't played in like three days

Okay

Yeah go get him

He's typing I said play enter winter pitch

Swisher Mac pants come by the wheel it's me don't hate okay. I was long

Jesus Christ okay that guy got laid out

Let she'd still work

My god

I see you they still work to hug. They still work

a fun you know how to do the short Molly so we can't have a

It is Sir - wait, I think for the 102

Yeah any special

Mr.. Average na Joe player yeah

Average Joe

Yeah you open blue

Nice I was very confusing salad in this game is so different

Hey my legs, but Jesus Christ dude, I don't think they were just run up after that I was like I'm gonna flash

You know man whatever you're supposed to be encouraging as

I fucking suck is it out right now

Whereas

What

Seems fucking broken why people still play this game oh

That was weird looks like a head shot wasn't that job

Game servers are now live as of four minutes ago

Updates should be cute on Steam servers up until 3 a.m.

Tuesday

Here are the patch notes for violence of 9:00. That's so weird one weekend, and they already have patch notes

Let's the user interface to remove kill feed from pre-match guns. Hey they did it

That's good

Shot of me before I could see his head

Was lasting plates yes like

rang cast

Probably a month ago. Thank you. Maybe a little lesson not three weeks. How'd it go the rank. It's like okay?

Yeah, I mean I was making plays, but I still negative you know just barely just apparently I could stay neutral very much

It's much easier to honestly I when I played pugs

I went 5 to 20 when I was playing before I got 3 weeks ago

And then I went like 20 and 20 when I serve playing right guys rank s is so much easier

Do that guy blew out

So far

Rank s is so much easier than

Its it's easier in the sense of like

You have good teammates make a good play yeah, that's with each other. You know saying it match me

He's just kinda like a douche running around you get out ain't one time you die. Yeah campus too many times

Yeah, when you're not and when you're not playing like is that a mule or?

Miami like I said you have enough for four days. I'm sorry. I'm just like I got a lot of ops Kobe

Panthers bathroom fight

Nice job, yeah

Fuck I got caught nice one pillar

2 - nuketown ocean water summit combine about

Leave my penis corn in there ID left. Oh he doesn't know he doesn't know I'll get him yes

Perfect line up dude I worked out

Gotta get this right applause

Jeanne yes, please said

Good job, so we're bro. Oh, yeah, fuck. Yeah, fuck you ranking us real good

For more infomation >> SHROUD CS:GO CHEATER! (Funny Moments) - Duration: 10:08.

-------------------------------------------

NASA: We're Entering Waterworld - Duration: 8:48.

SOMETIMES NEWS SLIPS BENEATH THE RADAR OF MOST PEOPLE AND

MOST OUTLETS, EVEN THOUGH AT TIMES IT CAN BE, IN A VERY REAL

SENSE, LITERALLY THE MOST IMPORTANT STORY IMAGINABLE.

AND

WE'VE GOT ONE FOR YOU TODAY THAT HAS TO DO WITH THE FUTURE OF OUR

CIVILIZATION, AND IT'S NOT PARTICULARLY SEXY BUT IT HAS TO

DO WITH WHETHER OR NOT WE CAN EXIST AS A SPECIES.

THIS HAS TO

DO WITH AN ANALYSIS OF SATELLITE DATA FROM NASA AND EUROPEAN

SATELLITES CONDUCTED WITH DATA FROM THE PAST 25 YEARS THAT

SHOWS THAT YES, THE SEAS ARE RISING, AND MORE IMPORTANTLY

THEY ARE RISING FASTER AND FASTER EVERY YEAR.

AND NOW WE'RE

SEEING -- WELL, I'LL GIVE YOU MORE NUMBERS IN

A SECOND, BUT --

THAT MIGHT SEEM SMALL ON A YEARLY BASIS BUT THE THING ABOUT

YEARS IS THEY KEEP ON COMING, AND THE THING ABOUT THE OCEAN IS

THAT IT'S REALLY BIG.

SO IT TAKES A LOT TO RAISE INCHES, AND

OVER ENOUGH DECADES THAT WILL GET WORSE, BUT HERE'S THE MORE

IMPORTANT INFORMATION --

WHICH, AGAIN, ON A YEARLY BASIS IS A SMALL THING, BUT JUST

LIKE WITH COMPOUND INTEREST IT ADDS UP OVER TIME IN A BIG WAY

TWO FEET, IF YOU LIVE IN MIAMI, IF YOU LIVE IN

BANGLADESH, IF YOU LIVE IN THE PHILIPPINES -- SO MANY AREAS

WHERE LITERALLY BILLIONS LIVE, 2 FEET IS THE DIFFERENCE BETWEEN

LIVING AND SWIMMING.

AND HUMANS ARE BETTER AT ONE THEN THE

OTHER, I DON'T WANT US TO HAVE TO CHOOSE.

WE HAVE SOME MORE

DATA BUT WHAT DO YOU THINK OF THESE INITIAL RESULTS?

FIRST OF ALL IF YOU LIVE IN MIAMI, YOU WON'T. WHEN THE

OCEANS RISE 2 FEET MIAMI IS GONE.

IT SOUNDS LIKE HYPERBOLE,

LIKE DON'T BE RIDICULOUS -- LOOK, WE'RE TALKING ABOUT THAT'S

BY 2100.

THAT'S 82 YEARS FROM NOW. AND IT DOESN'T HAPPEN JUST

AT ONCE, IF YOU ARE THING THAT'S OKAY I WON'T BE AROUND, IT KEEPS

RISING THROUGHOUT THE YEAR, IT DOESN'T GO FROM ZERO TO TWO

FEET, IT WILL GET TO 1 FEET BEFORE 2 FEET AND BY THAT TIME

MIAMI IS PROBABLY GONE.

AND CITIES LIKE MIAMI AND EVEN LOS

ANGELES HERE, WE HAVEN'T BEEN AROUND THAT LONG.

I THINK I SAW

A SHIRT THAT MIAMI BEACH HAS BEEN AROUND ONLY SINCE 1915 --

THESE ARE ALL ROUGH OF COURSE, THAT MIGHT BE WHEN IT GOT

INCORPORATED, IT'S ONLY ABOUT 100 YEARS.

AND 100 YEARS FROM

NOW IT WON'T EXIST.

LET ME GIVE YOU THE CONTEXT FOR WHAT THE

SCIENTISTS DID HERE.

THEY ARE LIKE, LOOK, WE WANT TO MAKE SURE

WE HAVE THIS RIGHT SO THEY DID COASTAL MEASUREMENTS, THEY ARE

OBVIOUSLY WORRIED ABOUT TIDES, THEY CAN ACCOUNT FOR THAT, SO

THEY GO TO SATELLITE IMAGERY TO DOUBLE CHECK, SATELLITE IMAGERY

EXISTS SINCE 1993, BUT THE PROBLEM WAS IN 1991 THERE WAS AN

ERUPTION THAT CAUSED SEA LEVELS TO RISE AND THEY SAID WE WANT TO

TAKE THAT OUT BECAUSE WE DON'T WANT THAT TO SEEM LIKE IT'S

RELATED TO CLIMATE CHANGE, SO THEY ARE GOING MORE CONSERVATIVE

ON SEA LEVEL RISES.

AND THEY GO THROUGH THESE DIFFERENT

CALCULATIONS, AND I MENTIONED THAT FOR TWO REASONS.

ONE IS

SOME SIGNIFICANT PERCENTAGE OF AMERICANS HAVE BEEN BRAINWASHED

INTO BELIEVING ALL THESE SCIENTISTS, WHO GO THROUGH THESE

CALCULATIONS, THESE ENDLESS TECHNICAL DETAILED CALCULATIONS,

ARE ALL LYING.

ALL THE NUMBERS ARE MADE UP, THE SATELLITES

DIDN'T REALLY TAKE THOSE PICTURES, THEY DIDN'T ACTUALLY

DO THAT MATH -- ALL OF THEM WERE BOUGHT BY THE CHINESE.

FAKE NEWS.

IF YOU KNOW THE DETAILS, THE WORK THEY PUT INTO IT, THEIR

LIFE'S WORK -- IT'S AN UNBELIEVABLY STUPID THING TO

BELIEVE BUT IT'S NOT REALLY ABOUT INTELLIGENCE, IT'S ABOUT

IGNORANCE.

YOU HAVE BEEN BRAINWASHED BY THE FOX NEWSES OF

THE WORLD AND THE DONALD TRUMPS, TO BELIEVE THAT ALL THE

SCIENTISTS IN THE WORLD ARE PART OF A GLOBAL CONSPIRACY.

NO, THEY

DO MATH, THE NEW SCIENCE.

AND THE SECOND PART IS THEY SAY

THESE ARE THE MOST CONSERVATIVE ESTIMATES.

THEY ARE LIKE, WE ARE

TRYING TO MAKE IT AS CONSERVATIVE AS POSSIBLE, WE

DON'T WANT TO GET INTO HYPERBOLE, BESIDES WHICH WE ARE

SCIENTISTS, WE ARE GENERALLY SKEPTICAL AND WE DON'T WANT TO

OVERSTATE THINGS -- THE HIGH LEVEL OF HOW MUCH SEA LEVEL

COULD RISE IS 250 CENTIMETERS.

THAT'S OVER 8 FEET.

THEIR ICE

SHELVES ON THE LAND, WHEN THEY FALL INTO THE OCEAN THEY ARE

THEN IN THE OCEAN.

THAT'S A FACT, THE CHINESE DIDN'T MAKE

THAT UP. AND IT ADDS UP.

AND SLIGHTLY MORE IMPORTANT --

YOU THINK CONSERVATIVES KNOW THAT?

THEY THINK IT SNOWED,

THERE'S NO SUCH THING AS CLIMATE CHANGE.

IT'S EASY FOR CONSERVATIVES WHO AREN'T INTERESTED IN SCIENCE

TO SAY THEY ARE BOUGHT OUT, I DON'T UNDERSTAND THE NUMBERS,

IT'S SCARY -- IF YOU WANT TO SEE WHAT SOME OF THESE SCIENTISTS'

WORK IS LIKE COME IN A COUPLE OF MONTHS MY DOCUMENTARY SERIES

TRUE NORTH IS COMING OUT, THESE ARE THE PEOPLE I WAS RIDING

AROUND WITH IN A VESSEL UP IN THE ARCTIC LAST YEAR, THEY DO

WORK ON THIS SORT OF INFORMATION SO YOU WILL SEE THAT.

I KNOW

WHAT YOU ARE GOING TO SAY, JOHN, YOU WERE BOUGHT OFF TOO BY THE

CHINESE, I DON'T HAVE ANYTHING IN RESPONSE TO THAT.

SORRY.

BUT

AGAIN, THE TWO FEET THING BY 2100, THAT SOUNDS SCARY BUT I'M

PROBABLY NOT EVEN GOING TO LIVE THAT LONG -- HERE IS THE

INTERESTING THING ABOUT THE WATER.

IT'S NOT JUST THIS IS THE

OCEAN, IT CHANGES OVER TIME, SOMETIMES THERE IS BAD WEATHER

AND SOMETIMES IT GETS STORMY, SO TWO FEET AVERAGE IS READY BAD, 1

FOOT AVERAGE, WHICH WILL HAPPEN WAY EARLIER, WHEN YOU HAVE A

STORM SURGE OR HURRICANE, IS WAY WORSE THAN WHAT WE HAVE RIGHT

NOW AND IT'S NOT GOING TO TAKE LONG TO GET THERE.

TWO FEET, WE

ARE ALREADY GOING TO BE WAY AWAY FROM MIAMI AT THAT POINT BECAUSE

IT WILL HAVE BEEN DEVASTATED BY SO MANY STORMS THAT IT WON'T BE

HABITABLE EVEN BEFORE ITS PERMANENTLY UNDERWATER.

MAYBE THIS IS TOO DOOMSDAY-ISH AND SOME OF YOU MIGHT SAY I'M

GETTING CARRIED AWAY, BUT WHEN I GO TO VEGAS -- THIS IS FOR A

DIFFERENT REASON -- I LOOK AROUND THOSE UNREAL PALACES THEY

HAVE BUILT IN LAS VEGAS AND I THINK ONE DAY THERE IS SOME

CHANCE I WILL COME BACK HERE WITH MY KIDS AND IT WILL BE,

LIKE, OLD ROMAN LEFTOVERS.

RUINS.

THANK YOU, I WAS LOOKING FOR THAT WORD.

IT'S A

COMPLICATED WORD.

EVEN THOUGH I HAVE THE BEST WORDS.

I THINK WE

ARE GOING TO HAVE A DEVASTATING ECONOMIC COLLAPSE.

EVERY TIME I

GO TO MIAMI I SOAK IT IN, BECAUSE IN MY LIFETIME I CAN

NEARLY GUARANTEE YOU MIAMI WILL BE WIPED OUT.

SOME PORTIONS

MIGHT SURVIVE, SOUTH BEACH, NO CHANCE IT SURVIVES.

THESE

SCIENTISTS, THEY AREN'T MAKING THE NUMBERS UP.

WE CAN SEE WITH

OUR OWN EYES.

JUST BECAUSE CNN DOESN'T TALK ABOUT IT IN THE

WHOLE WORLD DOESN'T CONCENTRATE ON IT -- ACTUALLY THE WHOLE

WORLD DOES, JUST AMERICA DOESN'T -- JUST BECAUSE THE AMERICAN

MEDIA AND POLITICIANS ARE CORRUPT AND DON'T TALK ABOUT IT

DOESN'T MEAN IT DOESN'T EXIST.

THE OCEAN IS DEFINITELY RISING.

EVEN IF WE ACTED QUICKLY, WHICH WE ARE NOT --

WE ARE GOING IN THE OPPOSITE DIRECTION.

WE ARE, BUT EVEN IF WE FOUGHT HARD TO END CLIMATE CHANGE MIAMI

IS PROBABLY STILL DOOMED.

BUT IN THE CURRENT RATE WE ARE

GOING, THERE'S NO WAY IT SURVIVES.

For more infomation >> NASA: We're Entering Waterworld - Duration: 8:48.

-------------------------------------------

Hillary Claims There Have Been 'Over 230' School Shootings In the Last Five Years - Duration: 2:46.

Hillary Claims There Have Been 'Over 230' School Shootings In the Last Five Years – She's

Off By About 200.

Hillary Clinton tweeted out a misleading statistic in the aftermath of the deadly school shooting

this week in Florida.

Clinton tweeted a claim that there have been "over 230" school shootings since the

Sandy Hook shooting, which occurred in 2012.

The statistic comes from the gun control group Every town.

The statistic is misleading because it lumps in the discharge of all firearms in or around

a school in that time period.

The accidental discharge of legal firearms, shootings where no one was injured or present

at the school and suicides all are included in the statistic.

There have been 25 fatal school shootings since Columbine.

The Washington Post critiqued the "dubious" claim this week, along with the misleading

statistic that there have been 18 school shootings in 2018.

"Since 2013," the organization says on its website, "there have been nearly 300

school shootings in America — an average of about one a week."

But since Every town began its tracking, it has included these dubious examples — in

August 2013, a man shot on a Tennessee high school's property at 2 a.m.; in December

2014, a man shot in his car late one night and discovered the next day in a Pennsylvania

elementary school's parking lot; in August 2015, a man who climbed atop the roof of an

empty Texas school on a Sunday morning and fired sporadically; in January 2016, a manin

an Indiana high school parking lot whose gun accidentally went off in his glove box, before

any students had arrived on campus; in December 2017, two teens in Washington state who shot

up a high school just before midnight on New Year's Eve, when the building was otherwise

empty.

As per the "18 school shootings in 2018" claim, the Post says:

Just five of Every town's 18 school shootings listed for 2018 happened during school hours

and resulted in any physical injury.

Three others appeared to be intentional shootings but did not hurt anyone.

Two more involved guns — one carried by a school police officer and the other by a

licensed peace officer who ran a college club — that were unintentionally fired and, again,

led to no injuries.

At least seven of Every town's 18 shootings took place outside normal school hours.

17 people were killed in the shooting in Florida, which occurred on Valentine's Day this week.

What do you think about this?

Please share this news and scroll down to Comment below and don't forget to subscribe

Top Stories Today.

For more infomation >> Hillary Claims There Have Been 'Over 230' School Shootings In the Last Five Years - Duration: 2:46.

-------------------------------------------

Festival de Ribs Outback - 2018 - Duration: 0:31.

For more infomation >> Festival de Ribs Outback - 2018 - Duration: 0:31.

-------------------------------------------

Ford B-MAX 1.0 ECOBOOST TITANIUM Navi | Climate Control | Parkeersensoren - Duration: 0:57.

For more infomation >> Ford B-MAX 1.0 ECOBOOST TITANIUM Navi | Climate Control | Parkeersensoren - Duration: 0:57.

-------------------------------------------

Ford B-MAX 1.0 ECOBOOST TITANIUM *Demonstratieauto*Compleet* - Duration: 1:01.

For more infomation >> Ford B-MAX 1.0 ECOBOOST TITANIUM *Demonstratieauto*Compleet* - Duration: 1:01.

-------------------------------------------

Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*Achteruitrijcam.*PDC v+a* - Duration: 0:54.

For more infomation >> Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*Achteruitrijcam.*PDC v+a* - Duration: 0:54.

-------------------------------------------

Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*1e eigenaar*dealer onderhouden* - Duration: 0:54.

For more infomation >> Ford B-MAX 1.0 ECOBOOST TITANIUM *Zeer compleet*1e eigenaar*dealer onderhouden* - Duration: 0:54.