Youtube daily report Sep 30 2018

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a tale of two Germanys: Mercedes v Trabant - which one are you? - Duration: 7:52.

Hi there, Vladimir here with another video about how to learn English

This should be fun

Learning a foreign language will most likely be

the most difficult thing you will do as an adult

and by learn, I mean master reach the highest level

because there is no other level to me

Language is what makes us human

therefore you either know it or you shouldn't bother at all

And this is especially true about English, the only true global language

Learning a foreign language is a very complex endeavor

it requires a lot of time and effort

therefore one of the most important questions you need to ask yourself is:

Am I using the most effective and efficient method for learning English?

In other words:

am I wasting my time, money and effort

This video will give you a visual demonstration

of the importance of being both effective and efficient

show the damage you can inflict on yourself and others when you are being wasteful

A short history lesson

After WW2, Germany was divided into 2 unequal parts

On one hand, east hand, right hand

A democratic peoples republic of complete democracy and freedom DDR

under the friendly guidance of the democratic and socialistic and friendly Russia

or is it was known then The Soviet Union of friendly and democratic and socialist republics

the largest country in the world and the richest in natural resources

The other part of Germany, the west part, was occupied by the

imperialistic and capitalistic United States of capitalist and imperialist America

as well as its capitalist puppets Great Britain and France

Germans, both east and west, being the industrious folks that they are

resumed car production

First were the oppressed Germans in the west

Having their factory leveled off during WW2, this little-known company built this car 9 years later

considered one of the best worst in history

which comes to no surprise considering the oppressive and exploitative nature

of capitalism and American imperialism.

The happy and free east Germans follow suit and 3 years after their oppressed brothers

came up with this, this vehicle and they called it Trabant

Mind you, same Germans, same blood, same DNA, only 500 km apart

different means of production, different social and political system, different methods

As you can see both vehicles have 4 wheels, 2 doors, a steering wheel, basically the same thing

both can take you from A to B, as long as B is nearby

30 years later the oppressed west Germans went from that atrocity to this one

The democratic and free east German brothers and sisters made a giant leap forward

and went from that to this

As you can see again no major differences

both vehicles have 4 wheels, windshield wipers a steering wheel, basically the same thing

However, as we all know, appearances can be deceiving

there is so much more than meets the eye

One small difference was that the Trabant was made from cotton,

Let me repeat that, the Trabant was made from cotton

and not just any cotton but from recycled cotton waste

and not just any waste but recycled cotton waste from the Soviet Union

the richest country in the world in terms of natural resources

Cotton waste and paper

The happy and highly trained east German proletariat

used a cotton cutting technique knows as: I couldn't care less about my fingers

Extremely efficient as you can see

On the other hand, the poor and unfree west Germans were using

a production method knows as: where the hell is everybody?

West Germans were so lazy they were using robots to build their cars

By contrast, east German Trabant was handmade

and the most important tool the effective east Germans used was the Hammer

The hammer was such an important tool

so important it was even added to their national emblem

A popular slogan from that era went something like:

There is nothing you cannot fix with a hammer and a bit of wire

Mind you, both videos are taken at roughly the same time, the late 80s

Same Germans, same language, same blood

Different political and economic systems, different methods of production

light years apart

One group of people producing crap, used to produce crap

The other group of people still producing one of the most sought-after cars in the world

enough of that

the moment of truth

you need to ask yourself the following question:

Is your English a Trabant or a Mercedes?

Is your English smooth and pleasant to the ear

or broken and off-putting

and if so, why?

why is your English broken?

Is it because you are using the wrong method?

is it because you are wasting your time?

The way I see it, 99% of you are doing this

hammer people

you are at a crossroads

you can either keep wasting your time watching English learning videos on YouTube

or start reading

And I suggest you start with my book Virtually Native

which will make your study process both more Effective and more Efficient

The fight is for the 1%

My book is available on Amazon and virtuallynative.com

For more infomation >> a tale of two Germanys: Mercedes v Trabant - which one are you? - Duration: 7:52.

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Carving on a 3D Surface – Part 4 – V-Carving for the Absolute Beginner - Duration: 35:44.

Hey y'all.

Welcome to Part 4 of my mini-series on v-carving for the absolute beginner.

Before we get started, let me remind everyone that I am neither sponsored...

...nor endorsed by Vectric Ltd., nor any other company.

I'm doing this video series to help the person who has never done anything like this before...

...get into their CAD/CAM software...

...and successfully create and finish a project within the CAD/CAM software.

Also, for the Vectric users...

...I'll remind you that I'm using VCarve Pro version 9.509...

...but everything I'm going to show you works exactly the same way in VCarve Desktop, VCarve Pro, and Aspire.

As I alluded to in Part 3 of this series...

...we're going to get into a little bit more of an advanced project this time.

This is the project we're going to create.

It's a 3D clip art file from the Vectric clipart library...

...and we're going to v-carve a name into it to personalize it.

Now it's a fairly simple project that looks a lot more complicated than it actually is.

We're going to apply the v-carved text to conform to the contours of that 3D model...

...and that seems to be a major sticking point in this type of a project, for some people.

So, to get started, let's go into a new session of VCarve, and we'll create a new file.

Now since I'm not exactly sure what size I want to make this project...

...we'll make a piece that's a little bit oversize, and we'll size it from there.

So, starting at the top, this is a single-sided job.

I'm going to make a piece of material that's 12 inches wide in X...

...12 inches high in Y...

...with a thickness of 3/4 of an inch, nominal.

I'm using inches for my unit of measure.

I want my Z zero position to be on the material surface...

...and for layout purposes, I'm going to put my X Y datum position in the center of the material.

We'll go ahead and accept everything else as it is...

...and there's our piece of material.

The first thing we want to do is, we want to import a piece of clip art from the Vectric Clipart Library.

Now this is not a tutorial on how to import a 3D model into VCarve.

That's well outside of the scope of this video, and a subject for another video at a later date.

So with our job setup completed, we're ready to go ahead and import.

The way we'll do that is, we'll come down here to the bottom, to the Clipart tab.

Click that tab, and that brings us into our library.

We have a couple of different folders here that...

...come with VCarve and Aspire when you purchase the software.

One is the Clipart folder. If I click on the name Clipart up here...

...it opens up this folder here, and lists the categories of clip art...

...that are included with the software.

There are 2D vectors, there are 3D tabs, and then these are 3D clipart designs.

We also have the Design and Make folder.

These are the patterns and clipart files from the Design and Make website...

...that can be purchased for import into your Vectric software.

We'll go back over here to my clipart folder, and I want to find the football clipart file.

I could just scroll down and search for it...

...they're all arranged here in alphabetical order...

...but instead, I'm going to click on Objects and People...

...and we'll look down... and there is our football file.

We have three different versions of the same football.

One is this stand alone model here.

Another is the football modeled in a dish.

And the other is a football with a decorative trim around it.

I'm going to import this one here...

...and I'll do that simply by clicking on it and holding my left mouse button...

...and drag it up onto my material, right about the center...

...and let go.

We see here it is selected in the Move and Transform mode...

...and we can tell that it's active because it's deep black around to the edges...

...and you can see the detail of the file.

If I click off out here, it transforms into this representation of the file.

You can still see it, but you can see it's not highlighted...

...it's grayed out, more or less.

To select the file, I'll just bring my cursor down into it anywhere, click on it, and that activates the model.

That selects the model.

If I click on it again, we go into Move and Transform mode.

From here, I can go back over to my drawing tab...

...click on it, and that brings us back over into our drawing toolbox.

Now I want to see how big this is, so I'll come over here under Transform Objects...

...to Set Selected Object Size.

Click on that icon...

...and I can see here that the entire model...

...is just under 5 3/4 inches wide and just under 5 1/2 inches tall...

...and we have the Auto-Scale Z checked.

I want to make it a little bit bigger because I think 5x5 is a little bit small.

So I'm going to place my cursor over one of these white corner boxes...

...hold down the shift key so we expand from the center...

...hold down the shift key and click the left mouse button, and drag outward...

...to increase the size to something that just looks good to me.

That's about it right there. Now I'll release the mouse button...

...and we see the size has updated here in our Set Size form.

Now we're about 9.397 x 8...

...just to make things even I'm going to make that 9.5...

...make sure I have Link X Y checked. This readout also updated when I typed in up here.

We'll click Apply...

...and Close.

So now we have our football filling up that 12 x 12 piece of material...

...with a little bit of space around it. I don't want to be so big we wouldn't want to hang it up.

With the football still selected, and we can tell it's still selected because we can see all the details in it...

I want to come over here and click on the Modeling tab.

When I click on the Modeling tab, I get a list of the components currently in our project.

The only component we have so far is this football.

If I double click the title of the football...

...it brings me into the Component Properties.

This is something that we do want to check because of...

...our material thickness and the thickness of the model.

This model has contour. It has a height.

We want to make sure that our model isn't thicker than the material we're cutting it out of.

We do that by looking right here under Shape Height.

We see here that this shape's height is .5204...

...so this model is a little bit thicker than 1/2 inch.

That's fine. Our material is 3/4 of an inch thick...

...so we're okay.

If, for example, this model was 0.9 inches high...

...we could adjust that shape height right here.

We would drag this slider down to make the model a little bit thinner.

We don't need to do that in this case.

We're just fine, so we can go ahead and close that form.

Since I want to cut this out of the piece of material...

I'm going to need to create a vector around this model for my Profile toolpath to follow.

So with the model still selected...

...in the Modeling tab, I'll come up here to this third icon right here...

Create a Vector Boundary Around the Selected Component.

I'll click on that icon, and at first glance it appears that nothing happened.

But if we come over here and zoom in just slightly...

...we can see that there is a vector around our model now.

I can select that vector by clicking on it, and we can see by the pink dotted lines it's now selected.

Our model is deselected, but the vector around it is selected.

So with that completed...

...with our vector around our model, we can go back over here into the drawing tab...

...to our drawing toolbox...

...and we can customize this a little bit.

I want to personalize this by v-carving my nephew's name into this football.

So I'm going to create a piece of text to put right here on the football.

So I'll select the vector - not the model.

I'll select the vector that we put around the football...

...and I'll come over here to Draw Text Within a Vector Box.

I'll click on that icon...

...and our text is going to be automatically sized to fit within that vector box...

...with some modifications.

We will still have to modify the text after we've got it typed in, and I'll show you how to do that.

No, I'm not going to use my favorite Times New Roman font as I am so wont to do.

I'm going to select a different font, because I'd like it to be a little bit bolder.

I don't want it to be too bold...

...but I want it to be something that kind of stands out...

...and lets everybody know that this is my nephew's bedroom.

This is to go on his door.

I kind of like this one here. It's nice and bold but it's not obnoxious...

...so I'll go ahead and select this. It's Swiss 721...

I'll select that font...

I'm not going to select bold or italic...

I want it aligned to the center...

...and I'll come up here and type in his name.

VCarve put that into our text box in real time...

...and I think that size is going to work out okay.

I can always change it later on if I need to.

We'll go ahead and accept it as it is, and we'll close that form.

Now I want to rotate this text so it kind of fits within the football here...

...and maybe resize it a little bit if it appears to be too big or too obnoxious.

It's already selected, so I'll click it again...

...and we go into the Move and Transform mode.

I'll choose one of these black corner boxes here, and it doesn't matter which one I choose...

...and I'll rotate the text around its center...

...until I see it kind of following the same direction as the football itself.

That looks pretty good. I can always nudge it just a little bit more if I think it needs it.

I'll come up here and grab a hold of the center box, right here in the center of my text...

...click and drag it down just a little bit...

...so that we can still see the laces and it won't interfere with any carving there.

I think that text might be just a little bit big...

No, I'm gonna leave it the way it is.

I'll just nudge it around a little bit here...

...till I get it to where it just looks nice. There is sometimes no real rhyme or reason.

There's no set path or hard and fast rules for this.

Just simply nudge it around until it looks good to you.

I think I have that placed where I want it.

So now I'll click off over here to the side...

...and we're ready to go ahead and start calculating toolpaths.

Right now what I want to do, however, before I calculate my toolpaths...

...I'll want to save this project.

So I'll come over here to FILE...

...click Save As...

...and we'll navigate to the folder that I want to put this in...

We'll put it in here with one I've already created.

I'll select a name...

...and save that file.

Now if something happens; power goes out...

...laptop decides to crash - I haven't lost what I've already done.

Now I'm ready to calculate toolpaths, so we'll switch over to the Toolpath tab.

Now we're going to get into toolpathing strategies.

With a file that's a little bit more complex, such as this...

...where we've got a 3D model, we have a profile vector, and we have v-carving...

...we need to think about the order of operations.

We need to think about what we need to do first.

What, if anything, are any of these other tool paths relying on.

The first thing that I'll want to do, is I'll want to carve this football...

...so that I have the shape to apply the v-carving and the profile cut out to.

The profile cut out should always be the last operation I perform.

So we'll select the football...

...and we'll come up over here...

...and select either the 3D Roughing toolpath or the 3D Finishing toolpath.

With this shallow of a model...

...it's 1/2 inch thick, so it's not going to be cutting that deeply into the material to carve this model...

I'm not gonna bother with a 3D Roughing toolpath.

If I had to make some extremely deep cuts...

I would do a 3D Roughing toolpath just to make life easier...

...on the bit I'm gonna use for the 3D Finishing toolpath.

Much more on this in another video.

So from the start I'll do a 3D Finishing toolpath.

And this automatically brings us into Material Setup.

It's telling me the thickness of my material is 3/4 inch.

My X Y datum is in the center of the material.

I want to make sure that I have Show Detailed Summary on the Toolpath Tab checked...

...because this gives us options we wouldn't have without it.

My Z zero, again, is on the material surface.

The Model Position in Material - there is no gap above the model.

I want the model to start carving from the surface of the material.

My Rapid Z gaps above the material are 1/2 inch. That's fine for me.

My Rapid Plunge is 1/4 inch. That's fine for me.

I explained these further in a previous video that I will put a link to up here.

My Home Start Position; all of this is explained further in this video I'm linking up here.

We'll click OK, and now we get into the Finish Machining toolpath itself.

Starting from the top, I'm going to cut this with a 1/8 inch ball nose end mill.

That will give me the detail around of the stitching...

...and the detail of this seam here in the football without it taking forever to carve this away.

The Machining Limit Boundary.

This creates some confusion at times.

If you look at this little diagram, here, we have the sample piece of material and the eagle.

There is a blue line around the eagle.

That is the Model Boundary.

Selecting the Model Boundary will cut the model only.

If I were to select the Material Boundary, you see how it moved that blue line out here

Machining the Material Boundary will also carve away all of this material out here...

...leaving just the football model in the center.

Fair warning: this makes for long machining times - especially with this small bit.

It would carve away all of this material here...

...until it got to the football, then start carving the contours of the football...

I don't want to do that on this particular project.

Going to a Selected Vector and a Selected Level are topics for another video, further down the road.

I'm going to just carve to the Model Boundary, and that's all.

My Area Machining Strategy...

I'm going to use Raster.

I could use Offset, but I'm going to use Raster simply because...

I don't want any patterns carved into the material...

...that I'm going to have to come back in here and sand, like around these laces.

I'm going to use a Raster Angle of 0.0

...meaning the bit's going to move back and forth from side to side in X.

My safe Z is 1/2 inch. I'm going to leave all of this alone.

I'm going to call it the Football 3D Finish...

...and Calculate.

Calculating a 3D toolpath takes a little bit of time.

There we see the toolpath illustrated in our 3D view.

Let me go ahead and change the material to maple, so we have something that we can see.

You can see this is basically solid blue.

If we zoom in a little bit...

...we can get a better idea of exactly what this bit's going to do, in order to carve this football.

I'll zoom back out and go to a straight down Plan View.

I'm not going to put in a tool path color; I'm going to leave it the material color.

I will animate the preview.

We'll preview this toolpath...

...and there we have our football carved into the material.

We've got some nice details here along the seam...

...and around the stitching.

We'll probably need to do a little bit of cleanup sanding.

It's very rare to have a piece come off of the CNC without needing a little bit of sanding.

It's very rare to get a piece that's ready for finish.

It happens, but that's generally the exception; not the rule - in my experience.

Okay, we can close our Preview window...

...we see in our 3D view that we have the football selected.

I'm going to go back over to the 2D view...

...and click off to deselect the football.

I want to V carve the text into the football.

With my text selected, I'll come up here and select the V-Carve Engraving toolpath.

My start depth will be 0.0

I'm not going to use a flat depth.

Because this text is pretty large; I've got some pretty wide areas here...

...I'm going to use a 90-degree v-bit with a cutting diameter of 1/2 inch.

I'm not going to change any of this just yet.

...and I'll click OK.

Because I'm not cutting to a flat depth, I'm not going to use a flat area clearance tool.

I'll accept all of this as it is...

I'll change the name of this toolpath to VCarve Text...

...and we'll Calculate.

There's our toolpath.

Some of you more experienced users have already spotted a mistake I'm making on purpose...

...to demonstrate this toolpath...

We'll give this tool path a color.

I'll select black so we can see it contrasted against this maple.

...and we'll preview that toolpath.

There we see the problem that happens when attempting to v-carve onto a 3D model.

This 3D model has contour. It has a shape.

And our v-carving didn't follow that shape.

There is one step I neglected to do.

I'll go back to a straight z view.

I'll come over here into my Preview Window and I'll click Undo Last.

That undoes that v-carving.

I'll come down here to my VCarve Text toolpath and double-click it.

I'm not going to change anything up here. All of this is fine.

What I need to do down here, is put a checkmark right here.

Project the Toolpath onto the 3D Model.

What that means is...

...when VCarve calculates this toolpath it's going to project where the text is...

...in relationship to the model...

...and calculate where to start cutting the text...

...how deep to cut the text...

...and where to stop cutting...

...when it gets down in here into these contours.

So with the check mark in the Project Toolpath onto 3D Model box...

...I'll calculate the toolpath again.

Again we have our toolpath illustrated here.

Because I've recalculated, I'll need to go back and set a color...

I'll select black...

Now we can preview that toolpath.

And our text is projected down onto the model...

It's cutting to the correct depth, no matter where in the model it's actually positioned.

We can zoom in here, and we got a nice even cut throughout the entire text object.

I'll go back to a plan view and we have one final toolpath to calculate.

I'll close our preview...

...go back over to the 2D view, and click off.

Now I want to select that vector we created around the perimeter of the model.

I want to cut this out of the material...

...so I'll come over here and do a standard profile toolpath.

I want my start depth to be 0.0, because I want it to cut through the material around the boundary of our model.

I want it to cut that away before it starts cutting into the model.

I'm going to use a 1/4 inch end mill.

I got ahead of myself. My cutting depth; as I always do, I'm going to enter z+ .005

...then tap the equals button so that I cut .005 of an inch...

...through the thickness of the material I entered over here in Job Setup.

Again, I have my end mill selected. My 1/4 inch end mill is going to make this cut in 6 passes.

I'm going to cut to the outside of the vector.

I'll use a climb cut.

I am going to do a Separate Last Pass with an allowance of 0.01

I explained the Separate Last Pass in a previous video...

...and I'll link that video up here.

For this demonstration, I'm not going to add tabs.

If I were actually going to go outside and cut this, I would add tabs here at this point.

I am gonna ramp in my plunges...

I'm going to use a Smooth ramp over a distance of about an inch.

I'm going to go ahead and change the name to Profile Cutout...

...and we'll Calculate this toolpath.

Again I get the warning that the tool is going to cut through the material.

That's okay. I want it to.

And there's our toolpath, illustrated right there.

I'll go ahead and preview this.

Because I didn't add tabs, I can double-click my waste material to get rid of it.

And there is our 3D model...

...machined out...

...with our text that I could paint, or fill with epoxy... whichever...

...then sand and finish and we're ready to hang this up on my nephew's bedroom door.

It's sometimes the simplest steps that will make or break the project.

And when it comes to our v-carve toolpath...

...selecting that box right there: Project Toolpath onto the 3D Model...

...can save a lot of aggravation if you're trying to customize or personalize...

...a project, after you've already invested the time it took to cut this 3D model.

I'm going to go ahead and wrap up this video right here.

If you got anything out of this video, I do hope you'll give me a thumbs up.

If you have any questions or comments, please don't hesitate to leave them down in the comment section.

If you'd rather not leave a public comment...

...come on over here to my website...

marklindsaycnc.com

...click on this Contact Us link right here...

...and you can send me a private message.

I do read every private message I get through the Contact Us link...

...and I do my best to answer every single one of them.

marklindsaycnc.com is sponsored by Harneal Media.

The website design company that specializes in websites and web hosting...

...for makers and the maker community.

Harneal Media as well as myself...

...are both proud members of the Makers Media Network.

We're a co-op of makers woodworkers and craftsmen...

...who are dedicated to our craft...

...dedicated to growing the community...

...and helping and promoting one another whenever possible.

So once again I'd like to thank you for taking the time to watch this video.

If you know someone else who would benefit by taking a look at this project...

...by all means share this video on your social media.

If you'd like to follow along with more of this series or any of the other series I'm currently creating...

Or if you'd like to follow some of my other CNC adventures...

I do hope you'll subscribe to my channel.

But whether you subscribe to my channel or not...

...again, I'd like to thank you very much for watching...

...and y'all take care.

For more infomation >> Carving on a 3D Surface – Part 4 – V-Carving for the Absolute Beginner - Duration: 35:44.

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如懿传；如懿惨死视频曝光，海兰跪在灵位前痛哭，网友这段太虐了 - Duration: 3:49.

For more infomation >> 如懿传；如懿惨死视频曝光，海兰跪在灵位前痛哭，网友这段太虐了 - Duration: 3:49.

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O Português de TIM EXPLICA, NIENKE E AMIGO GRINGO- FALAM BEM? - Duration: 7:15.

For more infomation >> O Português de TIM EXPLICA, NIENKE E AMIGO GRINGO- FALAM BEM? - Duration: 7:15.

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How Will We Get to Alpha Centauri? - Duration: 3:47.

About 4.3 light-years from Earth lies our closest stellar neighborhood.

The Alpha Centauri system consists of three known stars.

Alpha Centauri A and Alpha Centauri B are a binary pair, which means

they orbit a common center of mass.

The third star, Proxima Centauri, is the closest to Earth at about 4.22 light-years away.

In 2016, astronomers detected an Earth-sized planet orbiting Proxima Centauri within the

star's habitable zone - the right distance to potentially support liquid water on its surface.

Which is why eyes are on Alpha Centauri as our first destination once we master interstellar travel.

So is this deep space journey possible in our lifetime?

And if so, how will we get there?

Outer space is bigger than we can comprehend

and sending a spacecraft into its depths takes a lot of time.

NASA's Voyager 1 is Earth's farthest spacecraft to date.

It was launched in 1977, and in 2012, it was the first craft to enter interstellar space.

If Voyager 1 was pointed in the direction of Alpha Centauri, it would still take tens

of thousands of years to reach the system.

And that's because its propulsion system is not ideal for deep space travel.

So clearly we need a faster way to get to our stellar neighbors.

Some scientists believe that our best attempt at interstellar travel are lightsails.

These sails would be made of ultra-thin sheets that will be propelled

using light instead of wind.

One of the major initiatives researching their potential is Breakthrough Starshot.

The program, initially backed by late cosmologist Stephen Hawking, aims to create a nanocraft

comprised of a lightsail and a gram-scale wafer that hosts a number of instruments

called a StarChip.

The nanocraft has a mirror-like sail design and is measured at 10 square meters with a

mass of less than 1 gram.

By comparison a penny weighs 2.5 grams,

so these spacecraft will be ultralight.

The lightsail will purportedly be accelerated by laser radiation pressure from Earth at

about 20 percent the speed of light.

The planned laser array, called a Light Beamer, will fire beams as powerful as 100 gigawatts

of specific wavelengths of near-infrared light.

The nanocraft sail would need to reflect a huge majority of the laser light to avoid

instantly burning up on contact.

The idea is to launch thousands of nanocraft at once to increase the chances that at least

a few will conquer the elements and reach Alpha Centauri.

If they do make it, it's estimated, the journey will only take around 20 years.

Though some critics are skeptical about the ability to execute Breakthrough Starshot,

some of the world's greatest minds are actively working to make it a reality.

The project is pushing the boundaries of science, challenging humans to create an entirely new

material that meets all the extreme needs of the lightsails

and to design the largest laser ever constructed.

But, if engineers and scientists are able perfect these pint-sized spacecraft and we

achieve interstellar travel, humanity will be rewarded with an entirely new understanding

of the alien worlds beyond our own.

If you're looking to learn more about space exploration and astronomical phenomena

be sure to watch this episode of Space Crafts.

And don't forget to subscribe to Seeker for all things science.

Thanks for watching!

For more infomation >> How Will We Get to Alpha Centauri? - Duration: 3:47.

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Reign (2013) Cast | Then and Now 2018 - Duration: 4:48.

For more infomation >> Reign (2013) Cast | Then and Now 2018 - Duration: 4:48.

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The German Gymnasts That Everyone Should Know! | The Game Changers - Duration: 6:13.

I am Daniel Schwed, 16 years old, I am from Berlin.

And I represent Germany

at the Youth Olympic Games in Gymnastics.

At age 4, my parents brought me to Gymnastics...

..and I had fun instantly.

(DANIEL IS ONE OF THE WORLD'S TOP YOUNG ARTISTIC GYMNASTS)

(HEROES OF THE FUTURE)

At two he was already very active and flexible...

..and when he turned four

we signed him up in a gymnastics club.

And he was trying to do splits by himself, for example.

He has a strong self-propulsion

regarding his body and exercise.

I was a very active kid and started being agile early on.

It was not very difficult for me at the beginning.

(GRÜNHEIDE, GERMANY

(NATIONAL OLYMPIC & PARALYMPIC TRAINING CENTRE)

I think Daniel is someone

who excels especially on the apparatus:

on the pommel horse, on the bars and on parallel bars,

and that's why he's a very elegant gymnast.

My favourite apparatus is the pommel horse.

It's where I can do more difficult elements.

Now I try to include them in the routine

and it's where I have the most fun.

Well, Daniel is very ambitious

and always wants more.

He has fixed aims he doesn't lose sight of.

He tries to do everything that is in his power

to reach his goals.

I think he has a good quality

that has nothing to do with gymnastics necessarily.

He knows how to concentrate for competitions.

That means that he delivers

a top performance during competition,

and that's something very special.

And now the idea of not achieving his goals

doesn't even come into question.

He must simply accomplish everything.

That, I'd say, is his own inner attitude.

The biggest problem is, I think,

that I am not always happy with myself.

Sometimes he can be too firm in his ideas.

But he's only sixteen.

He's still got time to reach the senior category.

And he will have that time to develop his physical condition.

He has around 27 training hours weekly.

I trained most of the time with Holger Behrendt,

former Olympic champion in 1988.

I spent more time with him than with my parents at home.

I trained six hours a day.

He is a person you have to listen to

and he is very important.

Now I train with Sascha Münker, Mr Münker.

I have trained with him for the last events,

like the German Championships

or the qualification for the YOG.

It's admirable that a child - he's still a child -

doesn't say:

"I want some time off, I want to be a teenager."

And Daniel's parents have always supported him 100%.

Without parents' support this couldn't work at all.

No, we've always tried to support him.

We had a lot of sports equipment at home.

The horizontal bar was hanging from the wall.

So we encouraged it.

My family really does give everything for me.

I am away many times.

They don't get to do everything they'd like because of me.

I am very thankful.

Yes, he has a hero, and that is Kohei Uchimura.

What he's achieved is unbelievable.

That is of course very hard to beat

but it's a good example to follow.

No question. If Uchimura is his hero, my son is my hero.

And when we watch him compete

all these emotions and feelings come up.

(HIS TIME IS NOW)

For more infomation >> The German Gymnasts That Everyone Should Know! | The Game Changers - Duration: 6:13.

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OPV | ยังทำไม่ได้ - SAMMY SAMANTHA MELANIE COATES | เอ้พีท | บังเอิญรัก LOVE BY CHANCE - Duration: 4:40.

Tears will pass, every drop

But love doesn't fade away

I should be happy for you, right?

When you met someone else

That will probably be the path your life takes

Straight to what your heart wants

We're not like we used to be, right?

Our love was a careless mistake

We can only be regretful when it's too late

Though my heart wants to be happy and smile for you just once

But I…

But I still can't do it, can't accept the truth that I face

When your words torture me all the way to my heart

I still love you, I still have only you with all my heart to this day

You're the only person who I've been waiting for forever

How long have I still been crazy?

Thinking you might have a little feelings left for me

Wishing in my heart that pretty soon

You might come back and love me

I just understood that what I waited for, what I dreamed of isn't possible now…

But I still can't do it, can't accept the truth that I face

When your words torture me all the way to my heart

I still love you, I still have only you with all my heart to this day

You're the only person who I've been waiting for in my heart

But I still can't do it, can't accept the truth that I face

When your words torture me all the way to my heart

I still love you, I still have only you with all my heart to this day

You're the only person who I've been waiting for in my heart

One day, there might be some day that you'd come back

One day, I'm sure there'll be some day that you'll come back

One day, there might be some day that you'd come back

One day, I'm sure there'll be some day that you'll come back

However long it'll take

THANKS FOR ENG SUB BY "DEUNGDUTJAI.COM"

For more infomation >> OPV | ยังทำไม่ได้ - SAMMY SAMANTHA MELANIE COATES | เอ้พีท | บังเอิญรัก LOVE BY CHANCE - Duration: 4:40.

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Реакция Видаля на Месси (замену), которая подтверждает, что дела "Барселоны" плохи... - Duration: 5:20.

For more infomation >> Реакция Видаля на Месси (замену), которая подтверждает, что дела "Барселоны" плохи... - Duration: 5:20.

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For more infomation >> | Thỏ Vlog | Cuối Tuần Đụng Độ Các Beauty Blogger Trong Sài Gòn - Con Thỏ - Duration: 12:16.

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How To Stop Being A Victim And Be A Warrior Instead // Eating Disorder Recovery - Duration: 7:33.

Hello everybody its Elisa here so I just want to make this a very quick video because

I was reading something and I just felt inspired to talk to you

Yeah, and something that I have noticed, you know with my clients maybe even in my own life

and kind of like how to deal with this how to overcome this how to

change your mindset and shift your mindset in a more positive and productive ways.

And yes, so today basically I want to talk about how to stop being a victim.

Yeah, you know like when people they blame, I don't know, people around them

for why they can not change or maybe they blame their life circumstances,

why they can not take action.

And definitely, you know when you are in eating disorder, in recovery, and yeah, like people around you can trigger you

It's not easy to recover

But if you have the mindset of... that you are a victim, you can't do anything about it

you blame others and you don't take the responsibility

Of your own life then

yeah, there is nowhere to progress and you are actually

sabotaging yourself in your recovery.

And one way to really stop being a victim is to take full responsibility over your recovery

And by responsibility, I don't mean that you cannot ask help, you cannot... I don't know, include like a strong support group

around you, this is very important, but just to acknowledge like you have the full responsibility

over your recovery and even over your life

and if you take the full responsibility

and you realize that you have so much power

You are the only one, at the end of the day, who can go through recovery and get to full recovery

Nobody else can do it for you

and also...

once you become aware of the eating disorder and all the self-sabotaging behaviors

you are doing and all the eating disorder thoughts you are following and

eating disorder behaviors then actually like you are the only one that can change it

It's all about changing your own thoughts and making the inner shift here

And nobody else can do it for you. And this is where you have the

responsibility over your recovery.

But actually, this is very positive because some people think that

like ohh...

"people trigger me, and I cannot do anything about it"

"they are telling me I should lose weight and I can't do anything about it"

but actually if you realize that, no, I have the responsibility

how I react to those people

Or what kind of action I take when I have those thoughts

Then actually like it's a very positive thing because now you may realize that

"Wow, actually there is so much freaking stuff I can do to overcome my eating disorder. I am NOT helpless

Actually if I can change and I am responsible for my recovery

Then it's very positive" because we cannot change, you know, people around us or life

circumstances, but most surely you can change yourself and you can take action

You can change your thoughts. You can change your behaviors. So it's kind of like endless possibility

So when you stop being a victim and take responsibility

Then you are not helpless anymore

There is so much things you can do and so much, you know, where you can progress

and yeah, like this is one tip how to

overcome being a victim. And the other thing I want to talk about is that...

You know how people maybe when they are victim like they focus on the negativity and

Again, like how life is too hard on them or where they have some self-pity

around recovery and they have kind of like "poor me" attitude

And this is, it's very hard and it's again like it's keeping you stuck in a constant loop

It's keeping you stuck in a negative mindset and if your mindset is focused on the negative

Then there's not much

positive things that can come out of it. But what really has helped me is to shift my mindset from

Like focusing on all what's wrong

In to focusing on all that's good. And also like, for example, from my eating disorder I started to focus on

Thoughts like what if this eating disorder is a gift in disguise?

For example...

Maybe one day I can help somebody. I can help somebody to overcome their eating disorder.

Or at least share my story with them.

And I cannot gain this kind of experience or knowledge without having to go through an eating disorder

So I started to think like what can be good

That I get out of this eating disorder and recovery, yeah, like maybe some day you can inspire somebody to recover

Or maybe by going through an eating disorder and recovery you are becoming a better and stronger person

You are becoming more in tune with your body

You are taking better care of yourself

Like some people don't learn this lesson in their entire lifetime like how to really listen to your body and honor your body

Like some people continue to diet for the rest of their lives

So and if you go through recovery

like there's so much you gonna learn about your body and and just how to take care of yourself and also

mentally, it's making you such a strong person. I have no doubt about it. So if you have this kind of mindset

Can you see how you are not a victim anymore?

Actually, you become a warrior and this is the key to overcome being a victim.

Choose to become a warrior instead.

Yeah, so these are my thoughts about how to overcome being a victim. I hope you like this video and

comment below let me know maybe what other types of videos you want me to make I definitely need some inspiration and

Yeah, so thank you for watching and see you next time. Bye

For more infomation >> How To Stop Being A Victim And Be A Warrior Instead // Eating Disorder Recovery - Duration: 7:33.

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How to Place Your Fingers Correctly When Doing Facial Exercises - Duration: 6:35.

hi everybody now have you all been struggling with your finger placements

with the facial exercises that I create for Facerobics? I know some of you do

because with the sessions that I do a lot of it's about how to place the

fingers a lot of people think that maybe the their fingers are too long or

too small or too short or whatever it is but you should always be able to do your

finger placements correctly but what I discovered it's because it's the

sequence of how you place your fingers for example the under eye exercise in

exercise along with me series 6 has a specific way of doing the exercise with

your fingers the exercise is this ok and the reason why the exercise is in that

sequence with your fore fingers over the top of your eyebrow is so you can lift

the eyebrow and then when you're doing the squeezing it gives more resistance

that's one of the reasons why the way I would like you to try to do it is the

actual sequence and when you get the sequence of placing your fingers you'll

get the exercise right so with this exercise you first place your fingers on

your eye sockets then you place your fingers over the top of your brow in a "C"

shape and then you place your fingers over the top of the forefinger so you

saw the sequence it was one two and three and once you get that sequence

correctly then you are able to do the exercise but if you try to put fingers

around and you're just sort of like moving around it does get to be quite

difficult similarly in the forehead exercise and exercise one where series

one if your fingers are too short or too long don't worry about it because it

will still fit across your forehead your fingers will still fit when you do this

sequence you put your fingers in this shape at first okay so you can see how

I've got them like this then you place all of your fingers onto your

forehead and you bring your thumbs up under onto your cheekbone now in putting your

thumbs under your cheekbone what this does is it push the fingers up a bit and

this finger then is able to isolate the whole of the forehead because a lot of

people will say to me I'm getting wrinkles when I'm doing that so if

you're getting wrinkles doing that exercise it means your fingers are not

placed correctly they need to be laid down perfectly onto onto the forehead

not up not out no no sort of like lifting up all of the fingers have to be

laid onto the forehead okay so you place your fingers in this configuration you

place all of your fingers over the forehead making sure that your

forefinger covers the whole of the forehead in a "C" shape okay now it's

really important that you do that because when you do that it's isolating

this area so it will not lift and create what you might be thinking thinking is

wrinkles now a lot of these comments that I get will say that I'm getting

wrinkles when I do this or I'm getting wrinkles may do that the thing is is

that a lot of those wrinkles that do actually happen while you're doing the

exercises are only temporary wrinkles so you have to realize that when you are

doing an exercise like this for instance you are probably pushing up a little bit

too high and creating the extra skin now it's the extra skin that's bunching up

just like when you do the turkey neck exercise you it makes you look awful I

know I hate it but when you do it the extra skin that's on your neck is of

course going to bunch up but when you release it there is no extra skin and

it's nice and tight so you have to be sort of be aware of what is actually

extra skin that's bunching up and what is actually creating a wrinkle you have

to be really aware of it okay so when you do your exercises

and you're finding it hard to place to a placement think about the sequence that

you have to place it here and if you have a sequence then it's going to work

another exercise that a lot of people seem to find difficult to do but if you

actually follow the way I'm placing my fingers in the video in the sequence

that I actually place my fingers you will find that you'll be able to do the

exercises a lot easier now specifically this one I'm talking about is the inner

eye exercise of exercise along with a series for now in the video I show you

how to do it okay and then so you see that sequence first the thumbs then the

fingers on the side and then the fingers into the inside of the eye and then you

can do the exercise a lot of people will try to to do it without this sequence

and they find it very difficult to understand how to place the fingers

because then they get confused about where the fingers actually should be so

when you do that exercise it's one two three thumbs corners of the eyes in her

eyes and usually when I'm doing the exercises and then demonstrating them in

the videos you will see the secrets that I do them in so I'd ask you to really

become aware of what I'm actually doing because it will help you so much more

with your actual exercises and getting them correct I know it can be

frustrating but that's why I'm here to help you to give you an understanding

that there has to be a sequence that you place your fingers and then once you get

that right then you're on the way to doing the exercise correctly alright

well I hope that's helped you today go ahead and give it a go just make sure

that if you are getting confused about the exercises the finger placements just

go back watch the video watch the way and how I place my fingers and in what

sequence and you'll be okay alright you have a lovely day wherever you are in

the world and I'll see you next time bye

For more infomation >> How to Place Your Fingers Correctly When Doing Facial Exercises - Duration: 6:35.

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Andrea Kiewel: Drama hinter den Kulissen - sie steht am Abgrund. Andrea Kiewel: Was ist b... - Duration: 11:09.

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Baby Giraffe Falls Into The Pool And Gets Saved By People | Kritter Klub - Duration: 2:30.

What is gong with these giraffes?

To prevent them from getting contagious disease

we need to make them go somewhere else

People evacuate them to a safety zone

Succeeds in luring them

They fell for it!

The giraffe looks puzzled

Before returning, they are protected

Chris! Chris!

People are calling its name

Crying giraffe

A very friendly baby giraffe!

So cool~

EMERGENCY SITUATION

Giraffes can't swim

Everyone is rescuing the giraffe

He's not able to get up for 30 mins

He finally stood up!

Thank God

We made it.

Stay healthy all the time

For more infomation >> Baby Giraffe Falls Into The Pool And Gets Saved By People | Kritter Klub - Duration: 2:30.

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Why is my cat ginger? Cat science - Colours and chromosomes! - Duration: 4:03.

hey guys welcome back to Relax my cat my name is Savannah and here with me in her

lab coat is dr. Maya in house cat researcher she is the most chill cat she

is the only cat I know about will just allow you to dress her like this oh you

look so cute it looks so cute but Maya is no lab coat because this video is

about science and it's get lost Halloween and she she's chillin she

likes being dressed up kind of so with that said this video is actually all

about cap colors and chromosomes I really like science and I was hoping

this might be a little bit of a series about different kinds of science facts

about cats let me know what you guys think and we shall see okay so what is

thinking about calico cats and ginger cats and how people say that they are

mainly a certain sex and like how there are girls or hell are all boys and I

just wondering if this is that is there any truth to this so I called our

in-house research at Maya and she found that actually there is

so Maya did some research and there was a lot of links between cat color and

their sex which I thought was really cool so that's what this video is about

the cat's coat is basically determined by their chromosomes so basic chromosome

kind of introduction females have X X and males have X Y and all of the

coloring is in the X chromosome so male cats take all of the

genetics from their mother so it's really easy to guess what kind of color

a male cat is going to be based off the color of its mom it's going to be the

same color so from this female cats can actually

take color from both sides both the mama cat and the dead cat so in very special

circumstances a female cat can be born calico because of a black cat and the

ginger cat and it just Cana they are the same as Tasha shells now the reason why

male chemicals are so rare is because obviously they don't take any color from

their father so they only have the color of the mother it's not unusual for cats

to have lots of extra chromosomes so even though it is rare for chemicals to

be born male it can happen a lot of Coco's as well usually have like an

extra toe and these all come from having extra chromosomes so it can happen that

are male chemicals but down to their genetics and their chromosomes that's

why they are all mainly female so it was really interesting for me to research

there are so many things about cats and chromosomes so if that's something that

you're like interested in I definitely recommend doing like a google search

yourself and just having a read through some of the things that really quite

fascinating but I hope you enjoyed as always we have a t-shirt winner to

announce so I'm going to do that for you now so our winner this week is Maya

Eifler thank you so much for commenting you definitely didn't win because you

have the same name as my cat definitely thank you everyone as well who comments

it really means a lot to me and I love reading them so yeah

Maya make sure you head over to our Instagram and DM as your size and your

address so we can get a shirt sent out for you everyone else don't worry you

can still enter all you need to do is number one basis cry to your that's my

cat and hit the bell bottom side x just makes easier and then number two comment

on this video within sixty minutes of it going up and that's literally your

so again thank you so much for watching and we will see you next week thank you

bye bye

For more infomation >> Why is my cat ginger? Cat science - Colours and chromosomes! - Duration: 4:03.

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For more infomation >> Why is my cat ginger? Cat science - Colours and chromosomes! - Duration: 4:03.

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এদের কাজের গতি দেখলে চমকে উঠবেন আপনিও || FASTEST WORKERS IN THE WORLD SUPERMAN ☑🇺🇸 - Duration: 5:13.

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For more infomation >> এদের কাজের গতি দেখলে চমকে উঠবেন আপনিও || FASTEST WORKERS IN THE WORLD SUPERMAN ☑🇺🇸 - Duration: 5:13.

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ঝড়ের বেগে ১০গুন গতিতে নিজের কাজটি করেন || Faster worker in the world Fitness Health Group ☑🇺🇸 - Duration: 3:13.

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For more infomation >> ঝড়ের বেগে ১০গুন গতিতে নিজের কাজটি করেন || Faster worker in the world Fitness Health Group ☑🇺🇸 - Duration: 3:13.

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For more infomation >> ঝড়ের বেগে ১০গুন গতিতে নিজের কাজটি করেন || Faster worker in the world Fitness Health Group ☑🇺🇸 - Duration: 3:13.

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Desktop Deployment

For more infomation >> Desktop Deployment

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Devin Street Channel Trailer 2018 - Duration: 1:25.

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For more infomation >> Devin Street Channel Trailer 2018 - Duration: 1:25.

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#Koushal winner#Koushal Big Boss 2 Winner#Koushal With Trophy - Duration: 0:36.

For more infomation >> #Koushal winner#Koushal Big Boss 2 Winner#Koushal With Trophy - Duration: 0:36.

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For more infomation >> 파스텔 은하수 젤리 만들기(Pastel Galaxy Jelly)ㅣ몽브셰(mongbche) - Duration: 4:24.

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KOREAN PALACE TOUR! MALAY WEAR HANBOK?! EAT NON-STOP in NAMDAEMUN MARKET｜WONDER QUEEN - Duration: 9:41.

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No HOAX Code Secret Counter Buy Quota Package & Credit All Cheapest Operators - Duration: 6:49.

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For more infomation >> No HOAX Code Secret Counter Buy Quota Package & Credit All Cheapest Operators - Duration: 6:49.

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Carving on a 3D Surface – Part 4 – V-Carving for the Absolute Beginner - Duration: 35:44.

Hey y'all.

Welcome to Part 4 of my mini-series on v-carving for the absolute beginner.

Before we get started, let me remind everyone that I am neither sponsored...

...nor endorsed by Vectric Ltd., nor any other company.

I'm doing this video series to help the person who has never done anything like this before...

...get into their CAD/CAM software...

...and successfully create and finish a project within the CAD/CAM software.

Also, for the Vectric users...

...I'll remind you that I'm using VCarve Pro version 9.509...

...but everything I'm going to show you works exactly the same way in VCarve Desktop, VCarve Pro, and Aspire.

As I alluded to in Part 3 of this series...

...we're going to get into a little bit more of an advanced project this time.

This is the project we're going to create.

It's a 3D clip art file from the Vectric clipart library...

...and we're going to v-carve a name into it to personalize it.

Now it's a fairly simple project that looks a lot more complicated than it actually is.

We're going to apply the v-carved text to conform to the contours of that 3D model...

...and that seems to be a major sticking point in this type of a project, for some people.

So, to get started, let's go into a new session of VCarve, and we'll create a new file.

Now since I'm not exactly sure what size I want to make this project...

...we'll make a piece that's a little bit oversize, and we'll size it from there.

So, starting at the top, this is a single-sided job.

I'm going to make a piece of material that's 12 inches wide in X...

...12 inches high in Y...

...with a thickness of 3/4 of an inch, nominal.

I'm using inches for my unit of measure.

I want my Z zero position to be on the material surface...

...and for layout purposes, I'm going to put my X Y datum position in the center of the material.

We'll go ahead and accept everything else as it is...

...and there's our piece of material.

The first thing we want to do is, we want to import a piece of clip art from the Vectric Clipart Library.

Now this is not a tutorial on how to import a 3D model into VCarve.

That's well outside of the scope of this video, and a subject for another video at a later date.

So with our job setup completed, we're ready to go ahead and import.

The way we'll do that is, we'll come down here to the bottom, to the Clipart tab.

Click that tab, and that brings us into our library.

We have a couple of different folders here that...

...come with VCarve and Aspire when you purchase the software.

One is the Clipart folder. If I click on the name Clipart up here...

...it opens up this folder here, and lists the categories of clip art...

...that are included with the software.

There are 2D vectors, there are 3D tabs, and then these are 3D clipart designs.

We also have the Design and Make folder.

These are the patterns and clipart files from the Design and Make website...

...that can be purchased for import into your Vectric software.

We'll go back over here to my clipart folder, and I want to find the football clipart file.

I could just scroll down and search for it...

...they're all arranged here in alphabetical order...

...but instead, I'm going to click on Objects and People...

...and we'll look down... and there is our football file.

We have three different versions of the same football.

One is this stand alone model here.

Another is the football modeled in a dish.

And the other is a football with a decorative trim around it.

I'm going to import this one here...

...and I'll do that simply by clicking on it and holding my left mouse button...

...and drag it up onto my material, right about the center...

...and let go.

We see here it is selected in the Move and Transform mode...

...and we can tell that it's active because it's deep black around to the edges...

...and you can see the detail of the file.

If I click off out here, it transforms into this representation of the file.

You can still see it, but you can see it's not highlighted...

...it's grayed out, more or less.

To select the file, I'll just bring my cursor down into it anywhere, click on it, and that activates the model.

That selects the model.

If I click on it again, we go into Move and Transform mode.

From here, I can go back over to my drawing tab...

...click on it, and that brings us back over into our drawing toolbox.

Now I want to see how big this is, so I'll come over here under Transform Objects...

...to Set Selected Object Size.

Click on that icon...

...and I can see here that the entire model...

...is just under 5 3/4 inches wide and just under 5 1/2 inches tall...

...and we have the Auto-Scale Z checked.

I want to make it a little bit bigger because I think 5x5 is a little bit small.

So I'm going to place my cursor over one of these white corner boxes...

...hold down the shift key so we expand from the center...

...hold down the shift key and click the left mouse button, and drag outward...

...to increase the size to something that just looks good to me.

That's about it right there. Now I'll release the mouse button...

...and we see the size has updated here in our Set Size form.

Now we're about 9.397 x 8...

...just to make things even I'm going to make that 9.5...

...make sure I have Link X Y checked. This readout also updated when I typed in up here.

We'll click Apply...

...and Close.

So now we have our football filling up that 12 x 12 piece of material...

...with a little bit of space around it. I don't want to be so big we wouldn't want to hang it up.

With the football still selected, and we can tell it's still selected because we can see all the details in it...

I want to come over here and click on the Modeling tab.

When I click on the Modeling tab, I get a list of the components currently in our project.

The only component we have so far is this football.

If I double click the title of the football...

...it brings me into the Component Properties.

This is something that we do want to check because of...

...our material thickness and the thickness of the model.

This model has contour. It has a height.

We want to make sure that our model isn't thicker than the material we're cutting it out of.

We do that by looking right here under Shape Height.

We see here that this shape's height is .5204...

...so this model is a little bit thicker than 1/2 inch.

That's fine. Our material is 3/4 of an inch thick...

...so we're okay.

If, for example, this model was 0.9 inches high...

...we could adjust that shape height right here.

We would drag this slider down to make the model a little bit thinner.

We don't need to do that in this case.

We're just fine, so we can go ahead and close that form.

Since I want to cut this out of the piece of material...

I'm going to need to create a vector around this model for my Profile toolpath to follow.

So with the model still selected...

...in the Modeling tab, I'll come up here to this third icon right here...

Create a Vector Boundary Around the Selected Component.

I'll click on that icon, and at first glance it appears that nothing happened.

But if we come over here and zoom in just slightly...

...we can see that there is a vector around our model now.

I can select that vector by clicking on it, and we can see by the pink dotted lines it's now selected.

Our model is deselected, but the vector around it is selected.

So with that completed...

...with our vector around our model, we can go back over here into the drawing tab...

...to our drawing toolbox...

...and we can customize this a little bit.

I want to personalize this by v-carving my nephew's name into this football.

So I'm going to create a piece of text to put right here on the football.

So I'll select the vector - not the model.

I'll select the vector that we put around the football...

...and I'll come over here to Draw Text Within a Vector Box.

I'll click on that icon...

...and our text is going to be automatically sized to fit within that vector box...

...with some modifications.

We will still have to modify the text after we've got it typed in, and I'll show you how to do that.

No, I'm not going to use my favorite Times New Roman font as I am so wont to do.

I'm going to select a different font, because I'd like it to be a little bit bolder.

I don't want it to be too bold...

...but I want it to be something that kind of stands out...

...and lets everybody know that this is my nephew's bedroom.

This is to go on his door.

I kind of like this one here. It's nice and bold but it's not obnoxious...

...so I'll go ahead and select this. It's Swiss 721...

I'll select that font...

I'm not going to select bold or italic...

I want it aligned to the center...

...and I'll come up here and type in his name.

VCarve put that into our text box in real time...

...and I think that size is going to work out okay.

I can always change it later on if I need to.

We'll go ahead and accept it as it is, and we'll close that form.

Now I want to rotate this text so it kind of fits within the football here...

...and maybe resize it a little bit if it appears to be too big or too obnoxious.

It's already selected, so I'll click it again...

...and we go into the Move and Transform mode.

I'll choose one of these black corner boxes here, and it doesn't matter which one I choose...

...and I'll rotate the text around its center...

...until I see it kind of following the same direction as the football itself.

That looks pretty good. I can always nudge it just a little bit more if I think it needs it.

I'll come up here and grab a hold of the center box, right here in the center of my text...

...click and drag it down just a little bit...

...so that we can still see the laces and it won't interfere with any carving there.

I think that text might be just a little bit big...

No, I'm gonna leave it the way it is.

I'll just nudge it around a little bit here...

...till I get it to where it just looks nice. There is sometimes no real rhyme or reason.

There's no set path or hard and fast rules for this.

Just simply nudge it around until it looks good to you.

I think I have that placed where I want it.

So now I'll click off over here to the side...

...and we're ready to go ahead and start calculating toolpaths.

Right now what I want to do, however, before I calculate my toolpaths...

...I'll want to save this project.

So I'll come over here to FILE...

...click Save As...

...and we'll navigate to the folder that I want to put this in...

We'll put it in here with one I've already created.

I'll select a name...

...and save that file.

Now if something happens; power goes out...

...laptop decides to crash - I haven't lost what I've already done.

Now I'm ready to calculate toolpaths, so we'll switch over to the Toolpath tab.

Now we're going to get into toolpathing strategies.

With a file that's a little bit more complex, such as this...

...where we've got a 3D model, we have a profile vector, and we have v-carving...

...we need to think about the order of operations.

We need to think about what we need to do first.

What, if anything, are any of these other tool paths relying on.

The first thing that I'll want to do, is I'll want to carve this football...

...so that I have the shape to apply the v-carving and the profile cut out to.

The profile cut out should always be the last operation I perform.

So we'll select the football...

...and we'll come up over here...

...and select either the 3D Roughing toolpath or the 3D Finishing toolpath.

With this shallow of a model...

...it's 1/2 inch thick, so it's not going to be cutting that deeply into the material to carve this model...

I'm not gonna bother with a 3D Roughing toolpath.

If I had to make some extremely deep cuts...

I would do a 3D Roughing toolpath just to make life easier...

...on the bit I'm gonna use for the 3D Finishing toolpath.

Much more on this in another video.

So from the start I'll do a 3D Finishing toolpath.

And this automatically brings us into Material Setup.

It's telling me the thickness of my material is 3/4 inch.

My X Y datum is in the center of the material.

I want to make sure that I have Show Detailed Summary on the Toolpath Tab checked...

...because this gives us options we wouldn't have without it.

My Z zero, again, is on the material surface.

The Model Position in Material - there is no gap above the model.

I want the model to start carving from the surface of the material.

My Rapid Z gaps above the material are 1/2 inch. That's fine for me.

My Rapid Plunge is 1/4 inch. That's fine for me.

I explained these further in a previous video that I will put a link to up here.

My Home Start Position; all of this is explained further in this video I'm linking up here.

We'll click OK, and now we get into the Finish Machining toolpath itself.

Starting from the top, I'm going to cut this with a 1/8 inch ball nose end mill.

That will give me the detail around of the stitching...

...and the detail of this seam here in the football without it taking forever to carve this away.

The Machining Limit Boundary.

This creates some confusion at times.

If you look at this little diagram, here, we have the sample piece of material and the eagle.

There is a blue line around the eagle.

That is the Model Boundary.

Selecting the Model Boundary will cut the model only.

If I were to select the Material Boundary, you see how it moved that blue line out here

Machining the Material Boundary will also carve away all of this material out here...

...leaving just the football model in the center.

Fair warning: this makes for long machining times - especially with this small bit.

It would carve away all of this material here...

...until it got to the football, then start carving the contours of the football...

I don't want to do that on this particular project.

Going to a Selected Vector and a Selected Level are topics for another video, further down the road.

I'm going to just carve to the Model Boundary, and that's all.

My Area Machining Strategy...

I'm going to use Raster.

I could use Offset, but I'm going to use Raster simply because...

I don't want any patterns carved into the material...

...that I'm going to have to come back in here and sand, like around these laces.

I'm going to use a Raster Angle of 0.0

...meaning the bit's going to move back and forth from side to side in X.

My safe Z is 1/2 inch. I'm going to leave all of this alone.

I'm going to call it the Football 3D Finish...

...and Calculate.

Calculating a 3D toolpath takes a little bit of time.

There we see the toolpath illustrated in our 3D view.

Let me go ahead and change the material to maple, so we have something that we can see.

You can see this is basically solid blue.

If we zoom in a little bit...

...we can get a better idea of exactly what this bit's going to do, in order to carve this football.

I'll zoom back out and go to a straight down Plan View.

I'm not going to put in a tool path color; I'm going to leave it the material color.

I will animate the preview.

We'll preview this toolpath...

...and there we have our football carved into the material.

We've got some nice details here along the seam...

...and around the stitching.

We'll probably need to do a little bit of cleanup sanding.

It's very rare to have a piece come off of the CNC without needing a little bit of sanding.

It's very rare to get a piece that's ready for finish.

It happens, but that's generally the exception; not the rule - in my experience.

Okay, we can close our Preview window...

...we see in our 3D view that we have the football selected.

I'm going to go back over to the 2D view...

...and click off to deselect the football.

I want to V carve the text into the football.

With my text selected, I'll come up here and select the V-Carve Engraving toolpath.

My start depth will be 0.0

I'm not going to use a flat depth.

Because this text is pretty large; I've got some pretty wide areas here...

...I'm going to use a 90-degree v-bit with a cutting diameter of 1/2 inch.

I'm not going to change any of this just yet.

...and I'll click OK.

Because I'm not cutting to a flat depth, I'm not going to use a flat area clearance tool.

I'll accept all of this as it is...

I'll change the name of this toolpath to VCarve Text...

...and we'll Calculate.

There's our toolpath.

Some of you more experienced users have already spotted a mistake I'm making on purpose...

...to demonstrate this toolpath...

We'll give this tool path a color.

I'll select black so we can see it contrasted against this maple.

...and we'll preview that toolpath.

There we see the problem that happens when attempting to v-carve onto a 3D model.

This 3D model has contour. It has a shape.

And our v-carving didn't follow that shape.

There is one step I neglected to do.

I'll go back to a straight z view.

I'll come over here into my Preview Window and I'll click Undo Last.

That undoes that v-carving.

I'll come down here to my VCarve Text toolpath and double-click it.

I'm not going to change anything up here. All of this is fine.

What I need to do down here, is put a checkmark right here.

Project the Toolpath onto the 3D Model.

What that means is...

...when VCarve calculates this toolpath it's going to project where the text is...

...in relationship to the model...

...and calculate where to start cutting the text...

...how deep to cut the text...

...and where to stop cutting...

...when it gets down in here into these contours.

So with the check mark in the Project Toolpath onto 3D Model box...

...I'll calculate the toolpath again.

Again we have our toolpath illustrated here.

Because I've recalculated, I'll need to go back and set a color...

I'll select black...

Now we can preview that toolpath.

And our text is projected down onto the model...

It's cutting to the correct depth, no matter where in the model it's actually positioned.

We can zoom in here, and we got a nice even cut throughout the entire text object.

I'll go back to a plan view and we have one final toolpath to calculate.

I'll close our preview...

...go back over to the 2D view, and click off.

Now I want to select that vector we created around the perimeter of the model.

I want to cut this out of the material...

...so I'll come over here and do a standard profile toolpath.

I want my start depth to be 0.0, because I want it to cut through the material around the boundary of our model.

I want it to cut that away before it starts cutting into the model.

I'm going to use a 1/4 inch end mill.

I got ahead of myself. My cutting depth; as I always do, I'm going to enter z+ .005

...then tap the equals button so that I cut .005 of an inch...

...through the thickness of the material I entered over here in Job Setup.

Again, I have my end mill selected. My 1/4 inch end mill is going to make this cut in 6 passes.

I'm going to cut to the outside of the vector.

I'll use a climb cut.

I am going to do a Separate Last Pass with an allowance of 0.01

I explained the Separate Last Pass in a previous video...

...and I'll link that video up here.

For this demonstration, I'm not going to add tabs.

If I were actually going to go outside and cut this, I would add tabs here at this point.

I am gonna ramp in my plunges...

I'm going to use a Smooth ramp over a distance of about an inch.

I'm going to go ahead and change the name to Profile Cutout...

...and we'll Calculate this toolpath.

Again I get the warning that the tool is going to cut through the material.

That's okay. I want it to.

And there's our toolpath, illustrated right there.

I'll go ahead and preview this.

Because I didn't add tabs, I can double-click my waste material to get rid of it.

And there is our 3D model...

...machined out...

...with our text that I could paint, or fill with epoxy... whichever...

...then sand and finish and we're ready to hang this up on my nephew's bedroom door.

It's sometimes the simplest steps that will make or break the project.

And when it comes to our v-carve toolpath...

...selecting that box right there: Project Toolpath onto the 3D Model...

...can save a lot of aggravation if you're trying to customize or personalize...

...a project, after you've already invested the time it took to cut this 3D model.

I'm going to go ahead and wrap up this video right here.

If you got anything out of this video, I do hope you'll give me a thumbs up.

If you have any questions or comments, please don't hesitate to leave them down in the comment section.

If you'd rather not leave a public comment...

...come on over here to my website...

marklindsaycnc.com

...click on this Contact Us link right here...

...and you can send me a private message.

I do read every private message I get through the Contact Us link...

...and I do my best to answer every single one of them.

marklindsaycnc.com is sponsored by Harneal Media.

The website design company that specializes in websites and web hosting...

...for makers and the maker community.

Harneal Media as well as myself...

...are both proud members of the Makers Media Network.

We're a co-op of makers woodworkers and craftsmen...

...who are dedicated to our craft...

...dedicated to growing the community...

...and helping and promoting one another whenever possible.

So once again I'd like to thank you for taking the time to watch this video.

If you know someone else who would benefit by taking a look at this project...

...by all means share this video on your social media.

If you'd like to follow along with more of this series or any of the other series I'm currently creating...

Or if you'd like to follow some of my other CNC adventures...

I do hope you'll subscribe to my channel.

But whether you subscribe to my channel or not...

...again, I'd like to thank you very much for watching...

...and y'all take care.

For more infomation >> Carving on a 3D Surface – Part 4 – V-Carving for the Absolute Beginner - Duration: 35:44.

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Sunset with GSD/Zachód słońca z Owczarkiem Niemieckim - Duration: 5:06.

Oh, there you're Major

Something beautiful

A super view

Where are you running? Here I have your stick!

Ops, touchwood

Maybe this

Wait, sit

Sit, sit

Sit!

Catch!

It's worth to go with dog on walks

For dog's pleasure

For own pleasure & for these amazing views

Thumb up, who agreed

Thumbs up for these views

What Major, do you lost your stick? Here's many of them

It's forest

Awesome view

Where's Major? Anyone see him?

What are you waiting for?

Come Major, come to me

Good dog!

Good Major, good dog, hey!

Are you watching views with me?

This sunset, right?

Here's the best view

Tuth? The best view is here

The best views are these from nature

Do you want to drink? Come!

Come to me!

Easy

Don't so fast

You probably didn't want to drink so much

Thumbs up for walks with dog

Right Major?

Thanks for watching!

Like, subscribe, comment & share

& see you next time

Major! To me!

Major has more interesting activities

Later

For more infomation >> Sunset with GSD/Zachód słońca z Owczarkiem Niemieckim - Duration: 5:06.

-------------------------------------------

Gần 400 người chết vì động đất, sóng thần ở Indonesia - Duration: 3:05.

Health Network, For Public Health.

Hi, you are listening to audio on mangyte.vn website

Nearly 400 people die from the earthquake, tsunami in Indonesia

All the victims were in the city of Palu, which was hit by the tsunami.

Authorities have warned that the death toll could rise.

Indonesian Respondent Agency on Sept. 29, 1818, said the death toll was 384, with about 540 injured, according to AFP.

In the city of Palu, home to some 350000 people, partially covered bodies lie on land near the coast,

one day after the tsunami reached 1.5 m high.

A man carrying a child in Palu on September 29, 1818. Photo:AP.

The disaster response agency also said it was worrying about the whereabouts of hundreds of people preparing for a beach festival that was scheduled to start on the evening of September 28,

Hospitals are being overloaded because of the number of wounded, many of whom are being treated outdoors.

Meanwhile, survivors help find the dead body.

The tsunami occurred after a magnitude 7.5 earthquake on Sulawesi Island, Indonesia's third largest island, late in the afternoon of September 28, 1818.

Many houses collapsed, power outages widened, communications cut off, while authorities removed the tsunami warning after an hour's notice.

A video of the wave breaking over the coast of Palu, 80 kilometers from the epicenter, collapsed several houses and engulfed a large mosque.

People are searching for the bodies of people killed in the earthquake and tsunami of Palu. Photo:AP.

"I only ran when I saw the tsunami spilling into the houses on the beach," Rusidanto, a Palu resident, told AFP.

The magnitude 7.5 earthquake struck more than a dozen seismic masses, killing hundreds of people on the island of Lombok, in Indonesia in July and August.

Indonesian President Joko Widodo said the military was being deployed to the disaster area to assist the search and rescue team.

Source:Zing.

The content of this article is coming to an end, you have questions, please share your comments below this article.

Please subscribe to the Health Network channel, share this article with your friends and follow up with the next audio.

Hope this article will bring you many useful things.

Wish you always healthy.

For more infomation >> Gần 400 người chết vì động đất, sóng thần ở Indonesia - Duration: 3:05.

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DIY即席ドレスと合成動画のプチ知識Mini knowledge of DIY instant dresses and synthetic videos - Duration: 9:46.

For more infomation >> DIY即席ドレスと合成動画のプチ知識Mini knowledge of DIY instant dresses and synthetic videos - Duration: 9:46.

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Darksiders 1 - I'm Out Of Practice! - Part 1 - Let's Play Darksiders 1 - Hudinio Gaming - Duration: 51:08.

Hello everyone, my name's Hudinio and welcome to

Darksiders 1, if you're not already aware Darksiders 3 will be coming out at the end of november and I want to take this opportunity to

Play the first 2 in a let's play style. I'm thinking about an hour for each episode

we'll see how its received and maybe I'll cut it down cut out some of the

Extra stuff that isn't really pertinent to the game itself. But yeah, so let's just get started with this

I haven't actually played this game before I played a little of Darksiders 2, but never the first one so but start on normal mode

Let's just get right into it I'll probably be pretty quiet during cutscenes the dawn of time the

Armies of heaven and has has waged an endless war

Drawn to the conflict was the charred Council

And entity bound by ancient laws to preserve water and balance

It held that any great power

unchecked

threaten the very fabric of the universe

in time

Heaven and hell Hindu honor the council and its laws

For none were beyond the Swift and terrible justice

versus

Fearsome Brotherhood known as the four horsemen

Amid the turmoil the first humans emerged

The council foretold that these weak were cunning creatures

And some may be integral to the balance

Thus the third kingdom was named

the kingdom of man

The truce was forged between heaven and hell

The great pad was bombed by seven seals to be broken at the appointed time

When man's kingdom stood ready for the end war?

and battle that would bring balance and

Determine the ultimate fate of the three kingdoms

What is happening here

a typical, New York

Whoa

Is that me my fighting

It looks like a do name

- ready to fight

Yes, I do okay x2 attack

All right so far so good I

Jump

Oh, yes no more head for you

All right beautiful doing all right so far we're gonna fight big guy now, let's fight them

Thank jump yes

Chaos for wow, that's so cool. I

Am so much bigger

And he's gone

Takes care of that. I didn't know this one took place in New York

Darksiders 2 takes place in

More of like a fantasy style realm so this is awesome

Can I drink back down?

Oh they all know and love me already

So I guess in this one I'm playing as war in the second one you play as death. So this is awesome

War is here to save you. I just cut that guy in half. Oh, no, I feel so bad

All right, where we going? Can I sprint? Oh?

All right

Okay, I think I'm gonna take on the big guy right that that seem right only makes sense

These guys fly. Yes big form. Let's do this

Okay, all right

Alright those guys were no problem in this chaos armed this guy looks like he might be some trouble

He he's out of his chains

Guys have to chase after Oh

That's not good can I catch up to him

So big oh my god I even hit him

Okay blocks that path

So am I just following this guy around for right now, but I could stop him

So I can't hit him

They are they on my side

Yes, you will all right

Oakland, oh I almost beheaded him. I want to behead this guy. I think never mind. I won't get a chance to

Okay

Hell is breaking loose in New York. What is that?

Okay, I can probably climb it Monica growth can be traversed press a to jump on the surface. Okay got it. I

Am low on health I did not realize

Okay

So I've got more of this stuff so far pretty straightforward oh

Yeah, who's ready to kill him, I guess I'm out to fight this big guy now right horizontal pipes

Yes, yes, okay

That's easy enough, I wish it was a power slide

Okay, I've got more of this stuff to jump rope, oh there goes that so am I just taking a leap of faith

Yeah, looks that way

Quickly move and say Oh

Alright, let's just get out of get away from them

Okay, is there a way for me to get more help

Doesn't look like I pick up health by

Doing my special attack on them like in other games like this

So I have to try to find some more help I think

Okay, mix sealed old cheese

Whoa, okay. So my health bar looks like I have four lives

Okay

Right easy enough. Can I get through here now? Nope

There we go, all right, let's see

Jump down. Yes. Okay seems like the right thing to do

Jesus

Bye-bye helicopter

They open a store now

Alright everything seems pretty linear. Okay cool. We can slide down times like that. That's so cool

These guys are such a pain in the ass. Oh I

Just use a destructive best in the face

So, why are these guys trying to kill me I haven't I don't know that part of the story yet apparently

Okay

Good to go

Do you kind of wish the camera was slightly easier to maneuver?

It's a little difficult where we going

Looks like there's a red skull thing over this way

Have you got the bus

Nope cannot pick up the bus

Nope, okay, that would have been cool to pick up the bus. Oh

No, I think I just fell to my death oh god, that's so embarrassing. Okay. Let's do that again Oh God

There we go

Or New York, you're just getting destroyed got more of these guys

Well, I guess I don't have to deal with those guys

Impossible a Vuitton, what is this? Where are my brothers? This cannot be?

Seen

My lord

How did this happen

The Seventh Seal was not returned

Oh

What in heaven's name have you done unser

Well answer the call to what

Hey, what are we doing?

Throw cards on each other it seems fun. Let's do it

Oh

Okay, don't get hit by things

I

Am using a lot of help through this guy there especially I'm supposed to be fighting him

My just supposed to be using cars as weapons and avoiding everything else

Oh No, what's naming right I'm in that car

Jesus yes, we will just throw cars of each other

Okay, there goes that car I am gonna die again soon

Is there a boss health bar

Okay, let's wait for more cars, I think

Whoo

Okay, I can avoid that pretty easily

There we go, there's some cars

It's so funny

Okay, so it looks like dodge dodge throw cars

I don't think I have arranged attack

Okay, he's down he's down

Yes, okay we got that be

Any QuickTime events, I need to worry about here Oh

No

What's that horn? Oh

Okay, guess I'm not meant to still improve

Oh

To hell with your claims the seals were broken I was summoned

When I wrote heaven and hell were already at war Adonis

I faust powerless against the demons and still you accuse me. I

Serve only that counsel only

the balance

As the horsemen always have yeah, he sound me back. I will punish someone's

responsible

Then I will fail and the demons will have carried out your sentence

Alright looks like we're going back for some redemption

I will really get under your skin

Not get it

Okay, so I'm playing us war I have to go back to earth it seems to

take care of

the destroyer I had this guy who's gonna follow me around in case I do anything wrong it seems

Seems like a good plot. I

Guess I jump in here, right?

Let's take it it's mine. I want that

Yes

Cool sword

Wars legendary blade also stripped of its former strength and power so, okay

Alright harnessing the power of the chaos eater. This attacks summons a field of deadly blades a round war

Obtain your first wrath power press to enter

Consumables and Raths like a wrath power or consumable item

Yeah, I want this okay, it's already bound here easy enough

Yep, I like it

Okay

Can I try it?

The souls of the Dead will be up Aaron see some enemies are more easily bought than killed

Thank you

Yes souls of my enemies

Souls manifest in three forms currency health and wrath, okay

The council confers with demons now

Some demons have fallen from the Destroyers favour

Don't question the council

Looks like our trajectory was a little off

That's a fast Horseman

I say you

Better not bear your teeth understand

Or should I teach you to play dead such a dick

Oh, I hope I get to kill him later

Okay, so find the demon vulgrim, let's look around first anything going on around here

Some of the watch by pressing and holding that button okay. I want to pick this up

That's so much fun that's never gonna get old. Oh, okay and I get currency for doing that oh

Do that always

They get anything for that, yes. Yes. I did cool. All right

Just a well in there. Oh

Yeah, I already know about double jumping

Okay

where to

Grab move along most ledges, okay

and jump

Straight forward Oh

Oh

All right, so these guys are going back to life should be easy just some zombies the Welcome Party

Yes war why don't you introduce yourself, okay, let's do it

Atticus, yes

Okay

Get rekt. Oh no. No my d the attack is on these guys if they even have one might nuts

Now I only have one of those health bars

But take it I was supposed to die

Well, not die the way I did by falling off a ledge

But yes die in the sense that I wasn't meant to get anywhere there in the last round

Okay

This is very god of war s

In that it's basically X mashing I guess until I get more moves. Oh

That was easy enough, okay. How do I get there?

All right Wars gauntly close near interactive objects such as chest press B to activate them. All right. Oh

You don't get to just hit me

All right, can I do this? Yes

Well, maybe I didn't just jump in there

All right, well I assume that it's my next course of action

Okay and off alright where -

Where - that's where I just came from

I'll be down No Oh

What's up

There we go

Who guy hits hard

Jesus okay. All right. All right. All right get away from him

Work and drag certain freestanding objects found within the Edit and by a man pressed beep to shift objects. Okay? Yeah

Now's not the time for that

Okay, get off get off

Where's the big guy go. Alright, he's wandering around that's good. I don't want anything to do with him right now

Where can I get more help and need help now

This is getting to be a problem. So do I even have to attack those those guys? I'd rather not if I can help it

Oh

Oh here comes a big guy get away from

She's still behind me. Yes, he is. He is sprinting for me. I don't like it he is so strong

Okay there looks like some help here

Yes, I want this

Okay, yeah, it's great full health let's get out of here I don't want to attack the guy if I can help it

Are you laughing at?

Okay, I don't think he can attack me from up here

There it is, that's how I do it to move faster here

Let's get rekt son

Thought I could des into them and kill them like that they seem to give me that option maybe I said do it right

Okay, and here I need to worry about

Well, okay, I guess I just jump off of that

Okay

We go. All right. I think we're away from that big guy. Now. I know I'm gonna have to fight him at some point

It's fell right back down didn't I?

Everything is shaking. All right, what do we got here one of the steel gates?

Can't get through that until all enemies are dead

It's gonna be an issue

These guys are all gonna get wrecked

Yes, Oh orange giving it to these guys whoa

Okay, you're next pal

All doing so well against in

Whoa-oh

He killed war

Ok restart last Waypoint, let's do it. Where are we? Okay, not too too bad

I am way out of practice with these style games. I haven't played one of them in so long

Insert obligatory excuse for death here

All right, there we go I can totally take this guy right

Oh, yeah, let's not get hit by the big guy try to keep some distance. I want to see what the tacks are

Huh, okay

What did that just say about using a special power I missed it there it is, okay

Yes good

And he is dead yeah just finish them off with your fist punch around the throat

All right, here we go got a health pack you're good to go any more of these guys around nope

That's way

All right, not too shabby so far yes, I've died a few times but honestly it's to be expected

Okay, if you watch any of my other series, you know that I die pretty much every episode

Okay, I'm not gonna waste any powers on you guys you guys are too easy

And do however one. No, I don't want this help just yet

I'm assuming I'm gonna need I'm gonna need it soon

How long was I gone

in earth years

About a century long enough for the last of the mouth-breathers to die off. Oh well

The third Kingdom is lost

That baby guy

Wore such a badass

That's my shopkeeper

Introductions

And even that's my former self I'd

Feed him

Like five hundred Souls he would seem in fulcrum. Okay, let's do it

Demon trinket that reveals location of all nearby chests on the map. I like it

Oh, I need to turn off the steam over like sorry about that, all right 500 Souls

This might take longer than I thought oh we got this guy again. Hello

Oh, okay. I don't have enough enough for that rage there

I'll have to kill him the old-fashioned way throwing cars at him

I

She's okay

Okay, hey guys sup dashing into his attacks that is not how we played this game

Which health do you have guy

Areas ok, give me your soul. Hopefully he's worth a lot

How many souls I get not enough souls for that

Okay, let's go kill more more of these little zombie guys Oh chest that health

That looks like health to me. Do I need it right now?

Sure

Probably can't hurts. Alright off to collect more Souls wonder if I can go down to the subway

This is basically just a big open world at the moment, right?

All right halfway there looks like each one gives me about

What's that about two souls each

I

Don't like those things

How do I get down? I don't get down. All right drop. How do I draw? Okay

This this is just a chest of souls

Yes, okay, I don't know 50 more I am just going to ignore

Them is there an easy way out of here. Can I swim? Yes looks like I can swim

Press B to descend why to ascend RB 2 dash

Anything down here I need what's this?

Give it to the leaders of Hellas trophies for the carnage the end days return to vulgrim he will reward you

All right. Do I need to breathe? It doesn't seem like it's

Okay, you look good to go here let's get out of the water

Let's get let's get out of the water

Okay, that's good 146 more Souls, I think we can do this let's go find more secrets

Stupid vulgrim put me on an errand to go find souls for you

Let's see, where are there more enemies here this way?

Alright see another chest down there there should be another good source of souls get rekt son

Just there more I hear hear music like there's more. Okay, give me this chest

We got 466 alright, not too bad is that 34 more should be easy enough I can do this

Yes

Everything in this world so far seems to be interactive Willie. I just broke a fire hydrant, which is awesome

I've just frickin trees earlier

Pickup it seems almost anything and use it as a weapon

Speaking of which I haven't thrown a car in a while. I might want to do that soon Oh

What's this guy

Blocking our be while stationary to block incoming attacks, that would have been so helpful

However, I'm not about that blocking light

I

Really should learn to block though

Locking is come in handy. Sometimes well, I've never been one to do it. Alright for more Souls you

Guys are the lucky -

That's it

Alright, ah do I want to explore a little bit more there

was that cool seal that I had I can bring to him from the Lord so

Yeah, yeah, I know it's not ready to go yet like this but more Souls over here

That's I hear something big outside what's crazy. No, I am NOT crazy

This guy's gonna die first

Oh

out of here guy

Oh

There's so many of you

All right, maybe I should have gone back to boardroom Oh No

Oh, I

Want to take care of the little guys first

Whenever I get the big guy to take care of him for me

Okay doing that gives me some help back which I desperately need

Yes, come on come on daddy oh

I literally just stood there and took it I was blocking and then I stopped and that's not smart

Why is my health card red?

Are you showing me? It's my last health bar

Who are you?

Okay, I want this guy dead

It's annoying me

I

Might not get my wish stuff she's yep

Yes up dashing right into his attacks last waypoint, oh

No

Do I not have all my souls nope, I still have them all okay

You will find he has no friends of the destroyer

Seek me out when you gathered more Souls

Wait, but I have that trinket. I wanted to give you oh, man

All right, well, I think that's a good place to leave this episode Master Clare craft torn

Just call the weekends ancient gates press right trigger to activates

Some creatures can't be knocked down by your callers deafening blast right trigger, okay

Alright guys, so I think I'm gonna call this episode here. It's a pretty decent start

Should be about 40 minutes

So let me know what you think of this game down in the comments if you want me to continue this series

I really enjoyed this style of game just like the kind of button mashing

Action all the time type games and I do promise in the next few episodes. I will get better

I'll stop dying when I get used to the attacks the moves that controls everything

So hit that like button if you liked it subscribe if you haven't already

I look forward to chatting with you in the comments, and I'll see you guys in the next episode. Bye. Bye

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