OBVIOUSLY OVER THE LAST FEW
YEARS, T.S.A. REALLY CRACKED
DOWN ON EVERYTHING.
SO CRIMINALS HAD TO GET A LITTLE
SMARTER ON HOW THEY COULD
SMUGGLE THINGS IN AND OUT OF
PLANES.
AND THIS WOMAN SHE DECIDED TO
STUFF 27 POUNDS OF COCAINE IN
HER MOTORIZED WHEELCHAIR.
IN HER MOTORIZED WHEELCHAIR?
ALLEGEDLY.
IT WAS A FLIGHT FROM ST. LUCIA
TO J.F.K., GETTING OFF POLICE
NOTICE THAT HER WHEELCHAIR SEAT
LOOKED A LITTLE FUNKY.
SO THEY CHECKED IT OUT A LITTLE
BIT.
AND THEN THEY BROUGHT THE DOGS
AND THE DOGS SNIFFED IT.
HOW DO THEY GIVE THOSE DOGS
TO SMELL COCAINE SO WELL?
DO THEY GIVE THE DOGS COCAINE
AND THEY SAY OH, MY GOD, THIS
TASTES SO GOOD IN MY BODY?
AND THEY'RE LIKE, I WANT TO FIND
IT.
YOU THINK ALL OF THE K-9S ARE
DOPE FIENDS?
THEY DO.
NO, THEY DON'T HAVE DOGS
SNIFFING COKE.
THIS IS THE BEST WALK EVER!
[LAUGHTER]
For more infomation >> 27 Pounds Of Cocaine In A Wheelchair Caught By TSA | TMZ TV - Duration: 1:17.-------------------------------------------
Wayne Dyer - Understanding Yourself and Others - Duration: 10:15.
Wayne Dyer ☯ one of my favorite poems from a man who has influenced my life in a very big way
who lived back in the 13th century named Mevlana Gela luden Rumi was asked a
question in this poem where is he I
tried to find him on the Christian cross but he was not there I went to the
temple of the Hindus and to the old pagodas but I could not find a trace of
him anywhere I searched on the mountains and in the valleys but neither in the
heights nor in the depths was I able to find him I went to the Kaaba in Mecca
but he was not there either I questioned the scholars and the philosophers but he
was beyond their understanding I then looked into my heart and it was
there where he dwelled and I saw him he was nowhere else to be found he was
nowhere else to be found God Allah Krishna the great Dao the divine mind
the divine intelligence it makes no difference what we call it it is what we
are and when we live from that place we find that the only thing that defines it
is something called love that when we have that within us and that's the only
thing that we have to give away a great teacher in India many years ago back
2,300 years ago named Patanjali define this kind of elevated consciousness he
said when you are steadfast and this is what I encourage for you and this is the
ladder that I have been climbing since I was a little boy in an orphanage all the
way up through all the writing that I have done and the raising of children
and Here I am now at the age of 72 and got to the top of this ladder that
was placed before me that was put there so that I could escape from this world
meaning I could escape from the illusion that this physical world is what defines
me if it is constantly changing then it can't be real
it can't be because the minute that you say that's real and then you look at it
and it's different what is that is the 20 year old body that I was in real if
it doesn't exist anymore the invisible miss the formlessness the
boundary lessness of Who I am is what is real and Patanjali said when you are
steadfast in your abstention of thoughts of harm directed towards yourself and
others that all living creatures will cease to feel fear in your presence you
can have that kind of elevated consciousness when you shift from the
ego whose mantra is what's in it for me how much can I get
how much can I make how good am I going to look how much power are going to have
to the place when you get up higher and higher on that ladder where the internal
mantra says how may I serve how may I serve how may i how many I reach out and
do something profound and beautiful for those around me you are all the
beneficiaries of a prophet named sheikh zayed a prophet who had within him that
kind of awareness that i am not going to take the idea that i am better bigger
stronger more powerful because I have more I'm going to take what has been
given to me and I'm going to extend it to all of those around me
and as we begin to think in these ways live from this level of consciousness we
shift and we find as this final poem demonstrates I am a poet I write a lot
of poetry I've written a lot of poetry studied it taught it at the university I
always thought you would come to me in the shape of a beautiful lover I never
dreamed you would steal my heart with no shape at all I always pretended I needed
arms to hold me and lips to kiss away my pain yet I find fulfillment in the
embrace of empty space I always wished you would speak to me with words of
tender sweetness but I know you whisper silently of your unending love I always
knew I would find you although I foolishly looked with my eyes you were
here with me all along hiding just outside and out of sight of
my heart it's within each and every one of us divine consciousness divine love
love has three phases human love is a love that changes and a love that varies
I love you a lot because you're so nice to me but you weren't so nice to me now
and you forgot to do this and you didn't do that so I don't love you as much and
it varies sometimes I love you and sometimes I don't love you very much at
all that's what we call human love spiritual love is the love that you have
for your children that I have for my children who sit there with me here on
this trip it's a love that never changes it doesn't matter what they do it
doesn't matter how bad they are no matter whether they please me or
don't believe me my love for them is infinite but it varies he it's stronger
sometimes and not as strong as others the love I'm asking you to consider is a
love called divine love and divine love is a love that never changes and never
varies it's a love that is just like the juice inside of that orange no matter
how you squeeze it it makes no difference the only thing that comes out
is what's inside and this interior part of you that we call the soul or the
spirit the way it is defined is that it is infinite and infinite means it
doesn't stop and it doesn't begin its birthless it's deathless and it's
changeless and it's who you are looking out in this illusion called your body
which an hour from now will be a different body so which one is real your
soul only wants to expand before I had children I had eight theories about how
to raise children now I have eight children and no theories but one of the
things I know for sure about raising children is that nobody likes being told
what to do because it's an insult to their soul their soul does not want to
be compartmentalized it does not want to be put into a box it does not want to be
told what its limitations are your spirit your interior Niskanen o is
always there that just it's infinite meaning it doesn't stop anywhere and if
it doesn't stop anywhere it is always expanding and the minute that anybody
comes along and tries to restrict it put it in a box tell it what it can be and
what it can't be it's miserable don't allow anybody to put you in a box who
you are is a divine piece of the source of God and move in your life to a place
where you understand it's who you are again to close with my great teacher
Rumi from the thirteenth century you who seek God apart apart that what you seek
thou art thou art if you want to seek the beloved's face polish the mirror and
gaze into that space because in every moment of your life and mine we have
this choice you can either be a host to God or a hostage to your ego it's up to
you god bless you
-------------------------------------------
Grit & Bear It | Season 2 Ep. 2 | AMERICAN GRIT - Duration: 1:39.
JOHN CENA: Welcome
Today the mood has changed.
It's our first elimination challenge.
It means one competitor will ring out,
and that's the competitor that can't handle this.
Each of those frames are hooked up to an axle.
When I say so, we're going to tilt it forward.
Then a little more, then a little more, and they hang on.
First one to splash, that's who rings out.
[bell ringing]
Competitors, grab your bar.
Rotate to the first position, let the test begin.
You good?
Just relax.
Listen to your body.
JOHN CENA: We have four positions.
I firmly believe everyone can make
it to that fourth position.
5, 4, 3, 2, 1.
Get it to the next position.
5, 4, 3, 2, 1.
Bring the frames to the next position.
You got one more of these.
5, 4, 3, 2, 1.
Set the frames to the final position.
JOHN BURK: All day long. - I'm good.
JOHN CENA: Your hands getting sweaty?
You're good.
And I expect to be here for an hour.
It's anybody's game.
Everybody hang in there.
I'm just so sweaty.
JOHN CENA: Hands getting wet.
Don't you drop the bar.
Hang in there.
-------------------------------------------
ילדים אלופים צפו בכישרונות בארסה זוכים בגביע! - Duration: 4:10.
For more infomation >> ילדים אלופים צפו בכישרונות בארסה זוכים בגביע! - Duration: 4:10. -------------------------------------------
Colors For Children To Learn With Bad Baby - Teach Kids Colors With Bad Baby - Duration: 11:59.
Colors For Children To Learn With Bad Baby - Teach Kids Colors With Bad Baby
-------------------------------------------
棒人間/RADWIMPS『フランケンシュタインの恋』主題歌(Full Covered by TAKASHI) - Duration: 4:52.
For more infomation >> 棒人間/RADWIMPS『フランケンシュタインの恋』主題歌(Full Covered by TAKASHI) - Duration: 4:52. -------------------------------------------
Top 10 Bruce Lee Movies - Duration: 6:11.
In his short 32 years of life, the legendary Bruce Lee has revolutionized film, pop culture,
philosophy and martial arts.
The world has been influenced and changed for the better by his artistry.
And has single handedly brought together eastern and western culture and increased the popularity
of martial arts movies throughout the World.
With that being said, check out this ridiculous fucking clip of bruce lee playing ping ping,
let's pay homage to the greatest.
Welcome to our list of the Top 10 Bruce Lee Movies.
Number 10: The Kid ((15 seconds of fight scene for each number))
As his first leading role in film at the age of 10, this 1950 Hong Kong drama film starring
young Bruce Lee was the beginning of his legendary quest to becoming the greatest Martial Arts
actor of all time.
Co- starring with his own father Lee Hoi- Chuen, young Bruce plays an orphan that is
raised by a skilled thief.
cough cough, sorry, let me drink my Waaaattttaaa!
Number 9: In The Face of Demolition Regarded as one of the best Chinese motion
pictures, this black and white film of young Bruce Lee is super low key..
As most Americans have no idea, that he was ever in this movie.
Directed by Lee Tit, yes that's his real name and produced by Chan Man, this 1953 film
is a must watch if you're a true Bruce Lee fan.
Number 8: The Orphan In this 1960 drama film starring the teenage
bruce Lee, he plays a young thug Orphan who gang bangs for the Triads who loots and steals.
But after Bruce's character Ah Sam becomes friends with the headmaster of a local school,
he gives up the thug life and becomes a student.
This film is credited to show Bruce Lee's diverse acting skills.
Number 7: Marlowe "The word is you're a cool cat"...Bruce
Lee plays Winslow Wong in this 1969 neo noir film, starring James Garner.
As James refuses to take the 500 dollars to keep quiet, Bruce Lee goes all Bruce Lee and
fucks up his whole office in seconds..
Even jump kicking the chandelier.
Fucking gangster.
Number 6: The Big Boss Written by Bruce Lee and director Wei Lo,
when The Big Boss debuted in 1971, it was the highest grossing film of all time in Hong
Kong beating out the Sound of Music.
The film was based on the true story of Cheung Chiu-on who fought tyrants in Thailand.
This film was credited for launching Bruce Lee's fame all across Asia.
Number 5: The Thunderstorm This 1957 Hong kong drama starring Bruce lee
shot him up to super stardom in China and Hong Kong.
The Thunderstorm was based on a play by Chinese play writer Cao Yu called Thunderstorm.
Young Bruce Lee was pulling mad ass with that combover, next time ask your barber to hook
you up with the Thunderstorm Bruce lee..
Number 4: Fist Of Fury In the darkest story line of Lee's films,
Fist of Fury has one of the more epic fight scenes ever in an martial arts action flick..
As Bruce Lee fights hordes of Japanese fighters to avenge the death of his master who was
assassinated by a spiteful Japanese school.
when you search fist of fury on pornhub, you don't get a bruce lee movie.
Thats forsure.
Number 3: Game Of Death When a 5 year old boy amazingly reenacted
the famous Nunchuk scene from The Game Of Death, it brought back awesome child hood
memories.
This 1972 unfinished Hong Kong film , was directed, written, and starred by Bruce Lee.
Tell me guys in the comment section below, How sick was that showdown scene between him
and Kareem Abdul Jabbar?
Sadly, The Game OF Death was his last role as he died during the making of the film.
Number 2: Way Of The Dragon Considered a culture clash comedy, Lee takes
the nunchuck game to the next level going double fisted nunchuck mode in Lee's directorial
debut.
An epic finale fight scene between his real life student Chuck Norris at the Colosseum
goes down as an iconic moment.
Did you know Chuck Norris' Guns carry him for protection?
And yes, bruce lee beat Chuck up and then taught him the way of the dragon...some say,
that was the passing of the torch of bad-assness..I think i might have invented a word..
Number 1: Enter The Dragon Easily the greatest Martial arts movie of
all time, and it's not just the fight scenes but the overall well rounded plot, like his
roundhouse kick.
Lee's character's sister commits suicide from the crime boss han's henchmen, he participates
in the underground fighting tournament held by Han and seeks revenge.
Enter the Dragon is considered by many filmmakers as the benchmark to creating an epic martial
arts movie.
And there you have it, our list of the Top 10 Bruce Lee Movies.
Did we miss any other great films by the great one ? If so, mention them in the comment section
below, and as always/don't forget to like, share, and subscribe.
-------------------------------------------
'런닝맨' 유재석, 예능신이 선택한 제왕 | 핫 뉴스 247 - Duration: 6:26.
For more infomation >> '런닝맨' 유재석, 예능신이 선택한 제왕 | 핫 뉴스 247 - Duration: 6:26. -------------------------------------------
'세모방' 박수홍X김수용X남희석, 극한 홈쇼핑 "웃겨서 구매불가" - Duration: 5:34.
For more infomation >> '세모방' 박수홍X김수용X남희석, 극한 홈쇼핑 "웃겨서 구매불가" - Duration: 5:34. -------------------------------------------
This is how we roll Saturday 6/17/2017 - Duration: 2:53.
Rich pulling the group on International
Rich...
Rob...
Bob H...
Paul...
Alan...
I went solo at this point
-------------------------------------------
Hiểu Về Trái Tim .Phần 38 .Sám Hối ( Giọng Đọc Hồng Hạnh) - Duration: 18:00.
For more infomation >> Hiểu Về Trái Tim .Phần 38 .Sám Hối ( Giọng Đọc Hồng Hạnh) - Duration: 18:00. -------------------------------------------
'복면가왕' 흥부자댁 6연승 성공, 마린보이는 존박 - Duration: 3:21.
For more infomation >> '복면가왕' 흥부자댁 6연승 성공, 마린보이는 존박 - Duration: 3:21. -------------------------------------------
Water Main Break Snarls Traffic, Disrupts Service In New Rochelle - Duration: 0:30.
SO SHE WAS TRYING TO GET OUT
THE WINDOW AND CLIMB OUT.
THE NANNY EVENTUALLY PULLED
HER TO SAFETY.
THE TODDLER HAS A BRUISE ON HER
ARM BUT IS OKAY.
TRAFFIC IS BACK UP AND
RUNNING THIS MORNING IN NEW
ROCHELLE AFTER A WATER MAIN
BREAK STOPPED TRAFFIC AND
CAUSED FLOODING IN THE AREA.
THE NEW ROCHELLE POLICE
DEPARTMENT CLOSED ONE LANE ON
MAIN STREET AS A RESULT OF THE
BREAK BUT IT HAS REOPENED.
IT WAS REPORTED AROUND TO 30:00
A.M.
THIS MORNING.
AND AN OFFICER WAS ALSO INJURED
AFTER HIS VEHICLE WAS HIT BY
-------------------------------------------
Hiểu Về Trái Tim .Phần 39. Lười Biếng ( Giọng Đọc Thái Hòa ) - Duration: 15:13.
For more infomation >> Hiểu Về Trái Tim .Phần 39. Lười Biếng ( Giọng Đọc Thái Hòa ) - Duration: 15:13. -------------------------------------------
Markelle Fultz 'ON FIRE' Shooting 3 Pointers | Markelle Fultz Philadelphia 76ers #1 Draft Pick? - Duration: 3:40.
2017 Finals MVP heaven
Oh God draft preparations John has a past
couple of weeks been for this process has been a blessing really found a
little gonna join it just being able to travel do what I want I knew what I love
it's really been a good process so and he thought about my draft night will be
like Markelle Fultz on the sixersI'm not really harming him yeah I'm just thinking but a opportunity
house lesson that night with me and halflings novio
how does my soul focus on organ Alan being in London right now I really got a
chance to who's been about even training here you're here Jim early in Maryland
you're going to be training again tonight for the boston celtics Markelle Fultz
I guess maybe can you take us real quickly through it's a typical day in
this process please yeah I mean pretty much a wicked long seven-speed breakfast
foods to work out in the morning around 9:00 or go running spin around slow slow
one I'll work out again different shocks up with a little bit of conditioning and
not get another mill and then I usually go shoot at night up DeMatha or
somewhere with my friends and my buddies back home and we'll get some shots up
and they play partying a little to do something like that and you visit the
Celtics pretty recently what was that time like being impressed even
that was a great experience I really just to being up there and see you
Markelle Fultz 76ers and my first time in Boston so I think that's really been a good
experience just seeing how they operate really see how they work out though you
know let me family worry they are how they really hear about the players and
everything going to get and what would it mean to you to be the number one
second in bed now I mean a lot something I think I put a lot of hard work in to
this day and I think there's you know one peak I think I fill in my socks and
do everything that no one face deserve to go so I think we need election
you
-------------------------------------------
t 005 OkapniLim - Duration: 0:44.
For more infomation >> t 005 OkapniLim - Duration: 0:44. -------------------------------------------
Flea's Amplifier Rig - Part 2 of Know Your Bass Player - Duration: 6:32.
Welcome back to Know Your Bass Player. This is part two of Flea from the Red Hot Chili Peppers rig
Right on!
Get up!
If you've missed the first episode you can click the link down below to catch up go on I'll wait...
... and with that. Let's talk amplifiers.
Flea had a short stint using Ampeg heads and cabinets back in the first two albums
Before switching to Mesa Boogie in 1989
His Boogie gear was a buster 200 head with three sets of Boogie cabinets
Two tens and two fifteen's
Over time he replaced the buster head with a Gallien-Krueger 2001 RB.
the same was true for his cabinets replacing those
with three 4x10's and three 1x15's
He's stuck with GK since that time but had a short break during 2011's
"I'm With You"tour. Flea was using a reissue of the Acoustic USA 360/361 bass rig
Originally made famous by classic bassist Jaco Pastorius
as well as John Paul Jones from Led Zeppelin.
According to the Premier Guitar video for 2017.
Flea is back to using his old Gallien-Krueger rig.
His current rig has one master head with two slaves that power six cabinets
Flea's strings are pretty straightforward . Early in his career he was using the Ernie Ball Round Wound Slinkys. 40 to 105
He then moved on to his own signature set. GHS boomers,
which have a special stainless-steel and nickel plate combination
In all of Flea's basses from the Californication, era. He has used Lane Poor Pickups.
A highly sought after pickup and only recently back in production with a legacy model.
the highs are very clean and have an extended bite.
Whilst the mids are detail and slightly nasal.
The fundamentals are even and clear.
These pickups are passive and Flea combines these with an Aguliar preamp to increase the sensitivity and the output
Aguliar preamps have a high headroom , low distortion and can reproduce the full dynamic range.
many bass players like this combo because of those features
Lastly on the subject of tone pretty much all of Flea's Modulus basses are fitted with BadAss two bridges
This is believed to add more sustain and further configuration to the saddles
It's also been said that on some Fender models
Unwanted vibrations and movement of the saddles can be a problem
these types of Bridges lock down the strings which can alleviate this
Flea's technique was to play as loud and as fast as possible playing every note as if it's your very last
he came to a natural progression of learning funk after listening to Bootsy Collins and Larry Graham
Using techniques like slapping and popping and combining it with the aggression of punk.
he developed his own style of loving funk and playing with punk aggression
songs like get up and jump or a great example of this aggressive funk.
Feeling that this style was getting a bit too aggressive and busy.
Flea learned early on to turn down his aggressive style
citing that writing the song is more important as a whole and to consider the bigger picture.
this helped him to add another dimension to songwriting.
He also started to write songs on acoustic guitar before transitioning
the chords back to the bass.
Many of the songs Old and new have Dynamic Transitions.
"Around The World" is a great example of this.
where the verse is quick and nimble
Playing across the top of the neck to the very bottom come the chorus he plays a more melodic
conventional passage which hangs onto every chord.
This dynamic is present in a great deal of Chili Pepper songs. Especially in the recent era.
Having a steady paced verse and an intricate chorus
Like "Hump De Bump" or "By The Way".
Or a driving verse and a spacious chorus like "Give It Away"
A player like Flea has such a wide range of influences.
He's no doubt tried every and any effects pedal on the market
keeping this discussion current
We'll talk about what we know he uses on his 2017 rig.
A Malekko B fuzz pedal. Used on songs like "Around the World" and Throw Away Your Television.
He's dialed in in the following settings
MXR micro Amp Pedal. Flea uses this pedal for when he needs a clean boost
either play slapping, solo or playing a lead part.
Electro Harmonix Q Tron. He uses this pedal on the classic "Sir Psycho Sexy" and at a few other points during our live show
he's also said this pedal is mainly for fun.
Boss Bass EQ. Cited for taking off the high end and giving him a reggae dub sound which he only uses on dreams of the Samurai.
There you have it guys. That is the rig rundown for Flea. we've gone over a lot today
and there were quite a lot of details that we couldn't add to the video due to time.
if you'd like to see the full amplifier specifications and effects pedals and the settings he uses.
Take a look at our show notes which we have linked down below.
If you liked the video, please give me a thumbs up and subscribe.
and if there's a rig run down you would like to see in the future.
Let me know! and I might just do it in the future. if you haven't seen part one
What are you still doing here? Go watch that!
Thank you for watching and I'll see you next time
Take your time
-------------------------------------------
ADAM THE WOO AT DISNEYLAND | THEDAILYWOO QUICK TIPS & FUN FACTS - Duration: 3:06.
I'm speechless right now I'm speechless now you guys guys you're a Disney I'm
look who it is
adam the woo you found me if anybody knows anything about me or my
brother Shane this is the reason why we started vlogging Adam the woo
because of Disneyland
this guy this guy first off I admire you so much because you upload daily a daily
upload daily I mean perfect ask you how you do that how do you do that thank you
come on my brain is not working like a normal person very little sleep and I
some people say it's dedication but it's more of like a psycho mentality
basically have no other life than filming and editing and
uploading and that's about it you have no social life well that your social
life is for you is YouTube my friends are all on the Internet but you have great
stuff is great listen I want you guys I'm gonna leave a link right down here
actually right on the screen link oh you do one of those little initiation
adaptations that I'll talk about please Like us I'll put a card a card on where
the card departs great here not gonna be embarrassing that's it's right there by
through either one so hard go see Adam the world he does great stuff every day
every day as I start my mornings my coffee man Wow
yeah I need to get some coffee as well every down there and my favorite coughs
here's a little inside tip my favorite coffee place is down there by the
Capitol the left hand side a little vestibule yeah and here's a fun fact for
anyone who goes to Walt Disney World or Disneyland there are more little stands
for popcorn and coffee at Disneyland there are Disney World
yeah really search for them or wait in a long line like Starbucks going right I
just here here or behind everywhere if you want popcorn you just go get popcorn
right there
if you like home here and I look I prefer I know they world you'll know
that to use rayon I've been here a while I'm not wearing a magic band I entered
the park without a magic band that's just like boy lucky almost years I heard
you coming Magic Man it's probably a lot of people the the Disneyland old-school
people yeah like the magic bands right but it works it works very very well I
think it's one plus it looks too cute is any different ones bent your whole
paycheck on magic grams there you go anything thank you so much Adam go check
his channel out I love this guy you'll see you'll see why a little bit thick is
a much buddy
hi Roz oh you're beautiful thank you so much bye everybody
Oh
-------------------------------------------
Up Close with All of My Fish (Fishroom Tour) - Duration: 6:37.
Every three months or so I do a full tour of both my basement fishroom and my 220 gallon
display tank.
I'll start downstairs, where I have two 55 gallon tanks,
7 40 gallon breeders,
6 10 gallon tanks,
a 33 long,
and a handful of breeder boxes.
I'll start with this 40 breeder that's divided into three sections.
The left section has a couple of male Maleri Sunshine peacocks, along with a few females
as well as a few female ruby red peacocks.
The middle section is a male Placidochromis Phenochilus Tanzania, or Star Sapphire.
The right section is a male F1 Red Shoulder peacock.
Here's a closer shot of the Maleri. I bought this group at an auction last year and for
a while I was thinking about breeding them but I think I'm just going to sell them. There
may actually be a third subdominant male in there, I'm not sure. Really nice fish though.
The Star Sapphire is really starting to look nice. He's still pretty small but they're
slow growers. It seems like he's getting more chips by the day which is great because I've
been waiting for a couple of years.
And the F1 Red Shoulder is one that I bred here. You'll see his father here in a minute.
But this guy looks really nice. He tends to hide behind the sponge filter but you can
see him a little bit here.
I also have a breeder net in this tank temporarily. This is a male dragonblood that I bred. It's
a little tough to see him through the net but he's going to be a really great looking
fish. I'm selling this guy as well.
Next up is my Z rock breeding group. That's Otopharynx lithobates Zimbawe Rock. Sorry,
this tank is a bit cloudy at the moment.
It's looking like I have 4 males and 4 females which is not ideal but they've been breeding
like crazy so I'm hesitant to mess with it.
The one sticking out of the pot is the dominant male and he's really nice. They all tend to
hide when I'm around so this was the best footage I could get.
This is my breeding group of Benga Sunshine peacocks. The male is an F1 and he's just
a stunning fish. Unfortunately he's been beating up his females and I've lost a couple. I'm
down to three now. I may have stop breeding them, at least for a while.
Here's a closeup of him. However good he looks here, he looks twice as good in person.
The Blue Neon peacock breeding group has been producing pretty well but none of them wanted
to swim around on camera.
This is my dragonblood peacock breeding group. They've been slow and steady breeders for
me but it's worth it because the male is so nice.
He's not super cooperative but I did get at least a little footage of him.
And here in a breeder box are few of their offspring. These are about a month old.
This is another breeder box on that same tank. These are Gissel fry. That's Placidochromis
phenochilus 'gissel'. You'll see my breeders here in a second.
And this third breeder box has a small group of Blue Neon fry.
Above that tank is another 40 breeder with just one fish, my wild caught Red Shoulder
peacock.
It's probably a waste to have him in here by himself but he's so nice that I hesitate
to put him anywhere else.
But I use this tank as a holding tank for my egg tumblers so it kind of works out.
He just struts around this tank all day. I don't know any other way to describe it. He
just struts.
One of the breeder boxes on this tank has a big group of Zrock fry. Like I said, they've
been breeding like crazy.
And then in this box is a decent sized group of Blue Neons.
Above that tank is my Gissel breeding group. There's a bunch of stuff floating in this
tank because I had to coax them out from behind the sponge filter.
They're really nice fish and have been spawning consistently. Really happy with this group.
On to the 55 gallon tanks, the bottom tank is a quarantine tank for some fish I got a
few weeks ago. I did an unboxing video about these fish if you're interested.
There's a Lwanda peacock, a Mylo Anaphyrmus, a Red Empress, and an Otopharynx Tetrastigma.
These will all be moving up to the 220 pretty soon.
Above that tank is another 55 that's just a growout.
There are a few fish in here that are showing some potential.
A couple of Blue Neons, a blue regal, a z rock, a dragonblood.
This is just kind of a holding tank for fish that aren't large enough to go upstairs just
yet.
Above that is a 33 long. This is a tank that I bought used so it's kind of scratched up
but it fit perfectly in the space.
This is another growout tank but for fish that are too small for the 55 gallon.
There are a couple of fish in there that are starting to look good.
One little Azureus that's really nice, and some venustus that are getting some size.
The 10 gallon tanks can be tough to see into because they're setup longways but I did have
a couple of groups of fish that I'd like to highlight.
The first is my group of Zrock fry. I really like these guys.
And then this is a group of dragonbloods. There are a bunch of these that I can identify
as males already at 1 inch which is crazy.
Moving upstairs to the 220, for the most part things have been going really well.
I did lose one fish recently that made me sad, my Turkis peacock.
So swim in peace, Turkis.
But other than that the tank is looking great.
I'll zoom in here a bit and highlight some fish.
Big white OB Ahli that everyone loves
all of the dragonbloods are looking great.
Big 'old Red Fin Borleyi,
My dominant Azureus made an appearance
That blue fish is an Otopharynx Auromarginatus which I love,
OB Peacocks,
Gissel,
Insignis,
Midnight Mloto
Anyway, I hope you enjoyed the tour.
Thanks for watching as always and until next time, have a good one!
-------------------------------------------
[CC ENG SUB] Wanna One X M2 B day Kim Jae Hwan - Duration: 2:18.
Q: If you were to send a video message to Jaehwan on the day of the application?
Jaehwan, i didnt know that you will become like this. You just wanted to let your voice to be heard that is why you decided to come out on the program.
Thank you for doing so great and i am proud of you for putting in so much effort. Always live with a thankful heart towards the people around you and live a purposeful life
Q: What is your impression about the last stage?
I dont really remember the rankings. More than the ranking of each individual, because we did lots of stages together, i could only think of how it is coming to an end.
-------------------------------------------
27 Pounds Of Cocaine In A Wheelchair Caught By TSA | TMZ TV - Duration: 1:17.
OBVIOUSLY OVER THE LAST FEW
YEARS, T.S.A. REALLY CRACKED
DOWN ON EVERYTHING.
SO CRIMINALS HAD TO GET A LITTLE
SMARTER ON HOW THEY COULD
SMUGGLE THINGS IN AND OUT OF
PLANES.
AND THIS WOMAN SHE DECIDED TO
STUFF 27 POUNDS OF COCAINE IN
HER MOTORIZED WHEELCHAIR.
IN HER MOTORIZED WHEELCHAIR?
ALLEGEDLY.
IT WAS A FLIGHT FROM ST. LUCIA
TO J.F.K., GETTING OFF POLICE
NOTICE THAT HER WHEELCHAIR SEAT
LOOKED A LITTLE FUNKY.
SO THEY CHECKED IT OUT A LITTLE
BIT.
AND THEN THEY BROUGHT THE DOGS
AND THE DOGS SNIFFED IT.
HOW DO THEY GIVE THOSE DOGS
TO SMELL COCAINE SO WELL?
DO THEY GIVE THE DOGS COCAINE
AND THEY SAY OH, MY GOD, THIS
TASTES SO GOOD IN MY BODY?
AND THEY'RE LIKE, I WANT TO FIND
IT.
YOU THINK ALL OF THE K-9S ARE
DOPE FIENDS?
THEY DO.
NO, THEY DON'T HAVE DOGS
SNIFFING COKE.
THIS IS THE BEST WALK EVER!
[LAUGHTER]
-------------------------------------------
J. Krishnamurti - Malibu 1971-72 - Dialogue with Alain Naudé 3 - Is there a permanent ego? - Duration: 47:26.
This is the first dialogue between J. Krishnamurti and Alain Naudé in Malibu, California, 1972.
Krishnamurti: You know, sir, the other day, Sidney Field came to see me.
His brother died recently.
You knew him and we knew... we met him here.
He was very concerned whether his brother was living, whether he was living in a different
level of consciousness, whether there was John as an entity born next life.
And did I believe in reincarnation, and what did it mean, and so on – he had lots of
questions because he was having a difficult time with himself because his brother whom
he liked, whom we have known for years and years and years...
So I think out of that conversation two things came out, rather interesting.
One – on two occasions – this is not just on one occasion, he came twice – at lunchtime
we discussed the same thing: Is there a permanent ego?
If there is such thing as a permanent something then what is its relationship from the present
to the future?
Alain Naudé: Yes.
K: The future being next life or ten years later.
AN: Yes.
K: That is, if you admit or accept or believe or assert that there is a permanent ego, then
reincarnation...
AN: ...is inevitable.
K: Is – not inevitable, I wouldn't put it inevitable – there is a... it is plausible.
AN: Yes.
K: Because the permanent ego, the me – if it is permanent – can be, in ten years time,
be changed.
It can incarnate differently in ten years time.
AN: We read this all the time in the Indian scriptures, sir.
We read about children who remember the past life, we read about little girls who say,
'What am I doing here?
My home is in some other village, I am married to so-and-so and I have three children.'
And in many cases I believe that this has been verified.
K: That is, sir – I mean, I don't know.
AN: So we are told.
K: So there is that.
If there is no permanent entity then what is reincarnation?
Both involve time, both involve a movement in space – space being environment, relationship,
pressure – all the thing existing within that space of time.
AN: Within time and temporal circumstances.
K: That is, culture and so on.
AN: That's right.
Within some sort of social set-up.
K: Right.
So is there a permanent me?
Obviously not.
But Sidney said, 'Then what is it I feel, that John is with me?
When I enter the room I know he is there.
I'm not fooling myself.
I'm not imagining.
I feel him there, as I feel my sister who was in that room yesterday.
It's as clear, as definite as that.'
I don't know... (inaudible)
AN: And also, sir, when you say, 'Obviously not,' would you mind explaining that?
K: We'll see that.
We'll see.
So he says, 'My brother is there.'
I said, 'Of course he is there, because first of all, you have your associations and
memories of John and that is projected, and that projection is your remembrance.'
AN: Yes.
So that the John who was contained within you is there.
K: Is there.
Now wait a minute.
AN: Because he is still contained within you and you are there.
K: That's one.
'Or' – not or – 'and when John lived he was associated with you.
His presence was with you.
When he was living you might not have seen him all day but his presence was in that room.'
AN: That's right.
His presence was there.
And perhaps this is what people mean when they speak of an aura.
K: Yes.
No, aura is a different thing.
Wait a minute, don't let's push that in yet.
Mary Zimbalist: May I interrupt and ask, when you say he was in that room, whether alive
or dead, was there something external to his brother and his sister that was there, or
was it in their consciousness?
K: No, it is both in their consciousness and outside consciousness.
MZ: But projected from them.
Is it generated from the person?
K: No, no, no.
I can project my brother and say he was with me last night or I feel him in the room, or...
MZ: That emanates from your consciousness or imagination.
K: That may emanate from me or John, who died ten days ago – his atmosphere, his thoughts,
his way of behaving was still remaining there.
Physically he might have gone.
AN: Yes – the psychic momentum.
K: The psychic momentum, the physical heat.
AN: That's right.
MZ: Are you saying there is a sort of energy, for want of a different word, which human
beings give off?
K: Obviously, obviously.
You know, there was that photograph of a parking lot taken.
A photograph was taken of a parking lot where there had been many cars, and the photograph
showed, though there were no cars there, the form of the cars.
AN: Of the cars that had been there.
Yes, I saw that one.
K: That is, the heat which the car had left came on the negative.
AN: Yes.
And also, one day, when we were all living in Gstaad – the first time I was your guest
in Gstaad, we were living at Les Caprices – you left for America before any of us
left Gstaad and I went into that flat – you were still alive and you were on your way
to America – and your presence was there, extremely strong.
K: Yes, sir, that's just it.
AN: Your presence was in that flat so strongly that one felt one could touch and speak to
you.
This was not simply because I was thinking of you, because I had been thinking of you
before I entered the flat.
MZ: Presumably it doesn't mean, either, that I was thinking of the flat, of you, of
the life there either.
AN: Who knows, who knows?
K: So there are three possibilities, you see.
MZ: What is the third?
K: Wait, wait.
AN: We're coming to that.
So now we are examining possibilities, are we?
The first possibility is...
K: That is, I project it out of my remembrance and consciousness, or...
AN: ...pick up...
K: ...pick up...
AN: ...residual energy.
K: ...energy of John.
AN: Yes, like a smell which would linger.
MZ: That's what I was thinking of.
AN: Now what is the third?
K: Or John's thought, John's existence is still there.
AN: Right – that's the third possibility.
MZ: What do you mean by that, Krishnaji – John's existence?
K: I live in this room.
AN: No, the third is that John is really there, the way he used to be there before he died.
That is the third possibility.
K: But this happens.
I live in a room, or you live in a room for a number of years or you are familiar, and
the presence of... that room contains my energy, my thoughts, my feelings – it's all there.
AN: Yes, just as a wood contains its own energy and feelings.
K: Of course.
AN: And when one goes into a new house...
K: ...you feel it, yes.
AN: ...it sometimes takes some time before you can get rid of the person who was before
you, though you may never have known him.
K: You see?
So those are the three possibilities.
AN: Yes.
K: And the other is John's thought.
Because John clings to life.
AN: Yes.
So therefore John's...
K: ...thought, John's desires, are there in the air, not in the room.
AN: Immaterially.
K: Yes, they are there.
It's like a thought...
AN: Yes, now would that mean, sir, that John is conscious of them, that there is a being
who is self-conscious, calling himself John, who is thinking those thoughts?
K: I doubt it.
AN: I think that is what the people who believe in reincarnation would postulate.
K: So see what happens, sir.
That is, the three...
AN: Four possibilities.
K: Four possibilities now.
And the idea that John – see it – the idea that John, whose physical body is gone,
exists in thought.
AN: In his own thought or someone else's?
K: In his own thought.
AN: Yes, exists as a thinking entity.
K: As a thinking entity, he exists.
AN: As a conscious being.
K: That is, John – listen to this, it is rather interesting – John continues because
he is the world of vulgarity, of greed, of envy, of drinking, sex, of competition.
That is the common pattern of man.
That common pattern continues, though John... and John may be identified with that, or is
that.
I don't know if...
AN: John is the desires, the thoughts, the beliefs, the associations...
K: ...of the world.
AN: Which are incarnate and which are material.
K: Which is the world, which is everybody.
AN: Yes, yes.
K: So, you see, there are six...
AN: This is a very big thing you are saying, sir.
K: Yes, sir.
AN: It would be nice if you could explain it a little better.
K: If I...
AN: When you say that John persists, John continues because there is the continuation
of the vulgar in him – the vulgar being worldly material association.
K: That's right – fear, wanting power, position – all that.
AN: Yes.
Desire.
K: Desire.
AN: Desire to be, as an entity.
K: Yes, so that, because that is a common thing of the world, he is of the world, and
the world does incarnate.
I don't know if you see.
AN: Just a moment.
You say the world does incarnate.
K: Yes.
That is, take the mass of people – they are caught in this stream, and that stream
goes on.
AN: Yes.
K: I may have a son who is part of that stream, and in that stream there is John also, as
a human being who is caught in it, and my son may remember some of John's attitudes.
AN: Naturally.
Ah, but you're saying something different now.
K: Yes, yes, yes.
AN: You're saying that John is contained in all the memories which different people
have of him.
K: Of course.
AN: In that respect we can see that he does exist.
Because I remember, a friend of mine died not long ago and it was very clear to me,
when I thought about it, that in fact he was very much alive in the memories of all the
people who had loved him.
K: That's just it.
AN: Therefore he was not absent from the world.
He was still in the stream of events which we call the world.
K: That's right.
AN: Which is the lives of different people who had associated with him.
K: That's right.
AN: In that sense, we see that he can live, perhaps forever, like Julius Caesar.
K: Forever, unless he breaks away from it, breaks away from the stream.
Sir, wait a minute.
A man who is not vulgar – let's use that word vulgar, vulgarity, to represent all this
– greed, envy, power, position, hatred, desires – all that.
AN: Yes, the assertion of what I call me.
K: Me.
Let's call that the vulgar – vulgus, in... (inaudible).
Now, unless I am free from the vulgar I will continue representing the whole of vulgarity,
the whole vulgarity of man.
AN: Yes, I will be that vulgarity, by pursuing it and, in fact, incarnating in it, giving
it life.
K: Therefore, I incarnate in that vulgarity.
Right?
You follow?
That is, first I can project John, my brother.
AN: First point.
In my thought I can imagine or remember him.
K: Remember him.
AN: Second point.
I can pick up his kinetic energy, which is still around.
K: His smell, his taste, his saying the words.
AN: The pipe which is unsmoked, there on the desk, the half-finished letter.
K: All that reminds me, yes.
AN: The flowers he picked in the garden.
K: Yes.
So that is the second.
Third: the thought remains in the room.
AN: The thought remains in the room.
K: The thought, the feeling...
AN: His thought.
K: His thought.
AN: One might say the psychic equivalent of his kinetic energy.
K: Yes, that.
AN: His thought remains almost as a material smell.
MZ: Yes, as a physical smell.
K: That's right, that's right.
AN: The energy of his thought remains like an old coat that would hang around.
K: That's right.
AN: Fourth.
K: Four is: If he has got a very strong will, very strong, active desire and thought, that
also remains.
AN: No, but that's not different from the third point.
K: No, that's the fourth point.
AN: Now just a minute, the third point is that thought remaining.
K: Yes.
AN: Which is will, which is desire.
Now, the fourth point...
K: ...is this stream of vulgarity.
Right?
AN: That's not very clear, sir
K: Look, sir, I live an ordinary life, like millions and millions of people.
Right?
AN: Yes, pursuing goals and hopes and fears.
K: The usual life, I lead the usual life – a little modified, a little bit...
AN: A materialistic existence.
K: ...higher, lower, it's along the same... over the rocks and along the small river – I
follow that current.
I am that current.
Now, me, who is that current, is bound to continue in that stream – which is the stream
of millions of people.
I'm not different from millions of other people.
AN: Yes.
Therefore, are you saying, sir, that even dead, I continue because the things which
were me are continuing?
K: Are continuing, in the human being.
AN: They are also contained in other human beings, therefore I survive.
I was not different from the things which preoccupied and filled my life.
K: That's right.
AN: Since these things which occupied me and filled my life survive, in a manner of speaking
I survive since they do.
K: That's right.
Now we've got...
AN: That's four points.
K: Four points.
AN: Now, the question is about the fifth.
Is there a conscious thinking entity...
K: That's what I'm coming to.
AN: ...who knows that he is, after the moment when everybody has said, 'There goes poor
old John, we've put him in the ground'?
Is there a conscious entity who, immaterially, says, 'Good gracious, they've put that
body in the ground but I have consciousness of being alive'?
K: Yes.
AN: That is the question I think...
K: ...which most people...
AN: ...which is difficult to answer.
All these other things, we see...
MZ: Sidney was in effect asking this.
K: Of course.
He was asking that question.
AN: Because we see that everybody does exist in these other ways, after death.
K: In the other ways.
Now you are asking a question, which is: Does John, whose body is burned, cremated, does
that entity continue to live?
AN: Does that entity continue to have its consciousness of its own existence?
K: I question whether there is a separate John.
AN: You said at the beginning: Is there such a thing as a permanent ego?
'Obviously not,' you said.
K: No, no, I am questioning.
When you say, 'My brother John is dead,' and ask whether he is living – living, you
know, as a separate consciousness – I question whether he was ever separate from the stream.
AN: Yes, sir.
K: You follow what I'm saying, sir?
AN: Was there a John alive? – in effect is what... (inaudible)
K: When John was alive, was he different from the stream?
AN: The stream filled his consciousness of himself.
His consciousness of himself was the stream knowing itself.
K: No, sir, just go slowly, slowly – this is rather complicated.
The stream of humanity is anger, hate, jealousy, seeking power, position, cheating, corrupt,
polluted – that is the stream.
Right?
AN: Yes.
K: Of that stream is my brother, John.
When he existed physically, he may have had a physical body, but psychologically he was
of this.
AN: Yes, but there was an entity who...
K: Wait, wait, wait, wait.
Therefore, was he ever different from this, from the stream?
Or only physically different, and therefore thinking he was different.
You follow my point?
AN: There was an entity who was self-conscious.
K: As John.
AN: Yes.
He was self-conscious, and the stream was in relationship to himself – my pipe, my
child, my life.
K: Yes, sir, but was John inwardly different from the stream?
AN: No.
K: No.
That's all my point.
Therefore what is dead is the body, and the continuation of John is part of that stream.
I, as his brother, would like to think of him being separate, because he lived with
me as a separate... physically.
But inwardly he was of the stream.
AN: Yes.
K: Therefore, was there a John who was different from the stream?
And if he was different then what happens?
You follow?
That's a much better question.
I don't know if you follow what I mean.
AN: But there is a stream, sir, from outside and there is a stream from inside.
Vulgarity seen in the street is different from the man who feels himself to be acting
in the moment of that vulgarity.
I insult somebody; this is vulgarity.
You see that vulgarity from outside and you say, 'There is a vulgar act.'
I, who am insulting somebody...
K: ...is part of that stream.
AN: ...see the vulgar act in a different way.
K: Yes.
AN: I feel self-conscious life at the moment when I insult.
In fact I insult because there is conscious thinking about a me.
I am protecting myself, so I insult.
K: But, sir, my point is: this is what is happening with a hundred, million people,
millions of people.
As long as I swim in that stream, am I different?
Is there a real John different from the stream?
MZ: Was there ever a John, in fact?
K: That's all my point.
AN: There was conscious determination which felt itself to be John.
K: Yes, but I can imagine, I can invent that I'm different.
AN: All right, there was imagination, thought, calling itself John.
K: Yes, sir, but...
AN: Now, does that thought still call itself John?
K: But I belong to that stream.
AN: You always belonged to the stream.
K: Therefore, I am not... there is no separate entity as John, who was my brother, who is
now dead.
(Pause)
I mean, this is really quite...
You follow, sir?
MZ: Are you saying that there was no individual human being...
K: This is what we call permanent.
MZ: ...there was only humanity?
K: No, this is what we call permanent.
MZ: The permanent thing...
K: Ego is this.
MZ: ...is what we think is individual.
We think the ego is separate.
K: The individual, the collective, the self.
AN: Yes, the creation of thought which calls itself self, obviously is not permanent.
K: Is of the stream.
AN: That's right.
K: Therefore was there ever a John?
There is only a John when he is out of the stream.
AN: That's right.
That's correct.
K: Now, go slow.
So, first we are trying to find out if there is a permanent ego which incarnates.
AN: The nature of the ego is impermanence.
K: No, but all the reincarnationists, the whole of Asia and the modern people, certain
people who believe in it, say there is a permanent ego.
AN: Yes, or at least a lasting one – at least it lasts, they say.
K: Yes, it is lasting – it'll take many lives so that it can become dissolved and
be absorbed in Brahman or in Nirvana or in light or in something or other.
Now, is there, from the beginning, a permanent entity, an entity that lasts centuries and
centuries and centuries?
There is no such permanent entity, obviously.
I like to think I am permanent.
My permanence is identified with my furniture, with my wife, with my husband...
AN: Circumstances.
K: ...circumstances, with my...
AN: Corroborated, as it were, by these things.
K: That's all.
They're all words and images of thought.
I don't actually possess that chair.
I call it mine.
AN: Exactly.
You think that it's a chair and that you own it.
K: I like to think I own it, but...
AN: ...that's just an idea.
K: So – watch it – so there is no permanent self.
If there was a permanent self, it would be this stream.
AN: Yes.
K: Now, realising that I am like the rest of the world, that there is no separate K
or separate John as my brother, then I can incarnate if I step out of it.
Incarnate in the sense, the change can take place away from the stream.
In the stream there is no change.
MZ: Yes, but if there is no... (inaudible)
AN: Now you're saying permanence is outside of the stream.
If there is permanence it is outside of the stream.
K: No, sir, permanency... semi-permanency is the stream.
AN: And therefore it's not permanent.
If there is anything permanent it is not the stream.
It's therefore out of the stream.
K: Out of the stream.
AN: Therefore, if there is an entity...
K: There can't be.
AN: ...then it must be out of the stream.
If there is any entity at all.
But we say all entities, as we know them, are of the stream.
K: Of the stream.
See that, it's very important.
AN: Yes, this is self.
Therefore, that which is true, that which is permanent, is not a something.
K: Is not in the stream.
AN: That's right.
(Pause in recording)
K: When Naudé dies, as long as he belongs to the stream, that stream
and its flow is semi-permanent.
AN: Yes.
K: Right?
AN: It goes on.
It's a historical thing – it goes on.
K: It goes on.
But if Naudé now says, 'I will incarnate – not in the next life, now, tomorrow, which
means I will step out of the stream' – he is no longer belonging to the stream, therefore
there is nothing permanent.
AN: Therefore there is nothing to reincarnate.
K: That's it.
AN: Therefore, that which reincarnates, if reincarnation is possible, is not permanent
anyway.
K: No, is the stream.
AN: Is the stream, is the very temporal.
K: No, don't put it that way.
Is the stream.
MZ: Is not personal, is not a separate entity.
AN: Is not real.
K: No, you are putting it much too...
As long as I belong to the stream...
AN: ...I don't really exist.
K: ...there is no separate entity.
I am the world.
AN: That's right.
K: When I step out of the world is there a me to continue?
AN: Exactly.
It's beautiful.
K: So, what we are trying to do is to justify the existence of the stream.
AN: Is that what we're trying to do?
K: Of course.
When I say, 'I must have many lives, therefore I must go through the stream.'
AN: No, what we are trying to do then is we are trying to establish that we are different
from the stream.
K: We are not.
AN: We are not.
We are not different from the stream.
K: So, sir, we see that.
Then what happens?
If there is no permanent John or K or N or Z, what happens?
You remember, sir – I think I read in the Tibetan tradition or some other tradition
– that when a person dies, is dying, the priest comes in or the monk comes in and pushes,
sends all the family away, locks the door, and says to the dying man, 'Look, you're
dying.
Let go.
Let all your attachments, all your worldliness, all your ambitions – let go.
Because you are going to meet a light in which you will be absorbed if you let go.
If not, you'll come back.'
Which is, come back to the stream – you will be the stream again.
AN: You'll be of the stream.
K: Of the stream.
AN: Yes, exactly.
(Laughs)
K: So what happens to you if you step out of the stream?
AN: If you step out of the stream, you cease to be.
But the you which was, was only created by thought anyway.
K: Which is the stream, and all the rest of all the...
AN: Yes, desires – vulgarity.
K: Vulgarity.
AN: Which is the same as thought.
K: What happens if you step out of the stream?
The stepping out is the incarnation.
AN: Exactly right.
K: Yes, sir, because that's a new thing you are coming into.
Not you – there is a new dimension coming into being.
AN: Yes.
K: Now, what happens?
You follow?
You, Naudé, have stepped out of the stream.
Just a minute, sir, follow it.
You, Naudé, stepped out of the stream.
AN: Yes.
K: What happens?
You are not an artist – listen to this – you are not a businessman, you are not a politician,
you are not a musician – all that identification is part of the stream.
AN: All the qualities.
K: All the qualities – part of the stream.
When you discard all that, what happens?
AN: You have no identity.
K: Identity is here.
AN: Is the stream, is the qualities, the labels...
K: What happens to...
Sir, that's very interesting because, say, for instance, Napoleon, or any of these so-called
world leaders, they killed, they butchered, they did every horror imaginable.
They live and die in the stream.
They are of the stream.
That's very simple and very clear.
There is a man who steps out of the stream.
AN: Before physical death.
K: Before physical death.
Of course, otherwise there is no point.
AN: Therefore...
K: No, wait, sir.
AN: ...another dimension is born.
K: Now what happens?
AN: The ending of the dimensions which are familiar to us is another dimension.
But it cannot be postulated at all because all postulation is in terms of the dimensions
we are in.
K: Yes, sir, I understand, but what happens?
Suppose Naudé, you living now, step out of the stream.
What happens?
AN: This is death, sir.
K: No, sir.
No, sir.
AN: This is death, not physical death, but this is the death...
K: You step out of it.
You move to a different terra, a different bank.
What happens?
AN: Nothing can be said about what happens.
K: Wait, sir.
Wait, sir.
Wait, sir.
You see, none of us step out of the river.
And we are always, from the river, trying to reach the other shore.
AN: It's like people talking about deep sleep from awakeness.
K: That's it, sir.
We belong to the stream, all of us.
Man does belong to the stream.
And from the stream he wants to reach that shore – never leaving the shore, this river.
AN: That's right.
K: Now, the man says, 'All right, I see the fallacy of this, the absurdity of my position,
absurdity of stating even such an idea.'
AN: That's right.
You can't state another dimension from the old dimension.
K: So I leave that.
So the mind says, 'Out,' steps out.
What takes place?
Don't say it is not...
AN: ...can't be verbalised.
K: Verbalised – I am not sure it cannot be.
AN: The only thing that one can say about it, in terms of the stream, is silence.
K: Wait, sir.
AN: Because it is the silence of the stream.
And one can also say it is the death of the stream.
And therefore, in terms of the stream, it is sometimes called oblivion, it is sometimes
called...
K: Sir, sir, do you know what it means to step out of the stream?
No character...
AN: No memory.
K: No, sir, see: no character, because the moment you have a character it's of the
stream.
The moment you say you are virtuous you are of the stream – or not virtuous.
To step out of the stream is to step out of this whole structure – moral, ethical.
AN: Out of all that is known.
K: You follow?
So, creation as we know it is in the stream – Mozart, Beethoven – you follow? – or
the painters – they are all here.
AN: I think perhaps, sir, that sometimes that which is in the stream is vivified, as it
were, from something which is beyond.
K: No, no – can't.
No, no, don't say these things, because it's...
No, I can create in the stream.
While I am in the stream I can paint marvellous pictures.
Why not?
I can compose the most extraordinary symphonies.
All the technique...
AN: Why are they extraordinary?
K: Because they need... the world needs it.
There is the need and the demand and the supply.
AN: Yes, but why do we call this symphony extraordinary and not that one?
K: Sir, wait, wait.
No, that's a matter of...
I mean, you are hearing a symphony of Mozart and an Indian meeting it says, 'What a lot
of noise.'
You follow what I mean?
Doesn't matter – leave all that.
Now I am saying to myself: What happens to the man who really steps out?
Here, in the river, in the stream, energy is in conflict, in contradiction, in strife.
AN: In duality.
K: That's going on all the time.
AN: Me and it, me and you.
K: The division, all that's going on there.
When he steps out of it, there is no conflict, there is no division as my country, your country
– no division.
AN: Or any country.
K: Wait – no division, in the same sense.
So what is the quality of that man, that mind, that has no sense of division?
It is pure energy, isn't it, which can express to the... which can show to the river, points
where it should... – all the rest of it.
So our concern is the stream and the stepping out of it, not what happens.
Right?
AN: Absolutely, sir.
And that is meditation, that is real living, because the stream is not life.
The stream is totally mechanical.
K: You see, that means I must die to the stream.
AN: All the time.
K: All the time.
AN: Exactly that.
K: And therefore I must deny – see, sir – not deny – I must not get entangled
with John, who is in the stream.
AN: One must repudiate the things of the stream.
K: That means I must repudiate my brother.
AN: I must repudiate having a brother.
Give unto Caesar the things which are Caesar's.
K: See what it means, sir?
Not repudiate.
AN: Step out of.
K: No, no.
AN: Because repudiation is...
K: I see John belonging to this.
I see my brother belonging to this.
And as I move away from the stream...
AN: One sees that the stream really...
K: You know, my mouth is open, my... no tears.
That's all.
That's what takes place.
What are you...
(inaudible)
(Pause)
I think that is compassion.
AN: When the stream is seen from that which is not of the stream.
K: Yes.
When the man of the stream steps out and looks, then he has compassion.
AN: And love.
K: So, sir, you see, reincarnation, that is, incarnating over and over again, is in the
stream.
(Pause)
This is not a very comforting thing, this.
You follow?
I come to you with... my brother died yesterday and you tell me this.
I call you a terribly cruel man.
But you are weeping.
I am weeping for myself.
You follow, sir?
You are weeping for me, for the stream, for the people.
You follow?
But I call you cruel because I'm weeping for myself, for my loss.
AN: The stream is weeping for its own continuation.
K: You see, that's why people don't want to know, really.
I like to think I want to know.
You follow?
I really don't want to know if my brother is dead.
AN: I want to know that he is, not whether he is.
K: Sir, some other thing which is quite interesting, which is, Aldous Huxley told me once, after
his first wife died, he went to... it happened somehow that he was with a medium.
That medium, whom he had not met before, suddenly said, 'I've a message for Mr Huxley.'
And Huxley, Aldous said that his wife, who was dead, told him something which he and
the wife only knew and nobody else.
Well, that's fairly simple.
AN: How, sir?
K: Come off it.
Aldous Huxley was living.
His first wife, called X was living...
His first wife died.
The first wife had a... between themselves there is something which...
AN: Yes, some contact.
K: Contact.
And which he had forgotten but the wife remembered.
AN: Yes.
K: Say, for instance, the husband and the wife had a secret: key to the safe.
AN: The key to the safe is under the carpet.
K: Under the carpet – let's put it that way.
Only he had forgotten it.
AN: Yes.
K: He was looking for it, thinking about it, saying, 'For God's sake, where is that
key?'
So what happens?
The wife who is dead still thinks of that key because he is worried.
And also is wanting to tell him the key is under the carpet.
AN: Yes.
K: And the medium helps that.
And they think, therefore, the wife lives.
You follow what I mean?
MZ: No.
AN: Now let's put it this way.
Does she live as much as she ever did?
Because we have established that this friend that we were speaking about, in fact was never
an entity.
K: Yes.
AN: Now his brother is asking whether he is an entity now.
You say he never was.
K: He never was.
You see, sir, that we can't accept.
AN: Now is he the same as he was before?
MZ: To the degree that he never was.
I mean, that in itself had some meaning.
K: He belongs to the stream.
AN: It's the same.
K: There are varieties in the stream – shadows, depths, you know, waterfalls and...
AN: But as they say in French, the more it's different the more it's the same.
Plus ça change, c'est la meme chose.
This is very interesting.
MZ: But by your last anecdote, Krishnaji, you are giving back, in effect, the hope to
the brother because...
K: But that's what they want.
MZ: I know, but if that anecdote proves anything, it isn't simply that the medium picked up
something out of...
K: ...nothing.
MZ: ...Huxley's subconscious.
K: Obviously must have.
Either picked it out of his subconscious or the wife before dying – as she was dying,
she hadn't time or she hasn't...
– there was that feeling she must tell him.
That feeling must remain in the air.
AN: In other words, what we remember of memory is what we pick up from the air.
K: Myself, I pick up yesterday's what I did, what I didn't do.
Of course.
You see, sir, how terrible it is to face something to which we have clung to.
You follow?
That my brother is a separate entity, I am a separate entity, when I and my brother belong
to the stream.
You follow?
AN: Yes.
We are the stream.
K: We are the stream.
AN: The stream lives in us, and we have our vitality because of the stream.
K: The moment you step out of it you deny, you move away from the whole river.
Then you can cry.
But to cry what happens in the stream is just self-pity – you know, all that stuff.
I think that's enough, don't you?
-------------------------------------------
Volvo XC60 bjr 2011 3.0 T6 AWD 225kW/306pk Aut6 SUMMUM Driver Support CLIMA + ADAPT.CRUISE + ADAPT.B - Duration: 1:01.
For more infomation >> Volvo XC60 bjr 2011 3.0 T6 AWD 225kW/306pk Aut6 SUMMUM Driver Support CLIMA + ADAPT.CRUISE + ADAPT.B - Duration: 1:01. -------------------------------------------
ADAM THE WOO AT DISNEYLAND | THEDAILYWOO QUICK TIPS & FUN FACTS - Duration: 3:06.I'm speechless right now I'm speechless now you guys guys you're a Disney I'm
look who it is
adam the woo you found me if anybody knows anything about me or my
brother Shane this is the reason why we started vlogging Adam the woo
because of Disneyland
this guy this guy first off I admire you so much because you upload daily a daily
upload daily I mean perfect ask you how you do that how do you do that thank you
come on my brain is not working like a normal person very little sleep and I
some people say it's dedication but it's more of like a psycho mentality
basically have no other life than filming and editing and
uploading and that's about it you have no social life well that your social
life is for you is YouTube my friends are all on the Internet but you have great
stuff is great listen I want you guys I'm gonna leave a link right down here
actually right on the screen link oh you do one of those little initiation
adaptations that I'll talk about please Like us I'll put a card a card on where
the card departs great here not gonna be embarrassing that's it's right there by
through either one so hard go see Adam the world he does great stuff every day
every day as I start my mornings my coffee man Wow
yeah I need to get some coffee as well every down there and my favorite coughs
here's a little inside tip my favorite coffee place is down there by the
Capitol the left hand side a little vestibule yeah and here's a fun fact for
anyone who goes to Walt Disney World or Disneyland there are more little stands
for popcorn and coffee at Disneyland there are Disney World
yeah really search for them or wait in a long line like Starbucks going right I
just here here or behind everywhere if you want popcorn you just go get popcorn
right there
if you like home here and I look I prefer I know they world you'll know
that to use rayon I've been here a while I'm not wearing a magic band I entered
the park without a magic band that's just like boy lucky almost years I heard
you coming Magic Man it's probably a lot of people the the Disneyland old-school
people yeah like the magic bands right but it works it works very very well I
think it's one plus it looks too cute is any different ones bent your whole
paycheck on magic grams there you go anything thank you so much Adam go check
his channel out I love this guy you'll see you'll see why a little bit thick is
a much buddy
hi Roz oh you're beautiful thank you so much bye everybody
Oh
-------------------------------------------
Kodaikanal Travel Vlog 2017 | The Princess Of Hills | Hyderabad To Kodaikanal Trip | - Duration: 9:00.
so after taking 13 hours of journey in bus and 5 hours in taxi we have
finally reached our destination.
so we kept our bags in the hotel and decided to walk around
after walking around one and a half kilometers we reached Kodaikanal Lake.
It was almost 6 p.m. and the boating was closed for the day so we decide to do it tomorrow
just walking distance from the lake there was Bryant Park but unfortunately
it was closed for the days but we asked the security guard to let us go inside
we begged him and he allowed us for five minutes.
so we explored some Street food and then had dinner at this restaurant called
Tibetan Brothers which was just next to the hotel.
had some hot coffee at the muncheez and called it a day we have a lot of things to
catch up tomorrow, we have to visit so many places so see you tomorrow.
Its 6am in the morning and we are going to Bear Shola Falls first and after that
Once we have our breakfast we'll be taking a taxi and leaving for
Pillar Rock, Guna Caves, Pine Forest & Dolphin Nose. So we don't have that much time. Lets Go...
Bear Shola Falls is almost 5 km from our hotel so we thought
it would be fun to take a walk.
so before entering the forest area the locals have warned us that there might be
Bisons around so be extra careful over here. In case you don't know what bison is
have included a small video on the top right corner.
after walking around 15 to 20 minutes from the forest which was really quite as scary,
coz there was no one around we finally reached Bear Shola Falls.
There was hardly any water over there I guess the rainy season hasn't started full fledged.
But the place is really Quite, Green and Peaceful.
After coming back from the Falls, there are bicycles available for rent near the lake side.
we decide to hire one and take a lap around
it almost took us 30 minutes to take one lap around the lake and we are now ready for breakfast.
so after breakfast we took a taxi and we are off to Moir Point.
on our way to Moir's Point there's a place called Upper Lake View and as the
name suggests you can see the Kodaikanal Lake from a bird's eye view.
after nine kilometres riding in taxi we reached Moir Point.
next stop is Pine Forest.
and the last point we visited is the Dolphin nose
it's almost 2 km trek down the hill to reach dolphin Nose but while
coming back is really tiring.
and finally we did our boat ride in the evening which we missed on the first day
it was a great idea to end our Kodaikanal trip with stroll on Coaker's Walk.
which is almost half a kilometer from Kodaikanal Lake
Guys don't forget to check our blog on Kodaikanal trip the link is there in the
description hope you liked this video have a nice day
-------------------------------------------
Koe no Katachi (A Silent Voice) - Lit Guitar Tutorial | Guitar Lesson + TABS - Duration: 6:34.
Thank you for watching my Koe no Katachi (A Silent Voice) - Lit Guitar Tutorial.
You can download Koe no Katachi (A Silent Voice) Tabs from my site, link in the description
If you want to see more Koe no Katachi (A Silent Voice) Guitar Lessons and other Anime Guitar Lessons, feel free to subscribe!
I hope you like my Koe no Katachi (A Silent Voice) - Lit Tabs.
Any way I could improve this Koe no Katachi (A Silent Voice) - Lit Guitar Lesson? Let me know in the comments.
Remember to ask the tab author for permission first before making an Koe no Katachi (A Silent Voice) Guitar Cover
-------------------------------------------
Is Trump's New Apprenticeship Program A Scam? - Duration: 3:57.
[VIDEO BUFFERING]
FILM THAT THE PEOPLE SUMMIT LAST WEEK. ñ
AS WITH MANY OTHER TOPICS IT WILL BE DONE WITHOUT ANY
OVERSIGHT WHATSOEVER.
THOSE ARE BEING MOVED OVER TO
THIRD-PARTY
PRIVATE ENTITIES.
MAKE SURE YOU.
YOUR TEASING CROSS YOUR EYES.
THIS IS STILL A LARGER USE OF GOVERNMENT FUNDS THAN
PREVIOUSLY.
THAT IS A GOOD SIGN THEORETICALLY.
THEY WILL
ACTUALLY BE DOING MORE MONEY.
90 TO 200.
SO YOU HEAR THAT AND YOU
THINK OKAY, THERE IS SOME
FUNDING GOING TO THESE APPRENTICESHIPS.
YOU ARE TAKING
MONEY THAT WAS GOING TO A VARIETY OF DIFFERENT JOB
TRAINING PROGRAMS WHICH WAS
MANAGED AND HAD OVERSIGHT BY THE GOVERNMENT.
AND INSTEAD YOUR
GIVING THESE PRIVATE BUSINESSES CARTE BLANCHE TO DO THEIR OWN
PROGRAMS.
NOT ONLY ARE YOU FUNDING THAT, BUT THIS ISN'T NEW
MONEY.
THE MONEY IS COMING FROM EXISTING JOB TRAINING PROGRAMS.
IF THIS IS A DISASTER, IT IS A DISASTER FOR THE PROGRAMS THAT
WE HAVE ALREADY BEEN RELYING ON.
THIS LOOKS LIKE AN AMAZING WAY
TO THROW A COUPLE OF HUNDRED MILLIONS OF DOLLARS I
BUSINESSES.
AND THEY SET UP THE CRITERIA ON WHETHER THE PROGRAMS
ARE A SUCCESS OR NOT.
IT IS STILL A PRETTY GOOD PAYDAY FOR
THESE BUSINESSES.
WHAT REMAINS IS LARGELY BEING TAKEN OVER BY
THESE PRIVATE BUSINESS APPRENTICESHIP PROGRAMS.
THIS IS
A TIME WHEN HE LEFT TO TALK ABOUT A COAL INDUSTRY.
THEY
OPENED UP A COAL MINE YESTERDAY,
AND THAT IS GREAT.
ALL 70 JOBS IT WILL PROVIDE OUR GREAT.
BUT
THERE ARE A LOT OF PEOPLE WERE A LOT OF PEOPLE'S JOBS WERE LOST
IN THE INDUSTRY, THEY NEED JOB TRAINING.
THIS DEFINES THE SOLUTION.
IF THEY WERE PRIVATE BUSINESS THAT WERE PREPARED TO DO JOB
TRAINING THEY WOULD PROBABLY BE MORE INTERESTED IN IT.
MAYBE IT WILL WORK OUT, BUT IT SOUNDS A GREAT WAY TO
TRANSFER PRIVATE MONEY TO PRIVATE BUSINESSES.
TRUMP WILL BE PRETTY DISAPPOINTED WHEN HE LEARNS THIS
EXECUTIVE
ORDER HE SIGNED DID NOT CALL FOR EPISODES OF THE APPRENTICE TO BE
FILMED ON A SHIP.
TRUE.
THAT IS THE KIND OF THING HE WOULD GET BEHIND.
MAYBE DO THE FIRINGS ON THE BEACH OR SOMETHING?
YOU WILL
HEAR A LOT ABOUT THIS.
BUT RIGHT NOW IT LOOKS LIKE A DISASTER.
-------------------------------------------
For more infomation >> Is Trump's New Apprenticeship Program A Scam? - Duration: 3:57.-------------------------------------------
Le Bas Astral - m.a.j - Duration: 10:16.
For more infomation >> Le Bas Astral - m.a.j - Duration: 10:16. -------------------------------------------
For more infomation >> Le Bas Astral - m.a.j - Duration: 10:16.-------------------------------------------
Kia Picanto 1.0 LXE M-bition - Duration: 1:00.
For more infomation >> Kia Picanto 1.0 LXE M-bition - Duration: 1:00. -------------------------------------------
FIFA 18 INCREDIBLE OFFICIAL GAMEPLAY!!! (Secret E3 Footage) - Duration: 5:24.
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-------------------------------------------
10,000 Subscribers + Channel Update + YouTube Visit! 👍 - Duration: 4:26.
What's going on guys it's Pete here from the Gaming Careers YouTube channel and I wanted
to do a video giving you a bit of an update as to why there haven't been so many
videos uploaded recently, why have I been so busy and also I wanted to celebrate
the subscriber goal that we hit a few weeks back, but I'm just going to start
straight away with just an apology. Sorry guys that I haven't had the time to upload as
many videos as I'd like to. I've been super busy, I'm going to go into a bit of
detail about what I've been doing the last few months so hopefully you guys
can understand and I'll just give a bit of a channel update in the meantime.
So the reason that there haven't been as many videos uploaded in the last few
months as I'd like to have uploaded, is because I've been attending a coding
bootcamp here in London which is essentially like a twelve to sixteen
week intensive course where they teach you how to code in a few different
languages so you can start building web applications and it's super intensive.
Like I've had not a single evening or weekend to be able to film and upload
videos for the YouTube channel so I've really struggled to be able to release
content. You probably notice that right, over the last few months I've only
uploaded two or three videos which has really pained me but I haven't been able
to take any time away from this course because it's so intensive and the whole
point of it is that they try and get you up to speed in software development in
such a short amount of time. So that's what I've been doing, I've now finished
that that's the good news so I'm going to be able to come back to a more
regular schedule of uploading tutorials for you guys. I've got so many videos
planned and I really want to get going on them but this course has literally
eaten me up, every single free hour that I've had I've had to be spending coding and
learning and finishing products and things like that so I'm done now that's
the good news but I wanted to give you guys a bit of a backstory as to why
there hasn't been many videos uploaded in the last couple of months.
Right, with that out the way we have missed a subscriber milestone,
the big 10000, the
five digits. We hit it I think about a month ago maybe a little over a month
ago and I wanted to do a video thanking you all for subscribing and all that
kind of stuff but as I said just been so busy so I'm going to include that
into this video here I was actually watching the live counter
as it crossed from 9999 to 10,000 so it was an exciting time I was actually able
to be in front of my computer as a subscriber goal hit but once again I've
said it in a few videos in the past but thank you guys so much for subscribing
it really does mean a lot it's amazing to see so many people that want to
create this profession out of the gaming passion and all joining into this
community to help each other out there's been loads of suggestions in the
comments and I really do appreciate every single one of you so thank you.
The other news that's happened in the past couple of months is that YouTube have
invited me down to their space in London so I got to meet a few of the YouTube
people and see the studios that I can now use I can basically book out these
studios use some really professional camera and lighting and sound equipment
because I've crossed that 10,000 subscriber threshold so it was great to
meet some of the people down there at YouTube it's super close by to where I'm
living now so I'm pretty sure I'm gonna be shooting quite a few videos around
there and it's always good to be able to meet other YouTubers in London as well so
it's a really great opportunity so I want to say thank you very much to YouTube space
London for having me down they're super accommodating and it's a really nice
space, so if you ever get the chance when you're in London it's worth coming have a look around.
So what's coming up for the Gaming
Careers YouTube channel? Well plenty more tutorials we're going to be
covering more OBS things that we can do within OBS studio, we're going to be doing
more video editing things specifically to do with YouTube, live streaming, Twitch
growing your channels all these kind of things I've got such a massive list of
video ideas that I'm just waiting to get started on and now that I've finally
finished I can start pumping those out. So thank you for being so patient, new
video coming out really really soon I've just filmed it so check that out when it
comes into your subscription box. I'll see you guys later, please!
-------------------------------------------
Salty Bee Aquarium Shrimp Products Unboxing - Marks Shrimp Tanks 🦐 - Duration: 10:52.
Hello guys, welcome to Mark's Shrimp Tanks.
Today we have an unboxing video and this one is from Salty Bee.
And we're going to be unboxing this, this is from a guy called Jürgen he sent me this
quite a few weeks ago and they have been stuck in the Norwegian postal system.
They told me that they couldn't find the customs form for it, it was actually attached to the
side here so I don't know how they couldn't see it.
So let's get right into this unboxing, I'm pretty keen to see what's in here after waiting
so long.
Salty Bee is a company from Germany in case you didn't know that.
Let's see what's in here, what is in here?
Lots of paper.
So let me angle you there, I'd leave it.
What's this?
Salty Bee aquarium… it's in German.
Well, do guys as well, this is I leave links to all Salty Bee stuff in the description
and the first comment because quite often I change the descriptions, I mass change them
so better if I put in the first comment as well.
Let's throw that paper to this side, we'll keep that here.
It's always exciting to get boxings.
What's in here?
I better check the papers as I go along actually because this one's in paper whatever that
is.
So I should check the papers as I go along, I don't want to throw away stuff.
Let's see, what's in here?
I so hope, I think we have three packages here.
I'll start with the smallest one, let me see what this is.
Okay, so this is some kind of food - I recognize that word, so it's something of food.
Cherax AllTake Premium Hopped Fooder made in Germany.
Unfortunately, it is all in German so I can't really tell you much more about it… let
me see, protein, cereal and algae, fruit mix, 10% in something.
So that's as much as I can tell you.
But what we will do with this is we will do our test with it with my shrimp.
Let's see what's in the second one…
alright, let's see, what is this?
Mineral Uptakes, so this will be a mineral food- let's open this.
Wow, that was a very tight box to open.
Shall we do the smell test and the taste test?
Wow, that is pretty nice actually.
I'm going to eat it a bit like I always do.
Doing that… oh my god, ah.
I'm not sure I can eat this because it's so tough.
Let's see if I can make out any of this German on the side… no, I don't think so.
Let's open this one as well.
Cherax All take.
Okay, let's have a little smell and see what it looks like.
It smells really spicy, actually.
I'm going to eat it, you know I am.
Surprisingly, it tastes really good- you know, if this wasn't just a shrimp food I'll probably
eat this as a snack.
Should we get into the last one?
Oh-ho, here we go- Salty Bee GH plus Premium.
Now, I have went over their website a little bit with this and I know it contains things
that will help plants, etc. it's not just meant for the shrimp- so this is more of a
buffer for your entire aquarium, which… you know, I was thinking how could I test
this.
I think what I'll do is I'll test on one tank in specific; you could just see the corner
of my Tiger tank here, we'll use this in that tank over the course of a month.
This side is actually in English so let's see…
"Salty Bee GH Plus Premium is a new premium product that contains the well tried mixture
of Salty Bee basic with all these advantages- Salty Bee Gh + premium is conceived as a functional
Water-conditioned and worldwide uniqueness with this innovation and no prophylaxis or
. Broad reduction of potential pathogenic and well balanced composition of biofilms
are in the result.
Alright, let's skip most of this and we'll go to what it says- increases almost exclusively
the total hardness, not the PH, using a high purity salt, free of nitrates and phosphates
which are important and necessary, trace elements changes and mineral contains, fast and low
residues, solute and soluble which is really important.
It has a delay effect on the growth of algae- awesome.
Probiotic bacteria to tri… wait, what, did I read that right?
Probiotic bacteria promotes physiological process to improve the water quality and health
of the animal- this would be the first one I've ever seen that has this in it.
Successfully tested against vibrio.
Wow, this actually has an antibacterial and that is pretty- it's the first time I've
seen that and that's pretty awesome.
Where was I?
Successful against vibrio species, [farma] species, streptococcus- I hate streptococcus-
I had pneumonia twice in my life and it was caused by this bacteria.
Pseudonymous, [Athwart cilia], it's naming quite a few bacteria that helps fight against
re-mineralizing stimulus, re-mineralization of organic waste materials such as feaces
food leftovers and dead plant material.
So this looks to me like… it says 'premium' on it but I think it is probably one of the
best re-mineralizers I have even read about; just
the fact that it helps against bacteria- that's something none of the other ones do.
I think I broke the lid, did I?
So it will be very interesting to see… well, the powder is really fine, it seems like talc,
there's a…
I'm just going to smell this guys… smells okay.
You can tell a lot by smelling things, that's why you will see me always doing it.
So this one is a premium one, I will test this over the course of a month or something
in this tank here.
And what I'll do you guys, if I think this is good I will probably get some of this for
my shop as well.
But right now what we're going to do is we're going to go over and we're going to
do a little tests in some of these shrimp foods, okay?
So that'd be one second for you.
Okay guys, the ten minutes is up.
I have a little bit of a confession- when I came through here five minutes ago
shrimps had eaten all the food in here, so I had to put more in or I wouldn't have
a video to make.
So I want to show you the mineral uptake first; these guys have destroyed it basically and
most of it went into the soil, so if you use Mineral Uptake like this, please put it in
a dish- they went absolutely nuts for it.
Now, I had to put in three helpings of the Cherax All Take Food, just look at this- when
I first came in here the first time they were going ballistic, they were eating so much
of the food… let me see if that focuses for you and it does.
They were going crazy mean this looks sped up but I assure you it's not- they're going
ballistic.
What this has also done is it's also drawn it a lot of the baby shrimps- I'm actually
seeing a lot of the shrimps I didn't know I had in here; I have King Kongs in here,
I have a Panda in here, I have some blue bolts.
Let's see if I can just get a little bit to give you an idea of the amount of shrimps
that's actually here.
They have pretty much destroyed food again.
I want to say thank you to Jürgen and Salty Bee for sending me all these wonderful products.
I'll be testing this one out pretty thoroughly because I'm pretty hyped for this one- the
fact it has probiotics in it, that's a big game changer.
The Cherax is pretty good as well- I think this is a Kreps food.
The Mineral Uptake was also very very good.
I want to say thank you guys for watching, check out the links in the description and
I'll catch you all in the next video.
Thanks guys.
Happy Shrimping.
-------------------------------------------
Chevrolet Aveo 1.2I 86PK LT 5DRS AC/CRUISE/LM.VELGEN/26.000KM! - Duration: 1:01.
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Do you miss me Middle Earth . Live Original Song , By Darren Burch - Duration: 3:51.
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[Sous-Titres Français] Reimu - Démo Touhou 16 - Duration: 13:48.
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Dora Cakes | Dorayaki | Dora Pancakes Recipe | Dora Cakes Recipe | How To Make Dora Cakes At Home 🍪 - Duration: 4:32.
Welcome to Recipe House
Dora Cake recipe
Take 2 eggs
Mix them
Add powdered Suger
Mix them very well
Now add all purpose flour/mayda
Add honey
Add Vanilla Essence
Add baking Soda
Mix them very well
Add milk
Blend the mixture until it becomes smooth
Add a little bit of oil in pan...and let it be heated
Now pour some mixture in the pan
Gently flip it after 2-3 minutes
Do the same and make more dora cakes
Add chocolate
Do the same
Now Dora cakes are ready to serve
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J. Krishnamurti - Malibu 1971-72 - Dialogue with Alain Naudé 3 - Is there a permanent ego? - Duration: 47:26.This is the first dialogue between J. Krishnamurti and Alain Naudé in Malibu, California, 1972.
Krishnamurti: You know, sir, the other day, Sidney Field came to see me.
His brother died recently.
You knew him and we knew... we met him here.
He was very concerned whether his brother was living, whether he was living in a different
level of consciousness, whether there was John as an entity born next life.
And did I believe in reincarnation, and what did it mean, and so on – he had lots of
questions because he was having a difficult time with himself because his brother whom
he liked, whom we have known for years and years and years...
So I think out of that conversation two things came out, rather interesting.
One – on two occasions – this is not just on one occasion, he came twice – at lunchtime
we discussed the same thing: Is there a permanent ego?
If there is such thing as a permanent something then what is its relationship from the present
to the future?
Alain Naudé: Yes.
K: The future being next life or ten years later.
AN: Yes.
K: That is, if you admit or accept or believe or assert that there is a permanent ego, then
reincarnation...
AN: ...is inevitable.
K: Is – not inevitable, I wouldn't put it inevitable – there is a... it is plausible.
AN: Yes.
K: Because the permanent ego, the me – if it is permanent – can be, in ten years time,
be changed.
It can incarnate differently in ten years time.
AN: We read this all the time in the Indian scriptures, sir.
We read about children who remember the past life, we read about little girls who say,
'What am I doing here?
My home is in some other village, I am married to so-and-so and I have three children.'
And in many cases I believe that this has been verified.
K: That is, sir – I mean, I don't know.
AN: So we are told.
K: So there is that.
If there is no permanent entity then what is reincarnation?
Both involve time, both involve a movement in space – space being environment, relationship,
pressure – all the thing existing within that space of time.
AN: Within time and temporal circumstances.
K: That is, culture and so on.
AN: That's right.
Within some sort of social set-up.
K: Right.
So is there a permanent me?
Obviously not.
But Sidney said, 'Then what is it I feel, that John is with me?
When I enter the room I know he is there.
I'm not fooling myself.
I'm not imagining.
I feel him there, as I feel my sister who was in that room yesterday.
It's as clear, as definite as that.'
I don't know... (inaudible)
AN: And also, sir, when you say, 'Obviously not,' would you mind explaining that?
K: We'll see that.
We'll see.
So he says, 'My brother is there.'
I said, 'Of course he is there, because first of all, you have your associations and
memories of John and that is projected, and that projection is your remembrance.'
AN: Yes.
So that the John who was contained within you is there.
K: Is there.
Now wait a minute.
AN: Because he is still contained within you and you are there.
K: That's one.
'Or' – not or – 'and when John lived he was associated with you.
His presence was with you.
When he was living you might not have seen him all day but his presence was in that room.'
AN: That's right.
His presence was there.
And perhaps this is what people mean when they speak of an aura.
K: Yes.
No, aura is a different thing.
Wait a minute, don't let's push that in yet.
Mary Zimbalist: May I interrupt and ask, when you say he was in that room, whether alive
or dead, was there something external to his brother and his sister that was there, or
was it in their consciousness?
K: No, it is both in their consciousness and outside consciousness.
MZ: But projected from them.
Is it generated from the person?
K: No, no, no.
I can project my brother and say he was with me last night or I feel him in the room, or...
MZ: That emanates from your consciousness or imagination.
K: That may emanate from me or John, who died ten days ago – his atmosphere, his thoughts,
his way of behaving was still remaining there.
Physically he might have gone.
AN: Yes – the psychic momentum.
K: The psychic momentum, the physical heat.
AN: That's right.
MZ: Are you saying there is a sort of energy, for want of a different word, which human
beings give off?
K: Obviously, obviously.
You know, there was that photograph of a parking lot taken.
A photograph was taken of a parking lot where there had been many cars, and the photograph
showed, though there were no cars there, the form of the cars.
AN: Of the cars that had been there.
Yes, I saw that one.
K: That is, the heat which the car had left came on the negative.
AN: Yes.
And also, one day, when we were all living in Gstaad – the first time I was your guest
in Gstaad, we were living at Les Caprices – you left for America before any of us
left Gstaad and I went into that flat – you were still alive and you were on your way
to America – and your presence was there, extremely strong.
K: Yes, sir, that's just it.
AN: Your presence was in that flat so strongly that one felt one could touch and speak to
you.
This was not simply because I was thinking of you, because I had been thinking of you
before I entered the flat.
MZ: Presumably it doesn't mean, either, that I was thinking of the flat, of you, of
the life there either.
AN: Who knows, who knows?
K: So there are three possibilities, you see.
MZ: What is the third?
K: Wait, wait.
AN: We're coming to that.
So now we are examining possibilities, are we?
The first possibility is...
K: That is, I project it out of my remembrance and consciousness, or...
AN: ...pick up...
K: ...pick up...
AN: ...residual energy.
K: ...energy of John.
AN: Yes, like a smell which would linger.
MZ: That's what I was thinking of.
AN: Now what is the third?
K: Or John's thought, John's existence is still there.
AN: Right – that's the third possibility.
MZ: What do you mean by that, Krishnaji – John's existence?
K: I live in this room.
AN: No, the third is that John is really there, the way he used to be there before he died.
That is the third possibility.
K: But this happens.
I live in a room, or you live in a room for a number of years or you are familiar, and
the presence of... that room contains my energy, my thoughts, my feelings – it's all there.
AN: Yes, just as a wood contains its own energy and feelings.
K: Of course.
AN: And when one goes into a new house...
K: ...you feel it, yes.
AN: ...it sometimes takes some time before you can get rid of the person who was before
you, though you may never have known him.
K: You see?
So those are the three possibilities.
AN: Yes.
K: And the other is John's thought.
Because John clings to life.
AN: Yes.
So therefore John's...
K: ...thought, John's desires, are there in the air, not in the room.
AN: Immaterially.
K: Yes, they are there.
It's like a thought...
AN: Yes, now would that mean, sir, that John is conscious of them, that there is a being
who is self-conscious, calling himself John, who is thinking those thoughts?
K: I doubt it.
AN: I think that is what the people who believe in reincarnation would postulate.
K: So see what happens, sir.
That is, the three...
AN: Four possibilities.
K: Four possibilities now.
And the idea that John – see it – the idea that John, whose physical body is gone,
exists in thought.
AN: In his own thought or someone else's?
K: In his own thought.
AN: Yes, exists as a thinking entity.
K: As a thinking entity, he exists.
AN: As a conscious being.
K: That is, John – listen to this, it is rather interesting – John continues because
he is the world of vulgarity, of greed, of envy, of drinking, sex, of competition.
That is the common pattern of man.
That common pattern continues, though John... and John may be identified with that, or is
that.
I don't know if...
AN: John is the desires, the thoughts, the beliefs, the associations...
K: ...of the world.
AN: Which are incarnate and which are material.
K: Which is the world, which is everybody.
AN: Yes, yes.
K: So, you see, there are six...
AN: This is a very big thing you are saying, sir.
K: Yes, sir.
AN: It would be nice if you could explain it a little better.
K: If I...
AN: When you say that John persists, John continues because there is the continuation
of the vulgar in him – the vulgar being worldly material association.
K: That's right – fear, wanting power, position – all that.
AN: Yes.
Desire.
K: Desire.
AN: Desire to be, as an entity.
K: Yes, so that, because that is a common thing of the world, he is of the world, and
the world does incarnate.
I don't know if you see.
AN: Just a moment.
You say the world does incarnate.
K: Yes.
That is, take the mass of people – they are caught in this stream, and that stream
goes on.
AN: Yes.
K: I may have a son who is part of that stream, and in that stream there is John also, as
a human being who is caught in it, and my son may remember some of John's attitudes.
AN: Naturally.
Ah, but you're saying something different now.
K: Yes, yes, yes.
AN: You're saying that John is contained in all the memories which different people
have of him.
K: Of course.
AN: In that respect we can see that he does exist.
Because I remember, a friend of mine died not long ago and it was very clear to me,
when I thought about it, that in fact he was very much alive in the memories of all the
people who had loved him.
K: That's just it.
AN: Therefore he was not absent from the world.
He was still in the stream of events which we call the world.
K: That's right.
AN: Which is the lives of different people who had associated with him.
K: That's right.
AN: In that sense, we see that he can live, perhaps forever, like Julius Caesar.
K: Forever, unless he breaks away from it, breaks away from the stream.
Sir, wait a minute.
A man who is not vulgar – let's use that word vulgar, vulgarity, to represent all this
– greed, envy, power, position, hatred, desires – all that.
AN: Yes, the assertion of what I call me.
K: Me.
Let's call that the vulgar – vulgus, in... (inaudible).
Now, unless I am free from the vulgar I will continue representing the whole of vulgarity,
the whole vulgarity of man.
AN: Yes, I will be that vulgarity, by pursuing it and, in fact, incarnating in it, giving
it life.
K: Therefore, I incarnate in that vulgarity.
Right?
You follow?
That is, first I can project John, my brother.
AN: First point.
In my thought I can imagine or remember him.
K: Remember him.
AN: Second point.
I can pick up his kinetic energy, which is still around.
K: His smell, his taste, his saying the words.
AN: The pipe which is unsmoked, there on the desk, the half-finished letter.
K: All that reminds me, yes.
AN: The flowers he picked in the garden.
K: Yes.
So that is the second.
Third: the thought remains in the room.
AN: The thought remains in the room.
K: The thought, the feeling...
AN: His thought.
K: His thought.
AN: One might say the psychic equivalent of his kinetic energy.
K: Yes, that.
AN: His thought remains almost as a material smell.
MZ: Yes, as a physical smell.
K: That's right, that's right.
AN: The energy of his thought remains like an old coat that would hang around.
K: That's right.
AN: Fourth.
K: Four is: If he has got a very strong will, very strong, active desire and thought, that
also remains.
AN: No, but that's not different from the third point.
K: No, that's the fourth point.
AN: Now just a minute, the third point is that thought remaining.
K: Yes.
AN: Which is will, which is desire.
Now, the fourth point...
K: ...is this stream of vulgarity.
Right?
AN: That's not very clear, sir
K: Look, sir, I live an ordinary life, like millions and millions of people.
Right?
AN: Yes, pursuing goals and hopes and fears.
K: The usual life, I lead the usual life – a little modified, a little bit...
AN: A materialistic existence.
K: ...higher, lower, it's along the same... over the rocks and along the small river – I
follow that current.
I am that current.
Now, me, who is that current, is bound to continue in that stream – which is the stream
of millions of people.
I'm not different from millions of other people.
AN: Yes.
Therefore, are you saying, sir, that even dead, I continue because the things which
were me are continuing?
K: Are continuing, in the human being.
AN: They are also contained in other human beings, therefore I survive.
I was not different from the things which preoccupied and filled my life.
K: That's right.
AN: Since these things which occupied me and filled my life survive, in a manner of speaking
I survive since they do.
K: That's right.
Now we've got...
AN: That's four points.
K: Four points.
AN: Now, the question is about the fifth.
Is there a conscious thinking entity...
K: That's what I'm coming to.
AN: ...who knows that he is, after the moment when everybody has said, 'There goes poor
old John, we've put him in the ground'?
Is there a conscious entity who, immaterially, says, 'Good gracious, they've put that
body in the ground but I have consciousness of being alive'?
K: Yes.
AN: That is the question I think...
K: ...which most people...
AN: ...which is difficult to answer.
All these other things, we see...
MZ: Sidney was in effect asking this.
K: Of course.
He was asking that question.
AN: Because we see that everybody does exist in these other ways, after death.
K: In the other ways.
Now you are asking a question, which is: Does John, whose body is burned, cremated, does
that entity continue to live?
AN: Does that entity continue to have its consciousness of its own existence?
K: I question whether there is a separate John.
AN: You said at the beginning: Is there such a thing as a permanent ego?
'Obviously not,' you said.
K: No, no, I am questioning.
When you say, 'My brother John is dead,' and ask whether he is living – living, you
know, as a separate consciousness – I question whether he was ever separate from the stream.
AN: Yes, sir.
K: You follow what I'm saying, sir?
AN: Was there a John alive? – in effect is what... (inaudible)
K: When John was alive, was he different from the stream?
AN: The stream filled his consciousness of himself.
His consciousness of himself was the stream knowing itself.
K: No, sir, just go slowly, slowly – this is rather complicated.
The stream of humanity is anger, hate, jealousy, seeking power, position, cheating, corrupt,
polluted – that is the stream.
Right?
AN: Yes.
K: Of that stream is my brother, John.
When he existed physically, he may have had a physical body, but psychologically he was
of this.
AN: Yes, but there was an entity who...
K: Wait, wait, wait, wait.
Therefore, was he ever different from this, from the stream?
Or only physically different, and therefore thinking he was different.
You follow my point?
AN: There was an entity who was self-conscious.
K: As John.
AN: Yes.
He was self-conscious, and the stream was in relationship to himself – my pipe, my
child, my life.
K: Yes, sir, but was John inwardly different from the stream?
AN: No.
K: No.
That's all my point.
Therefore what is dead is the body, and the continuation of John is part of that stream.
I, as his brother, would like to think of him being separate, because he lived with
me as a separate... physically.
But inwardly he was of the stream.
AN: Yes.
K: Therefore, was there a John who was different from the stream?
And if he was different then what happens?
You follow?
That's a much better question.
I don't know if you follow what I mean.
AN: But there is a stream, sir, from outside and there is a stream from inside.
Vulgarity seen in the street is different from the man who feels himself to be acting
in the moment of that vulgarity.
I insult somebody; this is vulgarity.
You see that vulgarity from outside and you say, 'There is a vulgar act.'
I, who am insulting somebody...
K: ...is part of that stream.
AN: ...see the vulgar act in a different way.
K: Yes.
AN: I feel self-conscious life at the moment when I insult.
In fact I insult because there is conscious thinking about a me.
I am protecting myself, so I insult.
K: But, sir, my point is: this is what is happening with a hundred, million people,
millions of people.
As long as I swim in that stream, am I different?
Is there a real John different from the stream?
MZ: Was there ever a John, in fact?
K: That's all my point.
AN: There was conscious determination which felt itself to be John.
K: Yes, but I can imagine, I can invent that I'm different.
AN: All right, there was imagination, thought, calling itself John.
K: Yes, sir, but...
AN: Now, does that thought still call itself John?
K: But I belong to that stream.
AN: You always belonged to the stream.
K: Therefore, I am not... there is no separate entity as John, who was my brother, who is
now dead.
(Pause)
I mean, this is really quite...
You follow, sir?
MZ: Are you saying that there was no individual human being...
K: This is what we call permanent.
MZ: ...there was only humanity?
K: No, this is what we call permanent.
MZ: The permanent thing...
K: Ego is this.
MZ: ...is what we think is individual.
We think the ego is separate.
K: The individual, the collective, the self.
AN: Yes, the creation of thought which calls itself self, obviously is not permanent.
K: Is of the stream.
AN: That's right.
K: Therefore was there ever a John?
There is only a John when he is out of the stream.
AN: That's right.
That's correct.
K: Now, go slow.
So, first we are trying to find out if there is a permanent ego which incarnates.
AN: The nature of the ego is impermanence.
K: No, but all the reincarnationists, the whole of Asia and the modern people, certain
people who believe in it, say there is a permanent ego.
AN: Yes, or at least a lasting one – at least it lasts, they say.
K: Yes, it is lasting – it'll take many lives so that it can become dissolved and
be absorbed in Brahman or in Nirvana or in light or in something or other.
Now, is there, from the beginning, a permanent entity, an entity that lasts centuries and
centuries and centuries?
There is no such permanent entity, obviously.
I like to think I am permanent.
My permanence is identified with my furniture, with my wife, with my husband...
AN: Circumstances.
K: ...circumstances, with my...
AN: Corroborated, as it were, by these things.
K: That's all.
They're all words and images of thought.
I don't actually possess that chair.
I call it mine.
AN: Exactly.
You think that it's a chair and that you own it.
K: I like to think I own it, but...
AN: ...that's just an idea.
K: So – watch it – so there is no permanent self.
If there was a permanent self, it would be this stream.
AN: Yes.
K: Now, realising that I am like the rest of the world, that there is no separate K
or separate John as my brother, then I can incarnate if I step out of it.
Incarnate in the sense, the change can take place away from the stream.
In the stream there is no change.
MZ: Yes, but if there is no... (inaudible)
AN: Now you're saying permanence is outside of the stream.
If there is permanence it is outside of the stream.
K: No, sir, permanency... semi-permanency is the stream.
AN: And therefore it's not permanent.
If there is anything permanent it is not the stream.
It's therefore out of the stream.
K: Out of the stream.
AN: Therefore, if there is an entity...
K: There can't be.
AN: ...then it must be out of the stream.
If there is any entity at all.
But we say all entities, as we know them, are of the stream.
K: Of the stream.
See that, it's very important.
AN: Yes, this is self.
Therefore, that which is true, that which is permanent, is not a something.
K: Is not in the stream.
AN: That's right.
(Pause in recording)
K: When Naudé dies, as long as he belongs to the stream, that stream
and its flow is semi-permanent.
AN: Yes.
K: Right?
AN: It goes on.
It's a historical thing – it goes on.
K: It goes on.
But if Naudé now says, 'I will incarnate – not in the next life, now, tomorrow, which
means I will step out of the stream' – he is no longer belonging to the stream, therefore
there is nothing permanent.
AN: Therefore there is nothing to reincarnate.
K: That's it.
AN: Therefore, that which reincarnates, if reincarnation is possible, is not permanent
anyway.
K: No, is the stream.
AN: Is the stream, is the very temporal.
K: No, don't put it that way.
Is the stream.
MZ: Is not personal, is not a separate entity.
AN: Is not real.
K: No, you are putting it much too...
As long as I belong to the stream...
AN: ...I don't really exist.
K: ...there is no separate entity.
I am the world.
AN: That's right.
K: When I step out of the world is there a me to continue?
AN: Exactly.
It's beautiful.
K: So, what we are trying to do is to justify the existence of the stream.
AN: Is that what we're trying to do?
K: Of course.
When I say, 'I must have many lives, therefore I must go through the stream.'
AN: No, what we are trying to do then is we are trying to establish that we are different
from the stream.
K: We are not.
AN: We are not.
We are not different from the stream.
K: So, sir, we see that.
Then what happens?
If there is no permanent John or K or N or Z, what happens?
You remember, sir – I think I read in the Tibetan tradition or some other tradition
– that when a person dies, is dying, the priest comes in or the monk comes in and pushes,
sends all the family away, locks the door, and says to the dying man, 'Look, you're
dying.
Let go.
Let all your attachments, all your worldliness, all your ambitions – let go.
Because you are going to meet a light in which you will be absorbed if you let go.
If not, you'll come back.'
Which is, come back to the stream – you will be the stream again.
AN: You'll be of the stream.
K: Of the stream.
AN: Yes, exactly.
(Laughs)
K: So what happens to you if you step out of the stream?
AN: If you step out of the stream, you cease to be.
But the you which was, was only created by thought anyway.
K: Which is the stream, and all the rest of all the...
AN: Yes, desires – vulgarity.
K: Vulgarity.
AN: Which is the same as thought.
K: What happens if you step out of the stream?
The stepping out is the incarnation.
AN: Exactly right.
K: Yes, sir, because that's a new thing you are coming into.
Not you – there is a new dimension coming into being.
AN: Yes.
K: Now, what happens?
You follow?
You, Naudé, have stepped out of the stream.
Just a minute, sir, follow it.
You, Naudé, stepped out of the stream.
AN: Yes.
K: What happens?
You are not an artist – listen to this – you are not a businessman, you are not a politician,
you are not a musician – all that identification is part of the stream.
AN: All the qualities.
K: All the qualities – part of the stream.
When you discard all that, what happens?
AN: You have no identity.
K: Identity is here.
AN: Is the stream, is the qualities, the labels...
K: What happens to...
Sir, that's very interesting because, say, for instance, Napoleon, or any of these so-called
world leaders, they killed, they butchered, they did every horror imaginable.
They live and die in the stream.
They are of the stream.
That's very simple and very clear.
There is a man who steps out of the stream.
AN: Before physical death.
K: Before physical death.
Of course, otherwise there is no point.
AN: Therefore...
K: No, wait, sir.
AN: ...another dimension is born.
K: Now what happens?
AN: The ending of the dimensions which are familiar to us is another dimension.
But it cannot be postulated at all because all postulation is in terms of the dimensions
we are in.
K: Yes, sir, I understand, but what happens?
Suppose Naudé, you living now, step out of the stream.
What happens?
AN: This is death, sir.
K: No, sir.
No, sir.
AN: This is death, not physical death, but this is the death...
K: You step out of it.
You move to a different terra, a different bank.
What happens?
AN: Nothing can be said about what happens.
K: Wait, sir.
Wait, sir.
Wait, sir.
You see, none of us step out of the river.
And we are always, from the river, trying to reach the other shore.
AN: It's like people talking about deep sleep from awakeness.
K: That's it, sir.
We belong to the stream, all of us.
Man does belong to the stream.
And from the stream he wants to reach that shore – never leaving the shore, this river.
AN: That's right.
K: Now, the man says, 'All right, I see the fallacy of this, the absurdity of my position,
absurdity of stating even such an idea.'
AN: That's right.
You can't state another dimension from the old dimension.
K: So I leave that.
So the mind says, 'Out,' steps out.
What takes place?
Don't say it is not...
AN: ...can't be verbalised.
K: Verbalised – I am not sure it cannot be.
AN: The only thing that one can say about it, in terms of the stream, is silence.
K: Wait, sir.
AN: Because it is the silence of the stream.
And one can also say it is the death of the stream.
And therefore, in terms of the stream, it is sometimes called oblivion, it is sometimes
called...
K: Sir, sir, do you know what it means to step out of the stream?
No character...
AN: No memory.
K: No, sir, see: no character, because the moment you have a character it's of the
stream.
The moment you say you are virtuous you are of the stream – or not virtuous.
To step out of the stream is to step out of this whole structure – moral, ethical.
AN: Out of all that is known.
K: You follow?
So, creation as we know it is in the stream – Mozart, Beethoven – you follow? – or
the painters – they are all here.
AN: I think perhaps, sir, that sometimes that which is in the stream is vivified, as it
were, from something which is beyond.
K: No, no – can't.
No, no, don't say these things, because it's...
No, I can create in the stream.
While I am in the stream I can paint marvellous pictures.
Why not?
I can compose the most extraordinary symphonies.
All the technique...
AN: Why are they extraordinary?
K: Because they need... the world needs it.
There is the need and the demand and the supply.
AN: Yes, but why do we call this symphony extraordinary and not that one?
K: Sir, wait, wait.
No, that's a matter of...
I mean, you are hearing a symphony of Mozart and an Indian meeting it says, 'What a lot
of noise.'
You follow what I mean?
Doesn't matter – leave all that.
Now I am saying to myself: What happens to the man who really steps out?
Here, in the river, in the stream, energy is in conflict, in contradiction, in strife.
AN: In duality.
K: That's going on all the time.
AN: Me and it, me and you.
K: The division, all that's going on there.
When he steps out of it, there is no conflict, there is no division as my country, your country
– no division.
AN: Or any country.
K: Wait – no division, in the same sense.
So what is the quality of that man, that mind, that has no sense of division?
It is pure energy, isn't it, which can express to the... which can show to the river, points
where it should... – all the rest of it.
So our concern is the stream and the stepping out of it, not what happens.
Right?
AN: Absolutely, sir.
And that is meditation, that is real living, because the stream is not life.
The stream is totally mechanical.
K: You see, that means I must die to the stream.
AN: All the time.
K: All the time.
AN: Exactly that.
K: And therefore I must deny – see, sir – not deny – I must not get entangled
with John, who is in the stream.
AN: One must repudiate the things of the stream.
K: That means I must repudiate my brother.
AN: I must repudiate having a brother.
Give unto Caesar the things which are Caesar's.
K: See what it means, sir?
Not repudiate.
AN: Step out of.
K: No, no.
AN: Because repudiation is...
K: I see John belonging to this.
I see my brother belonging to this.
And as I move away from the stream...
AN: One sees that the stream really...
K: You know, my mouth is open, my... no tears.
That's all.
That's what takes place.
What are you...
(inaudible)
(Pause)
I think that is compassion.
AN: When the stream is seen from that which is not of the stream.
K: Yes.
When the man of the stream steps out and looks, then he has compassion.
AN: And love.
K: So, sir, you see, reincarnation, that is, incarnating over and over again, is in the
stream.
(Pause)
This is not a very comforting thing, this.
You follow?
I come to you with... my brother died yesterday and you tell me this.
I call you a terribly cruel man.
But you are weeping.
I am weeping for myself.
You follow, sir?
You are weeping for me, for the stream, for the people.
You follow?
But I call you cruel because I'm weeping for myself, for my loss.
AN: The stream is weeping for its own continuation.
K: You see, that's why people don't want to know, really.
I like to think I want to know.
You follow?
I really don't want to know if my brother is dead.
AN: I want to know that he is, not whether he is.
K: Sir, some other thing which is quite interesting, which is, Aldous Huxley told me once, after
his first wife died, he went to... it happened somehow that he was with a medium.
That medium, whom he had not met before, suddenly said, 'I've a message for Mr Huxley.'
And Huxley, Aldous said that his wife, who was dead, told him something which he and
the wife only knew and nobody else.
Well, that's fairly simple.
AN: How, sir?
K: Come off it.
Aldous Huxley was living.
His first wife, called X was living...
His first wife died.
The first wife had a... between themselves there is something which...
AN: Yes, some contact.
K: Contact.
And which he had forgotten but the wife remembered.
AN: Yes.
K: Say, for instance, the husband and the wife had a secret: key to the safe.
AN: The key to the safe is under the carpet.
K: Under the carpet – let's put it that way.
Only he had forgotten it.
AN: Yes.
K: He was looking for it, thinking about it, saying, 'For God's sake, where is that
key?'
So what happens?
The wife who is dead still thinks of that key because he is worried.
And also is wanting to tell him the key is under the carpet.
AN: Yes.
K: And the medium helps that.
And they think, therefore, the wife lives.
You follow what I mean?
MZ: No.
AN: Now let's put it this way.
Does she live as much as she ever did?
Because we have established that this friend that we were speaking about, in fact was never
an entity.
K: Yes.
AN: Now his brother is asking whether he is an entity now.
You say he never was.
K: He never was.
You see, sir, that we can't accept.
AN: Now is he the same as he was before?
MZ: To the degree that he never was.
I mean, that in itself had some meaning.
K: He belongs to the stream.
AN: It's the same.
K: There are varieties in the stream – shadows, depths, you know, waterfalls and...
AN: But as they say in French, the more it's different the more it's the same.
Plus ça change, c'est la meme chose.
This is very interesting.
MZ: But by your last anecdote, Krishnaji, you are giving back, in effect, the hope to
the brother because...
K: But that's what they want.
MZ: I know, but if that anecdote proves anything, it isn't simply that the medium picked up
something out of...
K: ...nothing.
MZ: ...Huxley's subconscious.
K: Obviously must have.
Either picked it out of his subconscious or the wife before dying – as she was dying,
she hadn't time or she hasn't...
– there was that feeling she must tell him.
That feeling must remain in the air.
AN: In other words, what we remember of memory is what we pick up from the air.
K: Myself, I pick up yesterday's what I did, what I didn't do.
Of course.
You see, sir, how terrible it is to face something to which we have clung to.
You follow?
That my brother is a separate entity, I am a separate entity, when I and my brother belong
to the stream.
You follow?
AN: Yes.
We are the stream.
K: We are the stream.
AN: The stream lives in us, and we have our vitality because of the stream.
K: The moment you step out of it you deny, you move away from the whole river.
Then you can cry.
But to cry what happens in the stream is just self-pity – you know, all that stuff.
I think that's enough, don't you?
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