I didn't believe a person can fall in love at first sight
Before I met you, I really didn't believe it.
Everyone would have dreamed once
And now I think I know
You know, the two of us, forever, the two of us
If I have you, for me, if I have you
You know, you and me holding hands together
I want to walk on this path with you
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Your eyes are shining like the sun
I think you are similar to the blue sea
Your smile is sweet like candies, I dive into you
I want to paint our pure, dreamy love together
It's not a temporary feeling
Do you know my mind?
My mind is going towards you
Now I want to know you more
You know, the two of us, forever, the two of us
If I have you, for me, if I have you
You know, when our eyes meet
I want to be in your arms
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Perhaps, when you see me,
Does everything become a pretty color?
Can you reveal them one by one and tell me
Shyly, that you love me
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Your eyes are shining like the sun
I think you are similar to the blue sea
Your smile is sweet like candies, I dive into you
I want to paint our pure, dreamy love together
For more infomation >> 여자친구 GFRIEND - 물들어요 Fall in Love M/V (FMV) - Duration: 3:24.-------------------------------------------
ஓடிப்போய் திருமணம் செய்து கொண்ட தேவயானி..? | Tamil Cinema News Kollywood Tamil News - Duration: 1:39.
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Cartoon about Disco-girls! Crazy preparation for the performance of the children's pop group! - Duration: 10:53.
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VIXA OGIEŃ OMEN ☢ 2017 ☢(MEFEDRONIX)vol.40_CZ4PL4 - Duration: 22:52.
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How To Ride At Altitude - Duration: 7:03.
- Riding your bike at altitude, like here
in the stunningly beautiful Dolomites,
where the roads often go above 2,000 metres,
or six and a half thousand feet,
requires you body to adapt to an environment
where the higher you go, the less oxygen
becomes available to you,
dramatically affecting your performance.
- Yeah, let's look into that a little closer, shall we?
Coming up is what you need to know about altitude
and the best way of coping when riding
when the air is thin.
- It is a bit thin, innit?
- Okay, now for the sciency bit.
Now the percentage of oxygen in the air
is actually the same at altitude as it is at sea level,
which, I must admit, was news to me,
and that's about 21%.
But the difference is, the air molecules at altitude
are far more dispersed, meaning that with
every breath you take,
less oxygen is delivered to your lungs.
So, as the altitude increases,
you're aerobic capacity decreases.
- Yeah, and research has shown, actually,
that for a rider that's used to sea level
will actually see a decrease in their VO2 max,
which is, remember, the maximum amount of oxygen
that you can utilise with your muscles, and your heart
and your lungs, during exercise.
You'll see a decrease of 2% for every 300m,
or 1,000 feet, that you climb.
- Yeah, so let's put that into a little bit of context.
We're here on the Passo Pordoi in the Dolomites,
which tops out at 2,239 metres.
So you could expect to see a decline in your VO2 max
of around 15%.
- Yeah, you know what Matt, I actually sense that.
And imagine that if we're even higher,
so like Colorado, for example, where many of the climbs
go over 3,000 metres, or 10,000 feet,
you'd be looking at a decrease in your VO2 max
of over 20%.
That's not insignificant.
- It isn't.
Well the simple answer to this question
is to just get as fit as you possibly can,
because, short of actually living at altitude,
or simulated altitude, the only physiological thing
you can do to make a difference
is to get yourself into the best physical shape
that is possible.
And to be perfectly honest with you,
that's what we'd hope you do if you're gonna tackle
something like the Maratona, for example.
- That's right.
But interestingly, Matt, research has shown
that, actually, riders who are fitter,
who have a higher VO2 max, will actually adapt
faster to altitude than a rider who is less fit
when they're at sea level.
- Yeah, but though you'll never actually fully adapt
to altitude, the acclimatisation process does actually
begin as soon as you get to altitude,
although the effects for the first few days
are pretty small and barely negligible.
So you need a considerable period of time
to really start to feel the benefits.
- Now unfortunately, for the vast majority of riders,
there is no magic formula for performing at altitude,
except, the only thing you can really do,
which is to prepare yourself for going slightly slower
than you might otherwise normally do.
But, the cool thing, is you don't need to worry
about it, because the vast majority of riders
will be affected in a very similar way.
- Is the air thin for you, Si?
- Yeah.
- It's pretty thin for me.
- Those adaptations are negligible for me.
- Yeah.
Now in terms of the actual sensations you're gonna feel
while riding at altitude, expect there to be
a bit of a disconnect between your legs
and your cardiovascular system.
And by that I mean, you may actually find
that your legs feel quite strong with more to give,
whilst at the same time, your breathing and your heart rate
is disproportionately high.
And that's because of the lack of oxygen uptake
in each breath.
- It's a bit like pudding, Matt, innit?
- Explain.
- Well, I mean like you get to the end of the main course.
You're a bit full,
but you really want a pudding, so you order one,
only to find that halfway through it,
you really shouldn't have done,
and actually you can't follow through.
Yeah, just like pudding.
Anyway, there are other things that may cause discomfort
as well, other than dessert,
such as, you may find you get a headache,
you may find that you're suffering from poor sleep,
you get fatigue, even dizziness.
Hopefully, all those symptoms will subside
after a few days.
You may not get them at all.
Generally, it's because of actually going to altitude
too quickly.
- Unlike I did, when I first rode at altitude in Colorado,
which is over 3,000me, I may add,
try and take things steadily for the first few days.
Gradually increasing your effort
and maximising your chances of adapting as best you can.
Now, contrary to my coach's best advice,
I went out of the blocks, flat stick into the red,
and ended up with the classic altitude symptoms
of dizziness, a headache that lasted for over four hours,
and to cap it all, a nosebleed.
Needless to say so, I learned my lesson,
and for the next few days, took things rather tranquilo,
gradually increasing my effort.
- That's right.
Make sure you learn from Matt's mistake,
although, you might find that a sight difficult
if you fly out to an area like this,
which has these amazing, long tough climbs
that characterise the route of the Maratona.
So in that case, you're just going to need to exercise
some real self-restraint and try and stay well away
from going into the red on those long climbs.
Although you're not going to acclimatise
in a couple of days,
by starting gradually, you're going to be able to
slowly build your effort up and prevent
that kind of a shock that Matt felt.
- Which, believe you me, was not very pleasant at all.
So as we've just said before, for the first few rides,
build up nice and steadily.
And importantly, on the climbs, get a rhythm
where you're really in control of your breathing
and stick to that.
Now the fact is, you may be producing a bit less power,
therefore going slowly, but don't worry,
it's pretty much the same for everyone
and it's completely normal.
Now see this globe here.
If you don't want to miss another
Global Cycling Network video, click on it,
and subscribe.
It's absolutely free.
- Yeah, and if you're in the mood for some more
content right now, then why not stick with the subject
of altitude, Matt and I actually did some research
of our own with the help of Professor Lou Passfield
- Pass the glasses.
- Indeed,
and that video is just down there.
Or to see the effects of proper pacing
on a long climb, irrespective of altitude,
that video is just down there.
- And to tell you one thing,
that view deserves a thumbs up.
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[겜알못]메탈슬러그 아이템 속 모덴군의 만행? - Duration: 2:34.
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CRAZY ANGRY PEOPLE vs BIKERS | MOTORCYCLE ROAD RAGE | [Ep. #83] - Duration: 10:43.
oh
[stop] oh, I can't believe you right now dude. [I]
Cannot believe you [are] you joking me right now?
Bro, are you kidding me? You know I will just die bro. I was on top [of] your car
Get it not sorry you almost killed me my leg is fucked right [now] dude
What are you thinking? There's a yellow line [for] a reason?
Pull the fuck over. I don't even know if [my] bike can move right now
What are you doing?
Actually, you know what just wait here, not like my bike moving
Look at this look. There's my fucking decal right there. That's my sticker. [I] need to call 911
What do window Daddy can find your window down?
He's fucking death. You're the reason one of my mates got killed
You're the reason I come like you're on your phone you fucking cunt
I'll go tell the [police] you're on your phone you fucking twat
Next time check your burger your mirrors because I was right [next] to you when you switch lanes, bro. That's good, but check the mirror
I fuckin blocking before your fucking little bitch
Your jailer you know I just go
They just brought it has got a question one question one question fucking pussy
you
No, Rollerball your head for dinner
fucking [oh]
We go were you doing?
Don't know more I'm in alone
What are you doing?
It doesn't matter [indicate]. I'm in the rain. You can't just come into the lane
What are you doing think?
[you] could knock me off the [bike] and break my fucking leg
Then just indicate a moon rover a big warning he still moves over
What's wrong with you?
What's wrong with you?
fucking idiot
What are you doing?
Fuck you, man, the bitch. Have you on camera [pulling] me off?
He thinks I'm waving to her fucking idiot
Hey, fuck you
The fuck is your problem
you
Fuck yeah
awesome, man
What are you doing !?
fucking c$unt
oh, ma, [ha]
you
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தவறான நேரத்தில் கிளிக் ஆன படங்கள் | Tamil Cinema News Kollywood News - Duration: 2:50.
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★t e e f★'s Flipnote [Sudomemo] - Idle Worship MV - Duration: 0:25.
Just let me let you down
Hey, baby I'm not your superhuman
And if that's what you want
I hate to let you down
I got your hopes up
Now I got you hoping
But I'm gonna be the one that let you down
La, la, la, la, la, la, la
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Wild Garlic Focaccia | Jamie & Gennaro | #MyFoodMemories | AD - Duration: 5:01.
Hi guys, I am so excited to share with
you a really important recipe to me
that's not just a great recipe it's a
memory it's a really important memory.
We're going to make homemade focaccia,
crispy top spongy inside. When you make
bread with love and care and passion,
it taste so much better than anything
you could buy. To help us do it I'm going
to bring in the person that taught me
the very first time. Gennaro Contaldo! Wow
I call in my London dad, he was my first
boss in London when I moved from the
country. You were very young young boy
you wanted to learn and everything.
Pasta and bread focaccia, you name it
and focaccia in those days no one
was doing it, not in England and when I
ate my first mouthful - so good. So we're
going to give you the true recipe. For
me it's all about love and care. We have
strong bread flour 500 grams.
I'm going to make a well in the middle
and Gennaro is going to season the bread
with about a teaspoon of sea salt. 1 sachet
of yeast goes into 300 mls of tepid
water. I'm going to add this into the
middle let the fork do all the hard work.
Such a beautiful ritual. He's broken the
seal but that's alright lots of people
are going to do that. Cooking and the
culture of cooking is a little bit like
this it's about friendship or family and
passing recipes down to the next
generation and we keep the food alive
you know, when I learnt to make it off
of Gennaro the atmosphere was hot and
sweaty. Often he be in hardly any clothes.
I think they were cool. He'd have like a little
pair of pants on and a
pinny and he'd be making the bread.
Gennaro would have like a hundred trays and I
used to get them ready for him dust
them with flour or semolina. Strange, strange
messaging. I used to write little messages,
draw naughty pictures. Yeah yeah.
So you just want
to knead this for a good five minutes.
Look at that, now we're going to let it
prove. Get a cloth and we want to make it
warm with water
and in one hour it's going to be beautiful.
We have wild garlic, we're going to tear
this up, take a nice pinch of salt and
I'm going to pound it up to like a kind
of mush like a pesto. I remember when I
come in England and I saw the wild garlic
I went argh! I was screaming, screaming for joy.
We're going to add some beautiful oil.
That's ready, you want a deep tray, olive
oil to stop it sticking and then Gennaro
had this incredible tip. Stale bread.
All right you blend it until you have
breadcrumbs and it gives the base that real
crunch. So Gennaro is going to lay the
dough down in the tray. I'm going to get
this lovely wild garlic onto the
focaccia.
Rub it, look at the colour we're going to
use our fingers to go down right to the
bottom we're creating a texture, it's
like mountains and lakes of beautiful
green oil. The Dolomites. Gennaro is just
going to roll up some garlic and we're
going to push that into here. Yeah a love
the words the Dolomites.
The mountains, yeah I love it
Really nice sea salt. Not.....
It's quite salty right? It's quite salty. We're going to wrap this
in the warm damp cloth and we're going
to let that prove for one more hour.
You ready? Yeah! Spongy, gorgeous dough I'm
going to put it in my Hotpoint oven
alright and having good equipment is so
important alright you want it hot
preheated 220 degrees Celsius. Put it in
so gently, gently, gently, gently 20
minutes, 25 minutes and then I can't wait
to show you. Oh look at that
and now Gennaro's gonna feed it more oil
it's going to suck it up like a sponge
oh my goodness me look! So crispy. It
brings back so many memories.
Yes indeed. Crispy
on the bottom, spongy in the middle. So
spongy. It's the most
delicious, scrumptious bread. Have a go at
that recipe and I hope you enjoyed my
food memory with Gennaro. It's one that's
really close to my heart and guys me
and Hotpoint we want to see your food
memories. Click the link go over to the
hub and there's all the information you
can see other videos. You're going to love
it so guys what are you waiting for
share your food memories it's going to
be amazing! Come on!
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Studio K | Wigged Out: Dentist | CBC Kids - Duration: 3:44.
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HAUL: iwhite korea + watsons skincare | chai's diary - Duration: 9:05.
hey guys hope youll have an amazing day ahead
and chai's here of chais diary
am going to share you all what i got form cebu
skin care and makeups
during my vacation for 15 days
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de todo hindi how are you hindi ko
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knocking ah sorry philosophy plan so I
will say thank you guys
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great one that i will share together
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subpoenas are and they're absolutely
wonderful and I'm excited to try this
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chill and relax on a window so there's
next thing another worksheet to you is
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and I'm so excited to use this actually
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facial wash after your facial in wiping
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because some of the in storage no but I
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thing and laugh is I want to say thank
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village any announced Tanaka Dean and
yeah so I'm so excited to use this on my
next video
she's gaining so much for giving me this
now a fuse under the brownies so Lucia
so you guys thank you so much for
watching and I hope the a congenital
unit for the hope now my MA my mama
taught you idea about soprano my sword
and if you don't if you don't mind
comment down below :
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so yeah the functionaries were watching
this video and I hope tonight follow me
fellas
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description box and to befriend so
Parrinello polite video
you are my green
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✈ Amerykańskie samochody na Kubie - czyli carporn [ENG SUBS] - Duration: 6:22.
There is no postcard from Cuba without image of American car from 50s.
There is also no Youtube film, including this channel, where it is possible to avoid shots
of one of 60 thousand cars of that type in the country.
That is the reason why we get down to vehicles from beyond epoch,
and why there is so many of them and why there are still running in a country of Castro dynasty.
I've found 20 synonyms of a word 'car', so I hope that it will be as nice to listen about them as to watch them.
American cars American cars are the heritage of rich Americans and Cubans, running from Cuba after revolution, in 1959.
Cars had been taken over by people's movement and they are in use till these days.
Fidel Castro after coming to power in 1959, has decided that buying a new car will require a permit from the State.
And just a year after the revolution, the USA imposed on this expensive, communist country the embargo, so all cars you see really come from 50s.
hat is before this period and often with the same drivers, of their children,
or their children's children, although their stylization is rather for show up tourists.
How old is it?
49
It's beautiful
Man is making up the car for photo.
Cuba has a little better relationship with other countries, unfortunately from distant lands.
Therefore on the streets rarely but still appear wartburgs, ladas or fiats 126p,
which are called here affectionately "polaquito".
In 80' the cuban government had been offering to the owners of American cars - that they can exchange them for a brand new Ladas
and then (government) had been selling them to rich foreign car collectors.
After the fall of USSR - this business collapsed.
American embargo made the Cubans can say 'Adios' to possibility of importing spare parts, because where they could from?
But necessity is the mother of invention, that is why today the locals are considered the best mechanics in the world.
Cars which are is use for tens of years are usually in very bad condition.
They are ramshackle, rusted, and often they don't have any original parts,
cause Cubans didn't have an access to them, so they've been improvising.. Just like me right now...
Often those parts are taken from other brand's cars or they are custom, homemade.
And it is very funny that when they are rebuilding or fixing the engine, they don't care how it look like under the hood
It's working. - that's important.
The body is also rarely original cause Cubans love to decorate their cars. But I think it doesn't make the cars less charming.
There are no traffic jams because cars and fuel in Cuba is rationed. And because there is always a shortage of it
you can see here many horse carriages, bicycles, rickshaws, which are working hardly to take tired tourists to their destinations.
In recent years, the ban for importing cars was lifted, and the Cubans again may purchase a four-wheeled vehicle.
However, their prices are so high that for buying even one car, the savings of entire life still may be insufficient.
Car such a fiat 126 p is about 4-5 thousand Euro, while the salary is not higher than 40-50 Euro.
I think to myself, what more could be interesting for motoring fan… Maybe that they're singing?
Thanks for watching and see in my channel the other movies about Cuba and not only.
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Getting Out of a Rut · Drawing All The Time #1 · semiskimmedmin - Duration: 22:09.
It's Friday.
It's half one.
And today is the day that I start drawing all the time.
I've been wanting to start a new video series for a while, and I knew what kind of content
I wanted, and I had a lot of suggestions from you guys that were pretty much the same as
what I had in mind….
I wanted to keep the sort of casual, informal, but also at least somewhat valuable nature
that I had with my sketchbook series.
It's been great to see how me sharing my experiences and things I've learned and
mistakes I've made can help other people and just start a discussion, to where we're
all sharing our experiences and learning from each other.
In terms of the format of the videos, I'm not 100% sure yet, that's where your feedback
comes in.
But for today, I like watching videos where people draw and talk so I'm gonna draw and
I'm gonna talk.
So, in terms of the 'drawing all the time' thing.
At the moment I'm really pushing this draw every day mantra for myself.
Trying to make art a solid habit in my life.
I've said this before but, the key to improving and evolving as an artist is to create as
much as possible, and not rely on being inspired to be able to create, let the constant flow
of productivity and creativity be what fuels the inspiration.
And to do that, the habit of drawing constantly has to be as entrenched in you as something
like brushing your teeth.
And I thought what better way to motivate me to really commit to this than to share
that journey of consistant art-making with you guys.
And just talk through how I'm doing it, how it's going, what issues I have, how
I deal with them.
This can be like my Big Brother diary room, where I come back after a week of trying to
draw as much as I can and let you know how it's going.
Show you what I drew, a bit of the how and the why…
I've also been really keen to show more of the behind the scenes of the art process...
of the art making process.
And show more of how art fits into real life, how I find the time....
So that's what we're doing.
That was a long intro.
I fell like these videos are gonna be such a departure from my concise, straight-to-the-point
videos.
That's something I've been probably the most nervous about.
Just this like free-form rambling.
A lot of you might prefer the short and sweet but I guess for that you can watch my speed-paintings.
This is gonna be my chatty… chatty… not knowing what I'm talking about… kind of
video.
So what I'm doing at the moment, I'm actually playing catch up in my sketchbook.
This is my new Stillman and Birn sketchbook, its a one of their… zeta series, I've
been using it as like a visual diary, the same way I do my travel journals, documenting
the days with pictures with drawings and writing and also just using it for my usual doodles
and studies and concept stuff.
But my aim has been to do one drawing a day based on something that happened that day
or the previous day.
But, in all my umming and arring about the new series and also going on holiday, finishing
my moleskin, I've been generating the ideas, but not had the time to record them and missing
loads of days in between.
So at the moment I'm sort of playing catch up, filling in the gaps and that's what
I'm doing today.
Today's page is in amongst the beginning bits and bobs, this week is actually linked
back to my moleskin, there are pages in that sketchbook that lead into this one for me.
This was a week of being in a major creative funk.
It was actually way back at the end of March.
I had decided I wanted to draw more constantly but I was really struggling to draw at all.
The weird thing is I felt productive, or motivated, I had the energy and desire to do things,
but for whatever reason, actually doing things and art things in particular felt really daunting.
I do occasionally have different kinds of funks, but as far as they go, this was a pretty
decent one.
Because I was still getting out of bed and doing things.
Well I still spent a lot of time in bed but… that's just what I do.
But because I am kind of used to that feeling, I knew more or less how to deal with it.
The first and most important thing is to not be like mad at yourself.
It's really frustrating to want to do something but at the same time feel like something is
holding you back or you're holding yourself back.
But getting down on yourself about it, throwing blame and judgement, is never gonna help.
I just kind of thought, okay, this is how I feel, not loving it but I can deal with
it.
So… the thought of drawing at that point, for whatever reason, filled me with dread.
I tried to feel like less of a bum by getting on with other, kind of art things, art business
things like packing orders, responding to comments, stuff like that.
Also tidying, keeping a tidy space for me just welcomes calm and an openness to do things
and keep going.
And that was the start of it.
Being gentle with myself, acknowledging how I was feeling, what I could and didn't really
feel like doing.
And then the next thing is… if you find yourself afraid or hesitant to make art, don't
let that stop you being creative.
If there's something in you that really wants to just do something even if it doesn't
involve putting a pen to paper, keep that spark alive in any way you can.
For me, at this time, my boyfriends birthday was coming up, I'd got him a lens for his
camera and I had the bright idea that I'd make a heart shaped gift box to put it in
so he wouldnt know what it was straight away.
I've never made a heart shaped gift box before, I never thought I'd be that person.
But I was in a making mood.
Even though I didn't want to draw I wanted to create and thats important to recognise
when you're in a rut.
It isn't always an overarching thing.
Sometimes it is, but be open to exploring other avenues, don't write yourself off
and say well I'm not gonna do anything cos I'm not in the mood or it'll turn out
badly.
So anyway I made this box, it wasn't great, I got glue everywhere.
And yeah, I am always in my bed, I definitely should spend more time at my desk, but when
I am feeling a bit fragile or anxious, I'll always at least give myself that.
I'm allowed to stay in bed as long as I'm doing something.
You gotta go easy on yourself without letting yourself get away with murder, You gotta be
good cop and bad cop to yourself.
And that really helped, it was a lot of fun, I felt accomplished and I kind of thought,
okay maybe I can potentially do some drawing.
I'm just setting up my laptop so I can have my reference images to look at while I draw.
So yeah I got to point where I thought maybe potentially I can do some drawing.
Still in my bed, and still actually in my moleskin, I grabbed the first pen I could
find which was a pink fineliner and I just kind of started doodling.
And it was pretty horrible.
Like, I mean it doesn't look great, but it also wasn't like this immediate breath-of-fresh-air
experience.
I don't know if this is something people can relate to.
I think we all kind of assume that people who do art and love art should love every
moment of it and especially if you're just doodling for the sake of it.
But the reality for me, and I'm sure for other people is that it can be kind of torturous
sometimes and it sucks when something you love doesn't bring you the joy that it normally
would.
I'm just gonna interject quickly, I hope this isn't all too much of a downer.
And like I'm fine.
I hope it's okay for me to talk about these things that aren't the most positive.
This is still just me having a chat, it's probably just a bit more raw than what I would
usually do.
But yeah, if we look at the stuff I did while I was just trying to draw for the sake of
drawing, I have my moleskin here and you would have seen it in my sketchbook tour, I can
just remember how I was feeling at the time BUT I was TRYING.
I even watched this Blender video on youtube, something like '7 Habits of Effective Artists',
took notes, to kind of make my youtube procrastination slightly worthwhile, but yeah.
And even in this mess, see heres the reason I always look back and appreciate pushing
myself to just put a pen onto the paper, cos out of all this mess there's this random wheel
I drew and I like that.
I feel like that's useable.
Next day again, I tried to just put pen on paper, cos I felt up to it.
Had a different outcome.
I ended up just writing this so not the drawings.
But um, I'm not gonna show what I wrote, hopefully you can't read it.
I don't know what it says, it's the kind of thing I think I just wrote just to get
it out, Ihave no real desire to read that over again.
But I can say that it helped.
I had allowed myself the satisfaction of being able to say I had done another page in my
sketchbook.
I achieved something.
You could literally practice drawing straight lines.
I do that sometimes.
As long as you congratulate yourself snd appreciate yourself for putting in the work, you're
gonna be moving in the right direction.
And gradually, that heavy feeling kind of lifts.
You feel a little bit more able.
So that's what this is about.
Blind contour drawings as I came out of the rut, great way to ease back in to drawing
more creatively.
No pressure, bit of fun, occasional spark of something.
Like this face looking down.
I like this one a lot.
Down here I even wrote, 'feeling much better, back in a stride of sorts.
creating again and out of bed.
those are the important things.'
So just to recap the points so far in getting out of a rut.
By the way, I do have a little cheat-sheet down here of my talking points so I don't
go too off course.
So, acknowledge the feeling without judgement.
Do what you can / do something / do anything.
Explore other creative avenues.
Ease back into it.
The next thing, which also kind of ties into my 'writing how I felt' bit, but the next
thing is to get it out.
However your feeling, try not to just hold onto it and let it fester inside you.
If you're frustrated or disappointed in yourself, your art whatever, you can write
it down but I do think it's better to talk to someone.
It doesn't have to be a deep, soul-baring chat.
You don't have to get completely into it, just kind of saying out loud, yeah I'm kind
of frustrated at the moment, I'm a bit stressed, my art isn't going how I want it to, my
creativity feels stunted.
It helps with processing how you're feeling and cycling that feeling from rolling around
in your head, out of you and into the world.
A lot of people who maybe aren't into art or stuff like that, they might not necessarily
understand.
But I don't really share those feelings to get comfort or validation, I just like
having a bit of a back and forth with someone, maybe changing my perspective.
I talk to my mum a lot, again not in depth, but just you know, it was a tough drawing-day
today, I couldn't really manage to make anything I liked.
She always has like the typical mum advice but just the act of me saying how I was feeling
to someone else, lifts a weight.
And it was actually after talking to Ozzy that I got that final little spark, that bit
that you hope and wait for when you're in a creative slump, where it's like, the fog
clears and 'I wanna draw right now and I can't wait.'
It was his suggestion that I would say is the biggest contributor to my getting out
of a rut.
Obviously you all know I'm not huge on going out and about, I'm a proper homebody, whenever
I watch any kind of advice video where one of the tips is like 'go out and have a walk'',
like deep down I know that it would probably, definitely help, but at the same time…
I could really just not.
But yeah I was kind of at this hurdle of, I feel fine now, I'm feeling positive, I've
got my life together, I'm not down about my lack of creating, but there's still no
spark.
It's stopped raining but the sun hasn't come out yet.
And he goes, 'Well why don't we go to the Tate or something', the Tate Modern
gallery, here in London.
And my first reaction, genuinely was like… 'mmmm, I don't think that's gonna inspire
me in the way I need inspiring.
But yeah I guess we can go.'
And then like, within a day of that conversation, so before we'd even gone…
That was it.
I was excited again.
About art.
I had ideas and I was looking into what they had on at the gallery and thinking about what
bits I wanted to see and also just being out by the river in the fresh air.
The anticipation was a breath of fresh air and it was that one final push to get back
into things.
And that's when I drew stuff like this and this, just having fun, feeling like I had
a bit of purpose again.
A few days later we had a great day at the gallery, I did some doodles while I was there
and afterwards as well.
I actually have a bit of history with the Tate Modern.
Back when I was at uni, I was studying English and Spanish, I love languages, I love learning
languages, and I love literature, but I didn't love university.
For whatever reason, I just felt 'like this isn't it, this isn't what I wanna be doing
with my life'.
And this is before I had even really considered pursuing a career in art.
I have a blog post I'll link below where I talk about that situation in a bit more
detail.
But yeah, that time was essentially, the biggest rut in my life.
I felt stuck.
And my campus, I went to King's College by the way, its a lovely uni.
My campus was just across the river from the Tate.
So when I'd inevitably end up skipping my lectures because I really wanted anything
but to be there, I'd have a wander, go to starbucks, walk across the millennium bridge
and just I guess be drawn to the gallery.
Just wander around in there.
And it was a little pocket of peace and quiet.
And it made me just feel calm and grounded.
I don't know if its just the Tate that does that, I'm sure it isn't, I think it was just
the nearest thing to me at the time.
Just being in that kind of space is like a breath of fresh air.
Galleries and museums and even libraries or big art supply shops, they have this quality
to them of like, something so impressive and stable and secure.
And you just finally have room to think.
But yeah, I guess that final tip for getting out of a rut, the most difficult for me but
the most worthwhile; make plans, go out and seek inspiration.
Don't wait for it to come to you.
Give yourself something to get excited about.
Just to go over all the things one last time;
Acknowledge the feeling without judgement.
Do what you can / do something / do anything.
Explore other creative avenues.
Ease back into it.
Talk it out / let it go Make plans and give yourself something to
get excited about
So for the rest of that week I ended up going out actually too much.
That's be something I think I may talk about in another video like finding the balance
between your social life and drawing all the time.
Finding time.. finding time for it basically.
I hope that me sharing my experience will help some of you guys who have been in the
same kind of funks.
I'd love to know if anyone has their own tips for that.
I'd also love to know if anyone's still watching.
And I'd love to get your feedback on this style of video, obviously it's early days
so if you have any suggestions I'm all ears.
But I've really enjoyed talking to you all and sketching and I can't wait to do it
again.
Thanks so much for watching, I'll see you next time.
Bye!
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One man hospitalized after being shot in Ludlow - Duration: 0:34.
THE INCIDENT.
ASHLEY:
ALSO NEW THIS MORNING... ONE
PERSON IS IN THE HOSPITAL THIS
MORNING AFTER A SHOOTING IN
LUDLOW OVERNIGHT.
ACCORDING TO THE LUDLOW POLICE
FACEBOOK PAGE, POLICE WERE
CALLED
TO STATE STREET JUST JUST AFTER
11 O'CLOCK SATURDAY NIGHT FOR
SHOTS
FIRED.
WHEN THEY GOT THERE THEY FOUND A
PERSON SUFFERING FROM A GUNSHOT
WOUND,
HE WAS TAKEN TO BAYSTATE MEDICAL
CENTER... NO WORD ON THE VICTIMS
CONDITION THIS MORNING.
WHEN OUR 22NEWS CREW GOT THERE,
POLICE WERE SEARCHING THE AREA
FOR THE SHOOTER.
POLICE SAY THE SUSPECT RAN FROM
STATE STREET AFTER THE SHOOTING.
22NEWS IS COVERING THIS STORY
AND WILL BRING YOU UPDATES BOTH
ON AIR AND
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2. Baby? Daniela schickt Lucas ständig ihren Eisprung! - Duration: 0:52.
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10 Weird Things You Didn't Know Your Body Could Do - Duration: 4:49.
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🎮 Jungle Animal Hair Salon 2 Kids Games - Fun Care Makeover Manicure Learn Colors | Games For Kids - Duration: 14:50.
Jungle Animal Hair Salon 2 Kids Games - Fun Care Makeover Manicure Learn Colors | Games For Kids.
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3 Dead In Wynnefield House Fire - Duration: 1:40.
THUNDERSTORMS, TOO, JAN, TALK
ABOUT THAT IN JUST A BIT.
MATT, THANK YOU.
FOLLOWING BREAKING NEWS THIS
MORNING, OUT OF THE CITY'S
WYNNEFIELD SECTION.
THREE PEOPLE ARE DEAD, AFTER
AN EARLY MORNING HOUSE FIRE
THERE.
"EYEWITNESS NEWS" REPORTER JOE
HOLE SEND LIVE NEAR THE SCENE,
ON DIAMOND STREET.
JOE, WHAT'S THE UPDATE?
FIRE CREWS OUT ARE OUT HERE,
THE FIRE MARSHALL HERE, AT
THIS POINT THE FIRE IS NOT
APPEARING TO BE SUSPICIOUS.
THIS BROKE OUT JUST AROUND
5:00 THIS MORNING, IN THE 5400
BLOCK OF DIAMOND STREET.
WE HAVE CONFIRMED THAT THREE
PEOPLE DIED.
TWO OF THEM, APPARENTLY, IN
THEIR EIGHT'S, THERE IS NO AGE
YET ON THE THIRDS PERSON,
FOURTH PERSON, WHO WAS IN THE
HOME, WAS TAKEN TO LANKENAU
HOSPITAL FOR TREATMENT.
FLAMES WERE SHOOTING FROM OUT
FRONT, AND REAR WINDOWS, ON
BOTH THE FIRST AND SECOND
FLOORS.
WE SPOKE TO THE DEPUTY FIRE
COMMISSIONER, SHORT TIME AGO.
FIRE WAS SHOWING ON THE
FIRST FLOOR, HEAVY IN THE
REAR.
SO COMPANIES QUICKLY WENT INTO
SURVEYS, AGGRESSIVE INTERIOR
ATTACK, AND THE RESULTS ARE
WHAT THEY WERE.
SO A TRAGEDY FOR THESE FOLKS
UP HERE.
TRAGEDY FOR US CITY-WIDE.
AS YOU CAN IMAGINE, WORD
BEGINNING TO SPREAD IN THE
NEIGHBORHOOD ABOUT WHO MAY
HAVE DIED IN THIS FIRE.
NEIGHBORS ARE OUT, OF COURSE,
JUST A LITTLE BIT OF SHOCK
HERE.
CERTAINLY A TRAGEDY WAKING TO
UP HEAR THAT THREE PEOPLE NOW
DEAD IN A FIRE THAT STARTED
CERTAINLY AFTER 5:00 THIS
MORNING, AGAIN, FIRE OFFICIALS
TELLING US, IT IS TO DOES NOT
APPEAR TO BE SUBS PUSHES.
WE'RE WORKING THIS STORY, WE
WILL BE BACK IN A HALF HOUR,
WITH MORE ON THIS DEADLY FIRE
HERE IN THE WYNNEFIELD SECTION
OF PHILADELPHIA.
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【MGSV:TPP】Nuclear Desarmament Project #2 (Japanese) - Duration: 8:09.
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FUTURE IS HERE: PILOTLESS F 16 TO GO IN COMBAT WITH F 35 - Duration: 4:34.
The U.S Air Force Research Laboratories, and Lockheed Martin have demonstrated a mixed
formation of manned and unmanned F-16s in a simulated combat environment.
This is achieved as part of the Loyal Wingman program, which US Air Force Research Laboratories
launched in mid-2015, hoping to develop technologies that would enable autonomous fighters to accompany
human pilots into combat.
In this video, Defense Updates analyzes this futuristic concept, and provides viewers with
insights to this path breaking development.
Lets get started.
Deputy defense secretary Bob Work had explained in March 2016, "You take an F-16 and make
it totally unmanned". "The F-16 is a fourth-generation fighter, and pair it with an F-35, a fifth-generation
battle network node, and have those two operating together."
The Loyal Wingman technology gives the human pilot in a mixed manned-unmanned section,
the ability to issue general commands to the pilotless plane like attack, join formation etc.
This has been possible due to new computer algorithms, which allow fighter pilots to
control armed drones from inside their own cockpits.
The U C A V can also hold flight formation without direct control and can carry out much
of its ground-attack mission without any human input.
U.S. military policy dictates that a human operator authorizes a drone to deploy weaponry.
Presumably, the pilot in a manned-unmanned formation would be responsible for commanding
his robot wingman to open fire.
The ultimate goal of the Loyal Wingman initiative is to pair manned, fifth-generation stealth
fighters with unmanned versions of older jets — in order to boost the lethality of both
in air combat.
Two test of the program named, 'Have Raider 1' & 'Have Raider 2' have been successfully executed.
Lets check them one by one.
In Have Raider I, an unmanned F-16 flew in formation with a manned F-16 and conducted
a simulated ground-attack mission before automatically rejoining the lead aircraft. Lockheed stated,
"These capabilities were linked with Lockheed Martin automatic collision avoidance systems
to ensure safe, coordinated teaming."
Have Raider II was more complex. According to Lockheed, the pilotless F-16 autonomously
planned and executed its strike mission, reacting to unpredictable enemy air-defenses while
also compensating for simulated damage to its own systems and total loss of communication
with its human controller.
Unmanned jet could haul extra weaponry to bolster the manned plane's firepower — or
fly ahead of the manned jet to distract enemy defenses or absorb some of their fire.
AFRL (Air Force Research Laboratories) explained, "Autonomous technologies can enhance future
operations and capabilities in contested and denied environments".
The Loyal Wingman concept could also work with other planes and drones — some already
in service, others still on the drawing board. Cadets at the Air Force Academy in Colorado
designed a stealthy target drone that could be compatible with the Loyal Wingman software.
The Pentagon is also developing what it calls an "arsenal plane" — a B-1 or B-52 heavy
bomber modified to launch weapons at targets designated by aircraft, potentially including
UCAVs, flying ahead of the bomber. The same principles of manned-unmanned teaming
underpinning the Loyal Wingman effort could apply to the arsenal-plane idea also.
-------------------------------------------
How to dowload Youtuber Life[Cách tải Youtuber Life] - Duration: 3:01.
Thanks For Watching!!!!
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LE SAMPLING C'EST RIGOLO - Duration: 6:17.
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For more infomation >> LE SAMPLING C'EST RIGOLO - Duration: 6:17.-------------------------------------------
How to dowload Youtuber Life[Cách tải Youtuber Life] - Duration: 3:01.
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For more infomation >> How to dowload Youtuber Life[Cách tải Youtuber Life] - Duration: 3:01.-------------------------------------------
Le journal des séries TV : Upfronts 2017 - Duration: 14:14.
Subtitles will be made soon
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For more infomation >> Le journal des séries TV : Upfronts 2017 - Duration: 14:14.-------------------------------------------
【毎日星座占い】狐天の星座占い★【5月22日】 - Duration: 1:39.
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For more infomation >> 【週間星座占い】狐天の星座占い★【5月22-28日】 - Duration: 5:53.-------------------------------------------
여자친구 GFRIEND - 물들어요 Fall in Love M/V (FMV) - Duration: 3:24.
I didn't believe a person can fall in love at first sight
Before I met you, I really didn't believe it.
Everyone would have dreamed once
And now I think I know
You know, the two of us, forever, the two of us
If I have you, for me, if I have you
You know, you and me holding hands together
I want to walk on this path with you
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Your eyes are shining like the sun
I think you are similar to the blue sea
Your smile is sweet like candies, I dive into you
I want to paint our pure, dreamy love together
It's not a temporary feeling
Do you know my mind?
My mind is going towards you
Now I want to know you more
You know, the two of us, forever, the two of us
If I have you, for me, if I have you
You know, when our eyes meet
I want to be in your arms
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Perhaps, when you see me,
Does everything become a pretty color?
Can you reveal them one by one and tell me
Shyly, that you love me
You're in my mind and getting bigger
I hide myself before I know
My mind is full of pink color
You color me, I'm flattered
Your eyes are shining like the sun
I think you are similar to the blue sea
Your smile is sweet like candies, I dive into you
I want to paint our pure, dreamy love together
-------------------------------------------
Getting Out of a Rut · Drawing All The Time #1 · semiskimmedmin - Duration: 22:09.
It's Friday.
It's half one.
And today is the day that I start drawing all the time.
I've been wanting to start a new video series for a while, and I knew what kind of content
I wanted, and I had a lot of suggestions from you guys that were pretty much the same as
what I had in mind….
I wanted to keep the sort of casual, informal, but also at least somewhat valuable nature
that I had with my sketchbook series.
It's been great to see how me sharing my experiences and things I've learned and
mistakes I've made can help other people and just start a discussion, to where we're
all sharing our experiences and learning from each other.
In terms of the format of the videos, I'm not 100% sure yet, that's where your feedback
comes in.
But for today, I like watching videos where people draw and talk so I'm gonna draw and
I'm gonna talk.
So, in terms of the 'drawing all the time' thing.
At the moment I'm really pushing this draw every day mantra for myself.
Trying to make art a solid habit in my life.
I've said this before but, the key to improving and evolving as an artist is to create as
much as possible, and not rely on being inspired to be able to create, let the constant flow
of productivity and creativity be what fuels the inspiration.
And to do that, the habit of drawing constantly has to be as entrenched in you as something
like brushing your teeth.
And I thought what better way to motivate me to really commit to this than to share
that journey of consistant art-making with you guys.
And just talk through how I'm doing it, how it's going, what issues I have, how
I deal with them.
This can be like my Big Brother diary room, where I come back after a week of trying to
draw as much as I can and let you know how it's going.
Show you what I drew, a bit of the how and the why…
I've also been really keen to show more of the behind the scenes of the art process...
of the art making process.
And show more of how art fits into real life, how I find the time....
So that's what we're doing.
That was a long intro.
I fell like these videos are gonna be such a departure from my concise, straight-to-the-point
videos.
That's something I've been probably the most nervous about.
Just this like free-form rambling.
A lot of you might prefer the short and sweet but I guess for that you can watch my speed-paintings.
This is gonna be my chatty… chatty… not knowing what I'm talking about… kind of
video.
So what I'm doing at the moment, I'm actually playing catch up in my sketchbook.
This is my new Stillman and Birn sketchbook, its a one of their… zeta series, I've
been using it as like a visual diary, the same way I do my travel journals, documenting
the days with pictures with drawings and writing and also just using it for my usual doodles
and studies and concept stuff.
But my aim has been to do one drawing a day based on something that happened that day
or the previous day.
But, in all my umming and arring about the new series and also going on holiday, finishing
my moleskin, I've been generating the ideas, but not had the time to record them and missing
loads of days in between.
So at the moment I'm sort of playing catch up, filling in the gaps and that's what
I'm doing today.
Today's page is in amongst the beginning bits and bobs, this week is actually linked
back to my moleskin, there are pages in that sketchbook that lead into this one for me.
This was a week of being in a major creative funk.
It was actually way back at the end of March.
I had decided I wanted to draw more constantly but I was really struggling to draw at all.
The weird thing is I felt productive, or motivated, I had the energy and desire to do things,
but for whatever reason, actually doing things and art things in particular felt really daunting.
I do occasionally have different kinds of funks, but as far as they go, this was a pretty
decent one.
Because I was still getting out of bed and doing things.
Well I still spent a lot of time in bed but… that's just what I do.
But because I am kind of used to that feeling, I knew more or less how to deal with it.
The first and most important thing is to not be like mad at yourself.
It's really frustrating to want to do something but at the same time feel like something is
holding you back or you're holding yourself back.
But getting down on yourself about it, throwing blame and judgement, is never gonna help.
I just kind of thought, okay, this is how I feel, not loving it but I can deal with
it.
So… the thought of drawing at that point, for whatever reason, filled me with dread.
I tried to feel like less of a bum by getting on with other, kind of art things, art business
things like packing orders, responding to comments, stuff like that.
Also tidying, keeping a tidy space for me just welcomes calm and an openness to do things
and keep going.
And that was the start of it.
Being gentle with myself, acknowledging how I was feeling, what I could and didn't really
feel like doing.
And then the next thing is… if you find yourself afraid or hesitant to make art, don't
let that stop you being creative.
If there's something in you that really wants to just do something even if it doesn't
involve putting a pen to paper, keep that spark alive in any way you can.
For me, at this time, my boyfriends birthday was coming up, I'd got him a lens for his
camera and I had the bright idea that I'd make a heart shaped gift box to put it in
so he wouldnt know what it was straight away.
I've never made a heart shaped gift box before, I never thought I'd be that person.
But I was in a making mood.
Even though I didn't want to draw I wanted to create and thats important to recognise
when you're in a rut.
It isn't always an overarching thing.
Sometimes it is, but be open to exploring other avenues, don't write yourself off
and say well I'm not gonna do anything cos I'm not in the mood or it'll turn out
badly.
So anyway I made this box, it wasn't great, I got glue everywhere.
And yeah, I am always in my bed, I definitely should spend more time at my desk, but when
I am feeling a bit fragile or anxious, I'll always at least give myself that.
I'm allowed to stay in bed as long as I'm doing something.
You gotta go easy on yourself without letting yourself get away with murder, You gotta be
good cop and bad cop to yourself.
And that really helped, it was a lot of fun, I felt accomplished and I kind of thought,
okay maybe I can potentially do some drawing.
I'm just setting up my laptop so I can have my reference images to look at while I draw.
So yeah I got to point where I thought maybe potentially I can do some drawing.
Still in my bed, and still actually in my moleskin, I grabbed the first pen I could
find which was a pink fineliner and I just kind of started doodling.
And it was pretty horrible.
Like, I mean it doesn't look great, but it also wasn't like this immediate breath-of-fresh-air
experience.
I don't know if this is something people can relate to.
I think we all kind of assume that people who do art and love art should love every
moment of it and especially if you're just doodling for the sake of it.
But the reality for me, and I'm sure for other people is that it can be kind of torturous
sometimes and it sucks when something you love doesn't bring you the joy that it normally
would.
I'm just gonna interject quickly, I hope this isn't all too much of a downer.
And like I'm fine.
I hope it's okay for me to talk about these things that aren't the most positive.
This is still just me having a chat, it's probably just a bit more raw than what I would
usually do.
But yeah, if we look at the stuff I did while I was just trying to draw for the sake of
drawing, I have my moleskin here and you would have seen it in my sketchbook tour, I can
just remember how I was feeling at the time BUT I was TRYING.
I even watched this Blender video on youtube, something like '7 Habits of Effective Artists',
took notes, to kind of make my youtube procrastination slightly worthwhile, but yeah.
And even in this mess, see heres the reason I always look back and appreciate pushing
myself to just put a pen onto the paper, cos out of all this mess there's this random wheel
I drew and I like that.
I feel like that's useable.
Next day again, I tried to just put pen on paper, cos I felt up to it.
Had a different outcome.
I ended up just writing this so not the drawings.
But um, I'm not gonna show what I wrote, hopefully you can't read it.
I don't know what it says, it's the kind of thing I think I just wrote just to get
it out, Ihave no real desire to read that over again.
But I can say that it helped.
I had allowed myself the satisfaction of being able to say I had done another page in my
sketchbook.
I achieved something.
You could literally practice drawing straight lines.
I do that sometimes.
As long as you congratulate yourself snd appreciate yourself for putting in the work, you're
gonna be moving in the right direction.
And gradually, that heavy feeling kind of lifts.
You feel a little bit more able.
So that's what this is about.
Blind contour drawings as I came out of the rut, great way to ease back in to drawing
more creatively.
No pressure, bit of fun, occasional spark of something.
Like this face looking down.
I like this one a lot.
Down here I even wrote, 'feeling much better, back in a stride of sorts.
creating again and out of bed.
those are the important things.'
So just to recap the points so far in getting out of a rut.
By the way, I do have a little cheat-sheet down here of my talking points so I don't
go too off course.
So, acknowledge the feeling without judgement.
Do what you can / do something / do anything.
Explore other creative avenues.
Ease back into it.
The next thing, which also kind of ties into my 'writing how I felt' bit, but the next
thing is to get it out.
However your feeling, try not to just hold onto it and let it fester inside you.
If you're frustrated or disappointed in yourself, your art whatever, you can write
it down but I do think it's better to talk to someone.
It doesn't have to be a deep, soul-baring chat.
You don't have to get completely into it, just kind of saying out loud, yeah I'm kind
of frustrated at the moment, I'm a bit stressed, my art isn't going how I want it to, my
creativity feels stunted.
It helps with processing how you're feeling and cycling that feeling from rolling around
in your head, out of you and into the world.
A lot of people who maybe aren't into art or stuff like that, they might not necessarily
understand.
But I don't really share those feelings to get comfort or validation, I just like
having a bit of a back and forth with someone, maybe changing my perspective.
I talk to my mum a lot, again not in depth, but just you know, it was a tough drawing-day
today, I couldn't really manage to make anything I liked.
She always has like the typical mum advice but just the act of me saying how I was feeling
to someone else, lifts a weight.
And it was actually after talking to Ozzy that I got that final little spark, that bit
that you hope and wait for when you're in a creative slump, where it's like, the fog
clears and 'I wanna draw right now and I can't wait.'
It was his suggestion that I would say is the biggest contributor to my getting out
of a rut.
Obviously you all know I'm not huge on going out and about, I'm a proper homebody, whenever
I watch any kind of advice video where one of the tips is like 'go out and have a walk'',
like deep down I know that it would probably, definitely help, but at the same time…
I could really just not.
But yeah I was kind of at this hurdle of, I feel fine now, I'm feeling positive, I've
got my life together, I'm not down about my lack of creating, but there's still no
spark.
It's stopped raining but the sun hasn't come out yet.
And he goes, 'Well why don't we go to the Tate or something', the Tate Modern
gallery, here in London.
And my first reaction, genuinely was like… 'mmmm, I don't think that's gonna inspire
me in the way I need inspiring.
But yeah I guess we can go.'
And then like, within a day of that conversation, so before we'd even gone…
That was it.
I was excited again.
About art.
I had ideas and I was looking into what they had on at the gallery and thinking about what
bits I wanted to see and also just being out by the river in the fresh air.
The anticipation was a breath of fresh air and it was that one final push to get back
into things.
And that's when I drew stuff like this and this, just having fun, feeling like I had
a bit of purpose again.
A few days later we had a great day at the gallery, I did some doodles while I was there
and afterwards as well.
I actually have a bit of history with the Tate Modern.
Back when I was at uni, I was studying English and Spanish, I love languages, I love learning
languages, and I love literature, but I didn't love university.
For whatever reason, I just felt 'like this isn't it, this isn't what I wanna be doing
with my life'.
And this is before I had even really considered pursuing a career in art.
I have a blog post I'll link below where I talk about that situation in a bit more
detail.
But yeah, that time was essentially, the biggest rut in my life.
I felt stuck.
And my campus, I went to King's College by the way, its a lovely uni.
My campus was just across the river from the Tate.
So when I'd inevitably end up skipping my lectures because I really wanted anything
but to be there, I'd have a wander, go to starbucks, walk across the millennium bridge
and just I guess be drawn to the gallery.
Just wander around in there.
And it was a little pocket of peace and quiet.
And it made me just feel calm and grounded.
I don't know if its just the Tate that does that, I'm sure it isn't, I think it was just
the nearest thing to me at the time.
Just being in that kind of space is like a breath of fresh air.
Galleries and museums and even libraries or big art supply shops, they have this quality
to them of like, something so impressive and stable and secure.
And you just finally have room to think.
But yeah, I guess that final tip for getting out of a rut, the most difficult for me but
the most worthwhile; make plans, go out and seek inspiration.
Don't wait for it to come to you.
Give yourself something to get excited about.
Just to go over all the things one last time;
Acknowledge the feeling without judgement.
Do what you can / do something / do anything.
Explore other creative avenues.
Ease back into it.
Talk it out / let it go Make plans and give yourself something to
get excited about
So for the rest of that week I ended up going out actually too much.
That's be something I think I may talk about in another video like finding the balance
between your social life and drawing all the time.
Finding time.. finding time for it basically.
I hope that me sharing my experience will help some of you guys who have been in the
same kind of funks.
I'd love to know if anyone has their own tips for that.
I'd also love to know if anyone's still watching.
And I'd love to get your feedback on this style of video, obviously it's early days
so if you have any suggestions I'm all ears.
But I've really enjoyed talking to you all and sketching and I can't wait to do it
again.
Thanks so much for watching, I'll see you next time.
Bye!
-------------------------------------------
✈ Amerykańskie samochody na Kubie - czyli carporn [ENG SUBS] - Duration: 6:22.
There is no postcard from Cuba without image of American car from 50s.
There is also no Youtube film, including this channel, where it is possible to avoid shots
of one of 60 thousand cars of that type in the country.
That is the reason why we get down to vehicles from beyond epoch,
and why there is so many of them and why there are still running in a country of Castro dynasty.
I've found 20 synonyms of a word 'car', so I hope that it will be as nice to listen about them as to watch them.
American cars American cars are the heritage of rich Americans and Cubans, running from Cuba after revolution, in 1959.
Cars had been taken over by people's movement and they are in use till these days.
Fidel Castro after coming to power in 1959, has decided that buying a new car will require a permit from the State.
And just a year after the revolution, the USA imposed on this expensive, communist country the embargo, so all cars you see really come from 50s.
hat is before this period and often with the same drivers, of their children,
or their children's children, although their stylization is rather for show up tourists.
How old is it?
49
It's beautiful
Man is making up the car for photo.
Cuba has a little better relationship with other countries, unfortunately from distant lands.
Therefore on the streets rarely but still appear wartburgs, ladas or fiats 126p,
which are called here affectionately "polaquito".
In 80' the cuban government had been offering to the owners of American cars - that they can exchange them for a brand new Ladas
and then (government) had been selling them to rich foreign car collectors.
After the fall of USSR - this business collapsed.
American embargo made the Cubans can say 'Adios' to possibility of importing spare parts, because where they could from?
But necessity is the mother of invention, that is why today the locals are considered the best mechanics in the world.
Cars which are is use for tens of years are usually in very bad condition.
They are ramshackle, rusted, and often they don't have any original parts,
cause Cubans didn't have an access to them, so they've been improvising.. Just like me right now...
Often those parts are taken from other brand's cars or they are custom, homemade.
And it is very funny that when they are rebuilding or fixing the engine, they don't care how it look like under the hood
It's working. - that's important.
The body is also rarely original cause Cubans love to decorate their cars. But I think it doesn't make the cars less charming.
There are no traffic jams because cars and fuel in Cuba is rationed. And because there is always a shortage of it
you can see here many horse carriages, bicycles, rickshaws, which are working hardly to take tired tourists to their destinations.
In recent years, the ban for importing cars was lifted, and the Cubans again may purchase a four-wheeled vehicle.
However, their prices are so high that for buying even one car, the savings of entire life still may be insufficient.
Car such a fiat 126 p is about 4-5 thousand Euro, while the salary is not higher than 40-50 Euro.
I think to myself, what more could be interesting for motoring fan… Maybe that they're singing?
Thanks for watching and see in my channel the other movies about Cuba and not only.
-------------------------------------------
CRAZY ANGRY PEOPLE vs BIKERS | MOTORCYCLE ROAD RAGE | [Ep. #83] - Duration: 10:43.
oh
[stop] oh, I can't believe you right now dude. [I]
Cannot believe you [are] you joking me right now?
Bro, are you kidding me? You know I will just die bro. I was on top [of] your car
Get it not sorry you almost killed me my leg is fucked right [now] dude
What are you thinking? There's a yellow line [for] a reason?
Pull the fuck over. I don't even know if [my] bike can move right now
What are you doing?
Actually, you know what just wait here, not like my bike moving
Look at this look. There's my fucking decal right there. That's my sticker. [I] need to call 911
What do window Daddy can find your window down?
He's fucking death. You're the reason one of my mates got killed
You're the reason I come like you're on your phone you fucking cunt
I'll go tell the [police] you're on your phone you fucking twat
Next time check your burger your mirrors because I was right [next] to you when you switch lanes, bro. That's good, but check the mirror
I fuckin blocking before your fucking little bitch
Your jailer you know I just go
They just brought it has got a question one question one question fucking pussy
you
No, Rollerball your head for dinner
fucking [oh]
We go were you doing?
Don't know more I'm in alone
What are you doing?
It doesn't matter [indicate]. I'm in the rain. You can't just come into the lane
What are you doing think?
[you] could knock me off the [bike] and break my fucking leg
Then just indicate a moon rover a big warning he still moves over
What's wrong with you?
What's wrong with you?
fucking idiot
What are you doing?
Fuck you, man, the bitch. Have you on camera [pulling] me off?
He thinks I'm waving to her fucking idiot
Hey, fuck you
The fuck is your problem
you
Fuck yeah
awesome, man
What are you doing !?
fucking c$unt
oh, ma, [ha]
you
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