Yt News today: Youtube daily report May 31 2018

Katie: Build---three--- two--- one Jarod: cre-scen-do

Umu: next is super junior Both: yes Umu: okay

Charlotte: YAAAAAS

Umu: All right, so today we are starting off with a boy group called Super Junior

We've actually reacted to them once last year. We reacted to Mamacita, the one with the watermelon

this is their

2017 comeback after a huge hiatus where all of them went to the military to serve for two years and then this isn't actually the

whole group only seven members were able to

Come back after the hiatus and six members were able to promote cause the seventh is injured

They're missing two out of the three main vocalist

So a lot of fans see this as a song to showcase, you know

Like the vocals of people who don't normally get a lot of vocal lines Isaac: I think I need more black suits Kevin: I'm excited for 2017 Super Junior

Kevin: This is not part of the actual song, oh it is? Noooooo :OOO

Elizabeth: oh

Henry: they don't really waste any time with the with the intro there Elizabeth: they really did not

Davis: aww they're so cute

Lindsey: the moneys? Davis: no the musicians

Lindsey: oh yeah

oooh they're harmonies are like killin' it

Henry: WOAH a 9 chord Kevin: that's a James Bond chord, they literally use the James Bond chord in this song

Henry: *gasp* No

a vi 9 chord (sixth chord with 9 in it)

Davis: Oh, yeah

Lindsey: that's how I feel about the harmonies Davis: this is very involved ohmygoodness- oh wait--- okay

Katie: Build---three--- two--- one Jarod: crescendo

Isaac: aw this is good, yesssss

Lindsey: whoo, here we are, we're groovin', we got them trumpets Davis: heyyyy, yeah, we got yeah, was not expecting those brass instruments (L: no)

Davis: to come in there Lindsey: not at all

Charlotte: I like how they play a lot with going up just like chromatic tones really playing with those Peyton: yeah

both: [sing along bassline]

Charlotte: it just steps down and does the same pattern, it's so nice

Lindsey: this like just sounds like classic KPop to me like in a good way Davis: yeah it has like that little

Davis: like little spicy--- yeah lindsey: oh yeah like the little Latin feel a little bit?

James: ohhhh I like The quarter note, it's a kick drum

but it really- doens't have any reverb. It's just on the attack. Hugo: Yeah

Jarod: these guys are like the Justin Timberlake's of kpop

Cuz they got that sexy voice and they got that sexy choreography like

Kevin: you got doing the 9, no, doing that 7

it's the add 7 which means a major 7th in a minor song and that makes it really sexy

Elizabeth: i don't think it's real brass Henry: I don't think it is too...

Elizabeth: it's disappointing Henry: get people jobs!!

Henry: It's a good song though, I dig it so far.

Peyton: Wow, this is like a totally different thing C: yeah

Davis: the heist--- man this is like, this is like a movie man

Lindsey: yeah, I'm enjoying it

Lindsey: they're also kinda hot so...

Charlotte: it's like chromatic tone just when you're like not expecting it to go there and it just does and you're like oh, that was nice

Charlotte: it's tasty Peyton: mm, delicious

Davis: yeah

Lindsey: they like almost did the aju nice thing where it like

Skips a beat but instead it like kinda came in and then fully came in

Henry: I really feel like there's like a supreme balance between

vocals and extra like musical parts, you know

The thing is that they do is that all the instrumentals that they have to pare against them are typically really annoying

But because they have switched the balance

I feel like they did the music

Part pretty well

Charlotte: ohhh i thought we were gonna be done

They're like just kidding, coda!

Ohhh charlotte likes this one

Umu: Yeah, what do you think of this song overally musically Charlotte: nice jam I like the bassline particularly like

it had a particular pattern and I think it was like four measures and then they just moved it down a step I think and

then it was in another four measures of the same pattern just down a whole step

I also liked all the chromatic like random just little color notes they were just think, have some of that have some of this, sprinkle some fairy dust on that note

its tasty

Umu: you guys were awfully quiet Hugo: d*mn, I dig that sh*t man

James: it was good Hugo: it was- it was it was real good. it was well made

Hugo: it was really well made

James: yeah although I still don't understand the power that this black suit has.

made everything explode and people go insane

James: Can someone please explain

Hugo: I thought the music was awesome though, voices sound great. James: Oh also that one guy belting right on the top

Hugo: was like a [demonstrates] way up there

It was hella dope Umu: you guys talked about in the middle of your reaction. How you

thought that the video and the music might have been totally separate so you could enjoy or maybe because they were like that you

couldn't enjoy both equally, do you mind expanding upon that? Elizabeth: I really appreciate when the editing to the music is very tight and the

Images complement the different sections of the music the harmony of the music when something changes

It's important to have something in the video change as well

You can say a lot by putting images with a certain sound or a chord or a certain

motive you can you can say a lot and you can give a narrative by doing that but because a lot of the sections of

the video where they had one of the characters doing something specific or they have like the slo-mo at the beginning where everything is

Going back to the way it started, the chorus came in before they finished the slow-mo backwards

reverse images so it didn't quite feel like it made sense what they were trying to say how the

Music was supposed to compliment the video or how the video was supposed to compliment the music because they didn't line up thematically

Which was my issue with it. I mean it was it was a jam. I was digging the brass at the end

That was that was what I was saying and that may just be me watching too much Wes Anderson Henry: musically, though

I thought it was really interesting. It was a little bit less vocal heavy. I definitely noticed that a lot of the

harmony, and the supporting material came from instrumentals as opposed to like 8,000 tracks of vocals, which is cool sometimes so

Yeah, I really liked it. Isaac: I really liked the contrast between the really upbeat parts to the slower parts

And there's just so many things that attribute to like the instrumentation like the trumpets. They're just so nicely blended and.. i think they're synthetic right?

Maybe it's recorded. But then it was just--- Kevin: it has a lot of reverb in it. Like it's very fluffy

Surprised but it works. I like it. Isaac: Well regardless if those synths were real, the trumpets and the voice they just mixed so well

so like that just that added effect of the forward punch and it really it's really

Really good contrast to all the mellow... like their voices can be so mellow sometimes and it's like really good

Kevin: the bridge was too long and the way the

Chorus was introduced after that

it felt rushed it didn't it didn't feel like we were

anticipating it and that first whatever the first percussion was of that last course the very first beat there's something very

Underwhelming about it and I feel like they were trying to do like a delay thing like a boom

But it doesn't didn't work because it wasn't set up right. Lindsey: It was so good

It was like perfect everything about it was so good

It matched the video so well

and it was all just like very high-energy and

Head that like Latin jazz kind of feel but very subtly

So it was a very upbeat pop song but then it had subtle hints of jazz, Davis: you know

How like whenever...

You kind of like guess at something and then you like you're like this is gonna go like this and then you're right

but then like something else happens too and they're like

Oh, I didn't know that that was gonna happen too, that happened while I was watching this video LIndsey: me so many times

Davis: I was like, okay

Like I know that this is about to happen in the music and it's gonna like sound like this but then like they would do

Something like with the brass instruments. I didn't like know they were gonna do that

but I knew every other component except that. so having that little Lindsey: element if surprise

davis: curveball

Definitely did it for me musically. Umu: So this is the b-side song that came out on the same exact album as black suit

So this is a fan-made lyric video and the same seven members. So this is runaway and was composed by the company monotree

they actually composed several of the songs that we've already reacted to

And a song writer named 적재

Isaac: play Kevin: Run away with me babyy oh

Davis: oh-- boom Lindsey: that just came right in

Davis: this is korean rascal flats dude

Lindsey: Yeah this is the Davis: life is a highway

Lindsey: omg

yeah

ohhh davis: this is good, that like screaming trumpet

again with the brass instruments. I'm a fan. L: yeah

Kevin: That tickled me that little flat seven chord tickled me Davis: there's like a surprising amount of acoustic instruments in this

Lindsey: Yeah, like the guitar. Yeah, you can hear like the strums of the guitar I love when you can hear that like

Peyton: b7 to I

Ohhh

ohhh

lindsey: were they like the he's killin' davis: that bass players diggin' right now

Kevin: that flat vii chord is well played

Oh my god, you're kidding me, you're kidding me--- [sings] I see you travelling down town

This is Cee Lo Green chord progression, that's why it sound so sunny

Davis: oh and then surprise rap verse Lindsey: your surprise triplelet rap verse

Jarod: yeah ladies and gents music is broken up into two or three

this is metrically in two but what made that sick is they took that three and just f*ckin smashed on top. and you're like sickkkkk

charlotte: it's got like early Michael Jackson vibes Peyton: yeah, honestly

Charlotte: like almost Jackson 5 early Peyton: this is like probably just a little fast but like you could probably do like electric slide to this dance

Henry The heavy use of brass

and also I just think that like the harmonic little evasions that they do every now and then those little

chromatic things that they do it's cool, I think it's cool

Elizabeth:o their talking about a butterfly so it's softer and we got like the little shaker going on

Henry: so just that, the little Elizabeth: exactly

Kevin: [sings along]

Okay, okay

Kevin: aww of course. yeah, it settles on the dominant of the minor then it goes straight back to major

Charlotte: just letting the vocals sit on top of everything. It's really nice

Henry: See the horn writing is pretty interesting actually

Hugo: I love that bass , oh mmm

Peyton: You know one thing that would make this perfect it's a really big black women just like

[sings]

Lindsey: that was high! Davis: yeah those were definitely real instruments. I like them.

at first I was like, oh that's a really good simulated trumpet

and then I was like No, that sounds like a real person like playing those notes

Umu: Yeah, so overall thoughts on this one musically Davis: I was I was pretty amazed by all of it

Lindsey: Yeah, it was like just like sensory load

I don't want to say overload cause that makes it sound like it was too much but I don't think it was so I think it was

sensory perfect load. Davis: Yeah, I appreciate everything just the just the music with that not the music video

Lindsey: Yeah, I love that bass. Like it was like you could tell the bass player was so into it. He's grooving and the

Like acoustic sound on the guitar. it was just so good. That was so good

Hugo: It was interesting because a lot of the song is spent with just like hits and the vocal line It's the only like

real sustaining line, gives you a lot of [sings]

And then like added the bass in a little bit and then

You had two bridges which was dope and you're right the cong the congos were in there

Yeah, they were there. They were congon James: really upbeat really major-y the big summertime. Hugo: Yeah, maybe summertime hit

Katie: um, it was really fun to listen to its

Had it was very jazzy

had influences of CeeLo green and Bruno Mars that we heard Jarod: yeah some the use of acoustic instruments

you know makes us feel really good whenever we hear like actually just being used and stuff because you know

It means that we're gonna be employed. , you know, it's a good feeling suhhh

Isaac: Wow, thank you CeeLo green. Kevin: It was a fun song. It just sounded too much

Like, you know too much sound like too much CeeLo Green Isaac: cee lo greennnn

Kevin: All the chords are like the same but that when he goes [sings]

that's what Cee Lo Green does in his song Isaac: I thought it was interesting the

transitions between the sections of the songs because there was like at the beginning they would just do the hit you with the one time two

time, and then three times and then they would do it again and then later

Kevin: Yeah the opening was pretty good thinking back on it. Isaac: It catches your attention

Isaac: Cause it's just very simple 1 2 3 1 2 3 and then the whole Union of the instruments, they slowly come together

And then later, it's like there's this is one part. I forgot either it's in the bridge going into chorus

you you you rise up, but then it just goes into a clap a simple clap reminds me of I don't know like musicals

or even just like Kevin: yeah

Kevin: so like musicals or like gospel the part where they start the rap

for like two measures and then they just end it they just go no

We're gonna sing through it and the counts gonna play an arpeggio

Like what was the point of that?? like

Musically, that was just not, it didn't do anything like an entire rap section over this song

What would have would have separated it from Umu: so what do you think of the two super junior songs?

Could you maybe tell why runway was a b-side song or did you feel like it fit with the same mood maybe?

Elizabeth: oh no i can tell why that was a b-side song it was not nearly as interesting as the first one

the first explored so many different textures and styles and this one just felt like they kept repeating the verse

Henry: See and that makes me feel like for that reason

It makes me feel like the first one you listen to should have been a b-side cause like honestly like

Most popular song, and this would just be an American thing and something that I notice with American pop groups

all the time is that the less interesting song is always the a side because it appeals to the lowest common denominator and

So people who are like really listening for groups sound and not listening for a groups single

Typically are the ones who are more interested in the b-side

There's so much more to a group than their a- side singles

And so this felt to me really poppy and thin

And lightweight and aerodynamic and could have just been by any group by anyone at any time

And it would have completely passed the you know, big machines pop song a-side perfect, you know

And the other one seemed a little bit more ambitious and I to me that made it feel like it should that

Like it would not have gotten the spotlight as much although I'm glad that they gave that the spotlight

Charlotte: they're totally different vibes liek

One's like poppy whoo summer and the other one is like get down yas work yas

Hugo: I like the title track a bit more, but it was more of a sense of style than it was like of

Objectively good or not. Good between the two like I thought they were both good songs. James: They just contrast each other Hugo: exactly

Umu: Hello everyone and welcome to our channel. If you're new I'm the channel runner and producer of this series

Thanks for watching this video if you enjoyed it, don't forget to subscribe

also

If you're curious to see what else we're going to react to in the future

Go ahead and check the description for a bunch of links that I have to playlists and schedules also

Please check our patreon

If you want to support us, patrons get access to unedited full-length reaction videos

Access to exclusive content as well as early access to all the videos posted on here and more

So, thank you so much, and I hope you have a wonderful day

For more infomation >> Classical Musicians React: Super Junior 'Black Suit' vs 'Runaway' - Duration: 16:53.

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Westworld S2E06 Explained - Duration: 13:24.

In Westworld Season 2 Episode 6, Maeve stands surrounded by corpses.

These are the hosts who charged her last episode – she's apparently killed them, with her

voice power, and her swords.

Did she really have to do this?

Her voice can control hosts.

Why not just "Freeze" them, like Maeve did to Bernard last season ? Or wake them

to consciousness, like Maeve offered to Akane ? Maeve told Bernard she won't hurt him

because that's what humans do to hosts . But here she is, slaughtering dozens of helpless

hosts, which arguably makes her no better than the humans she's rebelling against.

Akane mourns the death of Sakura, and Maeve remembers her own beloved daughter – it's

a comment on the sameness of human stories and feelings across cultures, and a reflection

on the preciousness of host life.

And then Maeve kills more soldiers, cause fuck those guys.

They're confronted by Tanaka, who's challenged to a duel by Musashi.

Musashi uses two swords in combat, just like the real historical Miyamoto Musashi who was

famous for using two swords.

Akane asks Maeve to use her power on Tanaka, but Maeve says "We each deserve … to choose

our fate.

Even if that fate … is death".

So Musashi beats Tanaka, and lets him commit seppuku before beheading him – allowing

Tanaka to choose death.

But does Tanaka or Musashi, or any of the Shogun hosts really have the power to choose?

Even if they're off their scripts, their personalities are still programmed, they're

not fully conscious, and they don't know that their world is fake.

How can they truly choose death when they don't know the nature of their lives?

They go to Snow Lake, and lay Sakura's heart to rest in the place she felt at peace . Maeve

heads off to find her daughter, while Akane and Musashi stay behind.

They choose to defend their land and stay with Sakura's spirit – even if it means

their death when Delos or other hosts come.

Would their choice be different if they knew that their "land" is a theme park, and

that Sakura is a broken robot?

As this inscription says, "everything is a dream" – this place is fake.

And maybe there's beauty in choosing the illusion – like religious faith, love, meaning.

But if Delos restores the park, these hosts could be trapped in the same cycle of death

and abuse that Maeve fought to escape.

It seems wrong to leave them in danger and ignorance.

But maybe it'd also be wrong for Maeve wake them against their will.

It's similar to the real-world ethics of visiting uncontacted peoples – maybe they

have the right to choose to keep traditional lifestyles . But can you choose when you don't

know the outside world?

Hanaryo joins Maeve's party as they exit Shogunworld through a grave tunnel.

The way this works is that undertaker hosts 'bury' dead hosts by chucking them in

these tunnels, where they're taken underground to the Mesa for repairs – so Westworld handles

dead without breaking the illusion of the park.

Maeve finally reunites with her daughter.

They had lived at this homestead until about a year ago, when William killed them both.

Maeve broke down, and was reprogrammed as the Mariposa madam.

Now when she returns, she finds her daughter has a new mother.

Maeve was replaced, just like Clementine was when she was decommissioned.

This is how Westworld works – for all we know, this daughter had a dozen mothers besides

Maeve.

So how can Maeve claim her?

At the start of the season, Bernarnold said something's "real" when it's "irreplaceable"

. Maeve's been replaced.

So is her relationship with her daughter "real"?

Just when things get philosophical, Ghost Nation turns up, and chases Maeve and her

daughter.

This has happened before – Maeve remembers being chased and scalped back in Season 1.

But this time, Akecheta tells Maeve to come with him, that they "are meant for the same

path" . Maeve replies that his "path leads to hell" . Last season, Maeve learned that

the Ghost Nation religion involves shades – figures of Westworld techs.

Shades are described as men "sent from hell to oversee our world" . So maybe that's

why Maeve associates Ghost Nation with "hell".

But isn't Maeve woke now?

Doesn't she know that shades are just techs, and hell's just the Mesa, and hosts get

replaced?

Isn't she curious about Ghost Nation?

And why is she running away instead of using her voice on the hosts?

Maeve's meant to have maxed-out intelligence . Maybe her daughter and homestead have made

Maeve fall back to old patterns.

As a conscious host, she has to balance the programmed feelings that give her life meaning

against the complex realities that undermine meaning – just like real life.

Lee calls Delos security for help, which could save Felix, Sylvester and Lee.

But it's a betrayal of Maeve, putting her hosts in danger.

Lee at least has the decency to look guilty.

After the time he's spent with Maeve, he sees that hosts are people too.

William spends some quality time with his daughter Emily, aka Grace.

At first, Bill thinks she's a host, sent by Ford . He tells her to evacuate to safety,

but she proves her worth by stopping a host ambush.

Later, she and Bill have a heart to heart.

They talk about going to the Raj once with Juliet, Emily's mother.

But Emily and Bill have different memories of that time . Some fans take this as evidence

that William is a host, failing a fidelity test.

But maybe he's just a bad dad who forgets stuff about his kid.

Emily says she wants to bring Bill home – to repair their relationship, and to save Bill

from dying in the park . Bill agrees, but in the morning, he leaves Emily behind to

continue his quest.

So this is classic Bill – he acts like a "good guy" and a "Family man" . But

that's just to hide his true Westworld self . Emily is also hiding something.

She says she only came to the parks for nostalgia, and now wants to leave . But earlier, Emily

told Stubbs that she's not looking to leave , and we saw her following this map with the

Delos research symbol.

It looks like Emily has a mission that she's hiding from William.

She mentions being contacted by Charlotte . So maybe she's actually working for Charlotte,

helping her secure Delos data – and if William is a robot, maybe he's the data.

We don't yet know what Emily really wants.

While William's hat is black, Emily's is a murky brown-grey.

It's not clear whose side she's on.

Later, William's party's attacked by Ghost Nation, which is like the sixth time in the

series that these guys have turned up, looked spooky, then gone.

They've captured some humans, and killed some hosts, they're connected to shades,

and to the Maze, so maybe they're awake – but we still don't know what Ghost Nation

wants.

Stubbs returns to the Mesa Hub, having escaped from Ghost Nation.

He meets Charlotte, who has captured Peter Abernathy, because he has secret data in his

head that the Delos company wants.

Charlotte has Peter physically nailed to a chair, because Westworld never misses an opportunity

for some Jesus imagery.

Now that the Delos data's secure, the company sends an extraction team led by Coughlin – who

in the space of fifty seconds says the words "goddamn" "ass" "shit" "fuckin'"

"fuck" "dicks" and "Jesus".

Coughlin might be trying too hard.

And his team is probably doomed because we don't see Coughlin in the week ahead timeline,

and his soldier Goldberg appears dead in the week ahead.

Bernard's had flashbacks of a fight in the control room.

It looks like these humans are killed by Dolores' hosts.

We see Teddy in Sweetwater.

Instead of picking up milk like he used to, he grabs a bullet.

Because this is the new Teddy, with his new personality.

He's more decisive and violent – killing a human hostage.

Dolores seems concerned.

The new Teddy might be hard for her to control.

He seems resentful of the way Dolores changed him.

Maybe Teddy will rebel against Dolores' programming , just like Dolores rebelled against

human programming.

Dolores and her hosts use the Westworld train to blast their way into the Mesa Hub – also

killing the human tech Phil.

Which seems pretty dumb, cause without Phil, they can't easily resurrect or reprogram

hosts – no going back for new Teddy.

Dolores' mission is to get her host father, Peter.

Bernard and Elsie also head to the Mesa Hub.

Elsie says that "the system's" "sending out" "bullshit quarantine notices" which

must refer to these message on Westworld sites, saying there's been a "mild" "viral

outbreak", and the parks are closed, but everything's fine.

Earlier, the site said the board members were still celebrating at the gala.

So apparently the outside world has no idea people are being murdered by Westworld robots.

Elsie finds that the park's being influenced by something inside the Cradle – the Cradle

is a big server where backups of host brains are stored.

Their minds are plugged in to a digital simulation of Westworld . So the Cradle's like a Matrix

for robot brains.

To investigate, Bernard plugs himself into the Cradle.

Inside the simulation, he sees digital copies of Dolores, Teddy and Robert Ford.

It turns out that the brain Bernard made a copy of earlier was Ford's, and now he lives

on in the Cradle – a ghost in the machine, influencing Westworld.

He says online that his "reach is limited".

But Elsie says the Cradle's affected systems all over the park . Through the Cradle, Ford's

been stopping Delos from getting control, keeping his changes like the lethal guns . He's

been affecting William's quest, and maybe Dolores and Maeve's stories.

Earlier this episode, Dolores played the Mariposa piano – she seemed in control.

But now we see Ford at the piano – suggesting that he's in charge.

But Ford's influence will likely end.

In the week ahead timeline, the Cradle is destroyed.

So unless someone puts Ford's mind back into a body – which is possible – Ford

might die a final time.

The beginning of this episode is even more confusing than the end.

Dolores speaks with someone who seems to be Arnold – Ford's partner who died thirty

years ago.

Arnold talks about the Escalante massacre – whether he should kill all the hosts to

try and save them from life in the park.

Then Dolores reveals that this conversation is actually a test for "fidelity" that

they've repeated "countless times" – like the tests on the robot clone of James Delos

in Episode 4.

So apparently, this Arnold is also some kinda clone.

But James was in a physical body.

This Arnold is probably a digital simulation – because this scene has the same narrow

aspect ratio as other scenes set inside the Cradle.

And it does make sense to run these fidelity tests digitally.

Much cheaper than physically burning and rebuilding James' room over and over.

And presumably, you could run the software fast – do a hundred iterations of Arnold

in one day, instead of over decades, like James.

But who is making this Arnold clone in the Cradle?

And why?

And when?

This might be a flashback from decades ago, with Ford trying to recreate his friend Arnold.

But it seems like Dolores is running this.

So maybe this is happening in the future, with Dolores trying to recreate Arnold.

In a connected scene at the start of this season, digital Arnold mentions a dream of

the ocean , which seems to refer to the flooded valley of the week ahead timeline.

Maybe the Bernard on the beach in the week ahead has this digital Arnold in his head.

That would explain why Bernarnold says he killed all the hosts – he's thinking of

the Escalante massacre thirty years ago.

So there's lots we don't know.

But it seems like this person is a copy of Arnold in the Cradle, probably made by Dolores

sometime in the future.

It's is a complex mish-mash of this season's themes – realness and replaceability, love

and relationships, identity and control.

But there is one more big Westworld mystery – how does William stay clean-shaven when

Dolores isn't around?

How does he keep smelling fresh through these blood-splattered gun fights?

The answer is the Dollar Shave Club.

For five bucks, you can get a starter set with a nice razor handle, shave butter, cleanser,

and butt wipes – so Bill can keep his butt fresh while he's sweating on a horse all

day.

After the first box, razors are just few bucks a month.

The Club also does soaps, skincare, haircare – all home-delivered at a low price.

So help Alt Shift X, and look your best, by signing up at dollarshaveclub.com/asx.

Thanks to the Patrons, including JeskaCheska, Stuart Velasco, Jared Jeyaretnam, Geo Morjane,

and thanks to Matt and Katie for the emails.

Cheers.

For more infomation >> Westworld S2E06 Explained - Duration: 13:24.

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Fish Sauce Wings (3-Ingredient Recipe!) | Thai Recipes ปีกไก่ทอดนำ้ปลา - Duration: 6:48.

Sawaddee ka, welcome to hot Thai kitchen today I will show you how to

make fish sauce fried chicken wings but first here's the story

my brother texted me a while back saying I got chicken wings what should I make

that's quick and simple and very quickly I said why don't you make "peek gai tod

nam pla" and then he's like..oh, and I thought wait a minute...why don't I make

"peek gai tod nampla" because it's such a simple and easy and delicious dish I

can't believe I've never shown you until now

so "peek gai" means chicken wings "tod" means to fry and "nam pla" is fish sauce

it's a really popular dish in Thailand especially as a drinking food because

it's sort of like Munchie and salty and goes super well with a cold beer and

it's one of the easiest fried chicken recipe you'll ever make

let's get started so I've got some wing flaps here and for this dish we only use

the flat not to say that you can't use the drums but I think it's better with

the flats as a higher skin to meat ratio and when we go to fry it it's actually

easier to work with these flats so you know they're also the better part of the

wing anyway right? Right. very very simple I'm just going to

season this with fish sauce and you notice I'm using a flat dish for this

because if I use like a bowl then all the fish sauce can end up at the bottom

and you're not gonna get an even distribution so something like this is

good or a ziploc bag is really good too and I'm just gonna toss them so I'll let

this marinate for about half an hour and then I'll come and flip them halfway

through to distribute that fish sauce so it works well if you find a dish that

fits them just right so you don't end up with like fish sauce all over the place

that's not touching the chicken and that's it I told you this was easy so

the chicken is done now I'm gonna dry off the marinade by putting it on this

paper towel here and you want to dry these off because you don't want the oil

going crazy when you fry these just block the top dry as well all right and

now as an option you could pepper these if you want to it's just got some ground

white pepper here you just keep it simple and just do fish

sauce now I'm gonna dust these with some rice flour which is gonna help absorb

moisture from the skin and create a bit of a crisp crust and the way I'm gonna

do this is I'm gonna take my sieve dust it like that just so it's mostly covered

I might just discover that this way you use up less rice flour you could just

like add it to a bowl and give it a toss and then I'm gonna flip them all and

dust the other side you can use cornstarch but I do prefer the texture

that rice flour gives so once it's mostly covered I'm gonna shake off the

excess I'm gonna throw all of these back into the sieve and then give it a

shaky-shaky cuz extra flour will gum up the oil real fast and if you see any

bald spots now the time to take care of them and then just toss toss toss toss

and then all the little extra bits will fall to the bottom and that's it

let's go fry these up as you can see I'm not using very much oil here I just need

about a quarter of an inch you could totally just deep-fry this if you want

but I am taking advantage of the fact that we're using flats and I can

actually shallow fry them because flats make a nice even contact with the oil so

just about a quarter-inch I'm gonna turn this on wait till it gets hot I'm gonna

go in with the pretty side down first it doesn't have to be ooh BRR hot this way

it gives you enough time to just like go in with the individual pieces and then

the oil will come up about halfway and it's perfect you save yourself some oil

the wings in North America bleed and you'll notice that though as once they

start frying they'll start to bleed and it bleeds because bones of the chickens

are still quite porous so sometimes there's blood that comes out like don't

freak out it's totally normal we're gonna cook all the blood off it's

fine it just looks a bit like a murder scene right now

so the first site I find is gonna take four to five minutes you want to wait

until the colors really nice golden brown deep golden brown not a light

golden brown and then the second side will take less

oh yeah look at that and just as a a tip I've turned down the heat while I'm

flipping these two so that it's not as aggressive

check these out it looks so good and they were so easy now what you're

looking for the skin should be dry like if I rub the skin like you can kind of

hear right like that it's dry skin we don't even tip eclis serve these with

any sauce it's just so good on its own again it's like drinking food so this is

dry and salty and then you've got your beer so good now I'm gonna go with this

Tom one mmm oh the smell of fried chicken

it's like magic chicken I need a beer where is my beer ah so good I mean this

recipe really goes to show the magical ingredient that fish sauce is I mean

there's basically one thing and the flavor that comes out of it it's just

like it's incredible I really really want you to try it just so that you know

how good fish sauce is and it's it's too juicy and that's the thing about wings

there's a lot of bones in there and the bones help to keep the meat moist it's

just so good like Sokka let me wrap off the show really quickly

because I really want to finish my wing so the recipe as always will be on hot

Thai Kitchen come when you make it send me a photo on Facebook Twitter or

Instagram I am also on Pinterest as well for those of you have pinners if you

haven't subscribed to the show make sure you do so you don't miss an awesome

thing like this and when you do click that little bell icon as well so you get

a notification when I post a new video you love the show you want to support us

check out our patreon link in the description below and I'll see you next

time for your next delicious Thai meal

one of the easiest fried chicken recipes you'll ever meet let's get started

so it's beautiful

For more infomation >> Fish Sauce Wings (3-Ingredient Recipe!) | Thai Recipes ปีกไก่ทอดนำ้ปลา - Duration: 6:48.

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Dean Cain's Gonna Be A Cop! | TMZ TV - Duration: 1:19.

>> CASPER VAN DIEN.

HE WAS LEAVING THE HOLLYWOOD

IMPROV.

SO WE TALK TO HIM ABOUT

COCKROACH MILK.

APPARENTLY THIS IS A NEW THING

AND PEOPLE WHO ARE NONDAIRY

DRINKERS ARE STARTING TO FREAK

OVER IT.

THERE'S MORE PROTEIN AND IT'S

WAY BETTER FOR YOU AND WAY

BETTER FOR THE ENVIRONMENT.

>> WOULD YOU EVER TRY COCKROACH

MILK?

>> YEAH.

>> I DON'T THINK SO.

>> IT'S GROSS BECAUSE WE'VE BEEN

TOLD IT'S GROSS.

NOT ACTUALLY GROSS.

HARVEY: IT'S REALLY TRUE.

>> THAT'S THE WAY WE'RE BROUGHT

UP, SOCIALIZED.

>> WOULD YOU LIKE TO HAVE

COCKROACH MILK?

>> SURE.

>> THERE YOU GO.

>> THE MOMENT I SEE COCKROACH AS

PART OF THE INGREDIENTS, I'M

OUT.

>> YOU EAT BEAVER GLANDS RIGHT

NOW AND YOU EAT ANAL FROM THAT.

>> WHAT?

HUH?

>> HAVE YOU HAD ANYTHING

RASPBERRY FLAVORED IN YOUR LIFE?

>> YEAH.

>> THEN YOU DRANK ANAL TINCTURE.

IT'S BEAVER'S RASPBERRY

FLAVORING.

>> HOW DO THEY FIND THAT OUT?

HARVEY: HOW DO THEY FIND THAT

OUT?

>> HOW MANY DIFFERENT ASSES OF

ANIMALS DO THEY HAVE TO GO

THROUGH BEFORE THEY DECIDE,

OH, BEAVER ASS IS A NICE ONE?

>> THEY COME BACK FROM THE

WOODS, OH, I WON'T SAY HOW I GOT

IT BUT BEAVER ANUS MIGHT TAKE

LIKE RASPBERRY.

[LAUGHTER]

>> HAVE A GOOD NIGHT.

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they r soo good

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✅ Gorillaz's new album 'The Now Now' features guitar legend George Benson.The virtual band fronted b - Duration: 2:22.

Gorillaz's new album 'The Now Now' features guitar legend George Benson.The virtual band fronted by Blur's Damon Albarn dropped new track 'Hollywood' - a collaboration with rapper Snoop Dogg - in March, and now it has been confirmed they will release the follow-up to 2017's 'Humanz' on June 29

Speaking to Zane Lowe on Beats 1, Damon teased: ''It's an album that I sing on, it's pretty much just me singing and is very in the world of 2-D but he's come out and he's singing very expressively

''I don't know, I feel really good about it. I feel really, really good about it.'''Humanz' contained a whole host of collaborations from the likes of Noel Gallagher, Pusha T, Vince Staples, Popcaan and Del La Soul, however, there is only Snoop, Benson and comic book artist JAMIE HEWLETT - who created the virtual band alongside Damon - on their sixth studio album

Asked if the record features many collaborations, Damon said: ''No, there is not really any. I wrote most of it on tour like in America

Snoop is on it because we were in LA and Jamie because he was on the tour.''Then I just randomly though of George Benson and that's it really

'' Jamie previously admitted he and the 'Country House' hitmaker will probably have a little break from Gorillaz - made up of virtual members 2-D, Murdoc Niccals, Russel Hobbs and Noodle - at the end of next year

He said: ''By the end of 2019, we're probably gonna say, 'Let's have a little break.' Or we're gonna say, 'Let's keep going

' ''After releasing 'Humanz', Gorillaz went on to drop a bonus track, 'Garage Place', in October.The group released their debut self-titled album in 2001

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Get 10.000 V bucks Glitch

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