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What's up YouTube? I just got back from vacation and I'm actually pretty excited
to talk about this topic - so the best way to take the street photos is ... actually go
out and take the street photos :D but you don't have to practice hard
if you're gonna practice right! I'm about to show
you how to make your photos looking like this <- look like this -> and I'm not talking
about the black and white filter! I'm gonna tell you how I instantly doubled
the number of keepers just by following those simple rules so - let's do it!
[Awesome intro Music] now you've probably heard a lot of times
rules are meant to be broken however before you should ever do that
you should build a strong foundation so you know what you are breaking! There are
tons of amazing pictures breaking the rules - but - if you don't want to be
just praying to get lucky - you can actually
teach yourself how to subconsciously make a better composition! So let's go
out and practice!
[Music] helicopters and other advanced techniques!
so you always have to make sure what you're shooting! Your subject is clear to
read by viewer. It's a relationship between figure, your subject and the
background. You are actually experiencing this principle every day while reading
the text. Dark figure on the light background or light figure on the dark
background! Now - when it comes to leading the eyes around the picture - you may now
close your eyes, now look at this picture and try to recognize - what is the first
thing that comes to your attention in the composition. Your eyes will always
try to find the strongest contrast available in the photograph and then you
will eventually realize whenever it is the main subject or not. When you think
about it, it's kind of like changing your three-dimensional subject into a
two dimensional one. By applying this principle you will be able to make your
photos easier to read, and therefore more pleasing. Try to remember this when
framing your shot. You can either wait for your dark subject to enter the light
background or the opposite - wait for your light subject to enter at the dark
background. Or you can "work the scene" and move yourself and the camera around to
actually adjust the background for your subject.
[Music]
[Music]
[Music]
[Music] This mistake is actually really easy to avoid once you know about it and focus
on it. Now... let's take a look at this photo. Well this should work for our
example. So let's place her on some random background I have found. As you
can see we already have some kissing errors in the picture right here, and
here. Now - what it does is... when you see it for the first time it is confusing and
it destroys the composition. Since I have copy pasted this girl on this background
I can move her around as I like. That's what you can actually do when you are
shooting outside with your subject. Now I want to move her so we get rid of both
kissing points. What I'm trying to do now is to overlap my subject and the
background. This is not the best background for this example since it
still kind of looks like the bar is going through her head. So in the field
you should either choose a different background or you can blur the
background with a low aperture. What I'm trying to do now is to overlap my
subject and the background. While you're focusing on the background and
the kissing you should also make sure, that nothing is kind of like - stucked in your
subject and everything is properly overlapped.
If not intended this mistake should definitely be avoided. By carefully
observing the background you not only can place your subject
within the right contrast area to make it easily to recognisable but you can avoid kissing to prevent the confusion. To do
this you have to usually wait for your subject to move or you have to "work the
scene." Touching is mostly think of subject and the background so most
commonly - what you should definitely watch for is the horizon.
[Music - Breathe by Daxten]
[Music - Breathe by Daxten]
[Music - link in description] it's very important to control the edges of your frame. But you may say - hey
Martin I can always crop the the picture, right?
well yes... and no. Let's now pretend you are not like the true, true street
photographer that never crops a picture. And you are heavily cropping whatever picture you have. However this might not
be an option in a lot of situations. Like your subject is on the way, you losing
too much picture quality, you're losing the ratio you want to print out later,
and so on and so on. You are doing street photography because it's fun, not because
you want to win the Olympics. So the best picture (ever time) is not always the goal.
I think it's important to actually learn how to do it. And not to photoshop into
the best picture possible. So even though it's not possible every time, you should
try to run your eyes around the frame. What we usually think by the edge
flicker is... when something unneeded is entering your picture and quite similar
phenomena is - when you cut something that's supposed to be in the picture.
Like leg or arm or head etc. If it's not intentional - what it does is - it flickers
for your attention and disrupts composition. The edge flicker can distract
and ruin your photo. There are always exceptions and I'm not saying principles
have to be always followed. However to be able to break the rules you should first
build a strong foundation so you know what you are breaking. I mean do NOT
settle with just so - or just fine! Always strive for perfection! so to sum it up. Watch for the background of your
subject and try to place them within the right contrast area. Separate your
subject or overlap them. Watch for the things that might
unintentionally enter or exit your frame. Anyways there will be all for today! So
thank you guys for watching! Make sure you leave me or Instagram down in
the comments! I will make sure to check them out and I will
see you guys next time! [Music]
Thank you once again for watching!
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