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Hi, guys! Welcome back to my channel and
if you're new here... Hi, my name is Heather
and I like to draw stuff. So I decided to
make a new series on my channel starting
today and it's going to be called "Study
Sunday" and it's going to be basically my
time to work on my art... where I do some
kind of study whether it's trying to
draw from a photograph or do a master
study or maybe studying anatomy or
something like that and I'll just talk
you guys through my process and
different ways that you can improve your
artwork, things that I've found, obviously
I'm still learning and I'm still trying
to improve but these are just tricks I
found that really help. So today I'm
going to start out by trying to paint
from a portrait that I found online. I
couldn't find the photographer's name
but I'll have the model information linked
down below from what I could find. This
is definitely one way to greatly improve
your art is to take realistic photos and
try to paint from them, but I don't
recommend using any kind of eyedropper
tool when you do this. It's really
important to learn how to see color and
see value on your own, so being able to
pick up those colors is really great. If
you do need to use the eyedropper tool
to kind of see what the color looks like
and then try to find that on your own
that's perfectly fine but definitely
trying to pick those out, and the same
thing with sketching, definitely, I don't
recommend tracing. It can be helpful in
some situations but just trying to match
them up the best that you can will help
enormously in my experience. So I started
out by picking a portrait of a male that
I found because I'm typically
comfortable with drawing women my age
and who look like me, so I wanted to kind
of go outside of that
zone. It helps a lot if you pick an image
that is kind of grayscale and you
definitely want something with strong
lighting- that's going to make it a lot
easier to pick shadows out. Something
that has very even lighting is going to
be pretty flat and harder to duplicate.
So I start out drawing with just a round
flat brush- it's like the standard in
Photoshop- I don't want to add any kind
of texture, filters, that kind of stuff
that's just going to be distracting. I
just want to focus on the fundamentals
of drawing and painting, and I'm just
going to start with a loose sketch and
try to get the real like basic shapes of
this guy's face, and one way that I find
really helps is adding guidelines for
yourself. So like you can see me drawing
these horizontal lines and it's
basically lining up- I noticed that his
ear kind of lines up with about midway
on his forehead so I kind of draw a line
and it gives me a sort of a guideline.
The same thing with the bottom of his
ear seems to line up with about the
bridge of his nose and so on and so forth.
I find that it's really important to
establish a strong sketch before you
start painting. If you start painting
right away and you kind of get ahead of
yourself and it's going to be really
hard to correct those issues when you
run across them later. In my experience I
found that anatomical issues are really
difficult to correct once you've started
actually painting, so I definitely
recommend getting the sketch down.
Don't be afraid to spend a lot of time
on the sketch and really refine it and
make sure that you've corrected any of
those issues. You'll also see me flipping
the images in this and that's a way to
get a really clear view of what you're
working with. You kind of get used to
what you're looking at while you draw, so
it helps to kind of flip the image
because you'll get a clearer perspective
on it, especially if you flip both your
image and the reference image, it just
gives you a clearer perspective. If
you're drawing traditionally what I was
taught to do is actually flip your
entire image upside down when you're
drawing and the same with your reference
image. It'll look really weird to
you at first but that's how you can
really spot those big errors. Next,
I'm just going to go into a layer under
the sketch and I'm going to paint the
whole thing with the darkest value that I
can find on his face. I just went with a really
dark gray and then from there I'm going
to lighten that up, so I'm going to just
gradually bring out the lighter tones in
his face. I'm going to go in with a white at
really low opacity, and we're going to just
lightly brush that on and get a nice
gray and then we'll keep adding that
white at a low opacity and building that
up. So I'm going to concentrate on the
larger areas of the face and definitely
don't go into detail yet, you want to
work slowly up to that detail, you want
to work broad to specific so I'm going
to focus on the really bright areas of
his face which is around like his ear,
his neck, and his like cheekbone area and
his jaw. At this point I've merged the two
layers together. I do like to one layer
paint, so after I've established that
color, or value, I guess, underneath the
sketch I'll go ahead and merge them
together so that I can kind of blend in
those sketchy lines into the actual painting
♪♪ My Island 3 by Jonatan Järpehag playing
so now I'm going to go in and not get
too specific, but going to be adding
in a little bit more detail around the
eyes, so at the brow bone, the inner
corner, under the eye, and around the ear,
highlighting that a bit. That's going
to give it a little bit more depth,
giving it that kind of detail
♪♪ My Island 3 by Jonatan Järpehag playing
and then I'm going to go in with the
eyebrow and kind of make it a bit more
messy instead of just a block of black.
We're going to give it a couple hairs,
that give it like some individual life and
just going to mess with the eye a bit
more. This eye really gave me trouble for some
reason, but I'm adding a bit of
highlight then moving down into the lip
area and the chin, then I'm going to go
in and block in the darkest color which
is the hair. I'm not going to spend
too much time on the hair because this
portrait I really want to try just
making it have a likeness to the model
and I don't really think going in and
adding a ton of detail to the hair is
really necessary, but I do want to get
the basic shapes down and the basic
value of that down. But, again, my
goal is to get a realistic rendering of
the face and a likeness of the figure in
a short amount of time. So I'm just
going to add in the basic shape of the hair-
he had some really wild hair and it was
fun to draw but it was kind of difficult..
♪♪ My Island 3 by Jonatan Järpehag playing
I'm going to take that black and a
darker gray and add in a bit more depth
and value around the nose and really
push those shadows. Once again I'm going
to take that white and now push the
highlight even further on his cheekbone and jaw
and neck and those areas, because our
value is lacking a bit still. Again, doing
these kinds of studies will really help
to improve your artwork because a lot of
these shadows we don't really know how
they look in reality until we study like
a picture or something like that like
the shadow around his eyes- it's
really interesting and I had no idea how
to capture that at first, but that's kind
of how you learn is- you learn how
light falls on different shapes and
you're not going to be able to learn
that without examining reality.
♪♪ My Island 3 by Jonatan Järpehag playing
and again I had a big problem with the
eye and you'll see why I try to really
nail the sketch
obviously I didn't, but, because it's kind
of difficult to go in there and move
things around once you started painting
and adding a bit more detail. Don't be
afraid to make major changes in a
painting, even if you've started adding a
lot of detail, don't be afraid to go
back and change a major error. It's
really important that you get the
anatomy parts right, because it might
look pretty but if it looks nothing like
the person or it doesn't really look
realistic, people will notice that. It's
really important to not be afraid of the
artwork. It's easy to think something is
good enough or it's looking really nice
so you don't want to go back and change
something but you have to have faith in
your ability as an artist and have faith
that you'll be able to make the change
and go back in and add the same amount
of detail and it will still look just as
good. It's definitely something that I've
noticed that artists are really afraid
to make those kinds of changes once
they're far in a painting, but sometimes
you just have to and in the end it will
definitely look a lot better. I'm just
going to kind of push and pull the
values, the light and darks, especially on
the neck, and that's pretty much it and
I'm just going to finish up here.
I hope you guys enjoyed the video! If you
did and you want to see more videos like
this, maybe more process or tips for
improving your artwork, please do
leave it in the comments down below or
give this video a thumbs up I would
really appreciate that and I hope you
guys enjoy the video, but most of all,
I hope that you have a wonderful day, and I will see
you guys in the next video!
♪♪ In Our Hands by Sebastian Forslund playing
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